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Click here to subscribeCRANE, WALTER TRIPLETS: COMPRISING THE BABY'S OPERA, THE BABY'S BOUQUET, & THE BABY'S OWN AESOPLondon, George Routledge, 1899. First combined edition, LIMITED EDITION number 67 of 500 copies for the United Kingdom, oblong 4to, beautifully illustrated throughout by Crane and printed in colours by Edmund Evans. In the original publisher's quarter-vellum binding with gilt-decorated cloth boards, occasional internal light spotting, a very good copy
Grimble (Augustus). Shooting and Salmon Fishing, Hints and Recollections, 1st edition, 1892, & Highland Sport, illustrated by Archibald Thorburn, 1894, 18 & 10 uncoloured plates respectively, scattered light spotting, both original parchment-backed boards, rubbed and some soiling and pale discolouration, 4to, together with Wise (John R.). The New Forest, Its History and Its Scenery, Artist's Edition, with 12 Etchings by Heywood Sumner, 1st edition, Henry Sotheran, 1883, 12 etched plates by Heywood Sumner, 63 wood engraved illustrations to text by W. J. Linton after Walter Crane, 2 maps, all on india paper, a few minor marks, top edge gilt, remainder untrimmed, original quarter green morocco over wood-effect boards, rubbed and some wear to joints and corners, large 8vo (Large Paper copy), limited edition 313/350, plus White (Gilbert) , The Natural History and Antiquities of Selborne, with the Naturalist's Calendar; and miscellaneous observations, extracted from his papers, new edition, with notes by Edward Turner Bennett and others, circa 1837, contemporary presentation ownership inscription to front blank 'Tom & Elizth Bolitho from their affecate Brother & Sister Pascoe & Elizabeth July 10th 1838', marbled edges and endpapers, contemporary gilt-decorated green full calf, rubbed and a little scuffed, spine and outer edges somewhat discoloured, 8vo, and Bewick (Thomas), A History of British Birds..., and a supplement, with additional figures, 2 volumes, Newcastle, 1821, numerous wood engraved illustrations to text, contemporary half calf, rubbed and scuffed, spine labels missing, 8vo (Qty: 6)
[Beardsley (Aubrey) and others.] The Yellow Book: An Illustrated Quarterly, 13 vol. [all published], plates, illustrations and decorations by Aubrey Beardsley, Laurence Housman, Walter Crane, Max Beerbohm and others, tissue guards, some vol. spotted, original pictorial yellow cloth, some spines darkened and frayed at ends, small 4to, 1894-97.
The Pied Piper of Hamelin illustrated by Kate Greenaway, The Dome a Quarterly (2 volumes) Wonder Book for Boys & Girls with designs by Walter Crane, Chansons Dr France pour Les Petits Francais & Vieilles Chansons et Rondes illustrated by M.B. De Monvel both in patterned fabric, Songs for Little Children and illustrated Dickens (14)
Seven pieces of slag and malachite glass late 19th/early 20th century, comprising a rare Sowerby purple rectangular 'Nursery Rhyme' vase designed by Walter Crane, 15.5cm wide, including a black, white and dark green goblet with figural swan detail, 17.5cm high; a turquoise and white Davidson leaf form dish, 14.5cm wide; a Sowerby blue malachite tooth pick holder or vase, a purple malachite mug 'A Present from ...'; a purple malachite beaker, 10.5cm high and one further purple vase (8)
WILDE, Oscar: 1- A Woman of No Importance. Paris, pirated edn. published by Smithers; No. 25 of a limited edition of 250 copies. 4to. the bookplate of Arnold Bennett to pastedown; Covers are stained; 2- The Happy Prince and Other Tales. David Nutt, 1910, 7th Impr. Illustrated by Walter Crane & Jacob Hood. Tape repair to spine. (2)
Botany, Classification, Anatomy, Taxonomy, Evolution - Bailey - Manual of Cultivated Plants; Biological Council - Abbreviated Titles of Biological Journals; Botanical Society of the British Isles - Altitudinal Limits of British and Irish Vascular Plants; Briggs, Walters - Plant Variation and Evolution; Cain - Foundations of Plant Geography; Corner - The Life of Plants; Cutter - Plant Anatomy Experiment and Interpretation Part 1 and Part 2; Davis, Heywood - Principles of Angiosperm Taxonomy; Davis, Cullen - The Identification of Flowering Plant Families; Dressler - Phylogeny and Classification of the Orchid Family; Eames, MacDaniels - An Introduction to Plant Anatomy; Esau - Plant Anatomy; Ed. Friis, Chaloner, Crane - The Origins of Angiosperms and their Biological Consequences; Gilbert-Carter - Catkin-Bearing Plants; Harper - Population Biology of Plants; Hickey, King - 100 Families of Flowering Plants; Holmgren, Keuken - Index Herbariorum Part 1 Edition 6; Hunt - Studies in Biology No. 96 Plant Growth Analysis; Ingold - Spore Discharge in Land Plants; Jackson - A Glossary of Botanic Terms; Jones - Plants and Microclimate; Trans. Lang - Strasburger's Text-Book of Botany; Lawrence - Taxonomy of Vascular Plants; Mabberley - The Plant-Book A Portable Dictionary of the Higher Plants; Mac Arthur, Wilson - The Theory of Island Biogeography; Ed. Myers, Giller - Analytical Biogeography; Nichols, Johnson - Plants and the K-T Boundary; Rosenzweig - Species Diversity in Space and Time; Sculthorpe - The Biology of Aquatic Vascular Plants; Ed. Silvertown, Franco, Harper - Plant Life Histories Ecology, Phylogeny and Evolution; Sporne - The Morphology of Angiosperms, The Morphology of Angiosperms; Stearn - Botanical Latin; Tilman - Dynamics and Structure of Plant Communities; Walter - Vegetation of the Earth; Whittaker - Communities and Ecosystems; Ed. Whittaker - Classification of Plant Communities, Ordination of Plant Communities
Children's Book and Illustrators - Kingsley (Charles), The Water Babies, Illustrated by Jessie Willcox Smith, Hodder and Stoughton, London [n.d., c. 1920], tipped-in colour plates, monochrome headers and footers, blue cloth pictorial gilt as issued, 4to; Wells (J.), The Charm of Oxford, Illustrated by W.G. Blackall, Simpkin, Marshall, Hamilton, Kent & Co. Ltd., London 1920, tipped-in monochrome plates, pictorial blue cloth and endpapers as issued, 4to; Crane (Walter), The Baby's Opera: A Book of Old Rhymes with New Dresses [...] The Music by the Earliest Masters, Engraved, & Printed in Colours by Edmund Evans, Frederick Warne and Co, London [n.d., c. 1900], printed pictorial covers and red buckram spine, pictorial prelims, square 12mo, [3]
Collection of Victorian and Edwardian ephemera (Q)A large collection of Victorian and Edwardian ephemera to include a scrapbook, photograph albums, Christmas booklets, greeting cards, etchings, prints and book plates illustrated by Arthur Rackham, Cecily Mary Barker, Walter Crane and Florence Upton
Willcox Smith, Jessie, illustrator. The Water Babies, 12 tipped-in coloured plates, guards, original cloth gilt, 4to, London: Boots, [n.d.]; Hudson, Gwynedd M., illustrator. J.M. Barrie's Peter Pan and Wendy, illustrations, original cloth, dust-jacket, torn, 4to, London: Boots, [n.d.]; Crane, Walter, illustrator. The Happy Prince and Other Tales, fourth impression, illustrations, original boards, soiled, extremities rubbed, 8vo, London: David Nutt, 1905; and 9 others, children's books, v.s. (12)
Maw (George). A Monograph of the Genus Crocus, 1886, half-title, double-page coloured map, eighty-one hand-coloured lithograph plates (plate 17 was never published), double-page tables, letterpress vignette illustrations, some general light toning and occasional marks, marbled endpapers with front free endpaper detached and frayed to edges, later cloth hinges, all edges gilt, contemporary green morocco gilt, extremities slightly rubbed, large 4to Nissen 1316. Considered the finest work ever published on the Genus Crocus. George Maw was a polymath whose occupations included chemistry, geology, botany, archaeology, watercolour painting and gardening. He was a manufacturer of caustic and other tiles which were exported all over the world. Maw and Company also produced art pottery, employing well-known designers such as Walter Crane. Maw was an experienced plant-hunter and accompanied Sir Joseph Dalton Hooker on a plant-hunting exhibition to Morocco and the Atlas Mountains in 1871. He became an expert on the Crocus and illustrated his monograph - the result of ten years toil - with his own watercolours, of which John Ruskin wrote that they were "most exquisite... and quite beyond criticism". (1)
Maw and Co., an Arts and Crafts vase, circa 1890, in the style of William De Morgan, ovoid form, painted with stylised tulips and foliate pilasters between ducks and tufts on a watery ground, possibly designed by Voysey, green and black glaze, painted marks, 23cm high Note: Maw and Co. produced tiles and ceramic from their base in Shropshire, employing designers such as Walter Crane, Lewis F Day and C F A Voysey. Influenced by market trends in design, particularly the ceramics of William De Morgan, this vase is an example of the highly stylised decorative motifs popular amongst the educated Bohemian elite of the time.
Vintage and Antique books - To include Southey's Minor Poems and Ballads, Cripple George (J W Kneeshaw), In Colston's Days by Mrs Marshall, That Boy tom by M.Seymour, The Spindle Tree by Agnes Herbertson, Vanity Fair by Thackeray, The Mysteries of Paris by Eugene Sue, The Chandos Classics 'Burns'. Jack and Jill by Florence E Burch, Pam Pot and Kettle by Marie Muir, The Dynamiter by Robert Stevenson, Huckleberry Finn by Mark Twain, Oliver Twist (The Panel Books) Charles Dickens, Bob & His Rabbits and Willie Anson by Emma Leslie, Robin Hood by Henry Gilbert ( Illustrated by Walter Crane - Condition - foxing to most pages. Cloth Front.), A Peep Behind the Scenes by Mrs Walton, Eric; or Little by Little by Frederic Farrar.
WALTER CRANE - 'RENASCENCE A BOOK OF VERSE' published by Elkin Mathews 1891, limited edition 121/350 together with 'The Baby's Opera', Frederic E. Weatherly - 'Over The Hills Away! Poems, Edward Lear - 'Nonsense Songs' illustrated by L. Leslie Brooke, six books by Juliana Horatia Ewing and other children's illustrated books (12)Condition Report:Renascence - missing half of spine
MANNER OF WALTER CRANEEMBROIDERED WOOLWORK PANEL, DATED 1910 worked in coloured wools with the figure of St Elizabeth befriending a pilgrim, reserved on a linen ground, bears embroidered inscription ST ELIZABETH BEHERBERGT DIE FREMDEN, signed with embroidered initials and dated lower left A.C.C./ 1910, framed and glazed34cm x 30cm
WALTER CRANE (1845-1915)'MUSIC', A PAIR OF HAND-BLOCKED WALLPAPER PANELS, CIRCA 1870 each depicting an angel holding a viola within a foliate band highlighted with gilt, framed and glazed (2)93.5cm x 26cmLiterature: The Studio Magazine, volume 4, 1894, 'Walter Crane's Paper-Hangings', an interview with Aymer Vallance, illustrated.Note: These panels are from Crane's 'Trio' pilaster papers, which also included 'Painting' and 'Poesy'.
WILLIAM ARTHUR SMITH BENSON (1854-1924)RARE ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1890 with flared reflector raised on curved brackets above a conical shade and domed reservoir, the whole raised on tapered column support with moulded domed base on a square plinth61cm high (to top of reflector shade)Exhibited: Madrid, Fundación Juan March and Barcelona, Museu Nacional d'Art de Catalunya 'William Morris and the Arts & Crafts Movement in Great Britain' October 2017-May 2018, No. 184.Note: W.A.S. Benson was admired in the arena of the Avant Garde in Europe and his work was sold through the influential Maison de L’Art Nouveau in Paris. The magazines The Studio, Art et Decoration and Dekorative Kunst all regularly featured his work. The Studio Magazine observed that WAS Benson’s lamps “may ultimately influence the taste of a greater number than the superb Morris-Burne Jones tapestries” whilst The Magazine of Art referred to his lamps as “palpitatingly modern”.Walter Crane in “The Bases of Design” marked W.A.S. Benson’s lamp with a finned copper shade as a good example of modern design. The Studio Yearbook of 1906 praised his experiments with reflectors, as in this example. Hermann Muthesius in his influential book “ Das Englische Haus” stated that WAS Benson was “the first to illuminate dining room tables with light reflected from a shiny metal surface, while keeping the actual source of illumination hidden”.
Crane (Walter, illustrator). The New Forest, its History and its Scenery, by John R. Wise, limited edition, Henry Sotheran & Co., 1883, engraved frontispiece, title-page vignette and numerous vignettes in the text on india paper, mounted, most after Walter Crane, 12 etched plates by Heywood Sumner, 1 folding map, limitation leaf and final index leaf browned, spotting to endpapers, top edge gilt, others untrimmed, original green morocco backing wood-veneer boards, spine faded and scuffed, wear to corners, 4to, and 3 others Number 44 of 350 copies only. (4)
Wilde (Oscar) The Happy Prince and other tales, first edition, frontispiece and 2 plates by Walter Crane, head-pieces by Jacomb Hood, signed presentation copy to Mortimer Menpes inscribed "...from his friend and admirer the author. Oscar Wilde June '88" on front free endpaper, child's pencil note to one leaf, small oval book-label of Walter Chrysler (sold Parke-Bernet 1952) on front pastedown, original cream boards, upper cover printed in red and black with title and illustration, uncut, rubbed and lightly soiled, a few small stains, corners creased, spine ends chipped, preserved in morocco-backed cloth drop-front box (slightly rubbed), [Mason 313], small 4to, David Nutt, 1888.
A group of 12 mainly Grocer related books - Commercial Confectionery Vol I & II with a previous price tag of £50 edited by A C Skeats & published by Gresham 1937, Vols I-IV of the Practical Grocer edited by W H Simmonds with colour illustrations also published by Gresham, The E J Arnold & Son Leeds Glasgow and Belfast School Requisites Book dated 1934, a Boots Scribbling Diary for 1900, The Babies Opera - a book of old rhymes with new dresses by Walter Crane, Modern Grocery Display with dust jacket edited by C L T Beeching / Caxton Press, Business Methods for Chemists, and Better Home Making edited by Beryl Conway Cross.
CRANE, (Walter) Triplets. George Routledge & Sons, 1899, no. 295/750 copies, rubbed vellum backed boards; GALLO (Eleaonora) Peasant Art in Italy. Florence: Guido Giannini & Figlio April 1929, no. 2 of 250 copies, coloured title pages and 33 full page colour plates, oblong folio, oatmeal cloth with cloth bands and painted wooden clips
Lewis Carroll Alice’s Adventures In Wonderland with 42 illustrations by John Tenniel, published Macmillan in original cloth, Through The Looking-Glass and What Alice Found There, Macmillan 1872 in half leather, Dream Days and The Golden Age by Kenneth Grahame, Walter Crane & Margaret Tarrant books (6)
[MISCELLANEOUS]. ILLUSTRATED & OTHER Crane, Walter. Flora's Feast, A Masque of Flowers, Cassell, London, 1889, cloth-backed decorative boards, illustrations throughout, eight-page publisher's catalogue, small quarto; Elia, & Crane, Walter (illustrator). A Masque of Days, Cassell, London, 1901, cloth-backed pictorial boards, illustrations throughout, quarto; Rosetti, Christina. Goblin Market, reprint, Harrap, London, 1971, boards, dustjacket, four colour plate illustrations by Arthur Rackham, octavo; and five other works, (8).
CHILDREN'S LITERATURE: Selection of signed cards, A.Ls.S., signed magazine reproductions of various sizes etc., by various writers and illustrators of children's literature comprising Mary Louisa Molesworth (A.L.S. expressing her gratitude at the appreciation of her stories, 'It gives me the greatest pleasure to think that they have made my many unknown child friends happy'), Kate Douglas Wiggin (A.Q.S. from Timothy's Quest), Walter Crane (2), Ethel Everett (2), Evelyn Whitaker, Dion Clayton Calthorp, Florence Harrison (3), Charles Folkard, Honor C. Appleton (5; several being signed colour reproductions from Songs of Innocence), Warwick Goble (2), Willy Pogany and Norman Ault. Some slight corner creasing, small tears and minor age wear, G to about VG, 21
Crane (Walter, illustrator). Triplets: comprising The Baby's Opera, The Baby's Bouquet, and The Baby's Own Aesop, 1899, numerous colour illustrations (many full-page) and decorations, a few light spots, mainly to first and last leaves, top edge gilt, remainder untrimmed, recent blue half morocco, gilt decorated and lettered spine, large 4to Limited edition, 253/750 total copies. A smart copy. (1)
Walter Crane for Morris and Co. (attributed), a pair of Arts and Crafts mahogany pyrography panels, etched in low relief with Preraphaelite allegorical figures Sphaera Imaginationis and Speculum Naturae, designed 1889, set within acanthus carved frames, the panels 76cm x 37cm, overall 106cm x 67cm Note: designed as stained glass panels for the doors to the picture gallery of Aston Webb's Clare Lawn house, they appear in The Architect, 1889, p.312, also reproduced in the Ian Dungavell's article 'Two Arts and Crafts Interiors by Aston Webb', Journal of the Decorative Arts Society, No.21, 1997, p.108 fig.8. The current location of the original panels is apparently unknown
Collectables Books, a large quantity of vintage children's books to include, 'The Cockyolly Bird' by Mabel Dearmer 1914, 'The House At Pooh Corner', 1928 First Edition, no dust wrapper, pink boards with gilt embossed decoration,' The Reign of King Oberon' edited by Walter Jerrold, illustrations by Charles Robinson, ' The Book of the Flower Fairies' by Cicely M Barker, Blackie, 'King Arthur's Knights' re told by Henry Gilbert illustrated by Walter Crane, TC and EC Jack, 'My Book of Heroes and Heroines' by Clayton Edwards and Arthur L Hayward Cassell and Co (poor to gd) (25+)
Selection of early 20th century autographs - signed letter to Colchester Mayor regarding Colchester Oyster Feast, names include artists, poets, writers, etc, including Seymour Hicks, George R. Sims, Anthony Hope-Hawkins, Lord Darling, Louis N. Packer, Walter Crane, Sir H. Lucy, Jerome K. Jerome, E. V. Lucas, Lawrence Alma Tadema, Katharine Tynan Hickson, John Galworthy, etc, some written in third person (qty)
A group of 12 mainly Grocer related books - Commercial Confectionery Vol I & II with a previous price tag of £50 edited by A C Skeats & published by Gresham 1937, Vols I-IV of the Practical Grocer edited by W H Simmonds with colour illustrations also published by Gresham, The E J Arnold & Son Leeds Glasgow and Belfast School Requisites Book dated 1934, a Boots Scribbling Diary for 1900, The Babies Opera - a book of old rhymes with new dresses by Walter Crane, Modern Grocery Display with dust jacket edited by C L T Beeching / Caxton Press, Business Methods for Chemists, and Better Home Making edited by Beryl Conway Cross.
*Mullikin (Mary Augusta, 1874-1964). Interior of a Chinese Courtyard, circa 1930s, gouache and black chalk on pale brown paper, signed to lower edge, 56 x 30.5 cm (22 x 12 ins), framed and glazed American painter Mary Augusta Mullikin trained at the Cincinnatti Art Academy, and afterwards studied in Paris under James McNeill Whistler and London under Walter Crane. She lived in China between 1920 and 1946, travelling extensively in China, Korea and Japan. She published several articles on China during the 1930s and 1940s, including An Artists' Party in China in The Studo, vol cx, no. 512, November 1935. (1)
Flint (William Russell). Breakfast In P‚rigord, 1968, limited edition 231/525, 60 black and white illustrations, signed by the author to the limitation page, publisher's original black quarter morocco in slipcase, spine lightly marked, large 8vo, together with Greenaway (Kate), Marigold Garden, 1st edition, circa 1885, Under the Window, circa 1878, numerous colour illustrations, some minor spotting, both in original illustrated boards, lightly rubbed to head and foot, 4to, and Crane (Walter), Flowers from Shakespeare's Garden..., 1906, colour illustrations, original illustrated boards, slightly rubbed to head and foot, 4to, plus other mostly 20th century illustrated juvenile literature, including Frank Reynolds, Frank C. Pape, Hugh Thomson, A.A. Milne, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves)
WALTER CRANE (1845-1915) LITTLE RED CAP (LITTLE RED RIDING HOOD) Inscribed LITTLE RED CAP, pen and black ink Main image 3.5 x 12cm.; capital `T` 3.5 x 3.5cm.; with a pencil drawing of Andrew Marvell by Ford Madox Brown, monogrammed and dated 78 in ink, 21.5 x 13cm.; `My Beautiful Lady` and `My Lady in Death`, etchings by Wiliam Holman Hunt for `The Germ`, 1850, printed on a single sheet, 18 x 10cm.; and a woodcut, `Procession to the Hill` from `The Tale of Cupid and Psyche` of angel musicians playing horns, by William Morris, 10 x 15.5cm. (4) * The Crane item is a design for `Household Stories by Grimms` (Macmillan, 1882), sold at Sothebys Belgravia. The Madox Brown drawing is a study for his `Cromwell, Protector of the Vaudois` (1877, Manchester Art Gallery) and was sold at Christies, London, April 24th, 1975, as part of lot 45 (authenticity confirmed by Mary Bennett, February 2003). The Morris print was exhibited in Julian Hartnoll's `Pre-Raphaelite Graphics` exhibition, March-April 1974, no.48. The four items were purchased by Ronald Pickvance from S. & K. Morris of Stratford upon Avon, April 13th, 1976 for a total of £205. ++ Each with some foxing and/or time staining
An important 19th Century Arts & Crafts Fire Surround and Overmantel, possibly by W.B. Simpson & Son, the overmantel with carved decorative finials and large central mirror panel flanked by pillar supported shelves with mirror backs and gilt decoration, on a moulded shelf over a surround with decorative carved sides in relief depicting flowers, the frieze with seven colourful hand painted tiles by Minton & Co., depicting figures playing various instruments, and two similarly decorated standards, each inset with large tiles either side probably designed by Walter Crane, with a central carved marble inset, approx. 326cms (128")h x 183cms (72")w.Provenance: The Corcoran Family, (Wexford Free Press)
GORDON FORSYTH (1879-1952) FOR PILKINGTON'S TILE & POTTERY CO.'APOLLO', A MONUMENTAL LANCASTRIAN LUSTRE VASE, DATED 1909 decorated with a frieze of cockerels to the neck, and to the body with the figure of Apollo riding a chariot through the clouds pulled by six horses, reserved on a blue ground, bears inscription APOLLO, painted artist’s and date cyphers to the base, impressed factory monogram and marks 2471 / IX/ ENGLAND 54cm highProvenance: The Harriman Judd Collection of British Art Pottery, Sotheby’s, New York, 22 January 2001, lot 407Note: This impressive vase is one of the largest pieces ever produced by the factory in lustre glazes. Pilkington’s Tile & Pottery Company was founded in 1891 at Clifton, near Salford, Greater Manchester. William Burton, previously a chemist with Josiah Wedgwood & Sons, was employed as manager and guided the company through its early years until 1915. He was joined by his brother Joseph, and together they developed the glazes for which the company became famous. The first large exhibition of Pilkington's Lancastrian Pottery was held at the Graves Gallery in London in 1904, and two years later the first of the lustre wares were shown at the Arts & Crafts Exhibition in London. The firm employed some of the leading designers of the day for these special wares, including Lewis F. Day, C.F.A. Voysey and Walter Crane, as well as designs from their own decorators, including Richard Joyce, Gordon Forsyth and William S. Mycock. The firm was awarded the Royal Warrant in 1913, after which the range was known as Pilkington’s Royal Lancastrian.
WALTER CRANE (1845-1915, DESIGNER) AND WILLIAM S. MYCOCK (1872-1950, DECORATOR) FOR PILKINGTON’S TILE & POTTERY CO.LANCASTRIAN ‘SWAN’ LUSTRE VASE, DATED 1906decorated with classical figures in sailing ships, painted artist’s, designer’s and date cyphers to the base, impressed factory monogram and marks 2472/ VI 25.5cm highProvenance: Richard Dennis, London
WALTER CRANE (1845-1915, DESIGNER) AND RICHARD JOYCE (1873-1931, DECORATOR) FOR PILKINGTON’S TILE & POTTERY CO.LANCASTRIAN ‘SWAN’ LUSTRE VASE, DATED 1907decorated with classical figures in sailing ships, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks 2472/ VII/ ENGLAND 25.5cm high
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