A rare Martin Brothers stoneware vase, c. 1875, of elongated cylindrical form, boldly incised with a crane under a fruiting branch, a mountain peak at the rear, with a plated mount, mouth restored, incised RW Martin Southall by Edwin Martin and WFM, London, by Walter Frazer Martin, 22cm. It is extremely rare to find a piece of Martinware decorated and signed by Walter, who was the thrower, chemist and kiln firing overseer.
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Tennyson, Lord Alfred: Idylls of the King, n.d.fol. tipped-in cold plts by Eleanor Fortescue Brickdale, publisher`s qtr.cl over blue paper-covered boards; The Book of Old English Songs & Ballads, n.d. tipped-in cold plts by Eleanor Fortescue Brickdale, 4to, dec.cl; Parry, Judge: Don Quixote of the Mancha, 1900, illust. by Walter Crane, 8vo. dec.cl and Andersen, Hans: Hans Andersen`s Fairy Tales, 1913, tipped-in cold plts by W. Heath Robinson, ec.cl.gt. (4)
10 Corgi Passage of Time, Heavy Haulage etc including Passage of Time: Leyland Octopus Platform Lorry with vats load Walter Southworth, ERF V8 Wheel Platform Lorry with generator load Holden Rossendale, AEC Mk V Mammoth tipper with coal load Anderson; Guinness: AEC Ergomatic Tanker; Heavy Haulage: AEC Ergomatic artic low loader with Scammell Highwayman crane load Chris Miller, Scammell Highwayman Ballast and Low Loader Hallett Silbermann; Atkinson 8 Wheel Rigid with Trailer and Load Tennant. Boxed, minor wear to some, contents as new.
An important large Pilkingtons Royal Lancastrian lustre charger designed by Walter Crane and painted by William Mycock, decorated with a central figure of a jousting knight on horseback, the rim decorated with a dragon and inscribed "Chevalier Sans Peur Et Sans Reproche", in blue red and silver/golden lustre, diameter 48.5cm, artists marks, impressed factory marks and no.2477 (Illustrated). A near identical example of this charger can be seen on the front cover of "Pilkingtons Royal Lancastrian Pottery & Tiles" by AJ Cross, Richard Dennis Publications 1980.
Crane (Walter).- Marquis of Carabas` Picture Book containing Puss in Boots" Old Mother Hubbard My Mother The Forty Thieves four separately published books in one vol. each with one double-page and six full-page illustrations incorporating text original pictorial cloth gilt lower cover sightly discoloured 4to Routledge [c.1875]. ***The titles first appeared in Routledge`s New Sixpenny Toy Book series number 103 104 108 and 109 " published 1873-1874.
Crane" Walter A Masque of Days from the Last Essa first edition double-page colour plates with integrated text in black and red original cloth-backed colour boards dust-jacket d/j torn and rubbed with some loss [Gumuchian 1931 not in Osborne] 1901 § Foster (M.) Clever Funny Folk colour frontispiece other illustrations in black and white original glazed pictorial boards hinges cracked presentation bookplate to front paste-down Ernest Nister [c.1880] § Gorey (Edward) Fletcher and Zenobia Save the Circus first edition illustrations by Victoria Chess original boards dust-jacket New York 1971 " v.s.
Watts (G.F. painter and sculptor 1p. 8vo L[ittle] H[olland] H[ouse] Monday evening n.d. arranging an appointment "I have been so unwell that I could not make an appointment & so did not write sooner. I am still very seedy..."; and 3 others letters including Walter Crane and S.A. Hart folds slightly browned.
CRANE, Walter (illustrator). – Edmund SPENSER. The Faerie Queene… [with the fragment Mutabilitie] edited by Thomas J. Wise. London: 1894-1897. Limited edition of 1000 copies, 6 vols. in seven, 4to (278 x 212mm.) Decorative title-pages, numerous plates, numerous decorations and illustrations, all after Crane. (A few plates with additional ink `censorship`. 20th century half-calf, original wrappers bound-in vol. I only (extremities slightly bumped). Provenance: Victoria & Albert Museum (occasional labels and ink stamps); Emslie John Horniman (bookplates).
A Maw & Company Arts and Crafts vase decorated by Walter Crane (British 1845-1915), with ruby copper lustre glaze, of baluster form with flared rim, depicting five Greek Muses wearing long flowing robes and holding vessels aloft, interspersed between stylised trees entwined by serpents, painters monogram of a crane within a "C" to underside, 12.5in (32cm) high. * The Arts and Crafts Movement was a British, Canadian, American and Australian aesthetic movement popular during a short time span from the late 19th century until the early 20th century. It was inspired by the work of John Ruskin. Walter Crane was a Liverpool born artist, book illustrator and ceramics decorator. He was a diligent student of Ruskin. Auctioneers Law Fine Art sold a similar vase on 5th April 2005 as part of the Andrew Keith collection.
BRINE, Mary D., Grandma`s Memories, 1888, MACK, Robert Ellice, Queen of the Meadow, lacks title page, HAVERGAL, Francis Ridley, Songs of the Master Love, dec red cloth, CRANE Walter (illus), Pan Pipes, A Book of Old Songs, pub Routledge 1883m BRYMER John, Two Merry Mariners, illus Stewart Orr, pub Blackie & Son, DOYLE, Richard, Manners and Customs of ye Englyshe (6)
(Victorian Children`s Books): CRANE, Walter, Legends for Lionel, 1887, WAUGH, Ida, Holly Berries, N.D. (c.1870`s), GIFT, Theo, Cape Town Dicky, OR, Colonel Jack`s Boy, ill Alice Havers and Ernest Wilson, N.D., c. 1887, WEATHERLEY, F.E., Among the Daisies, ill M. Ellen Edwards and others, N.D., c. 1889, and six other volumes (10)
CRANE, WALTER "The Baby`s Opera", colour illustrations with music scores and words, hinges cracked, pictorial boards bumped and worn, LANG, ANDREW "The Red Romance Book", Longmans Green and Co 1905, illustrated H.J. Ford, colour frontis, pictorial end papers, red decorated cloth with St George and the Dragon, backstrip loose and split and a COLLECTION OF ANTIQUARIAN and OTHER BOOKS (22)
A Pilkington`s Royal Lancastrian Baluster Lustre Vase, designed by Walter Crane, painted by William S Mycock with a shield depicting a lion, verse and leaves, red flower heads on a blue ground, impressed factory mark and 3049, artist`s marks and year mark for 1913, 30cm (damaged to the rim)
`British Artist Kate Greenaway` sixteen examples in colour of the artists work with an introduction by M H Spielmann, published by A & C Black, Soho Square, London 1905 in green cloth with Kate Greenaway front piece, `Under The Window` by Kate Greenaway, printed Frederick Warne & Co Ltd of London and New York in white and beige cloth and illustrations by Greenaway, `Babies Own Aesop` being the fables condensed in rhyme with portable morals pictorially painted by William Crane, engraved and printed in colour by Edmund Evans with coloured boards, `Robin Hood and the men of the Green Wood` by Henry Gilbert with sixteen illustrations in colour by Walter Crane, printed T C & E C Jack, Edinburgh and London, with white boards with colour front piece, `Stories of the Knights of the Round Table`, by Henry Gilbert with eight illustrations in colour by Walter Crane to T C & E C Jack of London, covered in grey boards with coloured front piece (af), `The Language of Flowers` illustrated by Kate Greenaway, printed by Frederick Warne & Co Ltd of London and New York with covered coloured boards (af), `Rubaiyat of Omar Khayyam` a reprint of the first translation by Edward Fitzgerald with twelve illustrations by Blanche McManus, printed by Alexander Mooring, London 1903, covered in green leather, also six other copies of the Omar Khayyam by the following, `An Essay by John Morgan` of Aberdeen privately printed 1901, covered in grey boards, copy introduced by Joseph Jacobs, printed by Samson Lowe, Maston & Co of London and Edinburgh with a loose front piece covered in brown leather (af), another copy printed by George Reutledge & Sons of London covered in brown leather, another copy printed by Selwyn & Blunt of London, covered in white paper boards with original dust jacket, another copy by Frederick Muller Ltd of London dated 1947 with engravings by George Buday, and a copy with paintings and designed by Motway McCannell printed by Ward, Lock & Co Ltd of London & Melbourne covered in green cloth with original illustrated dust jacket, `Cecil Beetons New York` illustrated from drawings by the author and photographs by the author and other, printed by B T Batsford Ltd of London, 1938 with original dust jacket (14)
Crane (Walter, illust.). The Marquis of Carabas' Picture Book, Containing Puss in Boots, Old Mother Hubbard, My Mother, The Forty Thieves, pub. Routledge, [1874], 32 leaves with fine coloured illustrations, original pictorial boards gilt, joints and edges slightly rubbed, 4to. A bright copy. (1)
Crane (Walter, illust.). Goody Two Shoes' Picture Book, Containing Goody Two Shoes, Beauty and the Beast, The Frog Prince, An Alphabet of Old Friends, pub. Routledge, [c. 1874], 20 chromolithographed plates, four double-page, original blue pictorial cloth gilt, edges slightly rubbed, 4to. A bright copy. (1)
Crane (Walter, illust.). The Three Bears' Picture Book; The Song of Sixpence Toy Book; Chattering Jack's Picture Book, King Luckieboy's Picture Book, all pub. Routledge, c. 1870's, 128 leaves with coloured illustrations, original pictorial boards, minor wear at spine ends, edges lightly rubbed, 4to (4)
Books - Herbert Rose Barraud - Men And Women Of The Day 1889, contains eighty-six (of eighty-seven) mounted Woodburytype prints and biographies including Walter Crane, Duke of Devonshire, Thomas Hardy, Ryder Haggard, William Holman Hunt, The Shah of Persia etc, published by Richard Bentley and Son, London, unbound
CRANE, Walter (illustrator). Don Quixote of the Mancha retold by Judge Parry. London & Manchester: 1900. 8vo (229 x 152mm.) Decorative title printed in red and black, 11 lithographed plates, uncoloured illustrations, all after Crane. (Some light marginal browning.) Original decorated cloth (extremities slightly bumped and lightly scuffed). - And thirty-four other illustrated works (35).
EDWARD LEAR: NONSENSE SONGS AND STORIES, 1897, 4to, orig pict cl gt, d/w (tatty) + AFTERNOON TEA RHYMES FOR CHILDREN, ill J G Sowerby & H H Emmerson, [1880], 4to, orig cl bkd pict bds + WALTER CRANE: PAN-PIPES, circa 1890, 2nd edn, obl, 4to, orig cl bkd pict bds worn + MARY KERNAHAN: NOTHING BUT NONSENSE, ill Tony Ludovici, 1898, 1st edn, obl, orig cl bkd pict bds worn, new EPs (4)
Greenaway, Kate - Taylor, Jane & Ann Little Ann and other poems. London, [c.1882]. 8vo, illustrated throughout by Kate Greenaway, original decorative boards, worn, lacking front endpaper, pages loose, chipping to page edges; Crane, Walter The baby's bouquet. London, [no date]. 8vo, original decorative boards, rubbed at edges, previous owner's ink inscription on front endpaper; Grahame, Kenneth Dream Days. London: John Lane, 1899. 8vo, original decorative yellow cloth, interior clean, bookplate; Dulac, Edmund Picture book for the French Red Cross. London, [no date]. 4to, 20 tipped in colour plates, original decorative cloth, some tearing to hinges at head of backstrip, foxing to first few leaves, previous owner's ink inscription; Harcourt-Smith, Simon & Rex Whistler The last of uptake. London, [1942]. 8vo, original red cloth, dustwrapper, chipped at edges, previous owner's ink inscription; Carroll, Lewis The hunting of the Snark. London, 1876. 8vo, illustrated by Henry Holiday, original decorative grey cloth, previous owner's ink inscription, inner hinges weak and another later copy in red cloth gilt; Sowerby, J.G. & Thomas Crane At home. London, [no date]. 8vo, original decorative boards, rubbed at edges, inner hinge weak; and 29 other childrens and illustrated volumes (37) .
BULL, René (illustrator). The Arabian Nights. London: [n.d.] 4to (223 x 172mm.) 10 colour plates and numerous uncoloured illustrations, all by Bull. (Occasional light browning.) Original cloth (worn). – And a quantity of other illustrated works or part-works, including Arthur Rackham, Walter Crane, Willy Pogany, Hugh Thomson, W. Heath Robinson, Edward Ardizzone and others (a quantity).
WILDE, Oscar. The Happy Prince and other Tales. London: David Nutt, 1888. First edition, 8vo (222 x 160mm.) Illustrations by Walter Crane and Jacomb Hood. (Occasional spotting.) Original boards (spotted, soiled and bumped). Provenance: S.C. Adami (school prize label to front pastedown). (See illustration)
THE TOY BOOK KEEPSAKE. The Religious Tract Society. n.d. 25 coloured engravings Ñ AUNT LOUISA'S GOLDEN GIFT. Frederick Warne & Co., n.d. 24 coloured and gilt engravings. 4to., with The Marquis of Carabas' Picture Book. G. Routledge, n.d. 32 pp. coloured pictures by Walter Crane, orig. cloth and another volume. (4)
MINTON FRAMED TILE, CIRCA 1880 glazed earthenware with brass frame, printed in blue on white in the manner of Walter Crane with a maiden by a lake, moulded marks, 15cm square; also a THREE TILE PANEL, in the manner of William de Morgan, depicting a galleon in full sail, with swimming fish below, each tile 15.5cm square (2)
Crane, Walter. Queen Summer or the Journey of the Lily to the Rose, large paper copy first edition, London Cassell & Co., 1891. Vellum backed decoraive boards, folio, plus Flowers from Shakespeare's Garden, first edition 1906; Legends for Lionel, first edition 1887; Slate and Pencilvania (2), first edition 1885, plus other first editions. (8)
Cobden-Sanderson, T.J. A Paper at a Meeting of the Art Workers Guild, March 6 1891, publishd for subscribers, 1906. Full limp vellum by The Doves Bindery, octavo, association copy, inscribed to the front free endpaper 'To Walter Crane / Past Master A.W.G. / from T.J. Cobden-Sanderson'; and Pagan (Mathio). La Gloria et L'Honore de Ponti Tagliati, e Ponti in Aere, Venetia, 1558, Quaritch, London 1884. Quarter crimson leather, octavo, (2).
The Clarion Guild of Handicraft exhibition poster at the Manchester Atheneum watercolour in brown/black (unsigned) 56 x 36cm overall * The Clarion Club was a Socialist organisation formed in 1892 by Robert Blatchford. Walter Crane was involved with the movement and is noted on the poster as being one of the five persons who opened this exhibition

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