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WILLIKENS, BEN (geb. 1939), "Raum 5" aus der Serie "Räume", Serigraphie/Papier, u.re mit Bleistift von Hand signiert, u.li. mit Bleistift num. 258/770, auf Blatt mit Reproduktion der Zeichnung "Raum 5, 80er Jahre" montiert, HxB: Blatt Serigraphie ca. 39,5x42,5 cm, Blatt gesamt ca. 79,5x42,5 cm, Außenmaße Rahmen ca.81x43,5 cm. In verglastem Rahmen. Minim. Altersspuren. | WILLIKENS, BEN (born 1939), "Raum 5" from the series "Rooms", serigraphy / paper, lower right signed by hand in pencil, lower left with pencil num. 258/770, mounted on sheet with a reproduction of the drawing "Room 5, 80s", HxW: Serigraph sheet approx. 39.5x42.5 cm, sheet total approx. 79.5x42.5 cm, external dimensions of frame approx.81x43.5 cm. In a glazed frame. Minim. Signs of age.
PURE EVIL (b.1968) 'Sex and Moderate Violence', serigraph in colours, signed in pencil in the margin and numbered 22/100, 51cm x 87cm Provenance: purchased from ArtRepublic, Brighton Condition: the print in good condition, framed in a simple white painted frame, the frame with some marks, dents, scratches and some damages Artists resale rights may apply to this lot, please see our terms and condition for full details
Rizzi, James (1950 -New York- 2011) - „Life inside the big apple“, 3-D-Farbserigrafie auf Velin, 1989, im Druck datiert, in Blei signiert „RIZZI“ und nummeriert „26/350“, im Passepartout unter Glas gerahmt, PP-Ausschnitt ca. 33x29cm, Rahmengesamtmaße: ca. 49x44,5cmRizzi, James (1950 -New York City- 2011) - „Life inside the big apple", 1989, color serigraph (3-D print) on wove paper, signed and numbered „26/350“, mounted behind glass, mat window: appr.33x29cm, frame: 49x44,5cm
[FINE PRESS BOOKS]. A group of 5 works, comprising:CERVANTES, Miguel de The History of Don Quixote de la Mancha. Jean de Bosschère, illustrator. London: Constable and Company Ltd., 1922. FIRST EDITION. -- SWIFT, Jonathan. Travels Into Several Remote Nations of the World. Waltham St Lawrence, Berkshire: The Golden Cockerel Press, 1925. 2 volumes. Provenance: A. H. Spencer (bookseller's label). LIMITED EDITION, number 70 of 480 copies. -- SKOTNES, Cecil and Stephen GRAY. The Assassination of Shaka. Johannesburg: McGraw-Hill, 1974. FIRST EDITION, LIMITED ISSUE, number 70 of 250 copies SIGNED BY SKOTNES AND GRAY. -- MELVILLE, Herman. Moby Dick, or the Whale. Mount Vernon, NY: The Artist's Limited Edition, 1975. 13 plates. (Lacking serigraph frontispiece.) LIMITED EDIITON, number 888 of 1,500 copies. -- WILDE, Oscar and William FOGG. The Harlot's House. Fullerton, CA: Greybeard Press, 2004. 6 tipped-in illustrations by Fogg. [Laid in:] Original black and white print SIGNED BY FOGG in ink lower margin, matted. Publisher's prospectus. LIMITED EDITION, number 8 of 50 copies SIGNED BY FOGG. -- Together, 5 works in 6 volumes, all folio or 4to, all in original publisher's bindings, ALL FIRST EDITIONS OR LIMITED EDITIONS where indicated, condition generally fine.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Star Wars 'The Empire Strikes Back' Serigraph by Eric Tan, fine art serigraph, exclusive release by Disney Store, limited edition No.74 of 100, signed and numbered in pencil, image dimensions 36" x 12", in original contemporary matt black frame with certificate to rear, framed dimensions 44" x 20", E
Star Wars 'Return Of The Jedi' Serigraph by Eric Tan, fine art serigraph, exclusive release by Disney Store, limited edition No.28 of 100, signed and numbered in pencil, image dimensions 36" x 12", in original contemporary matt black frame with certificate to rear, framed dimensions 44" x 20", E
John Lennon (1940?1980) British 'I've been getting into jazz man', rare limited edition serigraph, no. 74 out of 300, numbered in pencil, with red seal stamp and embossed signature 'John Lennon' bottom right, depicting a cartoon scene with John Lennon 'I've been getting into Jazz, man' 'I've been trying to avoid it all my life', within a glazed white painted frame, 76 cm x 98 cm
Valerio Adami (1935 in Bologna geb.)"Bosco di Cipressi" (Weibliche Rückenansicht vor Zypressen), 1990er Jahre, Farbserigraphie, u.r. handsign. "Adami", Ex. 567/700, ca. 47,5x36cm, gerahmt (ca. 60x47,5cm), Rahmen m. Gebrauchsspuren Valerio Adami (b. 1935, Bologna)"Bosco di Cipressi" , 1990s, colour serigraph, signed "Adami" bottom right, Ex. 567/700, ca. 47,5x36cm, framed (ca. 60x47,5cm), frame with signs of age
Die Kunst der GraphikSammelmappe der Edition Volker Huber/Offenbach am Main, mit 6 von 7 Graphiken: Esteban Fekete, "La Poule", Farbholzschnitt, Ernst Fuchs, "Flora Okuli", Aquatintaradierung, Rudolf Hausner, "Adams Lebensbaum", Farb-Serigraphie, Horst Janssen, "Selbstporträt", Kaltnadelradierung, Karl Rössing, "Toskanische Landschaft", Farb-Linolschnitt u. Paul Wunderlich, "Kleiner Steindruck", Farblithographie, alle Graphiken von 1975 u. Ex 8417/10000 sowie handsign., Blattgröße ca. 41,5x30cm, min. Gebrauchsspuren Die Kunst der Graphikfolio edition Volker Huber/Offenbach am Main, containind 6 of 7 prints: Esteban Fekete, "La Poule", woodcut in colours, Ernst Fuchs, "Flora Okuli", aquatinta, Rudolf Hausner, "Adams Lebensbaum", colour-serigraph, Horst Janssen, "Selbstporträt", drypoint etching, Karl Rössing, "Toskanische Landschaft", colour linolcut a. Paul Wunderlich, "Kleiner Steindruck", colour-lithograph, each 1975 a. Ex 8417/10000, each signed, sheet ca. 41,5x30cm, min. signs of age
The Grateful Dead - five limited edition posters including Mardi Gras 1995, numbered 2310 / 7500 with a certificate of authenticity, four different designs for the 50th Anniversary celebration concert 2015 'Fare Thee Well', all numbered, two are also signed by the artist, four rolled. (5)Provenance: from a private collector.Condition Report: Very slight rubbing to corners, black in the Status Serigraph is very slightly scuffed, most near mint.
After Pablo Picasso (1881-1973),'Etude Pour Yuri Gagarin' (Study For Yuri Gagarin),A woman and dove,serigraph,unsigned,16 x 27 cm CONDITION REPORT: Dimensions excluding frame. Framed and glazed. This picture shows a signature which forms part of the print itself, it has not been signed by hand after the printing process.
Gudmendr Erro (1950-) - La Saint Charlemagne, Paris Le Soleil Noir, 1976, folio edition no.8/250 containing two serigraphs signed by Erro, with introductory script in French, signed in pencil by Robert Lebel, each serigraph beneath a Perspex panel, 51cm x 33cm - Artist Resale Right may apply Condition: Damage to front, back covers and spine, with stains present as well, the serigraphs having some creases and stains present to both of the pieces, please check extra images provided prior to bidding. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Sadamasa Motonaga, Japanese figure, screenprint, signed and numbered 60/100; Otto Herbert Hajek, Geometric Composition, screenprint, signed and numbered 80/150; Ludwig Wilding, untitled serigraph, signed and numbered 62/100; Ado, screenprint, signed and numbered 178/250; together with Akira Kurosaki, untitled lithograph, numbered 11/100 (5)
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF THREE BLUE PAPER PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising three color serigraph on blue paper, the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: A chew mark and hole to one at top, fading at edges to all, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
BEZALEL SCHATZ (Palestinian 1912-1978) AND HENRY MILLER (American 1891-1980) A GROUP OF TWO BLACK AND WHITE PAPER PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, two color serigraph respectively on black paper and white paper, the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: A few expected chew marks and holes, toning mostly on white paper pieces, white paper piece with stain in margin, expected surface wear and tone, some rubbing and transfer soil on surface, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
GEORGE RODRIGUE (American/Louisiana 1944-2013) A PRINT, "Truly Rudy," color serigraph on paper, signed L/L, "Rodrigue," and special edition number, verso a pencil inscribed number. 20" x 15 1/2" Note: America's favorite "Blue Dog" celebrates the holiday season dawning some cheerful antlers and a Rudolf the Rednosed Reindeer nose. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF PRINTS AND BOOK COVER, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, serigraphs on paper, rice paper and cloth, fifty-three unbound paper pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Nightlife, serigraph and illustrations by Bezalel Schatz, accompanied by one rice paper sheet serigraph in blue and red ink, signed in plate, and a blue cloth board cover with felt applique, all unbound, the present published independently by the artists in an original edition of 800, cover: 26 1/2" x 16 1/2", sheets: 20" x 13", rice paper: 15 1/4" x 13". Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some tears and toning throughout, creases to rice paper with some small tears, losses and chewed at edges, clipped blue cover corners with bends and some wear, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
PATRICK CAULFIELD (British 1936–2005) A PRINT, "Pink Jug," 1981-1982, screenprint on paper, signed and numbered 29/80 L/R in pencil. 30" x 23 1/2" Note: Pink Jug was designed by the British artist Patrick Caulfield in London in 1981. As with all of his prints, Caulfield initially composed the work in the form of an acrylic painting. It was printed in 1982 at Kelpra Studio, a fine art print workshop in London, on white, heavy-weight, machine-woven paper using serigraph inks, which may have been oil-based. Colour was applied at a uniform thickness across the composition. It was published within an edition of eighty by Waddington Graphics, London, in 1982, although the edition number of this particular print is not known. The work is float-mounted on museum board using paper hinges and has been framed for display by Tate. The critic Mel Gooding has written that the ‘simple, schematic and direct’ style of Caulfield’s prints from the early 1980s represented a shift from the highly complex compositions in his prints and paintings of the mid-to-late 1970s (such as Still Life Ingredients 1976, Estate of Patrick Caulfield, London; Caulfield and Gooding 1998, p.14). Pink Jug is one of a group of four screenprints made by Caulfield in 1981–2, all of which depict jugs in the same stylized manner From the Tate Collection website Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Light mat stain, tape verso, overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
LEROY NEIMAN (American 1921-2012) A PRINT, "Kenya Leopard," color serigraph on paper, signed in pencil in L/R margin, and marked, "A.P.," artist proof L/L margin. 21 1/2" x 37 1/2" Provenance: Property belonging to Parmer and Aileen D. Freeman, Houston, Texas. Condition: Mild expected surface wear and tone throughout margins, but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF SIX BLACK, BLUE, AND WHITE PAPER PRINTS, SIGNED, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising six color serigraphs; on one blue paper, one half sheet on black paper, and four on cream white papers, one page signed, "Henry Miller," in black ink and "Bezalel Schatz," in blue ink, pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraph by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some expected chew marks and holes, fading at edges, the black paper with a surface stain, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
GEORGE RODRIGUE (American/Louisiana 1944-2013) A PRINT, "Midnight Surprise," color serigraph on paper, signed L/R, "Rodrigue," and numbered 6/150, verso pencil inscribed with numbers. 20" x 16" Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
BEZALEL SCHATZ (Palestinian 1912-1978) AND HENRY MILLER (American 1891-1980) A GROUP OF TWO PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, color serigraph, one on black paper with introduction and printing details, and the other on translucent paper, signed and dated in plate; the pages with serigraph text reproducing Henry Miller's manuscript, the original text an excerpt from Black Spring used in Into the Night Life, artwork and serigraphy by Bezalel Schatz, unbound, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some mild surface wear, creases, rubbing, some edge wear, and two tears (1 3/4", 2 3/4") upper left to the thin paper, expected surface wear and tone, and overall in good to very good condition, wear commensurate with historically noted poor storage conditions of the original printings. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HENRY MILLER (American 1891-1980) AND BEZALEL SCHATZ (Palestinian 1912-1978) A GROUP OF TWO PRINTS, FROM "Into the Night Life," FIRST EDITION, UNBOUND, BERKELEY, CALIFORNIA, 1947, comprising two color serigraph on paper, text by Henry Miller, artworks by Bezalel Schatz, from an unbound edition, the present published independently by the artists in an original edition of 800. 15 1/4" x 24 1/2" Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some expected worm or pest holes, mild expected tone, and some mild bends near edges and corners, the wear though present is desirable and consistent with historically documented poor storage, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Untitled (paste up) (2009)Not signedBlack, watercolored serigraph on light wallpaperTotal sheet size: 73 x 50 cm (Framed and behind glass)NOTEMade for the LA Art Show, 2009 editionPROVENANCEFrom a private Dutch collector(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
Untitled (paste up) (2009)Black, watercolored serigraph on light wallpaperTotal sheet size: 73 x 50 cm (Framed and behind glass)NOTEMade for the LA Art Show, 2009 editionPROVENANCEFrom a private Dutch collector(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
Peter Brüning (1929-1970), o.T., Farbserigraphie aus der Mappe: Künstlerkalender - Druckgrafik 71, Albrecht Dürer Gesellschaft Nürnberg, Moos Verlag München, zum Dürer Jahr 1971, u. re. handsign. u. dat. (19)70, u. li. num. 81/200, Blattmaße 59,5 x 40 cm Peter Brüning (1929-1970), o.T., color serigraph from the portfolio: Künstlerkalender - Druckgrafik 71, Albrecht Dürer Gesellschaft Nürnberg, Moos Verlag München, for the Dürer year 1971, u. r. signed and dated (19)70, u. l. numbered 81/200, sheet dimensions 59.5 x 40 cm
Gustavo, d.i. Gustavo Penalver Vico (*1939), spanischer Maler, tätig auf Mallorca, sehr große Serigraphie ''Udo Lindenberg'', u. re. handsign., u. li. als Ex. E.A. bez., 113 x 84 cm, hinter Glas ger. 140 x 100 cmGustavo, d.i. Gustavo Penalver Vico (*1939), Spanish painter, active in Mallorca, very large serigraph ''Udo Lindenberg'', u. r. handsigned, u. li. as Ex. E.A. inscribed, 113 x 84 cm, framed behind glass 140 x 100 cm
Jörg Immendorff (1945-2007), ''Maueraffe'', große Farbserigraphie auf schwerem Velin, u. re. sign. u. dat. (20)05, u. li. Ex. e.a., 100 x 70 cmJörg Immendorff (1945-2007), ''Maueraffe'', large color serigraph on heavy wove paper (papier vélin), signed & dated (20)05 lower right, ex. e.a. lower left, 100 x 70 cm
Jörg Immendorff (1945-2007), ''Rotes Pferd, Affe und Augenkugel'', große Farbserigraphie auf schwerem Velin, u. re. handsign. u. dat. (20)02, u. li. Ex. e.a., 60 x 50 cmJörg Immendorff (1945-2007), ''Red Horse, Monkey and Eyeball'', large color serigraph on heavy wove paper (papier vélin), u. r. signed and dated (20)02, u. l. ex. e.a., 60 x 50 cm
Jörg Immendorff (1945-2007), ''Herzaffe'', Farbserigraphie auf schwerem Velin, u. re. handsign. u. dat. (19)97, u. li. Ex. e.a., 76 x 55 cmJörg Immendorff (1945-2007), ''Heart Monkey'', color serigraph on heavy wove paper (papier vélin), u. r. signed and dated (19)97, u. l. ex. e.a., 76 x 55 cm
A.R. Penck (1939-2017), verpixelter Kopf, Farbserigraphie, 1992, Ex. h.c. außerhalb der Auflage, u. re. mit Bleistift handsign., Blattmaße 29 x 39 cmA.R. Penck (1939-2017), pixelated head, color serigraph, 1992, ex. h.c. outside the edition, signed in pencil lower right, sheet dimensions 29 x 39 cm
Andy Warhol (1928-1987), Marylin, Farbserigraphie auf leichtem Karton, verso mit den Stempeln 'published by sunday b. morning' sowie 'Fill in your own signature', farbfrisch in schönem Zustand mit nur minimalen Gebrauchsspuren, 90 x 90 cm, hinter Glas ger.Andy Warhol (1928-1987), Marylin, color serigraph on light cardboard, verso with the stamps 'published by sunday b. morning' as well as 'Fill in your own signature', fresh in color in nice condition with only minimal signs of wear, 90 x 90 cm, framed behind glass
Monogrammist A.E., Op-Art Künstler 2. H. 20. Jh., Serigraphie auf leichtem Karton, verso monogr., dat. (19)79 u. num. 11/50, 46 x 46 cm, ger. 53 x 53 cmMonogrammed A.E., Op-Art artist 2nd h. 20th c., serigraph on light cardboard, verso monogrammed, dated (19)79 a. numbered 11/50, 46 x 46 cm, framed 53 x 53 cm
ALEXANDER CHEN. Framed, signed and titled ‘Central Park Bridge - Winter’, mixed media serigraph, icy lake in New York park, marked I106/550, 27.5cm x 43cm. Important: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Kiki Kogelnik* Bathing in green, 1978 Serigraphie; gerahmt, 101,5 x 66 cm (Blattmaß) Signiert, datiert, bezeichnet und nummeriert unten: 175/200 Kiki Kogelnik 78 österreichischer Privatbesitz Kiki Kogelnik* Bathing in green, 1978 serigraph; framed, 101,5 x 66 cm (sheet size)signed, dated, inscribed and numbered at the bottom: 175/200 Kiki Kogelnik 78 private property, Austria

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