2659 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
2659 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
2659 Los(e)/Seite
Color serigraph on paper by Post Impressionist artist Itzchak Tarkay that depicts a Gitana wearing a red headscarf, orange tones skirt, and striped blue stockings who sits in a richly colored interior. Signature in pencil on lower right: Tarkay. Numbered on lower left: 250/425. Housed in a blueish grey frame with a textured ecru mat and orange border. Sight size: 14"L x 18.50"H. Frame size: 23"L x 28"H x 1"W. Artist: Itzchak Tarkay (Israeli 1935-2012)Edition Number: 250 of 425 Country of Origin: IsraelCondition: Age related wear.
NÄGELE, THOMAS F. (1924), "Rühmelins Mühle, Murrhardt", 1986, Farbserigraphie auf Papier, im Druck monogrammiert und datiert, mit Bleistift nummeriert 50/60, betitelt und signiert: 'Rühmelins Mühle, Murrhardt, Thomas F. Naegele', hinter Passepartout montiert. HxB Sichtmaß Blatt: ca. 25 x 40 cm (HxB Rahmen: ca, 43 x 53 cm). Mit verglastem Rahmen.| NÄGELE, THOMAS F. (1924), Rühmelin´s Mill, Murrhardt, 1986, colour serigraph on paper, monogrammed and dated in the print, numbered, titled and signed in pencil: "50/60, Rühmelins Mühle, Murrhardt, Thomas F. Naegele", mounted behind passepartout. HxW visible dimensions sheet: approx. 25 x 40 cm (HxW frame: approx. 43 x 53 cm). With glazed frame.
Richard Lindner (German/American, 1901-1978). Serigraph titled "1+1=2" depicting two brightly dressed figures. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no creases, tears, or losses. There are no signs of restoration under UV light.
Mario Yrisarry (American, b. 1933). Serigraph titled "Stern 1967" depicting a series of black lines in a grid-like pattern. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are dark and deep. There are no losses, creases, or tears. There are no signs of restoration under UV light.
Marvin Israel (American, 1924-1984). Serigraph titled "Handiwork" depicting a face with a hand and a grid of red dots. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no tears, creases, or losses. There are no signs of restoration under UV light.
Allan D'Arcangelo (American, 1930-1998). Serigraph depicting two red and yellow striped lines crossing on a blue background with two small trees. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden, 1967-68. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Distributed by Trois Anges, Inc., New York.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no visible creases or tears. There are no major losses. There are minute losses to the extreme edges of the sheet. There are several faint scuffs along the lower end of the upper left quadrant. There is a small, light area of soiling along the corner of the upper left quadrant. There is a minute scuff along the left edge of the lower left quadrant. There are no signs of restoration under UV light.
Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no visible tears, losses, or creases. There are a few minute scuffs along the left edge of the lower left quadrant. There are no signs of restoration under UV light.
Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are dark and deep. There are no visible tears or creases. There are several faint scuffs throughout the image. There is a minute white spot in the lower right quadrant. There are no signs of restoration under UV light.
Fred Grayson Sayre (American, 1879-1938). Serigraph depicting a covered wagon pulled by a team of oxen through a mountainous landscape. Signed in print along the lower left.Sight; height: 13 in x width: 16 1/4 in. Framed; height: 16 in x width: 19 1/4 in.br/>Condition:The colors are bold and bright. There are no major tears, creases, or losses. There is heavy craquelure throughout the upper half of the work. There are minute losses throughout the craquelured areas. In the upper right quadrant there is a line of loss measuring approximately 2 1/2 in long. No signs of restoration under UV light. Framed under glass, not inspected out of frame. Wear to the frame.
Eyvind Earle (American, 1916-2000). Serigraph on paper titled "Softening Shades of Twilight" depicting a forest, 1993. Signed in blue ink along the lower right; numbered PP 2/6 along the lower left. Eyvind Earle is well-known for his work on Disney's "Sleeping Beauty" (1959) animated film.Sight; height: 20 3/4 in x width: 27 1/2 in. Framed; height: 36 in x width: 42 3/4 in.br/>Condition:Along the lower left tree there is an approx. 2.5 inch long area of inpainting which fluoresces under UV light. No other visible areas of inpainting. No visible rips or losses. Framed under an acidic mat. Not inspected out of frame. Light wear to the frame; framed under plexiglass.
Rupprecht Geiger. (1908 - 2009 München). 3 Publikationen zum Künstler. Mit insgesamt 7 OSerigraphien. 1999-2007. Versch. Formate. Je im OEinband. WVG 200, 236. - Enthält: Rupprecht Geiger. Katalog Galerie im Rathausfletz. Mit 5 eingebundenen Farbserigraphien. Neuburg an der Donau, 1999. 4°. OLwd. in OUmschlag. Eines von 300 Exemplaren, im Impressum signiert und nummeriert. - Texte zu Rupprecht Geiger. Mit je 1 Serigraphie. Städtische Galerie im Lenbachhaus, 2007. Gr.-8°. OLwd. (Ex. mit Dublette bzw. Variante d. Serigraphie). - Die Serigraphie je ein Fragment des sechsfarbigen Siebdruckplakates "Rot zu Gelb". Das das Plakat erschien anlässlich der Ausstellung "Rupprecht Geiger. Malerei, Serigrafien, Modelle und Collagen aus Sieben Jahrzehnten. Die Ausstellung zum 100. Geburtstag des Künstlers" vom 15.12.2007 - 30.3.2008 im Lenbachhaus München und vom 1.6.2008 - 21.9.2008 im Museum für Gegenwartskunst Siegen in einer Auflage von 1.100 Exemplaren, 100 Exemplare waren von Geiger signiert. - Tadellos erhaltene Exemplare mit durchweg prachtvollen, samtigen und farbkräftigen Serigraphien. 3 publications on the artist. With 7 orig. serigraphs. Various formats. Each in orig. binding. - Contains: as listed above. - With 5 bound-in colour serigraphs. - One of 300 copies, signed and numbered in the imprint. - As well as each 1 bound in colour serigraph in variant. - Each of these serigraphs a fragment of the six-colour silkscreen poster "Rot zu Gelb". - Very well preserved copies with splendid, velvety and vivid colour serigraphs throughout.
Vibrant serigraph with hand-embellished colorful border set in a shadowbox by Neo-Pop artist Britto. This joyous composition entitled Angel depicts a smiling figure with curled wings set on geometric and curvilinear shapes filled with Britto's iconic use of bold colors encased in black borders that crisscross. Signed in the print and with a black marker on lower center: Britto. On verso: Britto's biographical information and the Britto Central's gallery address. Housed in a flat black frame with a recessed mat lined with Britto designs. Sight size: 13.50"L x 13.50"H. Frame size: 20"L x 20"H x 2"W. Artist: Romero Britto (Brazilian/American b.1963)Issued: c. 2000Country of Origin: Brazil/United StatesCondition: Age related wear.
Jennifer Joan DICKSON (1936) Journey both inward and out Original etching and serigraph Artist's proof Signed and titled, Image 50.5cm x 77.5cm Jennifer Dickson CM RA, a South African-born British photographer, was born in Piet Retief, South Africa, on September 17, 1936. She studied at Goldsmiths College in England from 1954 to 1959 and later apprenticed under Stanley William Hayter at Atelier 17 in Paris, France, from 1960 to 1965. In 1962, she held her first solo exhibition in London. Afterward, she taught at the Brighton College of Art, where she established a graduate program in printmaking and photography. In 1968, she became a visiting fellow at the University of the West Indies in Jamaica, and in 1969, she emigrated to Canada. In Montreal, Quebec, she became the director of the graphics program at the Saidye Bronfman Centre. She became a Royal Academician in 1976 and currently resides in Ottawa, Ontario, Canada and her work is featured in the collections of the Musée national des beaux-arts du Québec and the National Gallery of Canada. Additionally, she was honoured as a Member of the Order of Canada in 1995. Postage for this lot is available to the UK for £42.50.
Roy Lichtenstein (1923 - 1997), Woman In Bath (1963), colour serigraph/screen print, unsigned, numbered 15/50, with Certificate of Authenticity, 91cm x 91cm, aluminium and glass frame, overall frame dimensions 109cm x 109cm. Provenance: purchased by the present vendor from ExhibitionVery good condition, colours all bright, no paper damage creases or tears, frame also in good condition
Liudmila Kondakova (Russian-American, b.1956) ‘Quai de Deconti’ serigraph in colours on board, signed 'Kondakova' in pen l.r. and numbered '125/295' l.l. 85 x 84cm visibleProvenance: The Collection of Sir Rod Stewart;purchased by the above from Martin Lawrence Galleries.Condition ReportOverall: 118 x 118cmAppears to be in good condition. Well presented and ready to hang.
Serigraph and pencil on paper, 39 x 39 cm. Signed and dated 27.1.99 in pencil on vers. Printed in orange with hand added drawings in pencil. Curiously the work is printed on the back of a silkscreen by Robert Barry, with white printed lettering along the margins, almost invisible. The work derives from the private collection of Paul and Helene Panhuysen, who ran the Apollohuis in Eindhoven (NL), a space for experimental music and art. Rudolf exhibited there in 1991, in a groupshow 'Rules of the Game' curated by Jiri Valoch. Pavel Rudolf (1943) is an important representative of Czech geometric abstraction, conceptual art and visual poetry.
Friedensreich Hundertwasser (1928 Wien - 2000 Brisbane) (F)'Testament in Gelb', Farbserigrafie mit Metallprägungen auf festem Karton, 50,5 cm x 72 cm Passepartoutinnenmaß, signiert, 24. Mai 1971 Lengmoos datiert und ortsbezeichnet, 218/475 nummeriert, verso mit dem nummerierten Textblatt-Fragment aufmontiert, Literatur: Wvz. Koschatzky 43Friedensreich Hundertwasser (1928 Vienna - 2000 Brisbane) (F)'Testament in Yellow', color serigraph with metal embossing on strong cardboard, 50,5 cm x 72 cm inside mount, signed, May 24, 1971 Lengmoos dated and place-noted, 218/475 numbered mounted on verso with the numbered text leaf fragment, literature: Cat. rais. Koschatzky 43
Corneille (1922 Liège/Belgien - 2010 Auvers-sur-Oise/Frankreich)Komposition mit weiblichem Akt und VogelBlattgroße Farbserigraphie/Velin, 1991. Sign., dat. u. nummeriert 131/200. 21 cm x 21 cm. Beigefügt: Corneille-Monographie von Michel Ragon "Corneille toujours en route", Malmö 1991, im Schuber.Corneille gehörte mit Pierre Alechinsky, Karel Appel, Constant, Asger Jorn und K. O. Götz zur Avantgarde-Künstlergruppe "CoBrA"; 1959 und 1964 nahm er an der documenta teil.Serigraph in colours on wove paper, 1991. Hand-signed, dated and numbered 131/200. Accompanied by the book from Michel Ragon "Corneille toujours en route" (1991).
Günther Uecker (Geb. 1930 Wendorf/Mecklenburg. Ansässig in Düsseldorf)"Verletzungen". OriginaltitelSerigraphie/Schoellershammer-Karton, 1998. Sign., dat. (19)98 u. nummeriert 47/70. Blatt ca. 84 cm x 60,8 cm. Rahmen.Serigraph on Schoellershammer cardboard, 1998. Hand-signed, dated and numbered 46/70.
Günther Uecker (Geb. 1930 Wendorf/Mecklenburg. Ansässig in Düsseldorf)"Spuren". OriginaltitelSerigraphie/Bütten, 1994. Sign., dat. (19)94 u. nummeriert 15/100. Blatt aus dem Mappenwerk "Wattenmeer", 1994. Blatt 80 cm x 60 cm. Rahmen.Serigraph on laid paper, 1994. Hand-signed, dated and numbered 15/100. From the portfolio "Wattenmeer".
Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Goethe". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1983. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 66 cm x 66 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983).
Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Marilyn". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1967. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und Achenbach Art Edition, Düsseldorf. Blatt 96 cm x 96 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1967).
Andy Warhol (1928 Pittsburgh - 1987 New York) nach"Orange Marilyn". OriginaltitelFarboffset/Papier, 1999. Nach der gleichnamigen Farbserigraphie Warhols von 1964. Copyright The Estate of Marilyn Monroe und Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1998. After the serigraph (screenprint) by Warhol (1964).
Andy Warhol (1928 Pittsburgh - 1987 New York) nachDollar-Zeichen "$ (4)". OriginaltitelFarboffset/Papier, 2000. Nach der gleichnamigen Farbserigraphie Warhols von 1982. Copyright Andy Warhol Foundation for the Visual Arts, Inc.; Hrsg. teNeues Publishing Company, New York, und teNeues Verlag, Kempen. Blatt 80 cm x 60 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 2000. After the serigraph (screenprint) by Warhol (1982).
Doze Green ( American, b 1964) Taking Liberty - 2008 2 color serigraph on vellum bristol paper Limited edition numbered 120/150 Hand signed and numbered by the artist Framed 68 x 48cm Doze Green (American b 1964) Growing up in the '70s, his art was inspired by newspaper cartoons like Shoe, Saturday morning cartoons on TV and Superhero comics. He began to create his own characters when he was about seven years old. By the time he was twelve he was able to draw sophisticated characters in complete artistic settings. His family encouraged not only his artistic endeavours but also his songwriting. He attended the High School of Art and Design in New York. The school encouraged artistic expression and even graffiti, which Green did in and around the city. One of his mentors was Donald Joseph White, who signed his graffiti art as DONDI. Green credits DONDI with helping him to create a cleaner, more careful and more sophisticated style than he had been doing before they met. Green's cousins, who lived in the Bronx, introduced him to Hip-Hop culture and breaking dancing. He became a member of one of the earliest break dancing groups: the Rock Steady Crew. The group watched a lot of Bruce Lee and Kung Fu movies and emulated the characters and the movements. Green said he adopted a 'gangsta’ persona in both his music and his art. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Beautiful color serigraph entitled Ebony and White that depicts a Black female dressed in an extravagantly simple white evening dress and headwear with fur shawl wraps falling from her arm extended to hold a white whippet. Housed in a white frame with a black and white mat set in rows. Sight size: 19"L x 25"H. Frame size: 29.10"L x 35.10"H x 0.50"W. Signed in pencil on lower right: Erte. On lower left: AP (Artist Proof). Certificate of Authenticity included. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1980Edition Number: Artist Proof Country of Origin: Russia/France
Rare original color serigraph poster for the Boston Symphony Orchestra Summer program in Tanglewood, Mass. Abstract Expressionist sculptor and poster designer John Stritch created a Modernist depiction of a grand piano by simplifying shapes in black and brown, and yellow and blue accents on a white background. Signature on lower right: John Stritch. Housed in a black frame. Sight size: 25.50"L x 35.50"H. Frame size: 26.10"L x 36"H x 0.80"W. Artist: John Stritch (1926-2014)Issued: 1985

-
2659 Los(e)/Seite