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Lot 396
A SMALL JAPANESE EARTHENWARE VASE, PROBABLY KOBAYASHI KEIZAN, MEIJI PERIOD (1868-1912)of baluster form, hand-painted with a scene of a temple with a continuous mountainous motif in the background, featuring white cranes in the foreground, and a cattails as the border around the bottom, the neck of the vase features a colorful floral and foliate motif with gold detailed patterns,workshop mark and painters signature in gilt in a small rectangular panel; overall height: 17 cm (6 3/4 in.) CONDITION The vase is in age-appropriate condition. With overall craquelure visible to the naked eye. There is some light chipping of paint around the base of the vase. Inspection under UV shows discoloration to the upper left of the maple tree. No apparent signs of restoration. No other issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 397
A SMALL JAPANESE EARTHENWARE VASE, MATSUMOTO HOZAN, DAI NIPPON, KYOTO, MEIJI ERA, TAISHO PERIOD (1879-1926)of rounded squat form, featuring two hand-painted scenes one with figures in a garden setting, the border features a continuous floral motif with intricate gold detailing and patterns, the other scene is of bamboo, butterflies and camellia's, the neck of the vase features a continuous scallop motif with gold detailed patterns, workshop mark in gilt in a square panel with painter's mark above all under base; overall height: 11 cm (4 3/8 in.) CONDITION The vase is in age-appropriate condition. With overall craquelure visible to the naked eye. There is some light chipping of paint around the base of the vase. Inspection under UV shows no apparent signs of restoration. No other issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 398
A DECORATIVE JAPANESE EARTHENWARE DISH, GETSATSUZAN, DAI NIPPON, SATSUMA YAKI, MEIJI PERIOD (1868-1912) of circular form with lifted scalloped edges, the interior with gilt garden motifs, centered a garden scene in a cartouche formed from a gilt phoenix, workshop mark and painters signature in gilt in a double rectangular panel against a red ground with gilt; diameter: 33 cm (13 in.) CONDITION The dish appears in age-appropriate condition some light chipping has occurred to the scalloped lifted edges. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![[WU JECT-KEY, SHOICHI SHIRAKI] A GROUP OF THREE PAINTED ARTIST PALETTES, 20TH CENTURYcomprising: a) DAVID WU JECT-KEY (CHINE](https://cdn.globalauctionplatform.com/39dfb77b-ac6c-47cf-a313-ad02012d8a05/bfc1d549-59eb-4d88-81f2-ad0300027c5e/468x382.jpg)
Lot 644
[WU JECT-KEY, SHOICHI SHIRAKI] A GROUP OF THREE PAINTED ARTIST PALETTES, 20TH CENTURYcomprising: a) DAVID WU JECT-KEY (CHINESE-AMERICAN 1890-1968), To Cook My Painting's Won't Curb My Hunger, 24 x 34 cm (9 1/2 x 13 3/8 in.), signed lower center, printed sticker lower right corner b) SHOICHI SHIRAKI (JAPANESE 1912-1995), Bird, 30 x 40 cm (11 3/4 x 15 3/4 in.), signed lower right c) SHOICHI SHIRAKI (JAPANESE 1912-1995), Green Dragon, 31 x 41 cm (12 1/4 x 16 1/8 in.), signed lower left corner each oil on artist palette, with Rose Hill Auction House, Englewood, NJ label on verso CONDITION The palettes appear in age-appropriate condition. a) Minor chips to the palettes upper right corner and lower left corner resulting in loss of paint. Overall craquelure visible to the naked eye. Scuff lower right edge leading to the center. b) Discoloration visible to the palete's lower edge. Overall craquelure visible to the naked eye, most notably to the upper right corner and upper edge. c) No apparent issues visible to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 910
A PIGEON BLOOD RED ENAMEL VASE, MOST-LIKELY JAPANESE, LATE 19TH-EARLY 20TH CENTURY of squated baluster form, the fluted neck with floral petals, with brass detailing along the petals and base, the body of pigeon blood red; overall height: 31 cm (12 1/4 in.) CONDITION The vase appears in good original condition. Minor rubbing to the brass detailing. Visible surface dust visible to the naked eye. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 911
A JAPANESE BRONZE FRAME WITH BUDDHA, MEIJI PERIODof rectangle form, with bamboo detailing around the perimeter, a small mouse sits atop the frame on a garland, below a happy buddha sits against a sunburst flanked on either side by cranes, Japanese characters flank a tortoise insert with a painted Phoenix on a resting branch, cherry blossoms flank the bottom feet; overall height: 38 cm (15 in.) CONDITION The frame appears in age appropriate condition. Overall surface dust visible to the frame, most notably to the corners of the frame. Patina has occurred on the verso of the frame. The tortoise insert is glued to the frame. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 304
A Japanese fine detail satsuma vase with four panels to body, school scene, blossom trees and garden framed in bamboo style border, on cobalt blue background with gold painted intricate detail, with character marks imprinted to base, height 17cm. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 305
A pair of Japanese fine detail satsuma vases, with red-crowned cranes in rural landscape to body, character marks to base, height 15cm. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 311
Three Japanese watercolours on silks, stamped and signed with character marks, with two feather and painted design bookmarks. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 1
Porzellan, farbiger Aufglasurdekor, goldener Randstreifen. Geschweift kannelierte Fahne mit gelber Mosaikkante, gerahmt von feinen Purpurrocaillen. Das Steigbord emailblau anstaffiert. In Spiegelmitte eine Landschaftsinsel mit einem Hasen, an Sträuchen knabbernd. Blaumarke Schwerter, Drehernummer 65. Kratzer und leichter Berieb der Glasur. D 24,3 cm.Meissen, 1762/63, das Geschirrmodell von Johann Joachim Kaendler.Noch während des Siebenjährigen Kriegs sucht der preußische König Friedrich II. den Meißener Modelleur Johann Joachim Kaendler auf, um ihm seine Wünsche für ein Service mit eigenen Zeichnungen persönlich mitzuteilen. Otto Walcha publizierte 1961 eine Aktennotiz Kaendlers vom 11. November 1762, die sich auf das Japanische Service bezieht. Daraus geht hervor, dass Friedrich II. Kaendler einen französischen Silberteller als Modell übergab, aber auch genaue Angaben zum Dekor lieferte: "Die Mahlery betreffend So soll solcher Servis am Rande gelb mit Mosique gemahlet und an der innern Cante etwas glinde wie gewöhnlich mit schönen Blau, daß sich das Gelbe hebet angedufftet werden. Zu jede Schüssel und Teller haben Ihro Königl. Majt. befohlen ein à partes Indianisches Thier und Vogel schön proportionirlich zu mahlen, als Camele, Elephanten, Renozeros, Panter-Thier, Pavian, Affen Straußen, Casuaries, unterschiedliche Pappagoyen und andere indianische Thiere und Vogel (…)“ Diese Notiz wurde von Friedrich II. gegengezeichnet. Das „bizarrste aller“ Service war für das 1764 fertiggestellte Chinesische Haus im Park von Sanssouci vorgesehen und bestand ursprünglich aus 96 Tellern und 72 Desserttellern sowie vier Terrinen und im Dutzend hergestellter Vorlegeschüsseln. Wieviel davon vor dem Frieden von Hubertusburg fertiggestellt wurde, lässt sich nicht mehr rekonstruieren. Die Teller und Schalen sind heute verstreut in zahlreiche Museen und Sammlungen, teilweise auch nur noch in Fragmenten vorhanden.ProvenienzSammlung Erich von Goldschmidt-Rothschild.Christie´s Genf am 9. Mai 1988, Lot 164.Sammlung Renate und Tono Dreßen.AusstellungenKönigliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Hetjens-Museum Düsseldorf, 2013.LiteraturAbgebildet im Kat. Königliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Düsseldorf 2013, Nr. 6.Abgebildet im Kat. Blütenlese, Berlin-München 2018, Nr. 114.Vgl. Walcha, Friedrich II. letzte bedeutende Porzellanbestellung in Meißen, in: Keramos 12/1961, S. 31 ff.Vgl. Beaucamp-Markowsky, Rhinozeros und Panter-Tier. Eine wieder aufgefundene Terrine aus dem Meißener "Japanischen Service" Friedrichs des Großen. Erich Köllmann zum 75. Geburtstag, in: Keramos 94/1981, S. 17 ff.Vgl. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, S. 64 ff.Vgl. Kat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, Nr. 299.The scalloped rim decorated with a yellow mosaic border framed by fine purple rocailles, the lip in enamel blue. The centre of the well decorated with a rabbit-like creature nibbling on a shrub. Blue crossed swords mark, dreher's no. 65. With scratches and minor wear to the glaze. D 24.3 cm.1762/63, plate model designed by Johann Joachim Kaendler.Even whilst the Seven Years' War was still ongoing, the Prussian King Friedrich II sought out the Meissen model maker Johann Joachim Kaendler personally to discuss his wish for a service after his own designs. In 1961, Otto Walcha published an archived note from Kaendler referencing the Japanese service. The note states that Friedrich II presented him with a French silver plate as a model and provided detailed instructions for the décor: “With regards to the painting, the borders of the service should be painted with yellow mosaic, the inner rim with a fine blue, slightly paler than usual, so that the yellow stands out more. His royal majesty requests that each bowl and plate be painted with an Indian animal or bird in fine proportions; camels, elephants, rhinoceros, panthers, baboons, monkeys, ostrich, cassowaries, various parrots and other Indian animals and birds (...)”. The note was countersigned by Friedrich II. This “most bizarre” of all services, intended for the Chinese House in the park of Sanssouci Palace, was completed in 1764. It originally comprised of 96 dinner plates, 72 dessert plates, four tureens and dozens of serving dishes. It is not known how many of these pieces were completed prior to the Peace of Hubertusburg. Today, dishes and plates from the service can be found scattered throughout numerous museums and collections, with some only surviving in fragments.Provenance"Collection of Erich von Goldschmidt-Rothschild.Christie´s Geneva, 9th May 1988, lot 164.Collection of Renate and Tono Dreßen."ExhibitionsKönigliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Hetjens-Museum Düsseldorf, 2013.LiteratureIllus. in cat. Königliche Eleganz Preußische Pracht, 250 Jahre Königliche Porzellanmanufaktur Berlin KPM, Düsseldorf 2013, no. 6. Illus. in cat. Blütenlese, Berlin-Munich 2018, no. 114. Cf. Walcha, Friedrich II. letzte bedeutende Porzellanbestellung in Meißen, in: Keramos 12/1961, p. 31 ff. Cf. Beaucamp-Markowsky, Rhinozeros und Panter-Tier. eine wieder aufgefundene Terrine aus dem Meißener "Japanischen Service" Friedrichs des Großen. Erich Köllmann zum 75. Geburtstag, in: Keramos 94/1981, p. 17 ff. Cf. Wittwer, "hat der König von Preußen die schleunige Verferttigung verschiedener Bestellungen ernstlich begehret" Friedrich der Große und das Meißener Porzellan, in: Keramos 208/2010, p. 64 ff. Cf. cat. Triumph der Blauen Schwerter. Meissener Porzellan für Adel und Bürgertum 1710 - 1815, Dresden 2010, no. 299.
Lot 386
A fine pair of Japanese eggshell porcelain cups and saucers, well decorated with warriors, the cup base with a red and gold dragons and the under rim of saucers decorated wiht kiri and aki crests, all good condition, together with an early 19th century Derby crested cup and saucer, some slight gilding loss to initial on base of saucer
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264227 item(s)/page