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2014 item(s)/page
Jessie M King (attributed) for Liberty and Co., an Arts and Crafts silver belt, each of the twelve square section panels, cast and pierced with sylised leaf pads and fleur de lis within a beaded border, in the Art Nouveau style, linked by knopped hoops, William Hair Haseler, Birmingham 1908, 66cm long, 9.23ozt
An Edwardian silver sugar shaker in the Adam style with bead and festoon decoration on a square base by Haseler Brothers, London, 1901, 18 cm H and an Art Deco silver cream jug with banded decoration on a circular stepped base by Davis, Duff & Son, Birmingham, 1937, 12 cm H. Gross weight 366g (2)
A selection of silver, to include: a George V silver mustard, Haseler Brothers, Chester 1919 with hinged cover, blue glass liner and associated spoon, a further Edwardian silver mustard with hinged cover, Barker Brothers, Chester 1910, a silver salt, Chester 1918, a cased set of silver 'Roman' teaspoons, a further cased set of silver teaspoons and a silver pepperette, 7.7ozt weighable silver (7)
A VICTORIAN KING'S PATTERN BASTING SPOON (Diamond Shell heel), by Francis Higgins, London 1861, a William IV ivory-handled butter knife, a 9ct. gold-mounted tortoiseshell cigarette case and a pair of Edwardian small trefoil leaf dishes, by E.J & N. Haseler, London 1903; the dishes 4.25" (11 cms) long; 8.35 oz weighable silver (5)
A MIXED LOT:- A cigarette box on four legs with an engine-turned cover, initialled "DW" (cedar wood lining), by W.H. Haseler, Birmingham 1927, an Indian coin-inset ash tray, a vesta case, a circular pill-dispensing box and a cigarette case with an applied brass plaque depicting a portrfait of Napoleon; the cigarette box 4.75" (12 cms) long; 5.4 oz weighable silver (5)
NAPKIN RINGS:- A napkin ring with bead borders by W.H. Haseler, Birmingham 1921 (fitted box), a Victorian engine-turned napkin ring by J. Aldwinckle & T. Slater, London 1894 (fitted box), a Chinese napkin ring with a dragon in relief, monogrammed, maker's mark "LS", c.1890 and five other napkin rings, all with initials/monograms; 8.5 oz (8)
HASELER BROS; a small Edward VII hallmarked silver cylindrical mustard pot with associated clear glass liner, Chester 1904, height 4.5cm including thumb piece, and two further mustard pots to include a shaped lozenge example on four outswept legs, maker's mark S & Co, Birmingham 1916, both with blue glass liners, approx 2.9ozt (3).
A silver vesta case Birmingham, 1911, maker's mark of W.H. Haseler together with a cased silver travelling perfume bottle and funnel, twelve teaspoons stamped '800', an oval jar with cover stamped '800' a miniature picture frame stamped '925' and a metal topped perfume bottle, approx. gross weight 8.76 ozt
A William H Haseler silver and turquoise pendant necklace, pierced circular form with radiating star motif set with central turquoise, hammered finish on link chain with wirework panels, unsigned 3cm. drop. Exhibited Art & Fashion Cheltenham Museum & Art Gallery Provenance A private collection of Arts and Crafts jewellery.
An early Liberty & Co Cymric silver belt buckle designed by Oliver Baker, cast scrolling foliate form with hammered finish, set with four lapis lazuli cabochons, stamped marks, L & Co, Birmingham 1900, 10cm. wide. Literature Modern Design in Jewellery and Fans, The Studio Special, 1901-1902, plate 35 this design illustrated. Victor Arwas Art Nouveau in Britain From Mackintosh to Liberty, Papadakis, page 96 this example illustrated. Provenance Victor Arwas The Art Nouveau Buckle with Arts and Crafts Christie's South Kensington, 27th November 2007 lot 109 (part). A private collection of Guild of Handicrafts silver and jewellery. Catalogue notes Oliver Baker (1856-1939) Born in Birmingham, the son of the artist Samuel Henry Baker, Oliver originally trained under his father and at the Birmingham School of Art as a fine artist. He was elected a member of the Royal Birmingham Society of Artists in 1884 before returning to the Birmingham School of Art to learn silver and jewellery making as a mature student meeting and being taught by Georgie Gaskin. His designs for silver and jewellery were sold to William H Haseler who manufactured them, selling them to Arthur Liberty for retail at his store in Regent Street in London. Liberty registered their own hallmark at both the London and Birmingham assay offices in 1899 launching their Cymric range - a range which included many of Oliver Baker's designs - which were influenced by his antiquarian interests. The designs therefore were more in keeping with the Arts and Crafts movement than the more modern Art Nouveau designs produced by Archibald Knox for Liberty & Co,
Tudric Pewter and enamel box with hinged lid, likely for Liberty and Co. The inset enamel copper plaque decorated with a lakeside scene, probably by Fleetwood Charles Varley, cedar lined and impressed Tudric 01021 and Solkets (Solkets was a mark used by Haseler and Co who supplied Liberty) W18.5 x D11.5 x H6cm, the inset plaque 6 x 13.5cm
A Victorian silver drum mustard, by Edward Hutton, assayed London 1890, having hinged and gently domed cover with ribbed thumb grip and gadrooned rim, ribbed angular handle and blue glass liner, together with a Victorian silver mustard pot, by Edward John Haseler & Noble Haseler, assayed London 1899, of circular cup form, having wire side with applied floral garlands, domed hinged lid and loop handle, raised upon circular pedestal foot, lacking liner, height 9.6cm. (total silver weight 260.5g). (2)
Four silver sovereign holders, to include; a rectangular silver sovereign case by John Rose, assayed Birmingham 1911, plain polished, the interior fitted with two sprung full sovereign holders, together with a square silver sovereign holder, by "WH", assayed Birmingham 1908, having bright cut foliate scroll decoration and circular reserve (left blank), a similar circular silver sovereign holder by William Hair Haseler Ltd, assayed Birmingham 1911, also having bright cut foliate scrolling decoration, and a plain polished circular silver sovereign holder, assayed Chester 1906, makers mark rubbed, and two coffee spoons. (total weight 114.5g). (6)
A 1933 greyhound trophy for a race won by a dog trained by Sidney Orton of "Mick The Miller" fame,in the form of a silver & leather dog collar, stamped SILVER and with maker's mark foe William Hair Haseler, the central medallion encircled with laurel and inscribed THIRTEENTH WESTCLIFF HURDLE, 700 YARDS, TIME 43.09s, WINNER, INCHACOUMBE BOY, OWNER MRS E LESTER, TRAINER S.J. ORTON, 29th SEPT. 1933, silver 35cm. long, overall length 48cm., displayed in original glass topped and silk lined display caseSidney Orton (1890-1978) was born in Aylsham, Norfolk, and in his early life worked on his parents family farm in Stonegate. He married Gladys Harmer in 1917 and had a family including a son called Sydney 'Clare' Orton in 1918. When oval circuit greyhound racing arrived in Britain in 1926, he swapped his interest in coursing to become Clerk of the Scales and then a trainer during the early years at Wimbledon Stadium.The family lived in the Wimbledon trainers complex known as Burhill Kennels in Hersham. In December 1929 he was propelled to national fame when he took charge of Mick The Miller and won the 1930 Greyhound Derby. During the 1930s Orton won a significant number of classic races and was one of the leading trainers in the country, earning him the nickname 'The Wizard of Burhill'. Other famous greyhounds he handled would include Ballynennan Moon, Brilliant Bob, Ballyhennessy Sandhills, Quare Times, Mondays News and Burhill Moon before retiring in 1959
A group of silver and plated items, comprising a pair of George IV serving spoons, London 1836, Morris Cadman, a hobnail cut glass sugar sifter with silver top, Sheffield 1915, Walker and Hall, a cut glass bottle with silver top, Birmingham 1908, B Bros, a pair of silver sugar nips, Birmingham 1904, Levi and Salaman, a silver trinket box shaped as a music stool with cabriole legs, a/f one missing, Birmingham 1907, makers marks rubbed, silver nail file and cover, Sheffield 1909, makers marks rubbed, two apostle spoons, Sheffield 1928, Joseph Rodgers and Sons, a silver salt Spoon, Sheffield 1902, Cooper Brothers and Sons, a silver mustard spoon, Chester 1912, Haseler Brothers, a further white metal powder spoon, an 800 silver comb holder and cover and various plated wares, including two pairs of salad servers, a pair of berry spoons and a glass marmalade pot with plated lid in the form of a fruit, total sterling weight approximately 9toz including trinket box and nail file with filled handle. (1 bag)
Liberty & Co a large silver bowl with chased frieze, the design of stylised branches and leaves and five roundels set with cabochon amethyst gem stones, hallmarked Birmingham 1912, stamped marks for Liberty & Co, 54 ounces gross weight This piece is almost certainly a special commission and bears the date 1916, it is also much more substantial in size and gauge of silver than the more commercial range produced for Liberty. Made by W H Haseler, the design is possibly by Oliver Baker, who had close links to the firm and designed some of the Cymric pieces. . Good condition, no dents or splits. some deposit from silver cleaner within the frieze, it is possible some of this has entered behind the amethyst setting as one shows a pinkish stripe under the stone. hallmarks clear. Image of engraved date to be posted.
The Three Kings of 1936, a pair of sets of three small matt medals, silvered-bronze and bronze, by W H Haseler, for James R Ogden & Sons Ltd., of Harrogate and London; George V and Queen Mary and George VI and Queen Elizabeth, blank reverses, Edward VIII, with reverse, "Acceded...Abdicated...", all 32 mm, three other souvenir medals of Edward VIII, one silver.W H (William Hair) Hasseler Ltd., Birmingham silversmiths.
An Art Nouveau Silver and Enamel Pendant on Chain, by William Hair Haseler, the pendant enamelled in blues and greens, on a fine trace link chain, pendant measures 2.25cm by 2cm, chain length 52cm see illustration . This is in good overall condition with some minor enamel losses. The chain fastens with a bolt ring clasp. The pendant is hallmarked with maker's mark 'WHH', Birmingham, 1908. The chain is stamped '925' and 'SIL' and in our opinion would test as silver. Gross weight 8.8 grams. CR made 11.03.19.
An Edwardian silver lighthouse sugar caster, Haseler Brothers, London 1902, with reticulated quatrefoil decoration and foliate pierced cover with spiral finial, blue glass liner, 7½in. (19cm.) high; together with a similar sugar bowl with blue glass liner, William Aitken, Chester 1900, 3¾in. (9.5cm.) diameter, silver weight 6.4 tr.oz. (2), *Condition:- Caster: Maker's mark very slightly rubbed to body but others clear. Scratch engraved retailer's mark to base, Searle & Co., Lombard St. London. Silver in very good condition. Some chips to top edge of blue glass liner., - Bowl: Marks a little rubbed but clearly legible. Small dent to rim, otherwise good.

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2014 item(s)/page