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* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Ceramic stoneware, meticulously hand-painted in France, featuring charming depictions of folk people adorned in cultural attire. The plate measures 10.25" in diameter, while the pitcher measures 7"L x 4.75"W x 8"H. Henriot Quimper backstamp. Issued: 20th centuryManufacturer: Henriot QuimperCountry of Origin: FranceCondition: Age related wear.
Pierre Megnin Seloncourt - A French Art Deco early 20th century 1930s marble & onyx mantle clock. The 8 day movement clock having an octagonal glazed clock face with Arabic numerals to the chapter ring inscribed Le Roux Quimper, after Demetre Chiparus. Black & green onyx and marble canted body flanked by side pedestals with bronze swans figures. The clock with side garnitures having top concave dish. Clock movement marked Pierre Megnin Seloncourt. Clock measuring approx. 20cm x 42cm x 11cm.
19th Century French circular papier-mâché snuff box, the cover with a print of 2 figures in an interior, Dia.8.7cm; French Chinoiserie rectangular box, W.8.7cm; Quimper jug and bowl, bone pig box, H.6cm; framed souvenir of Enzo Ferrari, 40 x 38cm overall; Audi R8 and Aston Martin DB9 handbooks, Jaguar Drivers Club badge and 2 dishes, brass lantern timepiece, 2 maple frames, and other items. (a lot)
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), GREEN ANGEL pastel on paper, signed, titled partial label versomounted, framed and under glassimage size 54cm x 64cm, overall size 85cm x 94cm Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
A small quantity of ceramics to include; early 20th century Copeland hand painted floral decorated cups x6, and muffin dish with cover, sugar bowl, 8x saucers, 9x side plates retailed by T. Goode & Co (some cracks and wear to parts), along with four Quimper style pottery tiles with different bird designs, and a similar tile with figural design (All in modern spring hanging brackets, some chips etc to edges). Royal Worcester egg coddler, and a Royal Doulton HN1315 The Old Balloon Seller in box.
A mixed lot of English & other pottery including two Staffordshire spaniel ornaments; three Brannam Barum jugs; a lead glazed vine and frog teapot and cover; a Donyatt-style jug with incised abstract decoration; a studio stoneware bowl; two Quimper jugs; two Pratt-style meat paste jars with boar hunting scenes etc.
A Bourne Denby two handled blue glaze vase, Parsons of Chesterfield vase, Henriot Quimper jug, Continental centrepiece bowl on 4 putto stem supports 26cm high, and a Rhineland R.Merkelbach, Grenzhausen, stoneware tureen and cover with motto (5)Denby blue vase, chip to the base, shoulder of one handle with minor knock to enamelTable centre piece heavily crazed with rim chipsQuimper jug large chip to rim heavily crazed
A collection of mixed ironstone and pottery items to include: 19th century Masons jug with foo dog design, a small Quimper pottery tea pot, Copeland transfer printed trinket pot, Copeland & Garrett "Late Spode" dishes, Allertons large toby jug, Staffordshire blue and white transfer printed footed bowl, circular mould, an Adams Tunstall jasperware pot etc. (Some damage to pieces commensurate to age and usage).
