A group of ceramic figures comprising Beswick Highland and Champion of Champion bulls and 980 Robin, ten Beswick Beatrix Potter figures including Sir Isaac Newton, Amiable Guinea-Pig and Simpkin (one af), a single Royal Albert Peter and the Red Pocket Handkerchief figure, Royal Doulton DB1 Bunnykins ‘Family Photograph’ group and three Lorna Bailey ‘Frog Band’ figures (one af).Additional InformationHighland bull with loose piece to interior, nibble to rear left hoof; Foxy Gentleman with small chip to right ear; Frog Conductor baton broken and lost; crazing, usual manufacturing imperfections, light general wear and dirt.
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A very nice collection of ephemera, theatre programmes, albumen photographs, snapshot photos, magazines including 1960s train photos (flying Scotsman Sleaford), Parliament signed letter 1965, Lord Mayor's Show tissue handkerchief, Rene North 1959 illustrated card, Rugby Final Tie Wakefield v Wigan 1962, Rugby Final Tie Hunslet v Wigan 1965, signed theatre programmes, Wild Nature in Queensland by Charles Barrett, Portfolio of Photographs by John Stoddard, Masonic c1950s menus, Mission to Seaman Almanack 1899, Little Folks 1923 magazine, UK albumen photographs, vintage greetings cards.
A 1960s TEXTURED BLUE GLASS HANDKERCHIEF VASE BY CHANCE BROTHERS, a larger Artic example from the 'Tinted' range introduced in 1969, together with a Swedish amber glass cylinder vase, having similar hammered finish to interior, label to base and a smaller green textured glass vase, tallest H 24.5 cm TOGETHER WITH FOUR ITEMS OF STUDIO ART GLASS, to include a Broste design of Sweden wavy edge bowl, tallest H 20 cm (7)
A late 19th /early 20th century silk cap, reputedly the property of W G Grace (1848-1915): with concentric bands of white, burgundy and blue silk , the lined interior with manuscript dates and scores 'WG 7 for 24 19/8/90', 'WG in 26-5-90 22 99N-0' . '10/6/90 8-41 29-T' and one other illegible score, (worn and holed with repairs), together with a blue and yellow silk handkerchief, reputedly the property of W G Grace. (2)
A collection of lady's vintage accessories, handkerchiefs, a 20cm beaded tote bag and a turquoise beaded garter with concealed coin purse, a papier mache powder box with swansdown puff, a framed hand painted plaque by Irene Wigley artist for Thomas L Mott 10cm x 8cm, of a crinoline lady, 1930's colourful handkerchief box, a Mabel Lucie Attwell hankie, six hand painted silk mats, Harrods hankie box.
V. Rare Hugh Lane Association ItemAbbey Theatre: A printed Linen Handkerchief, inscribed Sold by the Irish Players at $1.00 towards a building to save Sir Hugh Lane's Great Gift of Pictures for Ireland, April 1913. approx. 47cms square, with 8 single portraits, and large group study of The Abbey Players, signed by W.B. Yeats, Augusta Gregory. Folded and in original envelope. In fine condition. (1)Provenance: From the Collections of the late Mrs. Catherine Kennedy, grand daughter of Lady Gregory.
Bijouterie - a silk panel hand stitched with the Prince of Wales feathers, surrounded by the words Baharia (sic), Egypt, Gaza, Palestine; another WWI Egypt campaign silk handkerchief; an Art Deco celluloid purse/handbag, the clasp showing the Sphinx & pyramids and the sides in the form of wings; a cased ebony backed dressing set; a silver backed clothes brush, embossed in relief with acorns & foliage, vacant cartouche, George Nathan & Ridley Hayes, London, 1901 etc.
A GROUP OF GLASSWARE, including Swarovski, Goebel, a Channel Islands 'Island Studio' glass pink and white vase, height 10.5cm, a Murano glass Christmas Clown, two small purple iridescent duckling paperweights, a Wedgwood amber glass seal, a white pressed glass chicken on basket storage jar, a blue handkerchief vase, etc (Qty) Condition Report Goebel Fawnis chipped, clowns hair is chipped, white chicken has chips to the bowl, one of the decanters is chipped. The pieces with any identifying marks are Wedgwood Seaslion. Goebel animals, Islan d glass vase and Swarovski Mouse. The crystal animals inside the orange/red bowl are all damaged. There amy be minor damage to other pieces such as scratches, however it is to late for a fully comprehensive report
Five Beswick Beatrix Potter figures - Benjamin Bunny, Tabitha Twitchett, The Old Woman who lived in a Shoe, Mrs Flopsy Bunny and Mts Tittlemouse plus four Royal Albert Beatrix Potter figures - Foxy Reading, Peter and the Red Pocket Handkerchief, And this Pig had none and Benjamin Wakes Up (9)Condition report: Foxy Reading has a few nicks on the base. Otherwise very good condition.
PAUL PETER PIECH limited edition (20/25) two colour linocut poster - entitled 'Lines Written on a Paper Handkerchief' with a poem by welsh poet Harri Webb (1920 - 1994) 'Mankind is more marvellous, than you suppose, he devastates forests, to blow his nose.', signed and dated 1994, 64 x 45cms Provenance: private collection Cardiff, letter to vendor from the artist on headed paper Presentation & Condition: unframed, slight blemishes to right of figure, paper not torn or creased
A 1960s TEXTURED BLUE GLASS HANDKERCHIEF VASE BY CHANCE BROTHERS, a larger Artic example from the 'Tinted' range introduced in 1969, together with a Swedish amber glass cylinder vase, having similar hammered finish to interior, label to base and a smaller green textured glass vase, tallest H 24.5 cm (3)
Military Photographs and Ephemera, photos mostly laid down in albums dating from 1900 onwards. Lot includes WW1 pass, Fleet Air Arm embroidered handkerchief, Soldiers will, photos of WW2 Navy (HMS Engadine at sea with details of the rescue of s/s Mendosa after it had been torpedoed, a burial at sea, ashore in South Africa, Fiji Islands, Samoa etc.), RNVR scrap book of life aboard 'HM Trawler Cape Warwick'. Identity Certificate, Certificate of Service etc., Battle of Britain Museum Guide signed by Douglas Bader and Bob Stanford Tuck (fair/gd) (qty)
A Georgian handkerchief entitled 'The Battle of Waterloo', c.1815-1820, white cotton printed in red with a spiral twist border. In the centre is a plan of the battle surrounded by vignettes of the battle (cavalry in action), the 'observatories' (observation towers) of Napoleon and the Prince of Orange, the village and church of Waterloo and the capture of Napoleon's coach, 49cm x 64cm. Identical examples to be found within the V&A and The National Army Museum
A collection of twelve 1960s/70s glass handkerchief vases, 10.5 - 17.5cm highCONDITION: Provenance - Andrew Rudebeck collection of glass. The second part of the collection including Roman to 18th century glass will be offered in Gorringe's 8th December Fine sale.Condition - typical minor imperfections and striations to the glass. Wear to the bases consistent with age.
Norah Wellings dolls and rabbit, a white plush Rabbit Nightdress Case, in original box --17in. (43cm.) high; two 18th century dress girl handkerchief cases; and two others in national costume; and Norah Wellings reference book by Gillian Trotter - this group were acquired in the Telford area, one was given to the vendor by a worker at the Wellington factory; and another by the wife of a cousin of Norah, a Mr Branford.
Circa 1920s Pale Blue Chiffon and Velvet Evening Outfit, comprising a sleeveless chiffon dress with wrap bodice, edged with diamante trim, low scooped back with a panelled handkerchief hem skirt and belt, matching pale blue velvet evening jacket with long sleeves, open design cut away to the front, labelled 'Arthur Ltd, London', the chiffon lining matches the dress, it has trims of diamante to the front of the jacket, to the cuffs and reverse which is decorated with a large stylish bowDress - staining and fading to dress on bodice and skirt, some wear around sleeve holes and to fabric belt on the back, some paste stone loss. Jacket - slight fading to the lining near the hem. The velvet and jacket appears in good condition. Paste stone appear fairly intact. Loose threads to the hem.
Assorted Costume, Lace etc, comprising two early 20th century white cotton baby capes with broderies anglais trims, child's cream wool cape with embroidered decoration, two baby blankets, cotton lawn handkerchief, collars, sleeves, silk mitten, modesty panels; lace shoulder cape/collar, lace trims and edgings, wooden red painted fan with chiffon and ribbon mount, boxed (a.f.); ladies pale pink velvet bed jacket etc (one box)
Circa 1920s Costume comprising a long sleeved cream silk tunic top with red and cream striped collar and faux tie, cuffs and faux pocket fronts, on a fixed hem with button fastening to one side; cream silk short sleeve dress with collar, buttons to the front and pleats to the lower part of the dress; eau de nil silk drop waist underdress embroidered with a spider in a web to the bodice and hem; black lace sleeveless flapper dress with tabard back, net handkerchief style hem (4). Cream silk tunic - small stitched repair to the neck, couple of thread pulls and fading. Cream silk short sleeve dress - wear/rubbing under both arms, stitched repair to the waist and to pleats. Eau de nil dress - both sides have been repaired and area of wear to one side, stitched repairs to the pleats. Black lace dress - some wear overall.
Vivienne Westwood Bromley Mini Yasmine Bag, in mustard coloured velvet, with hinged clasp and appliqued with a snake, the customised 'SNKE' logo designed by Andrea Kronthaler's, silver tone fittings and orb, 17.5cm by 13cm; Vivienne Westwood Tartan Handkerchief, embroidered with orb logo, 27cm square, in a Vivienne Westwood card box and cover; and Two Sylish Cushions featuring Vivienne Westwood fabrics; Alexander McQueen Black Leather and Leopard Print Phone Case, with attached gilt metal skull charm, 8.2cm by 10.5cm, with dust cloth and original box and cover (5)
Collection of modern good quality glassware including studio vase with tree design, 14cms, John Lewis handmade tall black handkerchief vase, 31cms h, heavy glass fruit bowl 27cms w, a LSA International clear glass vase, 28cms, leaded glass framed mirror 31cms w x 40cms h and a green carnival glass dish, 17cms w.
A Hermes of Paris pale yellow silk tie, printed all over in blues with cows beneath trees, contained within original packaging; another Hermes blue silk tie printed with an all over interlinking pattern; a collection of six boxed Longchamp silk ties and a Rocha boxed silk tie and handkerchief set (9)
An Extravagant 18th Century Embroidered Shaped Collar, the background of pale cream gauze, formed of two panels that come to a central point, both ends of the fabric with selvedges, indicating no previous use. Two meandering lines of intricate gold embroidery run the length of the collar, with colourful flowers and leaves embroidered between and above them. From the back it can be noted that in fact all these are couched onto the plain fabric. The exterior measures approximately 47 inches. Together with A Panel of Emerald Green Silk which has perhaps been used as an apron. All edges are applied with a narrow metal thread braid, and two corners and the very centre are applied with floral motifs worked in metal threads and coloured silks. At the bottom, a paper label bears a handwritten word, in ink, ''Saltoun''. This could indicate that it came from the Scottish estate of Hugh de Moreville, and Saltoun Hall is a historic House in East Lothian. Another note stated ''Indian Embroidery, date unknown, a half handkerchief of ????, ????embroidered''. Below the label, a 3.5 inch or 9cm brown silk panel is appliquéd with the same metal thread and silk flowers. Overall size 18.25 inches or 46cm by 19.75 inches or 50cm (2). The collar gauze has several torn areas mainly near the centre. The silk embroidery has wear to the brown silk under the border panel and some fade to the green silk along a fold line.
European and World Whitework: to include an 18th century tambour embroidered panel, hemmed to the sides, raw edges elsewhere, presumably cut down from an apron or handkerchief, and clearly valued enough to have a careful darn at one side. Embroidered with large and finely executed flowers and leaves; a fragment of linen noted to be ''Danish Hedebo'' with a needle lace border; a very fine lawn panel, most likely embroidered in India, with stylised leaves, and ovals showing various different needle lace fillings; a circular lawn panel, probably Indian; two fragments of tambour embroidery probably sleeves; a panel of cream linen with stylised design, shaped, button holes at each end, probably a dress front; a small fragment of possibly Ayrshire work, with fine fillings; a pair of oval panels worked on cotton, backed with a heavier cream fabric, both embroidered with stylised flowers in vases, probably of eastern European origin; a lawn panel of whitework insertion, a formal design featuring fleur de lis; and finally a small panel of needle lace worked on net, a cross and ''IHS'' worked to the centre, with a good flower to each side. Shaped, as if to cover something, with ecclesiastical significance? (12). Variable but generally good.
French Fabric Sample Book, late 19th century Enclosing printed, woven chiffons and silks, wool, brocades, handkerchief silks, in variety of designs including stripes and checks, of varying sizes, some have printed labels attached Shantung Toile, Satin Trianon etc 34cm by 49cm by 7cm 91 double sided pages with 1,600 samples and approximately 10% are missing Bound in a blue and black mottled paper mounted ledger, with a sticker to the front labelled with Claude and to the velum spine Divers 1 - Collection Dubost, spine is split
A collection of twenty-two Royal Albert Beatrix Potter figures to include 'The Old Woman who lived in a Shoe Knitting', 'Tom Kitten and Butterfly', 'Peter ate a Radish', 'Mr Tod', 'Mrs Rabbit and Peter', 'Miss Dormouse', 'Jemima Puddleduck with Foxy Whiskered Gentleman', 'Mittens and Moppet', 'Peter and the Red Pocket Handkerchief', 'Gentleman Mouse Made a Bow', 'Lady Mouse made a Curtsy', 'And this Pig had none', 'Mrs Rabbit cooking', 'Ribby and the patty pan', 'Peter with Postbag', 'No more Twist', 'Benjamin Wakes Up', 'Pigling Eats his Porridge', 'Hunca Munca spills the beads', 'Peter in Bed', 'Peter with Daffodils', 'The Christmas Stocking', together with three Beswick figures 'Mr Benjamin Bunny' and 'Foxy Whiskered Gentleman', 'Fierce Bad Rabbit' (25).
A 1954 FA cup program for Saturday 1st Preston North End vs West Bromwich Albion with cup rosette and handkerchief, also the 1931 FA Cup Final handkerchief, a signed postcard of the 1946-47 Albion team, a signed football, a Bolton Wanderers vs Man United 1958 programme, a Birmingham City signed photo, and various Typhoo tea cards etc. (qty)
Vintage official Soviet Government re-issue propaganda poster captioned "Years will pass, days will come when the Soviet working people will call these hands, the hands of young people, Golden hands". The black and white artwork features a Soviet soldier standing by a train window, with a handkerchief in hand. A senior officer looks on with a pocket watch in hand. Good condition, creasing on edges, tears on edges, staining. Country of issue: Russia, designer: S. Zabalyev, size (cm): 72x54, year of printing: 1967
REVERSE GLASS PAINTING OF A FEMALE PORTRAIT QING DYNASTY, 18TH-19TH CENTURY delicately painted in sky-blue background with a lady in grey robe detailed with red tendrils, hemmed with blue foliated flowers, she holds a gilt decorated blue handkerchief close to her neck, her elaborate hairstyle adorned with various hairpins and accessories, her face with calm and serene expression, framed (Dimensions: 49cm x 34cm) (Qty: 1)(49cm x 34cm)Qty: (1)

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6198 item(s)/page