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Lot 40
A&M and Dawn Records Singles collection. Fourteen 7" singles, most of which are advance promotion copies. Bill & Buster; 'Make A Change (To Something Better)' (Promotion copy, AMS 789), J.J. Cale; 'After Midnight' (Promotion copy, AMS 7022), Prelude; 'Here Comes The Sun' (Promotion copy, DNS,1078), Zenith; 'A Fool That Was In Love/Silent Words' (Promotion copy, DNS.1112), Pluto; 'Rag-A-Bone Joe' (Promotion copy, DNS.1017), David McWilliams; 'You've Only Been a Stranger' (Promotion copy, DNS.1064), Curtis Knight Zeus; 'People Places and Things' (Promotion copy, DNS.1065), Predule; 'After The Goldrush' (Promotion copy, DNS.1052), Zenith; 'A Face You Won't Forget' (Promotion copy, DNS.1095), Sandgate; 'A Thousand Years' (Promotion copy, DNS.114), Jam; 'The Witch' (Promotion copy, DNS.1069), Paul King; 'Whoa Buck' (Promotion copy, DNS.1023), Ross Stagg; 'I'll Never Be A Star (But I Might)' (Promotion copy, DNS.1059), The Casuals; 'The Witch' (DNS.1069). (14) The overall condition is generally VG/VG+. Estimated in-house shipping for this lot is available to the UK for £17.20.
Lot 212
Property of a deceased's estatec.1967 BSA 343cc B40 Military MotorcycleRegistration no. not registeredFrame no. B40 GB221Engine no. B40 GB221Introduced in September 1958, the unitary construction C15 replaced the outgoing C12 and would provide the basis for an entire range of singles in capacities up to 500cc. The first new C15-based model to feature an enlarged engine was the 343cc B40, an addition to the line-up for 1961. Many B40s would see service with the British Armed Forces, which ordered 2,000 following an extended reliability test. A number of modifications were made to the military-specification B40, including a lower compression ratio of 5.0:1; Zenith 'butterfly' carburettor; cut-down, moto-cross oil tank; external, cartridge-type oil filter; fork gaiters; and a fully-enclosed rear drive chain. Although the 'civilian' B40 disappeared from the range at the end of 1967, military production continued for another couple of years, the last machines being delivered in 1970. The B40 would remain in military service well into the 1970s.The military B40 retains its original MoD identity plate and has the batch number '68ET29' chalked on the fuel tank. Its history since acquisition is not known and the machine is offered without documents.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 20 April starting at 2pm GMT.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 85
Property of a deceased's estateBSA 343cc B40 Military Motorcycle ProjectRegistration no. unregisteredFrame no. None VisibleEngine no. B40GB JH6511Introduced in September 1958, the unitary construction C15 replaced the outgoing C12 and would provide the basis for an entire range of singles in capacities up to 500cc. The first new C15-based model to feature an enlarged engine was the 343cc B40, an addition to the line-up for 1961. Many B40s would see service with the British Armed Forces, which ordered 2,000 following an extended reliability test. A number of modifications were made to the military-specification B40, including a lower compression ratio of 5.0:1; Zenith 'butterfly' carburettor; cut-down, moto-cross oil tank; external, cartridge-type oil filter; fork gaiters; and a fully-enclosed rear drive chain. Although the 'civilian' B40 disappeared from the range at the end of 1967, military production continued for another couple of years, the last machines being delivered in 1970. The B40 would remain in military service well into the 1970s.Partially repainted in Army Green, this dismantled B40 project consists of a frame, swinging-arm, shock absorbers, tool boxes, rear mudguard, pannier cradles, engine (mounted to stand), exhaust, fork shrouds, top yoke, wheels and sundry other components. Its history since acquisition is not known and the machine is offered without documents.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 20 April starting at 11am GMT.'Lot to be sold without reserve.This lot is subject to the following lot symbols: ◊◊◊◊◊◊ Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
Lot 268
1967 BSA 343cc B40 Military MotorcycleRegistration no. no registeredFrame no. B40GB 386Engine no. B40GB 3152Introduced in September 1958, the unitary construction C15 replaced the outgoing C12 and would provide the basis for an entire range of singles in capacities up to 500cc. The first new C15-based model to feature an enlarged engine was the 343cc B40, an addition to the line-up for 1961. Many B40s would see service with the British Armed Forces, which ordered 2,000 following an extended reliability test. A number of modifications were made to the military-specification B40, including a lower compression ratio of 5.0:1; Zenith 'butterfly' carburettor; cut-down, moto-cross oil tank; external, cartridge-type oil filter; fork gaiters; and a fully-enclosed rear drive chain. Although the 'civilian' B40 disappeared from the range at the end of 1967, military production continued for another couple of years, the last machines being delivered in 1970. The B40 would remain in military service well into the 1970s. Nothing is known of the history of this B40. There are no documents with this motorcycle, which is offered for restoration and sold strictly as viewed.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 20 April starting at 2pm GMT.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 300
Pokémon - Crown Zenith Pikachu VMax Special Collection box set, MGC 2022 Pokémon Charizard V Brilliant Stars #49558, PSA 2020 Pokémon SWSH Charizard V Darkness Ablaze, Ace Grading 2022 Brilliant Stars Charizard VSTar Holo and 3 other cased cards, 5 large Pokémon card posters, and a large M Mewtwo GX card
Lot 431
RÓMULO ROZO (1899–1964) 'LA MUSICA', 1925 bronze, raised on a slate plinth, inscribed in the bronze plinth RÓMULO, signed with monogram and dated in the bronze plinth (twice) RR/ PARIS/ 1925, signed, inscribed and dated to the reverse RR/ 1925/ ESVENO, with foundry stamp MARONI RADICE/ CIRE PERDUE/ PARIS bronze 31.5cm high, with plinth 36cm high The first few decades of the twentieth century were a turbulent era for Columbian art. Bogota born sculptor Romulo Rozo (1899-1964) sat at the heart of this changing artistic climate, educated within and inspired by both European and indigenous artistic traditions. His work’s incorporation of Pre-Columbian motifs and myth resulted in him becoming an enduring figurehead for the art of his homeland and its distinctive identity. Colonial activities in Colombia and movement of artists between Europe and Latin America fostered strong Spanish and French influences in the art scene in Columbia at the conclusion of the 19th century. The founding of the School of Bogota at the start of the 20th century however, heralded a desire to free Colombian art from European models. Nevertheless, just a couple of decades later and under political pressure to promote Spanish heritage as a model for society and the arts, the pendulum swung back the other way, as the Circle of Fine Arts was established. This organisation favoured artists following the academic tradition seen in Madrid. Rozo was born in Bogota in 1899 and first enrolled at the National School of Fine Arts in his home city. As was politically popular, he then followed a European training route, travelling to Spain where he studied for four years, before completing his education in Paris. Here he worked with sculptors including Paul Landowski, known for his work Christ the Redeemer in Rio de Janeiro, and Antoine Bourdelle. This mixture of European and Latin American training is evident in his work La Musica. Executed in 1925, during his time in France, it reflects the two locations of Rozo’s training; the impressed decoration and highly textural protrusions have visual parallels in indigenous Columbian art, but the figure’s contrapposto pose and realistic form draw heavily on the European classical tradition. Executed in the same year as La Musica, the granite sculpture Bachué would become his most celebrated and famous work. To the indigenous Muisca people of modern-day Colombia, Bachué is the mother goddess of humanity. Rozo’s sculpture depicts the two parts of the Muiscan origin of humanity myth; the goddess emerging from the water holding a child and snakes returning to the lake having populated the earth. The sculpture reached its zenith at the 1929 Ibero-American Exposition in Seville, an extended exhibition celebrating the links between Spain and Latin America. It sat in a fountain at the heart of the Columbian pavilion, the carvings and façade scheme of which were also designed by Rozo. Such was the impactful presentation of the almost life-size work that it was awarded a prize. This exposure and recognition thrust Rozo into the artistic spotlight and cemented Bachué as a landmark in Colombian art. Rozo’s sculpture was adopted as a symbol for what was later named the Bachué Group; artists and writers in the late 1920s looking to champion indigenous concerns within contemporary Colombian art. In June 1930 they published ’Monografia del Bachué’ in the newspaper El Tiempo, a document regarded by some as their quasi-manifesto. The group sought a return to their country’s roots by putting local and indigenous culture foremost in the arts. The legacy of their work survives today under the Proyecto Bachué, a platform for managing activities related to Colombian arts and acting to promote and support contemporary creative enterprises.Bachué represented a pivotal moment in Rozo’s personal artistic development, by cementing the Pre-Columbian visual language in which he primarily would work for the rest of his life. Thus, La Musica provides a touchstone with Rozo’s period of self-discovery, as he experimented with combining European and Latin American models before fully embracing his roots. Further, the sculpture illustrates the wider cultural interests of the man behind the chisel. In addition to his artistic contributions, Rozo was involved in the Columbian musical offering at the 1929 Ibero-American Exposition. He performed disguised as a peasant with the Columbian duo Wills and Escobar, their act showcasing another form of indigenous art. La Musica depicts a musician deep in reverie, a state with which Rozo was perhaps familiar. After his success in Paris, Rozo relocated to Mexico in 1931 where he worked for ten years as a member of the Columbian government’s cultural department. Surrounded by Mayan culture, Rozo incorporated these influences into various projects, most notably in Monumento a La Patria in Mérida (1956). Despite his early acclaim, he died a poor man in Yucatan in 1964. Throughout his life he used art to pursue his indigenous ancestors with a tenacity bordering on the obsessive, La Musica representing a crucial part of his search for an authentic creative identity.
Lot 403
ZENITH: A CHAMPLEVÉ ENAMEL AND BRASS TRAVELLING ALARM CLOCK, CASEDCirca 1920s, white enamel dial with Arabic numerals and outer minute track, the case with abstract champlevé enamel decoration and raised on four bun feet, height 6.1cm, in fitted blue case.Provenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collectionCondition ReportMovement not working, alarm winder is overwound, chip to green enamel at front of case between one and two o'clock, damage to green enamel at top of case, haircrack to dial between centre and 9 o'clock, other minor haircracks visible under a loop, chip to edge of dial above 12 o'clock, hand adjustment working, feet in good condition, outer folding case is a little worn and dirty within, particularly where the controls meet the back of the case, exterior of case is a little scuffed. The mechanism is button winding and does not require a key
Lot 572
6 various ladies' watches in gold cases, seen from top left: Longines, timepiece number 2259497, unknown brand with waffled decor, Zenith with waffled decor, case number 184359, unknown brand with engraved decor, case number 14805, unknown brand with engraved decor and oval with decor landscape, case number 11629 / 63806 (hairline in the dial) and unknown brand in decorated case with case number 25503, all 34 mm diameter and contained in an original case
Lot 572
A BOX OF ASSORTED VINTAGE CAMERAS ETC, to include a Zenith EM 35mm SLR film camera, Moscow 1980 Olympic games edition fitted with a Helios 58mm f2 lens, 35mm compact film cameras - Pentax Espio 60S, Olympus Zoom AF, Canon Sure Shot AF-7, Canon Shure Shot Supreme, Olympus Mju, Samsung AF Zoom 1050 etc together with a Sony TR840E camcorder
Lot 107
Zenith, an early 20th century silver cased 'Trench' watch, circa 1916. The white enamelled dial with a red 12, luminous skeleton-Arabic numerals and hands and a sibsidiary seconds dial at six, 35mm diameter Dennison three-piece screw case with wire lugs, numbered 292707 and with hallmarks for Bimingham 1916, Zenith movement no.1953161 Condition Report: We do not guarantee any watch for accuracy.
Lot 106
A 1990s Rolex Oyster Perpetual Daytona stainless steel and 18ct gold wristwatch full set, 40mm, ref. 16523, gilt dial with three subsiduary dials, baton markers, gold bezel, gold winder and stopwatch buttons, serial number T960235, with 4030 (Zenith) movement, running well and functioning well, on Rolex bi-metal bracelet with fold over clasp, numbered 78393, overall in very good condition, some sign of wear and use, this includes light scratches to case and bracelet, glass and dial good, with box no. 69.00.09, with papers and two retail tags and hankerchief, Ernest Jones receipt, also with two spare links
Lot 175
A c1960s Zenith manual wind gold plated and stainless steel wristwatch, 33mm, silvered dial with black batons and subsiduary dial, appears to run well, numbered 2531 to 19 jewel movement, rear cover marked 585A347, signs of typical wear from useage such as scratches and small dents, on later strap
Lot 814
Zenith Herrenarmbanduhr, 20ym vergoldet, Chronograph Automatic, El-Primero Werk, Ref. 20.0140.400 um 2000, poliertes Gehäuse mit verglastem Druckboden, gewölbtes Saphirglas, weißes Zifferblatt mit aufgesetzten vergoldeten Balken, Datum zwischen 4 und 5 Uhr, Hilfszifferblaätter mit Anzeige für Sekunde, 30 min und 12 Stunden Zähler, zentrale Sekunde für Stopfunktion, Uhrwerk mit teilweise gebläuten Schrauben, Feinregulage, läuft genau, Durchmesser 38mm, Höhe 14mm, Original braunes Straußenlederband mit vergoldeter Zenith Dornschließe, Länge ca. 23cm, mit Box, Umkarton und Bedienungsanleitung
Lot 826
Zenith Herrenuhr, Handaufzug, 750/000 GG, um 1970, poliertes Gehäuse, versilbertes Zifferblatt mit aufgesetzten Keil- und Ziffern indizies, vergoldete zeiger, kleine Sekunde an 6 Uhr, vergoldetes Ankerwerk Zenith Cal. 106 läuft, Durchmesser 33mm, Höhe 9mm, braunes Lederband mit vergoldeter Dornschließe, Länge ca. 20cm, Gewicht ges. ca. 35,0g
Lot 561
THREE BOXES AND LOOSE ELECTRICALS ITEMS AND SUNDRIES, to include an MT-PH02 radio/turntable, a boxed BHS 'Wobble Glitter Lamp', a Rolson portable gas stove, a small modern Zennox portable turntable, a mid-century wooden 'Sailing Boat' lamp (missing shade), a small 'Tiffany' style glass tortoise table lamp, a wooden wall clock (possibly made from part of a wooden propeller), an Olympia 'Monica' typewriter, a vintage Pentax Asahi camera, a pair of Magnaloux 12x50 binoculars, Zenith 7 x 50 binoculars, etc. (s.d) (3 boxes + loose)
Lot 519
FOUR BOXES AND LOOSE MISCELLANEOUS SUNDRIES, to include a Praktica LTL camera, a Zenith Lomo camera, Cannonmate DX, Pentax PC-50, a Ricoh KR-10 Super camera and three Ricoh lens', a pair of Revue 8x40 binoculars, a cased microscope, a copper kettle, a set of cast scales, cutlery, a mantel clock, brass ornaments, etc. (s.d) (4 boxes + loose)
Lot 1056
ZENITH - an early 20th century nickel-cased open-face keyless dashboard/office pocket watch, white enamel dial with Arabic numerals, cathedral hands, subsidiary seconds dial and mounted on mahogany base, serial no. 1647111, case no. 4810467, case width 56mm, working order Condition Report: Movement – currently working Dial - filament of numerals is heavily wornGlass - cleanHands - some filament missing from minute handCase - light surface spotting and corrosion Crown – hands adjust smoothly
Lot 1003
ZENITH - an 18ct gold automatic calendar wristwatch, circa 1960s, champagne dial with applied baton hour markers, gilded baton hands, sweep centre seconds hand and date aperture, 28 jewel movement with calibre 408, import hallmarks London 1969, case width 34mm, working order, 38.4g gross Condition Report: Movement – currently working Dial - a couple of very light surface stain spots mainly in lower halfGlass - general surface marksHands - goodCase - general surface wear and marks mainly on caseback from attempted openingsCrown – plating worn, hands adjust smoothly, Quickset date working Bracelet - unassociated tan leather strap, general wearNotes – no box or papers
Lot 35
A collection of five various dress watches, to include: a Zenith stainless steel gentleman's automatic wrist watch, in working order, together with an Oris gilt metal slim pocket watch, manual movement, two Oris gold plated gentleman's wrist watches and another dress watch dress watch. (condition varies). (5)
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7837 item(s)/page