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A Derby Souvenir Handkerchief, depicting the racehorse, inscribed "Ellington, sire-flying Dutchman. Winner of the Derby 1856, the property of Admiral Harquart. Rode by Auld Croft, printed for Hill 269 8C 270. Oxford Street, the Golden Fleece", 78cm by 91cm With a sheet of glass and frame in need of repair.Handkerchief with slight fading and discolouration. Some pulls.
A Murano glass Fazzoletto vase in the style of Venini, post-war, of handkerchief shape with white vertical stripes of zanfirico threads, unmarked, height 11.5cm, together with a similar squat vase with alternate zanfirico and twisted black and aventurine threads, height 9cm, and seven other similar pieces, comprising four shot glasses, a two-handled vase of blue and white detail, height 10cm, a footed bowl and a green, blue and aventurine striped vase. Provenance: from the collection of John and Poppy Stallebrass.
The Corporation of Trinity House Commander C. E. K. Kendall-Carpenter. Trinity House brass drawer handles and depot labels; First World War period silk handkerchief 'Till the boys come home (Keep the home fires burning)'; copious buttons, medals, badges, wax seals, ribbons, and arm stripes.
A collection of vintage textiles to include a Dorothy bag in black sub taffeta, a purple Edwardian shawl with black fringing, a paisley shawl with art nouveau design, a large late Victorian shawl, a 1900 cami top edged in cotton lace (small mould mark), embroidered felt plaque, mid Edwardian coloured collars, Victorian pin cushion in lace, a georgette bow decorative table cove in tatting, handkerchief case in shell pink and green embroidered foliage and other embroidered cloths and tablecloths. (Q).
Handmade and hand decorated glossy figure of a young lady modeling her summer dress that is decorated with floral patterns as she cools off with her handkerchief. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1953-1965Dimensions: 4.25"L x 4"W x 7"HCountry of Origin: EnglandCondition: Age related wear.
A pair of cut glass silver rimmed salts London (marks rubbed) 1919 & 1920, a boxed silver thimble George Nathan & Ridley Hayes Birmingham 1910, a metal thimble, a pair of salt spoons George Nathan & Ridley Hayes, Birmingham 1900, a pewter one pint hammered tankard, a pair of EPNS salt and pepper pots glass body and one hinged lid, and a hand embroidered silk handkerchief. 526gms all in.
A collection of Royal Albert Beatrix Potter figures, comprising Peter and the Red Pocket Handkerchief; Mr McGregor; Foxy-Whiskered Gentleman; Diggory Diggory Delvet; Jemima Puddleduck with Foxy-Whiskered Gentleman; Jemima Puddleduck; Squirrel Nutkin; Foxy Reading News; Goody and Timmy Tiptoes; Mr Drake Puddleduck; Tom Thumb; Rebeccah Puddleduck; John Joiner; Peter with Daffodils; Lady Mouse; Mr Benjamin Bunny and 26 others, sold together with a Beswick model of Johnny Townmouse (43 figures total) (all but two figures boxed)
A collection of rare early-to-mid 20th century Chinese ornate accessories and hand crafted textiles. A 1930s highly ornate waist belt in black silk and velvet, intricately beaded with mirror-like tiny beads and silver cord embroidered in a floral circular pattern, popper and hook-eye closure, 30', in original box, one of 50 made and sold in Singapore. A 1930s strikingly embroidered clutch bag in black silk with bronze metal frame, having exotic parrot and foliate design in blue, orange, red, pink, lilac and off-white threads, measuring 9x6x1'. A pair of wedge mules slippers in red panelled leather with highly intricate fish design beading across the upper, size 3.5-4, measuring 9.5'. A handkerchief and drawstring bag in vream cotton, having delicate hand stitching and appliqué designs of a Chinese house and country scene respectively.
Mainly 20th Century Decorative Lace comprising a large silk handkerchief with lace insertion and trim, a white cotton example with lace trim and embroidery, two others,pair of engageantes with lace insertions, pair of Venetian style lace engageantes and similar collar, another pair in white cotton trimmed with lace, white net apron with applique trim, collars, lappet, stole, modesty panels,assorted bobbin, hand and machine lace trims, remnants, etc,(two boxes)
Assorted Sewing and Costume Accessories, comprising a mustard silk miniature pin cushion modelled as a shoe, a green silk rectangular mounted pin book, two decorative miser purses with gilt metal mounts, another in red velvet decorated with cut steel beads in geometric design, miniature knitted purse hung with cut steel beads and pom poms, French bead work purse with hinged clasp, two drawstring bags and a small handkerchief case with petit point mount to the front, pair of black velvet cuffs decorated with beads, pair of cream and peach silk long mittens,(one box)
19th Century and Later Costume, Accessories & Ephemera comprising a 1931 cream silk Derby souvenir handkerchief won by 'Cameron' trained by 'F. Darling', gents woolwork mounted waistcoat with canvas lining & back, grey silk bodice with pale blue floral sprigs, and a cream bodice with capped sleeves, two files of 19th century and later costume illustrations, and 1 volume Le Moniteur de la Mode, (one box)
Early 20th Century Lace and Other Items comprising a wedding veil with silk embroidered trim, an embroidered lace cap, a lace shoulder cape embroidered and appliquéd with baskets of flowers and oval cartouches with raised flowerheads and a floral garland to the scalloped hem, a Maltese cream lace collar, a pair of pink silk mittens, another pair in black, pale pink silk handkerchief with lace trim, a white cotton baby bonnet,and two hardback volumes The Collection of the Kyoto Costume Institute, Fashion, A History from the 18th-20th Century in card binder,(one box)
Royal Doulton Beswick 'Tom Kitten' and 'Jeremy Fisher', a pair of large gold edition limited edition figures celebrating the 50th anniversary of Beatrix Potter from the John Beswick Studios, limited edition 0153/1947; together with 'Jemima Puddle Duck' and 'Mrs Tiggy-Winkle', 1026/1947; 'Peter and the Red Pocket Handkerchief' and 'The Tailor of Gloucester', 0970/1947. All boxed with 3 certificates (6)
Selection Of WW2 And Later Uniform Accessoriesconsisting 4 pairs of military woollen socks. Various dates ... Pair of Scottish pattern, footless socks ... Khaki tie ... Green cotton handkerchief dated 1945 ... 2 pairs of military braces. One with faint date ... Pair of 1978 dated, DMS boots. Payment by Bank Transfer ONLY
A WWI British War Medal awarded to Horace Stanley Britten, born 9th November 1897 in Hackney London, 32169 Private in King's Royal Rifle Corps, Royal Engineers (Rifleman), 249913 Acting Sergeant, Royal Engineers, Company WO329, a British Expeditionary Force handkerchief and two WWI silk and lace postcards (4).
Steiff pair of teddy bears: (1) Steiff Beatrix Potter Benjamin Bunny Rabbit, 100th Year Anniversary Edition, 2004, white tag 354335, LE 1500, alpaca is balding in patches to top of left leg and tummy, handkerchief is discoloured, missing swing label certificate and box, Fair Plus to Good, 27cm/10.5"; (2) Steiff Dangling Bobby Baby Bear, yellow tag 663635, slight moth damage to left foot pad, otherwise Excellent, 12"/30cm; (2).
Charming Beswick porcelain figurine titled "Chippy Hackee," based on Beatrix Potter's beloved character. This hand-painted figure depicts the anthropomorphic chipmunk holding a handkerchief, perched atop a basket with a wooden washboard. The underside bears the Beswick backstamp, along with the 1979 copyright and F. Warne & Co. licensing mark. Dimensions: 3.5"HCountry of Origin: EnglandCondition: Age related wear.
Attributed to Arthur Rankley (British 1819-72), a good and charming mid-Victorian oil on canvas portrait of a thoughtful, pretty young lady in a bonnet with a blue ribbon, lit from the left, gazing into the middle distance holding a book and handkerchief, with her elbow resting on a locked chest, signed and dated 1862 with a monogram '18 AR 62', framed in a gilt frame. Canvas 61.3cm high, 51cm wide, frame 84.6cm high, 74.5cm wide.Condition: Unexamined out of the frame, but no apparent holes or tears. Some damage to back of canvas caused by the bent nails loosely holding the canvas in the frame. Some 'crocodiling' of the paint on her cloak as photographed, with small patches of the same to her right and particularly to the left of the flowers. Some slight wear to surface at edges caused by the painting moving in the frame over the years. Could do with a professional clean.Shipping We are sorry but this lot cannot be shipped by our in-house packing and shipping department. Therefore, it must be collected from our premises in Royal Tunbridge Wells, or you can nominate a third party packer and shipper of your choice. We recommend Mail Boxes Etc in Tunbridge Wells. To obtain a quote and engage their services, please contact Greg or Kim on +44 (0) 1892 510 155 or via info@mbetunbridgewells.co.uk. Please note that you must inform us in writing by email using the email account that you registered to bid with that you are giving your permission for any third party to collect your items. You must include the name of the third party collecting, the date and time they will be collecting and send them an email which they can use as proof of ID. Lots must be paid for in full before they will be released.
A CONTINENTAL LINEN HANDKERCHIEF early 19th century, printed in purple with pennant and flagpole, the pennant with heraldic device depicting crowned shield and two Wildmen, 62cm high x 68cm wide, monogrammed red stitching 'EG'Provenance: Formerly the property of Edward Greene (1795-1887) who, by repute, fought at the Battle of Waterloo 1815 with the Royal Artillery, thence by family descent.
* DAVID BOMBERG (BRITISH 1890 - 1957), PORTRAIT OF A GENTLEMAN oil on canvas, signed and dated '42framedimage size 60cm x 49cm, overall size 80cm x 69cm Provenance: Arthur A. Stambois, Private Collection Stanley Mann, Private Collection (purchased from the above in 1961) By descent to his wife, Eithne Maureen Mann (nee Milne), Private Scottish Collection.Note 1: One of the most important and influential British artists at work in the twentieth century, David Bomberg was born in Birmingham in 1890. Initially studying art in London at the City and Guilds, David Bomberg was to study under the highly respected Walter Sickert at the Westminster School of Art, subsequently gaining a place at the Slade School of Art. It was here that David studied under the famous Henry Tonks, alongside such soon-to-be-famous names as Stanley Spencer, Ben Nicholson and Paul Nash. The Slade was hugely important in the development of David’s work, but that didn’t prevent him from expulsion in the summer of 1913. Flirting, rather acrimoniously, with the Bloomsbury Group, David was to eventually form ties with the Camden Town Group, subsequently becoming a founding contributor to the London Group in 1914. After returning from active service in the First World War, David Bomberg took on a number of teaching positions, no less notable than his leading role in the Borough Group, where he was to teach and become a driving influence of a young Frank Auerbach. What followed was to become recognised as David’s “golden era” of work. Spells living abroad in Spain were to inspire some of his most well regarded works. David died in Spain in 1957, leaving a body of work and influence that is as relevant today as it was then. Following his death, David’s reputation continued to grow, with many retrospective exhibitions held, including at the Tate in 1988. David Bomberg is rightfully regarded as one of the leading lights of the twentieth century Modern British art world, and arguably one with the greatest influence on generations of artists to follow.Note 2: The face in the “Portrait of a Gentleman”, is unknown but shows a warmer in colour and sense of energy. The handkerchief thrusts out of his pocket with a sense of purpose or perhaps importance. The pale pigment applied so freely around his head adds to this feeling, and there may even be a hint of a smile in the curve of his lips. Perhaps he is sharing a joke with Bomberg, but the light heartedness ultimately seems fleeting. Bomberg was appointed Official war artist during the second world war and only completed one commission “”Underground Bomb Store 1942”, given that this portrait was completed in the same year there could be a connection to the artist in this role.
A framed souvenir handkerchief programme from the Wolverhampton Wanderers vs. Newcastle United 1908 Cup-tie Final; together with a framed display of 1920s Adventure Famous Club Colours and Players collectors' cards and Cheshire vs. Durham and Yorkshire 1920 cricket programmes, framed together (3) Condition Report:Available upon request
This exquisite miniature Fazzoletto ("handkerchief") vase is a collaborative masterpiece by Fulvio Bianconi and the esteemed glassmakers of Venini, exemplifying the pinnacle of Murano glass artistry. The Fazzoletto design, introduced in 1948, remains one of Bianconi's most celebrated contributions to 20th-century design. Bianconi, a visionary artist and designer, was renowned for his ability to combine playful organic forms with sophisticated craftsmanship. His work for Venini during the mid-20th century helped define the era's modernist aesthetic while maintaining deep ties to traditional Venetian glassmaking techniques. The vase features a mesmerizing latticino pattern of white filigree threads elegantly woven into a translucent base, creating a dynamic interplay of texture and light. Its ruffled, handkerchief-like rim highlights the artisans' unparalleled skill in manipulating molten glass into delicate yet striking forms. Founded in 1921 by Paolo Venini, the Venini glassworks is one of the most prestigious and innovative studios in Murano. Known for its collaborations with influential designers like Carlo Scarpa and Bianconi, Venini revolutionized the art of glassmaking by merging timeless craftsmanship with modern design principles. Their creations are celebrated worldwide and highly sought after by collectors of fine art glass. Acid etched signature on the bottom. Artist: Fulvio Bianconi and Paolo VeniniIssued: 1949-1950Dimensions: 4.5"W x 3.25"HManufacturer: Venini Murano GlassCountry of Origin: ItalyCondition: Age related wear.
Oil on wood painting depicting a portrait of a Victorian-era woman with a rueful smirk and direct stare. She is wearing clothing traditionally worn by women in their second mourning period and holds a white handkerchief. Gold border with gold tone wood frame. Unsigned. Sight size: 7.5"W x 9"H; frame: 10"W x 11.25"H x 1.25"D. Issued: 19th c. Condition: Age related wear.
Fenton Rose Crest series with handkerchief design on rim in pink glass and white milk glass bottom measuring 2.5"H x 6"dia. The second piece is a miniature vase in bone china designed with bouquets of flowers in pink and purple with green leaves. Issued: 20th centuryDimensions: See DescriptionManufacturer: FentonCountry of Origin: United StatesCondition: Age related wear.
LARGE SELECTION OF ANTIQUE LACE, CLOTHING AND EMBROIDERIESincluding Brussels lace , silk cami tops with lace trim, peach silk cami top with lace trim, veil, trim, lace and cotton pillow case, handkerchief with silver thread embroidery of a crown with crescent and Arabic script, detailed with seen pearls, three pairs of white kid gloves including Jouvin, various embroidered trim with metal thread, broderie anglaise, table clothes, 1920s/30 cream silk blouses with lace trim, etc.

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6204 item(s)/page