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Lot 382
A mahogany longcase clock: the eight-day movement striking on a bell, the twelve-inch arched brass dial with engraved Roman numerals to the raised chapter ring, a matted centre with subsidiary seconds dial, date aperture and cartouche engraved with the makers name `Willm Wallen, Henly, Oxon`, with cast brass corner spandrels and further dolphin spandrels to the arch either side of a silvered boss engraved `Tempus Fugit` below an eagle, the later mahogany case with canted corners and a swan neck pediment, height: 205cm.
Lot 383
An oak longcase clock: with the eight-day movement striking on a bell, the twelve-inch square painted dial with decorative floral corner spandrels, black Roman numerals and signed `Matt Murch, Honiton`, the oak case with mahogany crossbanding having a swan neck pediment with brass finial, height: 198cm.
Lot 384
A carved oak longcase clock: having an eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals and blued steel hands, the centre engraved with c-scroll decoration and maker`s name `John Smith, Chester`, with a subsidiary seconds dial and date aperture, with cast-brass `female-head` spandrels to the corners, the flat-top oak case with carved decoration, having a serpentine moulding to the top of the trunk door and fluted columns to the hood, height: 202cm. * John Smith is a well-regarded Cheshire maker who is recorded as working in the mid-1700`s.
Lot 600
Late nineteenth century / early twentieth century silver (800) gilt enamel fob watch with enamelled brooch attachment. The fob watch with Swiss button-wind movement, white enamel circular dial and Roman numerals, the exterior with sky blue guilloche enamel decoration and the reverse with floral enamelled decorationFurther images and condition reports are available at www.reemandansie.com
Lot 606
Victorian gold (18ct) half hunter pocket watch, made by the American Watch Co, Waltham Mass, signed on the movement with white enamel circular dial, Roman numerals and subsidiary seconds at three, the external cover with chapter ring and engraved monogram to reverse (Chester 1886)Further images and condition reports are available at www.reemandansie.com
Lot 607
Early Victorian gold (18ct) pocket watch, made by Reid & Son, Newcastle On Tyne, with key-wind movement, engraved gold circular dial, chapter ring of Roman numerals, subsidiary seconds at six and engine-turned decoration to reverse on gold (9ct) belcher link watch chain (Chester 1847)Further images and condition reports are available at www.reemandansie.com
![UnknownDEVIL`S PEAK FROM RONDEBOSCHn.p.: n.p., [circa 1845]19,5 by 27cmAppropriately framed. Two areas of the sky and portion](http://lot-images.atgmedia.com/SR/35895/2851416/1306-2012326114545_468x382.jpg)
Lot 1306
UnknownDEVIL`S PEAK FROM RONDEBOSCHn.p.: n.p., [circa 1845]19,5 by 27cmAppropriately framed. Two areas of the sky and portion at 5 o`clock have been foxed and are in need of restoration Comments: and another ? framed watercolour of the Roman Catholic Cathedral, Roeland Street, Cape Town, 24,5 by 34cm, inscribed T. W. Bowler in another hand. Provenance: Sold at Stephan Welz & Co. (Pty) Ltd, Johannesburg, 3rd March March 1975, Lot 35., The Greenwall Collection and formerly in the collection of A. Gordon Brown. See plate 39 in his book `Pictorial Art in S.A.`, sold at Stephan Welz & Co. (Pty) Ltd, Cape Town, 9 November 1982, Lot 16 for R1050 (2)
Lot 845
A gold, diamond and enamel hunting cased pocket watch. 15k, the white enamelled dial with black Roman numerals, outer calibrated ring, the case centred with a floral motif set with rose-cut diamonds, highlighted with a blue enamel background and black enamel border, lacking glass & bezel, diam. 28mm, not in working order, in need of a service
Lot 867
A gentleman`s 18ct gold Chronograph wristwatch, Appella. automatic, the circular textured gilt dial applied with black Roman numerals, day aperture at 3 o`clock, date aperture at 6 o`clock, three subsidiary dials for constant seconds and registers for 12-hours and 30-minutes, screw-down crown, sapphire crystal display back, case, dial and movement signed, Ref. 825 – 1111, on a Louisiana crocodile leather strap with 18ct gold double push button buckle, width of bezel 36mm
Lot 879
A gentleman`s stainless steel wristwatch, Omega Constellation Perpetual Calendar. quartz, the circular textured dial applied with silvered and luminescent baton and dot numerals, date aperture at 3 o`clock, the bezel with black Roman numerals, on a stainless steel bracelet strap with folding clasp, width of bezel 34mm, accompanied by a wooden Omega box and outer card cover (3)
Lot 1028
An 18ct rose gold and diamond bracelet centred with a medallion pavé-set with round brilliant-cut diamonds weighing approximately 0,53cts in total, within a border impressed with Roman numerals, highlighted on each side with a "C" motif, pavé-set with round brilliant-cut diamonds weighing approximately 0,50cts in total, on an integral 18ct rose gold bracelet strap with folding clasp, length approximately 190mm
Lot 87
19th Century: Irish religious pamphlets collectionCollection of small Dublin published pamhlets including Were our fathers justified in leaving the Church of Rome at the Reformation?, Roman Catholicism, its origin and development by MagArdha, Two letters addressed to the Most Reverend Archbishop McCabe on the extraordinary Jubilee of 1881. Also with Dissenters` Chapels Bill - A third letter to the inhabitants of the town and neighbourhood of Larne in reply to the Rev. H.W. Molyneaux`s attempted "Refutation" of the author`s second letter by Classon Porter published by John Caldwell, Belfast and The plausible arguments of a Romish priest from scripture and antiquity answered by an English Protestant 1745, London.
Lot 251
LimburgOrder of the Old Nobility or of the Four Roman Emperors, 5. period (1913-1938), grandofficers set, in case.1.) Cross: silver gilded, partially enamelled, multiple parts construction, on ready to wear neck-ribbon; 2.) pin back cross: silver gilded, partially enamelled, mulitple parts construction, vaulted; in black case.TA S. 199. 61 x 57 / 57 x 57 mm, 39,7 m.B. / 37,2 g.The Order went into the tradition of the Chivallry Order of the Old St. Georg, and his goal was the upkeeping of the traditional, occidental-christian way of thinking. Even having important supporters the order was abolished 1933 in Germany and 1938 in Austria.Condition: I-II
Lot 4
French Louis XV style gilt brass and porcelain mantel clock , mid 19th century, the movement in a blue enamelled sphere flanked by cherubs and classical artefacts, on a base set with Sevres type floral panels, the roman dial with serpent fingers, eight-day movement by Roblin a Paris with external count wheel stiking the half on a bell, length 42cm on gilt wood base (ticks, winds, strikes). *See clocks and watches proviso.
Lot 270
18ct gold cased pocket watch , case London 1883 , gilt roman dial with turned and floral decoration, 40mm, English lever and fusee movement, gold balance wheel with diamond endstone, back plate signedA J Fraser, Preston (winds, adjusts, ticks reluctantly); together with a walnut desk top watch box. *See clocks and watches proviso.
Lot 271
9ct gold cased Waltham pocket watch , case Dennison, Birmingham 1912 , white enamel roman dial, gilt fingers, subsidiary seconds, case 50mm, stem wind Waltham Riverside movement, 19 jewels, rack and pinion regulation, case back monogrammed (ticks, winds, adjusts) *See clocks and watches proviso.
Lot 273
18k gold Swiss fob watch , circa 1900, white enamel roman dial, Swiss lever stem wind movement with compensation balance, in an engraved floral case, diameter 36mm on a gold plated muff chain (ticks, winds, adjusts); a 9ct gold cased wristwatch , 1922, white enamel arabic dial, subsidiary seconds, Swiss movement (ticks, lacks winder) (2). *See clocks and watches proviso.
Lot 274
Early 18th century silver pair cased alarm pocket watch by Dominice, London, No. 51 , the white enamel dial with outer arabic minutes, roman hours and inner anti-clockwise arabic alarm set hours, drilled with two winding holes, poker hour hand, minute hand lacking, rod alarm set hand, gilt brass movement with verge and fusee timekeeping, winding barrel and steel crown-wheel alarm strike actuating on a bell fixed to the inner case, tulip pillars, pierced cock with mask foot, silvered regulation dial, the inner case pierced with leaf scrolls and mythical creatures, case diameter 5cm, in a plain outer case, both unmarked (ticks readily, alarm rings). *See clocks and watches proviso.
Lot 276
18ct gold open faced pocket watch , case Chester 1871, enamelled roman dial, gilt minute hand, blued centre seconds, engine turned case 50mm with slide on the band, key wind English lever movement with compensation balance, three-quarter back (not working, lacking bow and hour hand). *See clocks and watches proviso.
Lot 983
A GOLD OPEN FACED POCKET BY VERTEX the cream dial with Roman numerals and subsidiary seconds dial, on an 18ct. gold and platinum watch chain suspending a cigar cutter, two 9ct. gold collar stiffeners by Asprey, in red leather case, two 9ct. gold tie clips, an 18ct. gold watch chain and a leather wallet by Asprey.
Lot 1660
CLAUGHTON PELLEW (1890-1966) (THE PLOUGHMAN) Wood engraving, signed and dated 1925, inscribed Imp. 6/30, unframed Image 12.2 x 13.7cm. * Pellew was born in Cornwall, the son of a mining engineer and an artist. He studied under Henry Tonks and P. W. Steer at the Slade (1907-1911) and rubbed shoulders there with fellow students Ben Nicholson, Paul Nash and Stanley Spencer. After turning wholeheartedly to Roman Catholicism, Pellew became a conscientious objector in the Great War and was incarcerated on Dartmoor. The desperate hardship of this experience invested all his art with a sense of isolation and detachment. He married Emma Tennent in 1919 and they built a house together in Norfolk. They led a primitively simple life and Pellew began wood engraving in 1923 although he rarely exhibited his works. Undoubtedly, his geographical remoteness and his self-deprecating manner were contributory factors. As a Neo-Romantic, Pellew`s works celebrate vanishing rural lifestyles that align him with Ravilious, Piper and Sutherland and Paul Nash admired his friend`s "devotional approach" when observing his beloved natural world. Only a scant handful of exhibitions since Pellew`s death in 1966 have attempted to demonstrate his remarkable talents as a fine engraver. ++ Slight handling creases and surface marks in margins
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