A GROUP OF CERAMICS AND SALT GLAZED WARES, comprising a Royal Sphinx Maastricht Delfts charger, diameter 40cm, Copeland Spode series No1 and No2 Spode's Byron plates, five Coalport 'Tintern' pattern coffee cans with six saucers, a Staffordshire 'Hound with Children', a German 683- S.P Gerz salt glazed tobacco jar (no lid), two Coalport 'Hong Kong' pattern vases, height 22cm and 10cm, four pieces of Delft blue ware, a Royal Albert 'Country Rose' pattern bowl, a Royal Albert 'Violets' pattern cup and saucer, two Withernsea 'Fauna' jugs 95 and 96, height 20cm and 29cm (the larger one is chipped along the base), a French Henriot Quimper style plate decorated with a female farm worker and floral border (hairline crack on the back), a French Faience Luneville plate - Saint Clement (hairline crack and chips to glaze), a Coalport 'Shrewsbury' pattern cream jug, four salt glazed German beer tankards, a salt glazed jug, height 22cm, a Villeroy & Boch blue and white vase, height 20cm, etc (s.d) (Qty)
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An Henriot Quimper pottery figure group,French, early 20th century, depicting 'Les Trois Commeres' or 'The Three Gossips' designed by L. H. Nicot, modelled as three gossiping women, decorated in polychrome, impressed with signature to the front right corner, inscribed internally Henriot Quimper,33cm wide21cm deep36cm highCondition ReportWith a hairline crack to the front of the base. Some minor surface based stains and marks occurring.
A Brittany/Quimper miniature armoire: of rectangular outline with galleried frieze above two sliding and two hinged doors with spindle rosace decoration, raised on block legs, 25cm high, 23cm wide, together with a matching coffer, 21.5cm wide and another coffer with sliding top 17.5cm wide. (3).
Dupuis, L. (?) sign., tätig in Frankreich E. 19./ Anf. 20. Jh.Ansicht einer Kathedrale (Quimper?) , über Fluss gelegen. Öl auf Malpappe, re. u. sign., verso Zuschreibung an Louis Dupuis (1842-1921) v. fremder Hand. 32,5 x 22,5 cm, gerahmt. Ra. 41,5 x 31 cm View of a french cathedral (Quimper?), oil/ board, signed lower right, attributed at reverse to Louis Dupuis (1842-1921). Framed. 41,5 x 31 cm
Three French faience planters, late 19th century, Quimper (Mosanic) and other factories: the first of scalloped circular form, with shell handles, painted to one side in blue and white with a windmill; the second oval, with dragon handles, painted with marine scenes on paw feet; the third of shaped oval form, with Rouen style decoration and wheatsheaf handles. (3) 18.5cm by 24cm, 13.5cm by 31cm and 10.5cm by 34cm
A 19th century French Sevres porcelain cabinet plate, with gilded Louis-Phillipe cypher flanked by cherub and putto within bleu ciel ground, Fontainbleau Chateau-mark 1846, 23 cm to/w Spode 'Regent' coffee service, Quimper chamberstick and tray, Cantonese rose-bowl and other decorative china, to/w a part set of French faience 'Demi-porcelain' dinner ware (2 boxes)
A pair of Quimper ware fish shaped Dishes, each painted with a figure, a Quimper ware envelope shaped Wall Pocket, a large Quimper Jug, 22cms (8 1/2"), a smaller ditto with matching Sugar Bowl and cover, a matching teapot and cover and a blue and white Dutch Delft cornucopia Wall Pocket. (9)
Jacob, Max(Quimper 1876–1944 Drancy)Frau mit Steinbock. Gouache auf Papier. Unten rechts signiert und mit Widmung: à Madame Jean Paulhorn / et é mon ami Jean / souvenir de leurs bons offices et de leur tendresse". Blattgrösse 24x18,5 cm. Gerahmt.- Blatt leicht gewellt. In den Ecken mit winzigen Einstichlöchern. Verso partiell an Rückkarton montiert.
Various art exhibition posters. Rothko at the Tate Modern, 2008. Catherine Raven Davidsen at Kuntsforeningen GL Strand, Copenhagen, 2012. Galerie Roussard - Bardoux, 1978 and Oosterlynck, 1982. Reproduction of Albert Dürer’s Four Horsemen of the Apocalypse from The British Museum, 2002. Yves Doaré at musée des beaux-arts de Quimper, 2005. Good condition.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),ODALISQUEoil on canvas, signedimage size 85cm x 120cm, overall size 104cm x 139vm Framed.Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating "Odalisque" and confirming that "Yes, I know this canvas very well. It’s one of my father’s finest nude paintings, a tribute in many ways to his artistic heroes Manet and Velazquez. The subject is my mother, Marie Renee Goudie, who was a muse for my father throughout his career. It’s a supremely confident piece of virtuoso painting, designed to create an impression of sensuality and exoticism. A wonderful work". Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, wrote: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
Two boxes of various Quimper pottery including jugs, bowls, wall pockets, condiments, knife rests etc. (approx. 60 pieces) CONDITION REPORTS Majority of items have some kind of damage be that crazing, losses to the glaze, hairline fractures etc. All in need of a clean. All have wear and tear conducive with age and use. If you want information about specific items, please let us know and we will do a more thorough condition report on the item
An assortment of 19th century and later ceramics including a Quimper footed bowl decorated with a seated male and a maiden, diameter 31.5cm (af), and Aynsley floral decorated tea cup and saucer, a Doulton Deadwood crackle jug, Poole Pottery preserve jars and covers, a Burleighware character jug of Sir Winston Churchill, etc.
Boxed set of Royal Crown Derby demitasses, a Derby 'Posies' pattern part coffee service printed with flower sprays within gilt rims, the service comprising six coffee cups and saucers, a sugar bowl, cover and stand, a Staffordshire ironstone cheese bell and cover printed in blue with vignettes of roses, 20cm high and other items including Portmeirion 'Botanic Garden' pattern circular dish, a Quimper pottery preserve pot and cover
Sale Item: 2 BOXES ASSORTED CHINA- MINTON DRESDEN QUIMPER ETC (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
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