Fine Art Photography

Köln.: Ansicht aus der Vogelschau. Kupferstich aus Merian, 1675. Gr.4°.

Hessen.: Hassia Landgraviatus. Kupferstichkarte aus Merian, 1685. 4°.

Bedburg.: Gesamtansicht. Kupferstich von M.Merian, 1647. 4°.

Anonym.: (19.Jhdt.). Küstenlandschaft mit Segelbooten und Burgruine. Aquarell/Papier, mit Passepartout hi. Gl. gerahmt, 16 x 21,5 cm. D

Mabef, Italië, beukenhouten schildersezel Uit de nalatenschap van Clemens Merkelbach van Enkhuizen

Hollstein, Erwin: (1892 Schlochau - Remagen 1966). Karikatur. Zeichnung mit blauer Tinte 1958. Ca. 10,5 x 15 cm. Unten links sign. u. dat. R

Allendorff.: Gesamtansicht. Kupferstich aus Merian, 1685. 8°.

Duisburg.: Planaufsicht. Kupferstich von M.Merian, 1647. 8°.

Lippe.: Aufsicht auf der Vogelschau. Kupferstich von M.Merian, 1647. 4°. - Mit Wurmfraß an 2 Stellen.

Düren.: Gesamtansicht. Kupferstich von M.Merian, 1647. Qu.8°.

Sevilla.: Altkolor. Guckkastenkupfer. Vue perspective de la grande place de Francoise a Seville. Um 1760, bei Daummont Paris. D

Bernkastel mit Burg Landshut.: Gesamtansicht. Kupferstich aus Merian, 1685. 8°. - Hier irrtümlich als "Welmenach" bezeichnet.

Wierix, Antonie: (1552 Antwerpen 1624). Büßende Maria Magdalena. Radierung. Plgr. 27,6 x 20,1 cm. Mit Namenszug i.d.Pl. R

Osnabrück.: Gesamtansicht. Kupferstich von M.Merian, 1647. 4°.

Anonymer Künstler.: Kirchenruine umgeben von Gehöft und Menschen. Bleistiftzeichnung. 20. Jhdt. 32 x 51,5 cm. D

Allendorf.: In den Sohlen. Gesamtansicht. Kupferstich aus Merian, 1685. 8°.

Schlieben, Hedwig von: (1882 - ?). Un(') passione. Radierung mit rötlichem Plattenton. 19,3 x 11,5 cm. Betitelt u. sign. - Weißer Rand minimal fl....

Krefeld Uerdingen.: Gesamtansicht. Kupferstich aus Merian, 1675. Gr.4°.

An Arts and Crafts miniature portrait of a young woman. Initialled AMM, contained in a repousse decorated oval frame, 10X7.2cm.

20th century Continental School - Oil on panel - Pair of 19th century style maritime studies, 29cm x 39cm, in gilt frames

Johannes Blaeu - 17th century hand-coloured county map of Norfolk, 'Nortfolcia / Norfolke', with typewritten label verso stating 'J. Blaeu c. 164...

James Baker Pyne (1800-1870) - Watercolour - 'Westward evening view of the Avon Gorge from Clifton Down', signed and dated '35, 39cm x 49cm, fram...

Pair of 19th century style maritime studies, the larger oil on canvas - 23.5cm x 29cm, the smaller oil on panel - 14cm x 23cm, both on wooden and ...

Edward Colston Lavars (1842-1917) - Late 19th century coloured lithograph - 'Bird's Eye View of Bristol', Jubilee Year 1887, 34cm x 86cm, framed u...

Set of botanical prints after George Samuel Elgood to include; 'The Pergola, Great Tangley', 'Brockenhurst: The Garden Gate', 'Crathes: Phlox', 'C...

Four Frederick Algernon Stewart signed prints - 'The Blackmore Vale', 'The Cattistock', 'The Earl of Berkeley's' and 'The Haythrop', 25cm x 63cm, ...

John Mace (b. 1937) - Two small oils on board - Mallards, both initialled lower left, 11.5cm x 17cm, gilt frames

Domingo Alvarez Gomez (Spanish, b.1942) - Watercolour - 'Carla Reclining I', signed lower right, 58cm x 71cm, with National Fone Arts certificate ...

Trevor Price (b.1966) - Limited edition coloured etching - 'The Big Sleep' St Ives, number 33/100, signed in pencil lower right, 47cm x 43cm, fra...

Limited edition print after Alfred Wallis - Lighthouse with trawler and fish, 27 / 750, unsigned, 36.5cm x 45.5cm, framed and glazed

Seven silver mounted easel picture frames, 18.5cm wide and smaller

Late 19th century English school - Watercolour study - 'Bristol Gorge, 1873', 14.5cm x 19.5cm, in modern framed under glass

20th century English School - Oil on board - Nude study, signed 'G R' lower right, 54cm x 66cm, in gilt frame

19th century English school - Pencil sketch of the Clifton Suspension Bridge from St. Vincent's Rock towards Leigh Woods, signed indistinctly and ...

Howard Dicks (British, 20th century) - Oil on board - Salvation Army Bandsman, signed and dated 1979, 49cm x 33cm, in textured gilt frame

William James Muller (1812-1845) - En Grisaille watercolour - St Nicholas Street, 23.5cm x 19cm, framed

20th / 21st century School - Oil on board - Figure in Water, signed 'F. Vizgili' lower right, 48cm x 38cm, in gilt frame

Peter Jorgensen - Watercolour - Poppies, signed lower right, 52cm x 52cm, framed under glass, Alexander Gallery label verso

Pair of glazed terracotta cats, each with blue glass eyes and wearing a bow tie collar, 33cm high

Alan King (1946-2013) - Oil on board - 'Snow Bridge', Hagley, Somerset, signed lower right, 24cm x 29.5cm, gilt framed, King's Fine Art label verso

Victor Noble Rainbird, (1887-1936) - Watercolour - 'An Impression Amiens' France, 45.5 x 30, framed under glass

20th century British school - Oil on canvas - Still life with fruit - 39.5cm x 50cm, in gilt gesso frame

Martin Snape (1852-1930) - Watercolour - Vale of Clwyd, North Wales, signed lower left, 27cm x 46.5cm framed under glass

Assorted group of prints to include; set of five coloured engravings after Joseph Farrington RA , 'The View of the Ruins of the Bridge of That Tow...

Alan King (1946-2013) - Oil on board - 'Winter Stroll', Northwood, Devon, signed lower right, 24cm x 29cm, gilt framed, King's Fine Art label verso

Late 19th century rectangular portrait miniature on ivory, still life of a vase of flower, signed indistinctly lower right, 7cm x 5.5cm, within eb...

Portugal, a pair of original hand drawn design essays for the face and reverse of a 500 Escudos note, produced most likely for Bradbury Wilkinson ...

A Large bound scrapbook, containing hundreds of reference images which have been stuck to the 27 thick card pages, including many 19th century eng...

Antique French wood printing blocks, one figurative, with a monk being guided to a hilltop fortified town, perhaps Véselay, approx. 12 cm by 16cm,...

The Reserve bank of New Zealand, a collection of stunning original design essays for the face and reverse of a £50 note, produced by Bradbury Wilk...

Central Bank of Paraguay, a pair of original hand drawn design essays for the face and reverse of a 10 Guaranies note, on thick card, the illustra...

A collection of Bradbury Wilkinson prints, including die proofs and plate proofs, all bear a 'Bradbury Wilkinson & Co Ltd engravers London' mark a...

A collection of die and plate proofs, approximately 25 prints, most on thick woven paper, including portraits, vignettes, figures and some scenes,...

Central Bank of Trinidad and Tobago, a collection of three important original hand drawn design essays for the face and reverse of the 1964 5 Doll...

French Equatorial Africa, an important original hand drawn design essay for the reverse of a 1941 1000 franc note, research shows that this was is...

The Central Bank of the Bahamas, two original hand drawn design essays for the face and reverse of a $20 note, the art work done at Bradbury Wilki...

The Reserve bank of New Zealand, a pair of hand drawn early stage design essays for the face and reverse of a £10 note, most likely produced for...

Hong Kong, four nice handrawn and watercolour essays designs for Hong Kong $1 stamps, each painted on board with designs for a chinese junk, Stree...

National Bank of Belgium, an original hand drawn design essay for the face a 100 Franc note, possibly circa 1920's, this design essay is in black ...

The Reserve bank of New Zealand, a pair of hand drawn early stage design essays for the face and reverse of a £5 note, most likely produced for ...