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Click here to subscribeVictorian scumbled pine chiffonier, raised shaped back fitted with two shelves on S-scroll supports, rectangular top with rounded corners over single frieze drawer and open shelf, on projecting rounded sledge platforms and compressed bun feet, scumbled to resemble rosewood Dimensions: Height: 144cm Length/Width: 77cm Depth/Diameter: 38cm
7" Singles, approximately 300 titles, by The Who, Tammy Wynett, Eddy Arnold, Patsy Cline, Glen Campbell, Bille Jo Spears, Toto, Dolly Parton, Jackie Wilson, Percy Sledge, Booker T, Trammps, Chicago, The Christians, Joe Cocker, Kim Wilde, Dina Carroll, Soft Cell, Urban Cooke Collective, Jermaine Stewart, The Damned and many more.
Webber, John (1751/2-1793) [Views in the South Seas] London: J. Webber, No. 312 Oxford Street, 1788-92. 16 soft-ground etched plates with grey and sepia wash (sheet size 56.9 x 39cm, plate size 44.5 x 32.5cm), each signed ‘J. Webber’ in the plate, on wove paper watermarked J Whatman (without dates), most with tissue-guards, without text as issued [Beddie 1871; cf. Abbey Travel 595 & Beddie 1869-70 & 1872, Tooley 501]. Bound with an extensive set of the engraved plates from James Cook and James King, A Voyage to the Pacific Ocean, 1784. 65 in total (of 87), including folding general map (numbered 1), one other folding chart (36), Death of Cook plate (unnumbered), and plates numbered 4, 6-8, 10-11, 13-18, 20-23, 25-30, 31, 33, 35, 38-43, 45-52, 54, 56-58, 60-68, and 70-78, occasional spotting to margins, heavier and more widespread spotting to chart (36), Death of Cook plate and plate 78, plate 21 tissue-guard ripped, many tissue-guards adhering at points to verso of facing plate.Binding: contemporary red half morocco, spine lettered in gilt ('Prints to Cook & King's Voyage'), marbled sides, light wear to extremities Glasgow Philosophical Society (ink-stamp to verso of folding chart). The extremely rare true first edition of John Webber's spectacular suite of views from Cook's third and final voyage, apparently the only complete copy ever offered at auction, depicting scenes in New Zealand, Macao, Krakatoa, Kamchatka, Tahiti, Moorea, and Pulo Condore in what is now Vietnam.Webber was the official draughtsman on the voyage and issued these 16 views privately during the years leading up to his death. Whereas his drawings for Cook and King's Voyage to the Pacific Ocean, published in 1784, had been engraved by other artists, for Views in the South Seas he learnt the soft-ground etching process in order to make the plates himself. The work has consequently been identified as one of the first works in the now revered tradition of illustrated accounts of exotic lands by artists who were involved in every stage of the production process, exemplified by the Daniells' Oriental Scenery (1795-1814): these artists ‘saw the sights, drew the pictures and worked them up, then back in Europe carried out the processes of plate preparation, and supervised the printing and colouring. This elimination of all intermediaries gave these works immediacy and vastly improved accuracy' (Gerstle & Milner, eds., Recovering the Orient, 1994, pp. 118-19). In 1808 Webber's views were republished by Boydell with the addition of hand-colouring and text, and with Boydell's imprint on each plate.A copy of Webber's edition containing 15 of the 16 plates was offered at Christie's, 8 April 2009, and a set of 12 loose plates appeared at Sotheby's in 1960. The Abbey collection contained a copy of Boydell's edition only. Beddie's Bibliography of Captain James Cook (2nd ed., 1970) describes under catalogue number 1870 a copy containing ‘16 hand-coloured plates bound together … [showing] the same views as in the Boydell edition … arranged in a different order’.The views, here bound in a slightly different order from that of Boydell's edition, comprise:The Narta, or Sledge for Burdens in Kamtchatka. A Sailing Canoe of Otahaite. View in Queen Charlottes Sound, New Zealand. Waheiadooa, Chief of Oheitepeha, lying in State. A View in Oheitepeha Bay, in the Island of Otaheite. Boats of the Friendly Islands. View of the Harbour of Taloo, in the Island of Eimeo. A Toopapaoo of a Chief, with a Priest making his offering to the Morai, in Huoheine. The Resolution beating through the Ice, with the Discovery in the most eminent danger in the distance. Balagans or Summer Habitations, with the method of Drying Fish at St Peter & St Paul, Kamtschatka. A View in the Island of Pulo Condore. A View in the Island of Cracatoa. View in Macao. View in Macao, including the Residence of Camoens. The Plantain Tree, in the Island of Cracatoa. The Fan Palm, in the Island of Cracatoa.
A collection of various cast iron and brass weights to include a 10 kg chrome plated cylindrical weight, cast iron 2 kg weight, cast iron 1 kg weight, graduated set of five foliate decorated weights by AK & Sons 4 lb, 2 lb, 1 lb, 8 oz and 4 oz together with three further AK & Sons weights together with over fifty others various together with a crate of various black painted weights, dumbbells, sledge hammer head etc
70S SOUL AND RELATED 7" COLLECTION - a collection of approximately 300+ 70's Soul and related 7"s including duplicates. Collection to include: Edwin Starr, Chaka Khan, Lorraine Ellison, Chic, Dionne Warwick, Chairmen Of The Board, Betty Wright, Gary Toms Empire, Commodores, Al Matthews, Moments, Percy Sledge, Millie Jackson, Isley Brothers, Carol Woods, Hi-Tension, The Third Time Around, Biddu Orchestra, Hamilton Bohannon, Average White Band, James Brown, Johnny Adams, The Friends Of Distinction, Three Degrees, The O'Jays, Sylvia, Arthur Conley, MFSB, The Bar-Kays, Marlena Shaw, First Choice, Tyrone Davis, The Trammps, Don Downing and more. The collection generally VG to Ex+, some will be unplayed; can be storage marks.
LARGE SOUL 7" COLLECTION. Impressive, extensive collection of around 1500 x 7" plus a box of around 100 x CDs. Largely covering all things Soul though also including a smaller number of 'Non' Soul 45s (Rock/Pop/60s etc), to include The Complete Motown Singles Vol. 11A, Bob & Marcia (BAM40), Steve Hart, The Gamblers, Afro Dimensions, Andy Forray, Young World, The Incredible Bongo Band, Salsoul Orchestra, Funkadelic, Stanley Clarke, Stevie Wonder, Tony Jackson, Albert Finney, The Fatback Band, Miami, Impressions, Carl Douglas, Donna Allen, The Temptations, Tongue In Cheek, Willie Henderson, McKinley Travis, The Blossoms, Sister Sledge, Barbara Jean English, Little Milton, The Flamingos, Brother To Brother, North By Northeast, Marvin Gaye, Rick James and Al Matthews. Please note that condition is extremely varied with some 45s grading to Ex+ whilst others may be Fair or Good; viewing therefore is recommended on this collection.
SOUL/FUNK/DISCO/DANCE/ROCK & POP - 12". Large, diverse collection of around 600 x (mainly) 12" releases including some LPs. Artists/titles include Motown Remixed, George Michael, Happy Mondays, Arrested Development, Chic, Myron & E, Prince, Kool & The Gang, George Clinton, Soul II Soul, Kathy Sledge, Stevie Wonder, Sly And Robbie, Deep Freeze, Roxy Music, Michael Jackson, Rick James, De La Soul, Utah Saints, Boney M, Was (Not Was), Frankie Goes To Hollywood, James Ingram, Lalo Schifrin, Bob Marley, Chic, David Bowie, Fleetwood Mac and Johnny Guitar Watson. Condition can range from VG to Ex+ with some dropping below.
ROCK/ SOUL/ BLUES - LP COLLECTION. A quality collection of around 110 LPs. Artists include Champion Jack Dupree, Soft Cell, The Tourists, Sister Sledge, Sly & The Family Stone, Skids, UFO, Ultravox, Van Halen, The Cars, Canned Heat, Creedence Clearwater Revival, Cream, The Crusaders, Ray Charles, The Teardrop Explodes, Chic, John Cougar, Eddie Cochran, Cheap Trick, Johnny Thunders, U2, La Dusseldorf, The Southern Hillman Furay Band, Sonny & Cher, The Robert Cray Band, Crazy Horse. Condition is generally VG to Ex+. See pictures for detailed spine up images.
ROCK / POP / PUNK / MIXED - 7" COLLECTION. A mixed collection of approx 118 x 7". Artists include Adventure Playground - Fun Dance (APD 1, Ex/ Ex), Buzzcocks - Ever Fallen In Love (promo, UP 36455, Ex/ Ex), Robin Scott - The Sailor, Buzzcocks - Spiral Scratch (original pressing), The Stranglers, Prince, Chuck Berry, The Rolling Stones, Beach Boys, Queen, Pretenders, Guns N Roses, Magazine, Chakachas, James Mason, Percy Sledge, The Alarm and Ben E. King. The condition is generally VG to Ex/ Ex+, some may drop slightly below.
ROCK AND POP LP COLLECTION - a collection of approximately 200 Rock and Pop LPs. Collection to include: The Creepshow, Doctor & The Medics, The Band, Willie Williams, Manfred Mann, The Dance Band Years The 1920s, The Animals, Kings Of The Blues, Blood, Sweat And Tears, Sky Sunlight Saxon, Amen Corner, Little Richard & Roy Orbison, Percy Sledge, Buddy Holly, Ella And Basie, Sandy Denny, Billie Holiday, Sandie, Moog Plays The Beatles, Beatles, Back, Bacharach Go Bossa, Deadline and more. Collection generally VG to Ex.
ROCK AND POP 7" COLLECTION - a collection of approximately 450 Rock and Pop 7"s. Collection to include: Tim Buckley, Ferret, Fairport Convention, Crabby Appleton, Sex Pistols, Them, David Bowie, Queen, The Jimi Hendrix Experience, The Byrds, Inez Foxx, Lou Rawls, T. Rex, The Who, Jethro Tull, The Spotnicks, David Currie, Little Richard, Percy Sledge, The Carpettes, Shirley Ellis, Nilsson, Barry White, Mike Hugg, Jimmy Cliff, Looking Glass, Abba, Sparks, Autumn, The Flirtations, Reparta & The Delrons, Canned Heat, Frank Ifield, Bombers, The Kinks, Southern Comfort, Can, The Mindbenders, Graham Bonney, The Beach Boys, Joe Tex, Billy Fury, Peter Green, Crosby Stills Nash & Young, Jackie Trent and more. The condition can vary with some titles grading to Ex whilst others drop below VG.
Four signed albums comprising Percy Sledge 'Warm & Tender Soul', signed in pen, 'The Jimmy Ruffin Way', signed and dedicated to the front in pen, Engelbert Humperdinck 'Twelve Great Songs Plus Release Me', signed in black marker to the front lower left, and 'The Return of Rock' by Jerry Lee Lewis, signed and dedicated to the back (4). Provenance: The Mike Ormerod Autograph Collection.
An excellent example of the extremely popular 3′ solid oak refectory style coffee table by Robert ‘Mouseman’ Thompson. Of rectangular form with an adzed single plank top with lovely natural graining patterns, supported on two octagonally carved baluster legs with sledge feet, joined by a floor set stretcher. Signature mouse carving to one leg.
Early 20th century heavily carved oak draw leaf dining table, shaped rectangular top with recessed bead moulded edge, grape-vine carved frieze over large baluster vine and lobe carved end supports on sledge feet united by stretcher; with matched set of six dining chairs, upholstered in coral pink fabric Dimensions: Height: 79cm Length/Width: 123cm Depth/Diameter: 107cm
Part of the Day At The Fair Collection, matte finished figural holding sledge hammer standing in front of scale with children cheering him on. Limited issue 1248. Flambro Imports backstamp. This item has its original box: 7.5"L x 6"W x 12"H. Certificate of Authenticity included. This item has a base included: 6"L x 5"W x 0.75"H. Issued: 20th centuryDimensions: 4.5"L x 4"W x 8.5"HManufacturer: FlambroCondition: Age related wear.
NORTHERN EUROPEAN CARVED OAK CHEST, PROBABLY DANISH EARLY 17TH CENTURY the hinged board top above a front panel carved with a religious inscription and dated 1631, above four deep carved panels depicting male and female figures in architectural niches, the sides with carved quatrefoil foliate panels and wrought iron handles, on sledge feet 164cm wide, 71cm high, 78cm deep Provenance: Property from a Scottish country house Note: The inscription, which appears to be in early Danish, roughly translates as ‘When God is with us, He will save us in our hearts’
AN ARTS AND CRAFTS OAK BUREAU, late 19th century, inlaid with stylised foliate panels, the raised back with stained and leaded glass panel, fall-front with fitted interior and frieze drawer below over three further drawers, turned steel handles, arched recessed shelf on either side, on square section supports and sledge feet, 30 1/4" x 18 1/4" x 50 1/2" (Est. plus 24% premium inc. VAT)Condition Report: One pane of glass cracked, handles possibly replacements. The whole originally appears to have been stained dark green, the fascia later stripped.
AN ART DECO WALNUT CABINET, the stepped oblong top over a pair of glazed cupboard doors above solid doors all enclosing shelving, open shelf below and shallow open bookshelves on either side, on sledge feet, 35 1/2" x 13 1/2" x 54 1/4" (Est. plus 24% premium inc. VAT)Condition Report: Good condition throughout, all handles, locks and keys and glass intact.
Circa mid 3rd millennium B.C.. In the form of an advancing stallion on a plinth, holding its head high and gazing to the right; short standing mane with incised detailing, and a long tail extending to the plinth; recessed eyes, likely once inlaid, drilled nostrils and open mouth; the plinth joined at a right angle to two connected rings atop three parallel rods, the rods joined at the bottom to an arching bar with side lugs. See a similar terret ring in Muscarella, O.W.,Bronze and Iron, ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, no.466; Basmachi, F., Treasures of Iraq Museum, Baghdad, 1976, pl.90; for a similar terret in silver and electrum at the British Museum, from Ur, see Crouwel, J.H., ’Wheeled Vehicles and their Draught Animals in the Ancient Near East – an Update’ in Raulwing, P., Linduff, K.M., Crouwel, J.H., Equids and Wheeled Vehicles in the Ancient World, Oxford, 2019, pp.29-48, fig.6; for the mounting on chariots and carts see Stillmann, N., Tallis, N., Armies of the Ancient Near East, 3000 BC to 539 BC, Worthing, 1984, pp.119-121, figs.56-58. 603 grams, 28.5 cm (11 1/4 in.). This magnificent chariot fitting was cast in one piece, probably made in arsenical copper in Mesopotamia in the Early Dynastic Period (ED). The reins were connected to the head harness and then passed through the rein ring, that was connected to a yoke pole. The purpose of the rein ring was to prevent the multiple reins snarling and also added an element of control for the driver. The lower concave bar was tied onto the pole by rope or leather, while the hooks served to secure the ends. These rein rings were not only practical instruments, but also ornamental elements of royal vehicles. A well-known example of this type is a terret crowned by an equid figure that was associated with Pu-abi’s sledge in the Royal Cemetery at Ur, today at the British Museum, inv.121438.Acquired from Toufic Arakji, Hamburg, Germany, 14 January 1997. with Mahboubian Gallery, London, UK. Property of a London gentleman. Accompanied by an academic academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12160-218627. [A video of this lot is available to view on Timeline Auctions Website]
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