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Click here to subscribeJacob, MaxQuimper 1876 - 1944 Sammellager Drancy, französischer Maler, Dichter und Schriftsteller. "Das letzte Abendmahl", stilisierte Darstellung der biblischen Szene, unten rechts num. 362/380, unten links sign. und dat. (19)37, rückseitig mit Etikett des Kunsthauses Schaller, Lithographie/Papier, HxB: 21/24 cm (Passepartoutausschnitt). Altersspuren. Mit verglastem Rahmen.
THREE BOXES AND LOOSE CERAMICS, to include thirty ceramic and metal thimbles on a display stand in the form of Great Britain, blue and white ceramics including a boxed Spode The Blue Room Collection 'Floral' cake plate, a twenty eight piece flow blue tea set, a Delft Blauw Chemkefa charger depicting a rural landscape with windmill, ten Spode Old Salem S3441 plates, Quimper Pottery and other continental plates, tureen, etc (sd) (3 BOXES + LOOSE)
A collection of early 20th century and later English porcelain, a selection of coffee cans and saucers, including a Royal Crown Derby Fern pattern, Royal Doulton, a Royal Doulton Prunus trio and another by Spode in the Trapnell pattern, a Quimper pot, of octagonal form, 7.5 by 6 by 5.5cm high. (q)
Four pieces of Continental pottery, comprising a Quimper tall candlestick of baluster form, painted in yellow and green with flowers and horizontal bands, height 33cm, a large circular bowl, painted in blue with a man o' war, diameter 51cm, a faience dish and a faience tureen base (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A quantity of 19th and 20thC blue and white ceramics to include drainer 33 cm, square dish, Copelands Spode Italian Auld Lang Syne three handled cup, 2 x B W M & Co octagonal plates, shallow dishes, 2 x Staffordshire dogs, Quimper plate etc.Condition ReportFour shallow bowls a/f, drainer with hairlines and chip to base, Spode cup with hairline, square dish with fine scratches and rubbed edges. Others in good condition.
Frans Francken d. J., Die Grablegung ChristiÖl auf Kupfer. 35 x 28,5 cm.Signiert unten rechts: F. Francken In..ProvenienzGelerie Fischer, Luzern 1979, - Kunsthandel Frye & Sohn, Münster. - Süddeutsche Privatsammlung.LiteraturU. Härting: Frans Francken II, Freren 1989, S. 294, Nr. 226, Abb. S. 256.Dieses Bild des flämischen Malers Frans Francken II besticht durch seine malerischen Qualitäten, sein leuchtendes Kolorit und seinen hervorragenden Erhaltungszustand. Die Heilige Magdalena, Maria, Johannes und zwei Könige aus dem Morgenlande sind in einer Art Grotte um den Leib Christi versammelt, der auf einem weißen Tuch ruht. Rechts ist das offene Grab bereit für die Grablegung, während im Hintergrund, durch die Grottenöffnung hindurch, der Hügel von Golgatha mit den drei verwaisten Kreuzen sichtbar wird. Frans Francken hat noch eine zweite Komposition zum Thema Grablegung geschaffen. Sie befindet sich im Aachener Suermondt-Ludwig Museum und ist auf einer Marmorplatte gemalt (U. Härting, op. cit., Nr. 225). Allerdings fehlt dort das Grottenmotiv, das auf dem vorliegenden Bild die Trauernden isoliert und die Szene förmlich umrahmt. Das Bild gehört zu den Werken von Frans Francken II mit Darstellungen aus dem Leben Christi. Thematisch beginnen sie mit der "Anbetung der Könige" (Quimper, Musée des Beaux-Arts) und enden mit dem „Gnadenstuhl“ (Warschau, Muzeum Narodowe). Als vorletzte Szene ist das Bild „Die drei Marien am Grab“ zu betrachten (Madison University).
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), A CLEAR VIEW oil on canvas, signed image size 52cm x 64cm, overall size 60.5cm x 71.5cm Framed. Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that "A ClearView" is likely to date to 1957 "when Dad first went there (Toledo, Spain) and spent a prolonged period staying with friends and painting." Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), IN THE STUDIO mixed media on paper, signed image size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass. Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),A CLEAR VIEWoil on canvas, signedimage size 52cm x 64cm, overall size 60.5cm x 71.5cm Framed.Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that "A ClearView" is likely to date to 1957 "when Dad first went there (Toledo, Spain) and spent a prolonged period staying with friends and painting."Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),IN THE STUDIOmixed media on paper, signedimage size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).
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![[ANTIQUES & COLLECTING]. FRENCH FAIENCE Thirty-six assorted volumes, including those of Quimper interest, some with soft](https://cdn.globalauctionplatform.com/28553fd3-c7f3-4f9f-af4e-ae7400e9f39c/68e4b6b2-4ae8-43e4-972c-ae8500dd0184/468x382.jpg)
