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A collection of nine prints: Isaac Maimon serigraph (as shown), Pooh Bear etching by Sowa & Reiser, Alexander Chen print, two Alfred Gockel seriolithographs titled 'Afternoon Jam Session', Adam Scott Rote print on paper titled 'Promo-Salton Sea', one indistinctly signed serigraph of New York in Winter & three Emille Bellet signed prints, further images upon request
'Good Morning City - Bleeding Town', Farbserigrafie mit Metallprägungen auf Fabriano-Bütten (Wasserzeichen), 84,5 cm x 55,5 cm Sichtmaß, 6623/10000 nummeriert, im Druck signiert, 1969 datiert, Blatt im linken unteren Bildbereich berieben, leicht gewellt, montiert, Literatur: Wvz. Koschatzky 41Friedensreich Hundertwasser (1928 Vienna - 2000 Brisbane) (F)'Good Morning City - Bleeding Town', color serigraph with metal embossing on Fabriano laid paper (watermark), 84.5 cm x 55.5 cm visible size, numbered 6623/10000, signed in print, dated 1969, sheet rubbed in lower left part of image, slightly curled, mounted, literature: Wvz. Koschatzky 41
'Good Morning City - Bleeding Town', Farbserigrafie mit Metallprägungen auf Fabriano-Bütten (Trockenstempel), 83 cm x 54 cm Passepartoutinnenmaß, 7830/10000 nummeriert, signiert, 1969 datiert sowie im Druck signiert, datiert, betitelt und bezeichnet und mit der Werknummer '686', mit zwei roten japanischen inkan-Stempeln, gedruckt bei Studio Quattro, Campalto-Venedig, verlegt von Dorothea Leonhardt München, lichtrandig, oben rechts in der Ecke mit KnickspurFriedensreich Hundertwasser (1928 Vienna - 2000 Brisbane) (F)'Good Morning City - Bleeding Town', color serigraph with metal embossing on Fabriano laid paper (dry stamp), 83 cm x 54 cm inside mount, 7830/10000 numbered, signed, dated 1969 as well as signed in print, dated, titled and inscribed and with the work number '686', with two red Japanese inkan stamps, printed by Studio Quattro, Campalto-Venice, published by Dorothea Leonhardt Munich, light margins, upper right corner with crease mark
Lichtballett, Farbserigrafie auf Papier, 54 cm x 45 cm Blattmaß, 60/100 nummeriert, doppelt 64/72 datiert, signiert, rechts unten leicht verschmutztOtto Piene (1928 Bad Laasphe - 2014 Berlin) (F)Light ballet, colour serigraph on paper, 54 cm x 45 cm sheet size, 60/100 numbered, double 64/72 dated, signed, slightly soiled at lower right
Lichtballett IV, Farbserigrafie auf Papier, 45 cm x 54,5 cm Blattmaß, doppelt signiert, 64/72 datiert, Blatt leicht gewellt und partiell minimal stockfleckigOtto Piene (1928 Bad Laasphe - 2014 Berlin) (F)Lichtballett IV, colour serigraph on paper, 45 cm x 54,5 cm sheet size, signed twice, dated 64/72, sheet slightly wavy and partly minimally foxed
'Leuchtorange und Leuchtrot', Farbserigrafie auf Karton, 50 cm x 42 cm Blattmaß, 77/100 nummeriert, signiert, entlang der Blattkanten partiell berieben, leicht lichtrandig und verschmutzt, Edition Kestner Gesellschaft, Hannover, Literatur: Wvz. Geiger 94-1Rupprecht Geiger (1908 Munich - 2009 ibid.) (F)'Luminous Orange and Luminous Red', colour serigraph on cardboard, 50 cm x 42 cm sheet size, 77/100 numbered, signed, partially rubbed along the edges, light margins and soiled, Edition Kestner Gesellschaft, Hannover, literature: Wvz. Geiger 94-1
'Blau auf Leuchtrot, Variation Runde Farbe IV', Farbserigrafie auf Papier, 48,5 cm x 36,5 cm Blattmaß, signiert, 17 i A4 bezeichnet, partiell leichte Griffspuren, Literatur: Wvz. Geiger 105-4Rupprecht Geiger (1908 Munich - 2009 ibid.) (F)'Blau auf Leuchtrot, Variation Runde Farbe IV', colour serigraph on paper, 48,5 cm x 36,5 cm sheet size, signed, 17 i A4 inscribed, partly slight traces of handling, literature: Wvz. Geiger 105-4
Yves Klein (1928–1962) was a French artist known for his pioneering contributions to the development of Post-War European art. He is particularly associated with the Nouveau Réalisme and Zero movements, and he is best known for his exploration of color, space, and his creation of the iconic "International Klein Blue" (IKB).Some key points about Yves Klein and his work:1. **International Klein Blue (IKB):** One of Klein's most famous contributions to the art world is the creation of his own unique ultramarine color known as International Klein Blue. This vivid and intense blue became a signature element of his artworks.2. **Monochromatic Paintings:** Klein is known for his monochromatic paintings, where he applied layers of pigment to create a flat, uniform surface. These works are often associated with the Minimalist movement.3. **Anthropometry:** Klein developed a technique called "Anthropometry," where he used the human body as a paintbrush. He covered models in paint and had them press their bodies against canvas, creating abstract compositions.4. **Sculptures and Installations:** Klein's artistic practice extended beyond paintings. He also created sculptures, often utilizing unconventional materials, and explored ideas related to space, void, and immateriality.5. **Performance Art:** Klein's art often involved performative elements, blurring the lines between traditional art forms. His exhibitions were conceptual and immersive experiences.6. **Spiritual and Philosophical Influences:** Klein's work was influenced by his interest in Eastern spirituality, mysticism, and his belief in the power of art to evoke profound emotions and connections.7. **Legacy:** Yves Klein's artistic innovations have had a lasting impact on the art world. His emphasis on color, materiality, and the relationship between art and viewer influenced subsequent generations of artists.Klein's relatively short life did not hinder the significance of his contributions. His innovative approach to color, material, and his exploration of ideas related to the spiritual and the immaterial continue to inspire and influence contemporary artists and art movements.Yves Klein "Blue Circle" Serigraph. Measures (approx): 23 x 23.
Gary Benfield (British, b.1965) 'Miranda', serigraph on paper, artist's proof, from an edition of 350, signed, titled and numbered to lower margin, 23 x 16¼in. (58.5 x 41cm.), plain limed wood frame. * Provenance: West End Fine Art Inc., London and Florida, c.2001. Accompanied by original purchase invoice and Certificate of Authenticity. *Good condition, with no faults.
Felix Mas (Spanish, b. 1935). Serigraph on paper with gold leaf titled "Harmony" depicting two figures standing back-to-back against an abstract background with textured gold leaf, 1990. Pencil signed along the lower right; numbered 94/300 along the lower left.Sight; height: 39 3/4 in x width: 33 in. Framed; height: 48 in x width: 41 1/2 in.Condition: Overall there are no visible tears, losses or creases. The sheet has undulation throughout, most noticeably along the upper margin. The color is bold and bright. There is a light accretion to the upper left corner of the mat, which does not affect the artwork. There are marks along the exterior of the plexiglass that do not affect the work. There is very light wear to the frame. Backing has impressions throughout; there is a dent on the upper right corner as shown in the listing image. There is adhesive residue to the upper left of the backing as well. Not examined out of frame. There are no visible signs of restoration under UV light.
Donald Sultan (American, b. 1951). Serigraph on paper titled "Lilies," depicting a group of white calla lilies against a dark background. Titled, dated April 1992, and initialed along the left margin; numbered 6/125 along the lower right.Height: 20 in x width: 22 in.Condition: The work is in good condition with no rips, losses, or restorations. The artwork is not framed.
Paulosie Sivuak (Inuit, 1930-1987). Serigraph and stencil on paper titled "Hawk with Young" depicting a mature hawk with several hatchlings in a nest, 1986. Printed by Eliassie Aupaluk, Tania Qumaluk, and Maggie Ittukallak. Pencil numbered 20/50 along the lower left; syllabics along the lower center; dated along the lower right.Sight; height: 16 1/2 x width: 11 3/4 in. Framed; height: 21 1/2 x width: 16 in.Condition: The print appears to be in good condition with no major rips, creases, losses, or restorations. Light wear along the extreme edges; there is a minute loss to the lower right corner. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Paulosie Sivuak (Inuit, 1930-1987). Serigraph and stencil on paper titled "Two Otters Listening for Fish" depicting a pair of otters on a riverbank, 1987. Printed by Peter Qaritaiyuk. Pencil numbered 41/50 along the lower left; syllabics along the lower center; dated along the lower right. Inscribed along the verso with artist, title, date, and printer in pen and along a piece of paper affixed to the backing.Sight; height: 15 1/2 x width: 17 in. Framed; height: 20 3/4 in x width: 22 in.Condition: The print appears to be in good condition with no major rips, losses, or restorations. Light undulation to the sheet throughout. Light wear along the extreme edges. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Possibly Charles Ross (American, b. 1937). Serigraph on paper titled "Landslide" depicting geometric abstract shapes, 1969. Signed "Cross" and dated along the lower right; titled along the lower center; numbered 61/150 along the lower left.Sight; height: 29 in x width: 23 in. Framed; height: 32 in x width: 26 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Paulosie Sivuak (Inuit, 1930-1987). Serigraph and stencil on paper titled "Otter Fishing" depicting an otter chasing after a fish, 1985-86 Printed by Eliassie Aupaluk, Tania Qumuluk, and Mary Qumaluk. Pencil numbered 35/50 along the lower left; syllabics along the lower center; dated 1985 along the lower right. Inscribed along the verso with artist, title, date, and printers.Sight; height: 13 1/2 x width: 17 1/4 in. Framed; height: 18 1/2 x width: 21 3/4 in.Condition: The print appears to be in good condition with no major rips, creases, losses, or restorations. There is a minute tear along the lower left margin, possibly original to the printing/cutting process. Possible light wear to the deckled edges. The print is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Friedensreich Hundertwasser (1928 Wien - 2000 an Bord der Queen Elizabeth II vor Brisbane/Australien)"Good Morning City". OriginaltitelFarbserigraphie mit Metallfolienprägung/CM Fabriano-Velinkarton, 1969. Sign. u. dat. "Friedensreich, am 15. Dezember in Rom" sowie mit zwei roten, japanischen Inkan-Stempeln, nummeriert 4451/10000. Gedruckt bei Studio Quattro, Campalto-Venedig, verlegt von Dorothea Leonhardt München, unten mit deren vier silbernen Prägestempeln. Wvz. Koschatzky 41a (von b). Prachtvoller Druck in leuchtender Farbigkeit mit Rand. Darstellung ca. 76,5 cm x 47 cm; Blatt ca. 84,8 cm x 55,5 cm. Serigraph (screenprint) in colours and metal foil embossing on CM Fabriano wove cardboard, 1969. Hand-signed, dated 15th of December in Rome, numbered 4451/10000.
Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Goethe". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1983. Copyright Andy Warhol Foundation for Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, u. Achenbach Art Edition, Düsseldorf. Blatt 66 cm x 66 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983).
A matted and framed limited edition "Derelict" 12-color serigraph print (9/35) from the personal collection of Dennis Hopper, numbered and signed by artist Paul Gallagher in pencil.16.25 x 21 inches (framed); 9 x 11 inches (sight)PROVENANCE Property from the Life and Career of Dennis Hopper
Postcards, U.S.A. approx. 300 cards to include Minnesota, Wyoming, Virginia, Washington DC, Ohio, New Jersey, Michigan, Maine, Maryland, Kansas, Illinois, Georgia, California, advertising, greetings, street scenes etc. of note Double Deck Car, Union Depot, Empire Mine, Navin Baseball Field, Rose Bowl Parade 1923, song card, House of David Band, Post Office Northwood Narrows, Indian Guide Maine, Champion Coated Paper Mills after Flood and Fires Ohio, Holt Renfrew Dog Team, Post Bus, Packet Boat Marshall, Original Serigraph (8) (gen gd)
WALT DISNEY; an animation Sericell (serigraph), scene depicting Peter Pan fighting Captain Hook, limited edition of 9,500, year of publication 1989, bearing distinctive seal of the Walt Disney Company, unnumbered and unsigned, 24 x 33cm, framed, with certificate of authenticity dated 2006.Condition Report: - Frame size 45.5 x 54cm.
WALT DISNEY; an animation Sericell (serigraph), titled 'Alice in Wonderland', limited edition of 9,500, year of publication 1989, bearing distinctive seal of the Walt Disney Company, unnumbered and unsigned, 24 x 33cm, framed, with certificate of authenticity dated 2006.Condition Report: - Frame size 45.5 x 54cm.
WALT DISNEY; an animation Sericell (serigraph), titled 'Alice in Wonderland', limited edition of 9,500, year of publication 1989, bearing distinctive seal of the Walt Disney Company, unnumbered and unsigned, 24.5 x 33cm, framed, with certificate of authenticity dated 2006.Condition Report: - Frame size 44 x 53cm.
WALT DISNEY; an animation Sericell (serigraph), titled 'Pinocchio', limited edition of 9,500, year of publication 1989, bearing distinctive seal of the Walt Disney Company, unnumbered and unsigned, 24 x 33cm, framed, with certificate of authenticity dated 2006.Condition Report: - Frame size 45 x 54cm.
WALT DISNEY; an animation Sericell (serigraph), titled 'Snow White', limited edition of 9,500, year of publication 1989, bearing distinctive seal of the Walt Disney Company, unnumbered and unsigned, 25 x 34cm, framed, with certificate of authenticity dated 2006.Condition Report: - Frame size 55 x 64cm.
Konstruktivismus - - Paolo Scheggi. (1940 Florenz - 1971 Rom). Intersuperficie. Portfolio mit 6 Arbeiten. 1968. Je Farbserigraphie auf leichtem Velinkarton. 30 x 30 cm. Je signiert, eine Arbeit zudem nummeriert. - Je in den Kanten ganz leicht berieben, tls. materialbedingt wenige blasse Flecken, verso je zart gebräunt. Insgesamt in sehr gutem Zustand. Durchweg prachtvolle Drucke in leuchtender Farbigkeit der teils formatfüllenden Darstellungen. Eines von 100 Exemplaren. - Hrsg. v. Carl Laszlo, Editions Panderma. - Das Oeuvre Paolo Scheggis ist der italienischen Neo-Avantgarde der 1960er Jahre zuzuordnen. Seine künstlerische Ausbildung erhielt er zunächst an der Akademie der Schönen Künste in Florenz, er orientierte sich jedoch bereits früh in Richtung der geometrisch monochromen Bildgestaltung, was für seine Kunst kennzeichnend ist. Scheggi kann zu den Pionieren der "Pittura Oggeto", der Objektmalerei gezählt werden, und erweckt hiermit bereits früh das Interesse von Lucio Fontana, welchem er freundschaftlich verbunden ist. Der Künstler nimmt an vielen wichtigen Ausstellungen weltweit teil und steht in Kontakt zur Künstlergruppe Zero. 1971 verstirbt er mit nur 30 Jahren und hinterlässt ein Werk, welches in seiner Formensprache an Aktualität nichts eingebüßt hat. Portfolio with 6 works. Each colour serigraph on light wove cardboard. Each signed, one print numbered. - Edges very slightly scuffed, partly due to technique a few faint stains, hardly browned on the verso. Altogether very well preserved. Throughout splendid impressions in vivid colours of the mostly format-filling depictions. - One of 100 copies. - Published by Carl Laszlo, Editions Panderma. - Paolo Scheggi's oeuvre can be assigned to the Italian neo-avant-garde of the 1960s. He initially received his artistic training at the Academy of Fine Arts in Florence but early on he oriented himself towards geometric monochrome pictorial design which is characteristic of his art. Scheggi can be counted among the pioneers of "Pittura Oggeto", or object painting, and thus early on aroused the interest of Lucio Fontana, to whom he was on friendly terms. The artist took part in many important exhibitions worldwide and was in contact with the artist group Zero. He died in 1971 at the age of 30, leaving behind an oeuvre that has lost none of its topicality in its formal language.
Konkrete Kunst Christian Roeckenschuss (1929 Dresden - 2011 Berlin)6 Arbeiten. In: Roeckenschuss, Christian. Strukturen, Reliefs, Engramme 1965-1972. Je Farbsiebdrucke auf Karton (hiervon eine Arbeit doppelt und eine dreifach gefaltet) bzw. eine Farbserigraphie auf Plexiglas. 22 x 22 cm. Ein Siebdruck verso signiert und nummeriert. Je lose in Originalkarton-Mappe, mit Text. - Die Mappe etwas angestaubt und punktuell berieben. Insgesamt in sehr gutem Zustand. Prachtvolle, samtige Drucke in äußerst leuchtenden Farben, teils mit Rand. Eines von 165 Exemplaren. - Hrsg. Galerie Der Spiegel, Köln 1973. 6 works. In: Roeckenschuss, Christian. Strukturen, Reliefs, Engramme 1965-1972. Each colour silkscreen on cardboard (of which one work double and one triple folded) and one colour serigraph on plexiglass. One silkscreen signed and numbered on the verso. Each loose in original card portfolio, with text. - Portfolio slightly dusted and isolated rubbed. Altogether in a very good condition. Splendid, velvety prints in very bright colours, with margin.
WARHOL, ANDY (1928-1987) "Committee 2000" Farbserigrafie auf Lenox Museumskarton, signiert und nummeriert, Ex. 1410/2000, Trockenstempel des Druckers Rupert Jasen Smith, New York, Verso Copyrightstempel des Künstlers, WVZ.-Nr. II.289.Blattmaß 76,5/51 cm. Min. Altersspuren.| WARHOL, ANDY (1928-1987) "Committee 2000"Colour serigraph on Lenox museum board, signed and numbered, ex. 1410/2000, dry stamp of the printer Rupert Jasen Smith, New York, copyright stamp of the artist on verso, WVZ.-Nr. II.289.Sheet size 76,5/51 cm. Min. signs of age.
Erté (Romain de Tirtoff, 1892-1990) - An Art Deco early 20th century colour serigraph on two panels titled ' Le Choix du Matin ' & ' Le Choix du Soir ' . Signed in pencil by the artist to the lower right. Limited edition signed 'AP 31/60' to the lower left. Framed and glazed. Measures approx. 51cm x 94cm.
SATO ADO (1936-1994) ARR. "ASAM" SERIGRAPH PRINT, PENCIL SIGNED LTD EDITION 86/99. DATED 1972. 48 X 72 cm. TOGETHER WITH ANOTHER WORK "AYON" No.55/99 DATED 1972. 50 X 72 cm Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
JEAN MICHEL FOLON (1934-2005) ARR. "L'EXPRESSION" SERIGRAPH PRINT, SIGNED IN THE PLATE. 28 X 29 cm. AND A SECOND EXAMPLE WITH SLIGHT PRINT FAULTS. (2). Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
Artist hand signed lower right in pencil on arches paper. A large serigraph print on arches paper, a limited unnumbered edition of an original Modernist work by Russian born artist Igor Galanin (b. 1937) whose work has been featured in Vanity Fair, The Christian Science Monitor, Penthouse Magazine, and The New York Times, and been exhibited at the Rose Art Museum in Boston, the London Gallery in Montreal, and Museum of Contemporary Art, La Jolla, CA. Artist signed in pencil lower right. Artist: Igor GalaninIssued: 1985Dimensions: 42.5"H x 35.25"WCountry of Origin: United StatesCondition: Few minor tears to edges other wise good, as-is.
Colorful serigraph on wove paper entitled "Mercredi" of a blond woman reclining on a red chaise with areas of vibrant colors and black lines by French artist Linda Le Kinff. Signature in pencil on lower right: Linda Le Kinff. Numbered on lower left: 15/350. Housed in a gilded frame with a cream mat. Sight size: 16.50"L x 13.50"H. Frame size: 27.5"L x 24.50"H x 1.50"W. Certificate of Authenticity included. Artist: Linda Le KinffIssued: 1997Edition Number: 15 of 350 Country of Origin: FranceCondition: Age related wear.
Color serigraph of "Lilac Time" that represents an elegant woman in a dream state made by Post Impressionist artist Itzchak Tarkay. Signature in pencil on lower right: Tarkay. Title in lower center: Lilac Time. Numbered on lower left: 290/350. Housed in a black frame with light cream matting. Sight size: 23.75"L x 19.75"H. Frame size: 35.50"L x 31.30"H x 1.15"W. Certificate of Authenticity included. Artist: Itzchak TarkayIssued: c. 1990Edition Number: 290 of 350 Country of Origin: IsraelCondition: Age related wear.
Color serigraph on wove paper of "Running Jester" representing a colorful jester paying the trumpet in geometric and organic shapes. Signature on lower left: A. Krasnyansky. Numbered on lower right: 251/350. Housed in a marbleized gild and black frame with lilac matting. Sight size: 21.25"L x 26.25"H. Frame size: 32.50"L x 37.35"H x 1.50"W. Certificate of Authenticity included. Artist: Anatole Krasnyansky (Ukranian 1930-2023)Issued: 1998Edition Number: 251 of 350 Country of Origin: UkraineCondition: Age related wear.
Color serigraph on wove paper of a couple in love made in vibrant colors and lines entitled "Gaelle et Leopold" by French artist Linda Le Kinff. Signature in pencil on lower right: Linda Le Kinff. Numbered on lower left: 235/350. Housed in an elaborate gilded frame with a bright blue matting. Sight size: 22..50"L x 29.75"H. Frame size: 34.50"L x 42.25"H x 2"W. Certificate of Authenticity included. Artist: Linda Le KinffIssued: 1998Edition Number: 235 of 350 Country of Origin: FranceCondition: Age related wear.
Sonnet II is a color serigraph on paper of an abstracted woman in bold colors by artist Ali Golkar. Signature in pencil on lower right: Ali Golkar. Title in lower center: Sonnets II. Numbered on lower left: 36/350. Housed in a black frame with white matting. Sight size: 26.50"L x 21.25"H. Frame size: 37"L x 31"H x 1.25"W. Certificate of Authenticity included. Artist: Ali GolkarIssued: c. 2000Edition Number: 36 of 350 Condition: Age related wear.
Color serigraph on wove paper entitled "Umbrella Man" that depicts a man seen from the back, holding an umbrella. The composition is made with brilliant whites, yellows, reds, and purples masterfully blended by Pop artist Peter Max. Signature in pencil lower right: Max. Numbered on lower left: 182/350. Housed in a black and gild frame with a black linen and silver border mat. Sight size: 18.50"L x 23.50"H. Frame size: 33.75"L x 30"H x 2"W. Certificate of Authenticity included. Artist: Peter MaxIssued: 2012Edition Number: 182 of 350 Country of Origin: United StatesCondition: Age related wear.
Large hors-commerce color serigraph on wove paper from an edition of 50 entitled "Red Cathedral." It represents a Russian cityscape with the sun setting on the cathedral and the passerby. Signature and number in black ink on lower left: A. Krasnyansky. Numbered on lower right: H. C. 46/50. Housed in a brushed silver frame with touches of rust and a grey mat. Sight size: 31.50"L x 36.50"H. Frame size: 42.25"L x 47"H x 1.25"W. Certificate of Authenticity included. Artist: Anatole KrasnyanskyIssued: 1998Edition Number: 46 of 50 Condition: Age related wear.
Large color serigraph on wove paper entitled "Woman in Floral Dress" that represents a couple in front of the Eiffel Tower, Paris. Post-Impressionist influenced artist Zamy used vibrant colors to reflect his Eastern-European Jewish heritage. Signature in pencil on lower right: Zamy Steynovitz. Numbered on lower left: 100/350. Housed in gilded frame with clear cover. Sight size - 14"H x 9.75"W. Frame size - 21.5"H x 17.25"W x 1.25"D. Certificate of Authenticity included. Artist: Zamy SteynovitzIssued: 1998Edition Number: 100 of 350 Country of Origin: IsraelCondition: Age related wear.
Color serigraph on wove paper of "Flag with Heart VI" depicting the American flag with a red heart placed on a luminous background in bright colors of oranges, reds, blues, and greens on white by Pop artist Peter Max. Signature in pencil on lower right: Max. Numbered on lower left: 280/350. Housed in a gild and black shadowbox frame with black and silver filet matting. Sight size: 15.75"L x 13.50"H. Frame size: 30.50"L x 28.75"H x 2.75"W. Certificate of Authenticity included. Artist: Peter MaxIssued: 2013Edition Number: 280 of 350 Country of Origin: Germany-United StatesCondition: Age related wear.
Vibrant 3-dimensional double layered serigraph with elevated cut-outs and smooth glass parts, glitter, and buttons glued onto the upper layers. This bold color depiction of a young girl playing in a brightly patterned space is attributed to Pop artist Britto. Housed in an attractive silver tone and black frame with two recessed black mats lined with silver. Sight size: 8.75"L x 8.75"H. Frame size: 20.40"L x 20"H x 1.50"W. Artist: Romero Britto (Brazilian/American b.1963)Issued: c. 2011Country of Origin: Brazil/United StatesCondition: Age related wear.
Color serigraph on wove paper of "Liberty Head VIII" depicting the face of the Statue of Liberty in bright colors of oranges, reds, blues, and greens on white by Pop artist Peter Max. Signature in pencil on lower right: Max. Numbered on lower left: 75/350. Housed in a gild and black shadowbox frame with black matting. Sight size: 30"L x 22"H. Frame size: 35.50"L x 27.25"H x 3.5"W. Certificate of Authenticity included. Artist: Peter MaxIssued: 2013Edition Number: 75 of 350 Country of Origin: Germany - United StatesCondition: Age related wear.

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2659 Los(e)/Seite