Le Creuset presents this limited-edition Disney Mickey Mouse cast iron Dutch oven, a beautifully crafted piece celebrating one of the most beloved characters of all time. This round Dutch oven features Le Creuset's signature enameled cast iron construction in a vibrant red hue, adorned with an embossed Mickey Mouse silhouette pattern. The lid is crowned with a stainless steel knob in the shape of Mickey’s iconic ears, adding a touch of whimsy to its functional design. Made in France, this premium cookware piece provides exceptional heat distribution and retention, perfect for slow-cooked meals, braising, and baking. The interior is coated with a smooth, light-colored enamel, making it easy to monitor cooking progress while ensuring durability. Complete with its original box and accompanying literature, this collectible Dutch oven is an excellent addition for Disney fans and Le Creuset collectors alike. Dutch oven measures 6.5"H x 9.5" dia. Box measures 12.25"L x 5.25"W.Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.
We found 7842 price guide item(s) matching your search
There are 7842 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
7842 item(s)/page
Sudanese Sword Kaskara: Mahdist Period Sword Kaskara, broad straight double edge blade 96cms cut with a long single narrow fuller flanked by a short pair of similar fullers and struck with crescent moons, and etched with short Islamic inscriptions, brass crosspiece, leather covered grip and pommel (chipped), in its leather scabbard with swollen tip (hanging bands missing). Good condition, some age wear overall and North African Tribal Sword Takouba, Late 19th Century, straight double edge blade 74.5cms moderately pitted, iron crosspiece of conventional form (1 upward pointing langet missing), brass pommel, grip missing. Good condition, some age wear. 2 items
Newtons New & Improved Terrestrial & Celestial 3" Pocket Globe, circa 1817. In original shagreen case, hinged with original catches, the interior hand coloured over papier mache engraved celestial map with cartouche 'Newtons Improved Celestial Globe'. The lip of the case painted red, inset with two grooves to each half. The globe with iron pin through middle to rotate, of papier mache and plaster, cartouche 'Newtons New & Improved Terrestrial Pocket Globe No 66 Chancery Lane, London'. Globe diameter 3 inches/ 7.5cm approx. Case diameter 8cms approx. Case with small split running approx 2.5cm. Both with minor wear commensurate with age. Provenance: The property of Arthur Reginald Winter MBE (1903-1979) Chief Radio Officer of the Royal Fleet Auxiliary J.97431, and then by descent. Note: The documents shown in the last 4 pictures are NOT included in this lot but purely for information
A Sudanese Broad Sword Kaskara, Late 19th Century, straight double edge blade, iron cross piece, grip partly covered with embossed sheet silver, leather pommel, and two North African (Sudanese) Swords, 19th century period, leather covered hilts and plain straight steel blades. (3)Note: You must be over 18 to purchase this item. Collection must be made in person or by arrangement with a delivery company that provides an age verification service. We do not provide a shipping service for bladed items.
Iron Age, Saxon and Medieval - Five fragmented Dubonni silver units, a partifact chip carved saucer brooch, a similar mount possibly a strap end section, a small strap end, a seal Roman intaglio with red stone, a mount, a small horse pendant retaining some red enamel and a circular lead weight. (14)
AFTER PIETRO TACCA (1577-1640), A PAIR OF BRONZE CHENETS AS THE CHAINED BARBARY PIRATES 19TH CENTURY Figures above elaborate masks, dolphin supports, iron supports approximately 69.5cm high, 62cm deep Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Patination nuances largely worn away from regular household cleaning- Fairly flat surfaces and patination. Typical fire soot deposits- one lacking linking pin to back mount Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
German Third Reich Kriegsmarine WW2 Reich War flag. A good example of red cotton printed black and white cross with central white disc bearing black swastika; Iron Cross to upper left corner. Hoisting rope stitched through the sleeve with loop both ends; reinforcement to fly edge. Sleeve with ink stampings “.. Reichkriegs ..â€, "06 X 1.35 and eagle and swastika over ‘M’. slight age wear. Payment by Bank Transfer ONLY
German Third Reich Kriegsmarine WW2 Reich War Large Flag. A scarce large example of red cotton printed black and white cross with central white disc bearing black swastika; Iron Cross to upper left corner. Sleeve with ink stampings ".. Reichkriegsflg ..", 1.5 X 2 and eagle and swastika over M . slight age wear. Colours remain good, now with some age wear and scattered holes. Payment by Bank Transfer ONLY
Hornby: A collection of four boxed Hornby Railways, OO Gauge, locomotives and tender to comprise: LNER Flying Scotsman 4472 R845, Iron Duke 70047 BR R056, LMS 5112 Black Five R061, and BR Ivatt Class 2 46400 R857. Original boxes, wear as expected with age. Contents in used condition. Untested for working order. Please assess photographs. (4)
A GEORGE III CHINOISERIE DECORATED BLACK JAPANNED TAVERN WALL TIMEPIECEUNSIGNED, CIRCA 1780The unusual four pillar single train weight-driven movement with arched iron plates measuring 10 by 9 inches incorporating brass bushes for the four-wheel train, large 6.25 inch diameter greatwheel, solid wheels for the centre-wheel upwards and counterweight for the hour hand set on an arbor between the plates, the 26 inch circular slightly convex gilt-on-black Roman numeral dial with gilt spade hands, within a stepped ogee moulded surround and secured to the drop-trunk case with pegs, the case with side doors behind the dial over gilt floral trail painted throat flanked by shaped ears, above concave-topped rectangular door decorated in varying shades of gilt with raised oriental figure within a garden trellis landscape framed within double-line border, the surround with block panel and leafy trail banded borders, the base of stepped ogee profile decorated with further conforming foliate decorated panels, (dial panel repainted).140cm (55ins) high, 66cm (26ins) wide, 19cm (7.5ins) deep. The movement of the present timepiece is particularly unusual in that the plates are made from forded iron. Furthermore, the provision of a large diameter greatwheel, coupled with solid wheel centres for the majority of the train, are features indicative of a highly individual approach by the maker. Condition Report: The movement appears to be in original working condition with no noticeable replacements; although gentle clean/service is advisable. The frontplate has a hole next to the intermediate wheel of the motionwork as well as a small group of small holes (some threaded) spread across the upper half of the frontplate. The purpose of these is not known but we do not consider them indicative of any significant alteration - one theory for their use was perhaps for the fitment of a passing hour strike. The movement rests on an old seatboard but with slim packing pieces; there is also evidence of the blocks being applied to the inside of the sides of the case - the seatboard is now supported by screws tapped from the sides. The dial panel has a filled hole beneath the winding hole. This hole appears too low down for a winding hole of a tavern clock but may suggest that the dial was once fitted to another clock. In addition to this there are some curious curved cut-outs to the stile uprights of the trunk (concealed by the dial when fitted) which may also suggest that a different dial arrangement may have been fitted in the past. The rear of the dial also has a curious curved section scooped-out beneath XI and XII numerals - the purpose of this is unknown but may support the view that the timepiece may have been fitted with a passing strike at some point. The dial has been re-finished; the original surface was cream ground; there is a slight shrinkage crack through the IIII numeral otherwise faults to the dial panel are limited to minor wear, historic edge bumps etc. The hands are old and made from copper finished with gold paint. The hour hand has had the tube soldered to the centre and the minute has a later wedge-shaped counterweight attached. The trunk is in sound original condition retaining original decoration/surface to front and base. The door has a slight warp and minor losses to the raised work, the lock is a replacement but the hinges appear original. The ears are replacements as are the side doors. The sides have been refinished black and the interior of the case has also been given a wash of black shellac. The backboard is in generally sound condition but has the with usual central shrinkage crack top to bottom and has a baton applied to the inside upper edge as bracing and additional hanging support. Faults to the case are otherwise generally limited to age related bumps, scuffs, shrinkage and wear.Timepiece has a pendulum, weight, case key and winder. Condition Report Disclaimer
A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK WITH CONCENTRIC CALENDARUNSIGNED, PROBABLY LONDON, CIRCA 1800The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch circular convex cream painted Roman numeral dial with concentric date-of-the-month within the chapter ring and Arabic fifteen minutes beyond the outer minute track, with pierced steel hands and brass calendar pointer, the break-arch case with concave-sided upstand over cavetto moulded cornice and opening front fitted with a cast brass cavetto moulded convex glazed bezel and incorporating recessed panel infill to the arch and lower quadrant areas, flanked by brass stop-fluted canted angles and with circular panels to sides, the trunk with concave throat moulding over break-arch flame figured door edged with complex mouldings and flanked by brass stop-fluted quarter columns with brass caps and bases, on plinth base with cavetto top moulding over shaped raised panel and double skirt incorporating shaped apron flanked by bracket feet.226cm (89ins) high, 54cm (21.25ins) wide, 26cm (10.25ins) deep. Condition Report: Movement appears complete with no visible evidence of alteration or noticeable replacements. Although in slightly dirty/neglected condition there is nothing to suggest that the movement would not run once a gentle clean/service has been done. The plates have evidence of previous re-bushing. The dial has been refinished but a while ago; there is some general edge wear and chipping and slight wear but otherwise is generally in good condition. The movement is fitted to an old but probably not original seatboard which rests on the side uprights of the case at the correct level with the cheeks appearing undisturbed - from this we are of the opinion that the movement and dial are most likely original to the case. The case is generally in sound condition but requires mostly cosmetic attention. The concave pyramid upstand has opened at the joints and there is some front-to-back shrinkage to the curved top panel. The right-hand side of the hood is missing the circular panel and moulded surround (leaving a circular aperture); the left-hand side has its panel, the moulding is detached but present with the clock. The hood door has a very slight warp causing the arch section to project forwards slightly (not really noticeable when the door is closed). The finials are not original otherwise hood is in sound original condition. The trunk and base are also generally in sound original unrestored condition. The trunk door has a slight bow apparent at the lower edge, the door lock is a replacement with the tongue extended; we do not have a key to retract the tongue hence cannot currently close the door flush. The base has some shrinkage cracking to the timber, slight wear to front angles and the left-hand skirting is loose and the right-hand side lower section of skirting has been trimmed back by around 15mm to the rear edge; otherwise is in sound condition. The backboard has a vertical crack (from a butt joint between the sections becoming unstuck) applied with tape. Faults to the case are otherwise limited to bumps, scuffs, shrinkage and wear commensurate with age and use. The surface is generally untouched hence uneven but appears free from awkward patch repairs etc.Clock has pendulum, pair of cast iron weights but no case key or winder. Condition Report Disclaimer
A Victorian painted cast iron campana garden urn, second half of the 19th century, of typical form with an egg-and-dart cast rim, over a gadrooned body, on a square plinth, 66cm diameter 77cm highCondition ReportWear and weathering commensurate with age and use, with flaking and loss to painted decoration. Overall structurally sound with rust as expected.
A Regency-style painted cast iron urn, 19th century, of rectangular form with all-over neoclassical decoration, terminating in anthemion feet,71cm wide 36cm deep 36cm highCondition ReportGeneral wear, weathering, rust, and discolouration commensurate with age and use. Flaking and lost paint throughout. General knocks and wear as expected.
A pair of rare Royal Copenhagen figures, Girl from Amager, the Daughter of Alyth Pitter Pitters and Jan Hansen Schmidt, underglaze blue Royal Copenhagen mark, iron red model numbers 12102 and 12103, 31cm and 31.5cm high J H Schmidt - The brim of his top hat has been broken off and re-glued with notable splinter losses along the joint at the top. There are some splinter glaze losses to the front left corner as viewed, otherwise both figures in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Coalbrookdale style cast iron garden bench with fern and grape pattern and oak slatted seats, 193cm wide, 54cm deep, 93cm high Look to be in good restored condition with crisp white paintwork only slightly rubbed in places, oak slats are in good order but slightly sun bleached.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rustic elm seat, made from the wood of The Chequers Elm, Horley, by Colin Ford, in 2008, 200cm wide, 80cm deep, 195cm high Interior has some degree of polishing, the exterior with a more weathered matted finish, scattered old stable worm holes throughout, a wrought iron foliate banding has been applied around the back of the piece and a degree of support, sitting upon a plain wooden plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Victorian brass mounted teak campaign chest of two short and three graduated long drawers, with recessed handles and iron loop side handles, on turned feet, 91cm wide, 43cm deep, 105cm high Overall in honest condition with a rich gingery brown tone throughout, numerous old dents, scuffs and scratches commensurate with age and use, locks look original but lack a key, feet with some scuffing and wear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Coalbrookdale style cast iron garden bench with fern and grape pattern and oak slatted seats, 193cm wide, 54cm deep, 93cm high Look to be in good restored condition with crisp white paintwork only slightly rubbed in places, oak slats are in good order but slightly sun bleached.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to Demetre Chiparus (1886-1947), a French Art Deco bronzed spelter figure, L'Age du Bronze', modelled as an athlete bending an iron bar, on two tone marble plinth, 87cm long, 16cm deep, 54cm high In very good original condition with a variety of greenish patinations throughout, plinth looks to be in very good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A late Victorian mahogany mounted brass and cast iron demonstration model of a safe, with painted finish and fitted interior, 14cm wide, 12.5cm deep, 21cm high An attractive piece, the top and bottom of rich reddish brown tone but with some dents and scratches commensurate with age, possibly at one time enamelled finish now rather oxidised and pitted, the brass work oxidised and parcel gilt banding mostly rubbed away, no key present for the lock, central knob operates the internal latches, divided interior has two opening drawers, no signs of any manufacturers naming.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Derby ornithological dessert dishes, c.1815, painted in the manner of Richard Dodson with fantastic and domestic birds in landscapes, within a gilt octagonal cartouche, on an eau de nil ground, iron red Derby marks, 25cm wide There is fine crazing to the glaze all over and some occasional minor wear to the ground and gilding, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Eric Ravilious (1903-1942), a ‘garden implements’ lemonade jug, printed in black with garden implements, the reverse with circular vignettes of garden themes, highlighted in pink lustre, black printed Wedgwood mark, iron red decorator’s mark CHH6323, 19.5cm high There is typical fine crazing to the glaze all over, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A PAIR OF BRASS TWIN LIGHT WALL APPLIQUES (4)Early 20th Century Of oval form embossed with two winged cherubs, leaves and fruit, scroll arms, 42.5cm high; Together with a pair of wrought iron three light hanging lights with foliate undersides and part writhen suspension rods, 20th Century, 49cm wideCondition report: The brass wall sconces are worn with dirt, dust and generally tarnishing. The backs are mounted onto the ebonised wood backs. Some holes to the brass raised areas. The candle nozzles to one are loose and need resecuring. One drip pan with dents to the edge. These will need rewiring. The wrought iron hanging lights with inevitable scuffs, scratches, dents marks commensurate with wear, use and age.See extra images.
An early 18th century oak coffer Of pegged construction, with a quadruple-panelled front and original iron loop hinges, the top opening to reveal a candle box.139.5cm wide x 59cm deep x 69cm highQty: 1Generally good condition commensurate with age and use. Dents nicks and scratches throughout. Old woodworm notable to the planks on the bottom.
Two antique coal buckets and a low nursery fender One coal bucket with bands of copper flowers on a silvered ground; the second in the Art Nouveau style of a brass bucket with an iron frame and looping handle; the fender with a brass rail and an iron wirework front and base.The fender 76m wide x 34cm deep x 46cm high. The copper bucket 33cm diameter x 30cm high.Qty: 3Oxidisation overall. Minor marks, dents, and scratches due to age and use.
A 19th century Swedish marriage chest The dome-top painted chest decorated with flowers and with initials 'M.L. L.D.' and dated '1818', all standing on turned feet and with wrought iron carry handles to the side.99cm wide x 50cm deep x 47cm highQty: 1Minor marks, dents, and scratches overall due to age and use. Some losses to the paintwork. Some signs of old woodworm. In generally good condition.
An18th/19th century oak gateleg table With a circular top and a fitted drawer to the frieze, raised on turned legs united by stretchers.112cm wide (141cm wide unfolded) x 52cm deep x 67cm highQty: 1Dents, nicks, and scratches throughout commensurate with age and use. Some later iron nails used to reinforce the pegged construction. Notable cracks to the top.
An antique French, possibly 17th century, cast iron fire back The arching fire back of shaped form, with a central Heraldic crest beneath a coronet flanked by lions to either side.79cm wide x 88cm highQty: 1Wear to the surface overall due to age and use, with a horizontal crack running through just under halfway down into the centre, generally good condition considering age and use overall.
A 17th/18th century oak bible box or desk The fall-front opening to reveal three small drawers within, with an iron lock plate to the front.66cm wide x 36cm deep x 28cm highQty: 1Minor marks, dents and scratches due to age and use, a ring mark to the top, the lock hasp lacking, the lock possibly original.
A 64-BORE PERCUSSION TARGET PISTOL SIGNED COOPER, no visible serial number, circa 1855, with three-groove rifled octagonal 9in. barrel, dove-tailed fore-sight, buckhorn rear-sight (probably later), squared patent breech with twin gold lines and platinum plug, fully border and scroll engraved top-tang, border and scroll engraved bar-action lock signed 'COOPER', walnut half-stock (cracked and repaired) with chequered swept grip of Purdey style, flared pommel with moulded and engraved iron butt-cap, single set trigger and moulded horn fore-end tip with no provision for ramrodCONDITION:Barrel: Externally has stained to a mottled grey-brown finish although sharp edges well preserved. Bore is three-groove rifled with a few shallow crusty stains but generally well definedLock: Positive and audible half and full cock positions. Finished has stained to a dark grey but engraved detail well preserved. Set trigger functions correctly.Woodwork & Furniture: Wood is generally sound with only light knocks and bruises although a repaired hairline age-crack runs through the area of the barrel key escutcheon on the left side back to the side cheek and forwards through the corner of the horn fore-end tip. Another hairline is present running from the side nail cup up to the corner of the breech. A further small blind crack runs in a loop from the lock-tail and appears to have been filled with a red filler. Chequering well preserved as is engraved detail on the furniture, although finish on these parts has stained as the lock.Please Note: This antique pistol is sold under section 58 of the UK firearms act asa curio or ornament only and nothing within this report should be taken as an indication of suitability for use
AN EARLY 38-BORE FLINTLOCK HOLSTER PISTOL SIGNED DIOMEDE ADIRENT WITH LAZARO LAZARINO BARREL, no visible serial number, Italian circa 1690, with carved and moulded 15 1/2in. barrel, the moulded sighting plane signed 'LAZARO LAZARINO' and terminating in a reversed tear-drop at muzzle, a central stylised flower carving and a Romanesque bust at breech, scroll engraving to the bordered side-panels, plain squared solid top-tang affixed from below, rounded and curved lock with moulded borders and a foliate flourish at tail and signed below the moulded shallow pan 'DIOMEDE ADIRENT', carved and moulded swan-necked cock with Romanesque bust fixing screw (age fractures forming at neck), walnut full-stock with carved mouldings around the furniture, pear-shaped grip with long-spurred moulded iron butt-cap with central Romanesque bust repeated on the trigger guard bow, pierced and carved terminals to the lower tang and finial, pierced neo-classical sideplate, turned ramrod thimbles and original ramrod with engraved iron wedge tip, some wear and loss to fine detail throughout
A VARIANT 14-BORE GREENER MKI POLICE-GUN, serial no. G7516, for 1925, with 26in. barrel, large nose-cap fitting ober the barrel with integral fore-sight, large fixed standing rear-sight, slab-sided receiver marked on the left 'W.W. GREENER, MAKER' over 'PAT. NO. 9074/21 19517/21', the right side marked 'GREENER POLICE GUN', cocking indicator and side safe, the action also stamped at head 'K.S.P. 85', walnut butt-stock with central trap in the heel-plate (age hairlines at head), swivels removed, full-length fore-end with bayonet bar at tip and half-length wood top-cover with single iron barrel-band Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
A RARE DELUXE VICTORIAN BOWIE KNIFE SIGNED THORNHILL, LONDON, WITH SILVER-MOUNTED SCABBARD AND CARVED EBONY HILT, the scabbard mounts London hallmarked for 1864, the knife with 10in. blade of bowie form false-edged for the last 3 1/2in. (one edge nick), interrupted spirally carved semi pipe-back, squared ricasso with scalloped edges and signed 'THORNHILL LONDON' below a 'V.R.' and crown device, straight iron cross-guard with coin-edge milling, the left side notched for a scabbard lock and shaped quillions carved with multiple grooves, turned white-metal collar, ebony hilt carved with a realistic representation of a wild boar's head, complete with its silver mounted black leather scabbard (scabbard lock absent, some denting to drag) This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
A GROUP OF MISCELLANEOUS DECORATIVE ITEMS to include a pair of composite gothic revival candlesticks with three religious faces to the cast iron bases, height 42cm (both off centre, some loss to the decorative work around the bases), a wooden truncheon with a grooved handle (scratches and patina present), a Japanese wooden toad (may have originally had a piece in the mouth, no artists marks or netsuke holes), a Chinese mud man (loss to the bundle on the reverse), four Chinese jadeite pendant beads depicting zodiac animals to include a rooster, ox, monkey, and tiger, two replica arrowheads, two beaded necklaces with cruciform jadeite beads, a hand carved replica Egyptian funerary ushabti and amuletic bust, a replica Harrapan style fertility figure (broken limbs), a replica iron age style annualar brooch, a small bag with replica items, etc (qty) (Condition Report: itemised conditions above)
MIXED COMIC LOT (21 in Lot) - Mostly Bronze Age Marvel issues & includes AVENGERS #186 + CAPTAIN AMERICA #236, 238 + IRON MAN #127 + MARVEL PREMIERE #49 + MARVEL SPOTLIGHT VOL. 2 #1 + MARVEL TEAM-UP #86 + MARVEL TWO-IN-ONE #54-56 + MASTER OF KUNG FU #79 + THOR #286-288, 291, 294-296, 298-299 + THE FROGMAN #11
MARVEL SILVER AGE DAMAGED LOT (46 in Lot) - Includes THE AMAZING SPIDER-MAN #48, 51, 53, 91 + AMAZING SPIDER-MAN ANNUAL #4 + AVENGERS #15, 19, 23, 27, 29, 37, 40, 43, 71, 73, 82, 85, 86 + DAREDEVIL #6 + FANTASTIC FOUR #62, 64, 72, 73, 74 + FANTASTIC FOUR ANNUAL #3 + IRON MAN #23, 37 + MARVEL SUPER-HEROES #18 + SGT FURY #8 + SILVER SURFER #11 + STRANGE TALES #164 + SUB-MARINER #14 + TALES OF SUSPENSE #64, 76, 83 + TALES TO ASTONISH #56, 65 + THOR #139, 140, 143, 146, 172 + X-MEN #18, 23, 48, 59 - NOTE - All copies have either staining, missing pages, tape repairs, glue repairs, price stickers, detached covers, significant spine splits/tears/holes or have been restapled - NB CONDITION REPORT NOT AVAILABLE FOR THIS LOT
MIXED MARVEL SILVER AGE LOT (12 in Lot) - Includes IRON MAN #14 + MARVEL COLLECTORS' ITEM CLASSICS #8, 21 + MARVEL SUPER-HEROES #15 + TALES TO ASTONISH #79, 82, 84 + THE MIGHTY THOR #144-147 + X-MEN #64 - Includes the first appearance (and death) of the Night Phantom + the first appearance of Sunfire
AVENGERS #4 (1964 - MARVEL - UK Price Variant) - Captain America joins the Avengers in this issue, which marked the iconic super-soldier's Silver Age debut and first comic book appearance in 10 years. The Sub-Mariner, Iron Man, Thor, Giant-Man, and Wasp are also featured. Jack Kirby provided the cover and art - a condition report is available on request - NB: Appears to have had additional staples at one time which have been removed but signs of glue around the spine edge
Comics - Collection of approx 310 Marvel DC Comics to include 5 x Vision And The Scarlet Witch (No. 1-4 and duplicate issue No. 4), 70 x The Uncanny X-Men (114, 2 x 119, 120, 122, 123, 124, 2 x 126, 127, 128, 129, 130, 132, 133, 134, 136, 137, 2 x 138, 139-140, 2 x 141, 2 x 142, 2 x 143, 144-145, 2 x 146, 2 x 147, 2 x 148, 149, 2 x 150, 151, 2 x 152, 166-168, 169, 2 x 170, 171-173, 182, 187, 189-191, etc), 10 x The New Mutants (2 x No. 1, 2 x No. 2, 2 x No. 3, 2 x No. 4, No. 5 & No. 7), Ghost Rider issue No. 2, 3, 35, 45, 50, 52 etc, Marvel Team-Up No. 100 and No. 117, 3 x Alpha Flight (No. 1-3), Power Man And Iron Fist, Moon Knight No. 1 and 2, Silver Surfer, The X-Men (96, 97, 100, 101, 108, 111, 112, 113), Star Wars issue No. 2, 6 x Marvel Universe (Issue No. 1-6), The Invaders 1-20, Special Edition X-Men issue No. 1, Ringo Kid No. 4, The Thing And The Guardians Of The Galaxy, Conan The Barbarian, Fantastic Four Pocket Book No. 3, The Liberty Legion, Marvel Age No. 1-4, Ms. Marvel No. 22 and 23, Astounding Stories, The Avengers (Annual No. 10), The Thing And Iceman, Super Spider-Man, The Legion Of Superheroes, Secrets Of Haunted House, etc, all comics vary in condition from vg-tatty (2 Boxes)
A MEDIEVAL WROUGHT IRON LOCK-PLATE, ENGLISH, CIRCA 1400-1450. The lockplate with curved sides retaining original hasp guards and original key, with three original bolts, the reverse with original sprung locking mechanism., 24cm high 21.5cm wide Provenance: Albert Gautier Collection, Newton Old Hall, Tibshelf, Derbyshire. Purchased by Herbert and Norma Beedham, early to mid 1970’s. *CR charming and early example, some losses and wear commensurate with age, rust.
PURCHASER MUST BE 18 YEARS OF AGE OR OVERAn Early 20th Century Daisy .177 Calibre BB Break Barrel Air Rifle, the shaped cast iron two piece grip marked DAISY to the left side and 96 MODEL to the right side, with a gilt cast iron diapered plate above the trigger, the walnut stock stamped DAISY MANFG. CO. PLYMOUTH, MICH. U.S.A. within an oval garter band centred by DAISY on a scroll and PATENTED 1890 JULY, 77cmIn good working order.
David Leach (1911-2005) small iron glazed studio pottery bowl, impressed seal mark to the base, 7.5cm high x 14.5cm wide, a large Yelland pottery dish with trailed decoration to the centre, impressed pottery mark to the base, 33cm across, a Michael Leach at Yelland Pottery small bulbous yunomi, with impressed marks to the base, 9cm high, a Michael Leach at Yelland Pottery small dish with incised decoration, marked to the footrim, 13cm across and a small Lowerdown pottery bud vase with overpainted speckle glaze, marked to the base, 11cm high (5) All seem ok with minimal signs of age, wear or use. No damage or restoration that we can see.
PETER HAYES (BRITISH B. 1946) BOW WITH COPPER DISC signed to the slate base, raku on slate base 24cm high, 10.5cm wide (9 ½in high, 4 1/8in wide) Peter Hayes’ principle aim is for his work not to compete with nature, but to develop and evolve in the environment, and this is shown through the way he layers up textured clay surfaces by polishing and burnishing, alongside the introduction of further minerals, such as copper and iron, into the raku surface of his objects. An unusual aspect of his work, is that after firing he might submerge pieces in the flowing river by his studio in Bath, or send them to Cornwall to be washed over by the sea, which makes every work unique and helps to create an ancient feel to the finished surfaces.Born in Birmingham, England in 1946, Hayes attended the Moseley School of Art from the age of 12, before studying at the Birmingham College of Art. After leaving college, Hayes’ interest in clay developed from his extensive travels in Africa, working with different village potters, and fundamental skills he discovered in countries such as India, Nepal and Japan. As an artist he has always been open to learning next techniques and adopting ideas, and he now spends the winter months of the year in Udaipur in Rajasthan searching for inspiration, whilst maintaining his main studio in a disused toll house in Bath.
PETER HAYES (BRITISH B. 1946) LARGE BOW WITH COPPER DISC signed to base, raku on slate base 67.5cm high, 23cm wide (26 ½in high, 9in wide) Peter Hayes’ principle aim is for his work not to compete with nature, but to develop and evolve in the environment, and this is shown through the way he layers up textured clay surfaces by polishing and burnishing, alongside the introduction of further minerals, such as copper and iron, into the raku surface of his objects. An unusual aspect of his work, is that after firing he might submerge pieces in the flowing river by his studio in Bath, or send them to Cornwall to be washed over by the sea, which makes every work unique and helps to create an ancient feel to the finished surfaces.Born in Birmingham, England in 1946, Hayes attended the Moseley School of Art from the age of 12, before studying at the Birmingham College of Art. After leaving college, Hayes’ interest in clay developed from his extensive travels in Africa, working with different village potters, and fundamental skills he discovered in countries such as India, Nepal and Japan. As an artist he has always been open to learning next techniques and adopting ideas, and he now spends the winter months of the year in Udaipur in Rajasthan searching for inspiration, whilst maintaining his main studio in a disused toll house in Bath.
PETER HAYES (BRITISH B.1946) BOW WITH COPPER DISC, 1995 signed and dated, raku 35cm high (13 ¾in high) Woolley & Wallis, 14th December 2017, lot 529. Peter Hayes’ principle aim is for his work not to compete with nature, but to develop and evolve in the environment, and this is shown through the way he layers up textured clay surfaces by polishing and burnishing, alongside the introduction of further minerals, such as copper and iron, into the raku surface of his objects. An unusual aspect of his work, is that after firing he might submerge pieces in the flowing river by his studio in Bath, or send them to Cornwall to be washed over by the sea, which makes every work unique and helps to create an ancient feel to the finished surfaces.Born in Birmingham, England in 1946, Hayes attended the Moseley School of Art from the age of 12, before studying at the Birmingham College of Art. After leaving college, Hayes’ interest in clay developed from his extensive travels in Africa, working with different village potters, and fundamental skills he discovered in countries such as India, Nepal and Japan. As an artist he has always been open to learning next techniques and adopting ideas, and he now spends the winter months of the year in Udaipur in Rajasthan searching for inspiration, whilst maintaining his main studio in a disused toll house in Bath.
PETER HAYES (BRITISH B. 1946) TOTEM WITH COPPER DISC signed to the base, raku on black painted base 60.5cm high (23 ¾in high) Peter Hayes’ principle aim is for his work not to compete with nature, but to develop and evolve in the environment, and this is shown through the way he layers up textured clay surfaces by polishing and burnishing, alongside the introduction of further minerals, such as copper and iron, into the raku surface of his objects. An unusual aspect of his work, is that after firing he might submerge pieces in the flowing river by his studio in Bath, or send them to Cornwall to be washed over by the sea, which makes every work unique and helps to create an ancient feel to the finished surfaces.Born in Birmingham, England in 1946, Hayes attended the Moseley School of Art from the age of 12, before studying at the Birmingham College of Art. After leaving college, Hayes’ interest in clay developed from his extensive travels in Africa, working with different village potters, and fundamental skills he discovered in countries such as India, Nepal and Japan. As an artist he has always been open to learning next techniques and adopting ideas, and he now spends the winter months of the year in Udaipur in Rajasthan searching for inspiration, whilst maintaining his main studio in a disused toll house in Bath.
Loading...-
7842 item(s)/page