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A miniature brass carriage clock, with enamelled dial, 8.5cm; and a Zenith travel alarm, engine-turned case, with carry travel case, 7cm. (Qty: 2)

Motorcycle Literature to include a two-fold brochure for Vincent H.R.D.; an Instruction Book for the 1935 Series A models and a brochure; 1940 Excelsior; Wooler; 1914 Zenith; various New Imperial brochures; various Douglas brochures; Smith's Accessories together with other catalogues, press reports, road tests, etc. Inspection for condition recommended. (A Box)

Vintage Zenith Kennedy respirator style manual wind up gents watch, working at time of appraisal

A pair of Zenith 10x50 field binoculars, cased

Brass Microscope & 3 cameras: Brass microscope in damaged mahogany box, & 3 cameras Balda fixfocus, Zenith-B & Voigtlander Vito CL with Pronto LK color skopar 2.8/50 lens.

* WWI RFC/RAF Instrument-board Altimeter. Circa 1917-1919, barometric type MkV A, No.18409/W by Zenith Ltd for Air Ministry, calibrated 0-15,000ft, stamped to back of aluminium casing ‘A’ above broad arrow mark, good original condition (Qty: 1)

A WWI period Zenith gun metal keyless alarm pocket watch:, the black dial with luminous Arabic numerals and hands, subsidiary seconds and alarm dials, the movement and dial signed 'Zenith', 4.5cm diameter

A twentieth century brass Zenith trumpet in fitted box

A Chelsea FC tracksuit worn by Kevin Wilson,the Umbro blue, white and red tracksuit zipped jacket with Chelsea crest on the right breast and Umbro logo on the left breast, with blue tracksuit bottoms, size M, with COA signed by Kevin Wilson 28/05/2010, and a handwritten note stating the tracksuit was possibly worn for the Zenith Data Systems Cup Final Chelsea v Middlesbrough at Wembley on 25th March 1990, Chelsea winning 1-0

A 9ct Gold Zenith Open Dial Keyless Pocket Watch, movement no. 2913101, Chester 1932, running, 84.9 gross

A stainless steel wristwatch by Zenith. Circular dial with silver finish and numerical markings. Date feature with second hand dial. Stainless steel bracelet. Case reference: 01/02.0450.682. Skeleton back with signed automatic movement. Supplied with Zenith box and instructions. 131.1 grams

1960s Zenith 8 x 20 miniature / compact binoculars together with Tasco 8 x 30 field glasses

A Zenith silver-cased military pocket watch and a silver-cased pocket watch Condition Report: Available upon request

A quantity of ladies' vintage wrist watches, including Lorus and Zenith, together with a BioFlow magnetic wristband

VINTAGE BREITLING STOP WATCH, along with a silver travel timepiece and a Zenith travel timepiece in a case (3)

A boxed Zenith student's microscope

A Pair of Leather Cased Zenith 7x50 Field Binoculars

A pair of Zenith 20x50 binoculars

Zenith miniature alarm clock, within a square silvered case decorated with fish and stylised marine life, inscribed to the inner back door Metal Dore no. 7472/245, 2.25" high, within folding leather case (movement in need of repair)

Quantity of wristwatch movements and dials, to include an Eterna-Matic automatic movement, part Omega movement, Zenith movement and three Accutron dials

Rolex wristwatch movement; together with seven further wristwatch movements including Zenith, Hamilton, Doxa Locle, Longines and Omega (8)

Twenty-one drawer wooden chest containing a very large quantity of watch stems (some with crowns) within named cases including ETA, Favre, EB, Enicar, FHF, Gruen, Girard, Hamilton, Junghans, Lanco, IWC, Heuer, Hanhart, Smiths, Seiko, Timex, Omega, Lemania, Longines, LeCoultre, Marvin, Zenith, Record, Rolex, Poljot

ZENITH - A gents 9ct gold Automatic Zenith wristwatch, approx 35mm, H/M London 1973, the silvered dial with minor discoloration, the working automatic movement numbered 2562PC, case with minor surface wear commensurate with use & age, case back numbered 32083, on a later leather strap, working

A cased Zenith Photosniper camera lens.

A Hardy Zenith lightweight reel in original box and with guide.

Zenith, Bi-colour wrist watch Movement: Cal. 2552 PC, automatic, 23 jewels Case: Gold plated case, stainless steel screw down case back Bracelet/Strap: Unsigned brown leather strap with gold plated pin buckle Size: 36mm Signed: Case back, dial, movement Accessories: None

A VINTAGE CASED PAIR OF ZENITH BINOCULARS

Mainie Jellett (1897-1944)Abstract Composition with Three Elements (1925)Oil on canvas, 93 x 73cm (36¾ x 28¾)Signed and dated (19)'25Provenance: Stanley Mosse Collection; With The Dawson Gallery, Dublin.Exhibited: Dublin, IMMA, 'Mainie Jellett, December 1991 / March 1992, Catalogue No.77; Dublin, IMMA, 'Analysing Cubism', 2013, Crawford Art Gallery, Cork and F.E. McWilliam Gallery & Studion, Banbridge.Literature: Albert Gleize's book on Cubism, illustrated; 'Analysing Cubism', IMMA 2013, Dublin, Cork and Banbridge, illustrated p.55 & 116.Mainie Jellett is a towering figure in the history of Irish art. She is acknowledged as the first native artist to exhibit pure abstraction in Ireland and for two decades, from 1923 to her premature death in January 1944, she was as Bruce Arnold has written, ‘the acknowledged leader of the modern art movement in Ireland’ (1). Patrick Murphy’s interest in Jellett began in 1964 when he bought a small watercolour landscape from an auction at Adams. Although the work was signed and dated 1921, it had been catalogued simply as ‘Irish watercolour’ and so Murphy, who was the only bidder, got a bargain! (2)Born in Dublin into a prominent Protestant family of Huguenot descent, Jellett took art lessons with Sarah Cecilia Harrison and May Manning before enrolling at Dublin Metropolitan School of Art in 1914 where she was taught by William Orpen. She later studied under Walter Sickert at Westminster Art School in London and it was there that Jellett met fellow Dubliner, Evie Hone, who was to become her life-long friend and collaborator. In 1920 Jellett was awarded the Taylor Scholarship which enabled her to travel to Paris, then the centre of the art world. Hone was already in Paris and working in the studio of the Cubist André Lhote. Jellett joined her and together they learnt from Lhote how to abstract from nature while always maintaining an element of representation. After a period with Lhote, Hone and Jellett decided that they wanted to move further towards truly non-representational art. They approached the Cubist Albert Gleizes and asked if they could study with him. Gleizes did not take pupils but Jellett and Hone convinced him to make an exception. Thus began a long and fruitful collaboration between Gleizes, Jellett and Hone through which they explored both abstraction and the expression of spirituality through art. Despite the political and social turbulence that was engulfing Ireland during this period, Jellett decided to return to Dublin and introduce Irish audiences to abstraction. In pursing this goal, Jellett became both the greatest advocate of modernism in Ireland, and the prime target for those forces that rallied against it.In the autumn of 1923, Irish audiences were exposed to abstraction for the first time when Jellett exhibited a small abstract composition titled Decoration in the Society of Dublin Painters exhibition. The critical response to Decoration in 1923 reveals the hostility towards modernism in Ireland. While the Irish Times compared the painting to a malformed onion (3), utilising language reminiscent of continental attacks on modernism, the artist George Russell, described Jellett as ‘a late victim to Cubism in some sub-section of this artistic malaria’ (4).Despite Russell’s criticism, Jellett continued to paint and exhibit abstract works, including Composition with Three Elements. This accomplished work demonstrates, in both scale and ambition, the confidence that Jellett had in her ability to produce fully resolved abstract compositions. Bruce Arnold illustrates this work in his monograph on Jellett under the title Abstract Composition and notes that Albert Gleizes also illustrated it in his book Kubismus in 1928 ‘to demonstrate the third Stage of Cubism (Epic Cubism)’ (5). The palette of grey, green, blue, ochre, brown and pink is distinctly Art Deco, the design movement also known as Art Moderne, which was fashionable in France and throughout Western Europe during the 1920s and 1930s. Composition with Three Elements, represents the zenith of Jellett’s experiments with pure abstraction. By 1928, she had begun to reintroduce figuration into her cubist work and in paintings such as Homage to Fra Angelico (1928) explicit references to both art history and Christian iconography are present. This return to representation aided the reception of Jellett’s art by the Irish public but also signalled the end of her avant-garde pursuit of pure abstraction. Dr Riann Coulter (1) Bruce Arnold, Mainie Jellett and the Modern Movement in Ireland, New Haven & London, 1991, p. vii.(2) Patrick Murphy, A Passion for Collecting: A Memoir by Patrick J Murphy, Dublin, 2012, 32-33.(3) ‘Two Freak Pictures: Art and Nature’, Irish Times, 23 October 1923. (4) George Russell, Irish Statesman, 27 October 1923. (5) Arnold, p. 90.

Zenith Auto Sport 28800 automatic stainless steel gentleman's wristwatch, ref. GR 720001, circa 1970s silvered dial with baton markers, sweep centre seconds and date aperture to the 4/5 position, calibre 256c PC 23 jewel movement, presentation inscribed back, black strap, 36mm - Condition Report: - Movement - currently functioning. Dial - clean condition. Glass - light marks. Hands - matching. Case - the back with some scratch marks and inscriptions as advised - see image. Crown - Zenith adjusting correctly. Strap - modern good. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained

Zenith El Primero Pacific Chronograph automatic stainless steel gentleman's bracelet watch, ref. 59.0010.400, black dial with chronograph centre seconds, triple subsidiary dials and date aperture, cal. 400 31 jewel movement, 42mm -360 VIEW-Condition Report: - Movement - functioning and chronograph setting back correctly. Dial - good. Glass - good. Hands - good. Case - some light marks but generally good. Crown - adjusts correctly. Bracelet - light marks, generally good - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained

Zenith, Gold coloured wrist watch, no. 685563 Movement: Cal. 40, manual wind, 17 jewels Case: Gold coloured case, snap case back, stamped 18K 0.750 with poincon Bracelet/Strap: Unsigned brown leather strap with gold plated pin buckle Size: 36mm Signed: Case back, dial, movement, crown Accessories: None

An early 20th century mantel clock, the 8.5 cm enamel dial with Roman numerals and signed Zenith, in a satinwood case, 19 cm high, a brass lantern type clock, 17.5 cm high, and an inlaid mahogany tray, 59 cm wide (3)

A quantity of vintage costume jewellery with a small amount of silver jewellery, mostly wearable and a gents Mudu wrist watch, not running - a ladies gold plated Zenith watch, running but some damage to case and a ladies Oriosa watch, not running

A gents 9ct gold cushion case Zenith wristwatch, circa 1930's, white dial with subsidiary seconds dial, Zenith movement Ser No 3171241 - case hallmarked for 9ct gold, case diameter 29mm, Dennison case, running case good for age, light surface marks

An early 20th century mantel clock, the 8.5 cm enamel dial with Roman numerals and signed Zenith, in a satinwood case, 19 cm high, a brass lantern type clock, 17.5 cm high, and an inlaid mahogany tray, 59 cm wide (3)

An original 1950s Wurlitzer Model 1800 Multi-Selector Phonograph jukebox, serial no. 251360, with Cobra Radionic tone arm by Zenith Radio Corp. of Chicago, finished in red, white and chrome, with a near full set of 1960s period 45rpm single, 55¾in. (141.5cm.) high, 32in. (81.5cm.) wide, in very good cosmetic condition, working but will need tuning and adjustment before regular use.

Comprising: 4 x Rolex, Zenith, 3 x Patek Philippe, 2 x Omega, GMT magazine and Daily Telegraph "Watch Your Time" magazine.

A gentleman's Zenith 9ct gold watch, presented for 25 years service in 1964, Garrard and Co Ltd box

Photographic Equipment - a Yashica SLR camera, no.M1024379; a Kodak Supercolor Polariod camera; a pair of Nippon binoculars; a pair of Zenith binoculars; a pair of Prinzlux binoculars; etc

A box containing Zenith field glasses, cameras, vintage mobile phones, hand-held UFO Invaders game etc

A Seiko 5 Automatic steel cased gentleman's bracelet wristwatch, the signed black dial with baton numerals, day of the week and date of the month aperture and with centre seconds, the dial detailed Water 70 M Resist, a Zenith steel cased gentleman's wristwatch and a lady's gold cased, keyless wind, openfaced fob watch, the white enamelled dial with black Roman hour numerals, detailed within the caseback 18 K, (3).

Zenith; A 9ct Gold Cased Ladies Wristwatch, the signed circular dial with line markers, in plain case, to integral 9ct gold textured tapering bracelet, in original box with guarantee.

A Quantity of Mostly Cased Binoculars, including Tohyoh 20 x 50, Hanimex 10 x 50, Mark Scheffel 20 x 50, Super Zenith 10 x 50 etc:- One Box

Hitachi 8mm Video Camera Recorder,realistic home scanner, 1000 channel pro-2042. Boots 10 x 20 and super zenith 12 x 50 binoculars:- One Box

A 22 carat gold wedding band, a Zenith wristwatch with leather strap, an amethyst pendant and a quantity of costume jewellery etc

A Zenith Elite Heritage Ultra Thin stainless steel automatic wristwatch, 40mm, ref: 03.2010.681, with skeleton back, with box.

A collection of watch catalogues and magazines. Comprising: 4 x Rolex, Zenith, 3 x Patek Philippe, 2 x Omega, GMT magazine and Daily Telegraph "Watch Your Time" magazine.

An Heal's oak convex wall clock, with brass Arabic numerals and a Zenith 18-day movement, labelled 'Reid & Sons, Gem Buildings, Blackett Street, Newcastle-on-Tyne', 34.5cm diameter

Three pairs of binoculars including Zenith 10x50 in original case, Pathe Scope 20x50 in original case and Swallow 8x30

Friendly Testimonial + Unusual Football Programmes: From the 60s onwards including Full Members Zenith Data Watney Cup Anglo Scottish and lots more. Good. (150)

A stainless steel wristwatch by Zenith. Circular dial with silver finish and numerical markings. Date feature with second hand dial. Stainless steel bracelet. Case reference: 01/02.0450.682. Skeleton back with signed automatic movement. Supplied with zenith box and instructions. 131.1 grams

A ZENITH CRICKET BAT signed to the front and reverse by over ninety test players who attended the Lord's Taveners lunch at Lord's held in July 1991, including Denis Compton, Colin Cowdry, John Edrich, Graham Gooch, Allan Lamb, Geoff Pullar, Don Wilson, Donald Carr, Alec Bedser, Derek Underwood, Ian Botham, etc., formerly the property of Kent and England bats,an Brian Luckhurst

Zenith Camera, Kodak Camera and Zoom System

Zenith; a c1960s gentlemen's 18k gold manual wind wristwatch, diameter 3.4cm.

Zenith 35 mm SLR camera and a wooden block plane

A collection of vintage cameras: to include Richol, Kodak instamatic 233x, Haling disc 208, zenith binoulars, wooden mantle clock, wooden candlesticks, clocks etc (2 trays)

9ct gold Longines wristwatch with Baume case, Zenith wristwatch and a H & G Swiss made wristwatch (3) Condition Report total 28gm

A pair of Zenith 10x50 field binoculars No. 17823 together with one other pair of sports glasses, both cased (2)

A pair of Zenith 7x50 binoculars together with a pair of Chinon 10x40 compact wide binoculars, and one other a modern pair of 10x50 field binoculars

ZENIT E CAMERA AND SUPER ZENITH BINOCULARS BOTH IN ORIGINAL CASES