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Four WW2 US Army Sweetheart Items, Cushion Cases, Handkerchief, Nice collection of WW2 US Army sweetheart related items. Includes two cushion covers in the classic US style depicting vehicles and troops in the Army, one of which has the serviceman’s name and ‘Fighting 96th Okinawa, Shima’ relating to the 96th division that landed there. A felt pendant from ‘Camp Campbell’ featuring tanks and jeep upon it, with the 20th Armd patch glued to the centre. Lastly a colourful silk hanky from ‘Camp Carrabelle’ Florida. All in good condition with vibrant colours.
A WWI Death penny to Leslie Grahame Todd, 2nd Lieutenant Observer Officer R.A.F & A.C.S, Died 26/02/1919, included with photocopies of his service record and birth certificate. Royal Air Force Pocket Book 1937, WWII printed R.A.F handkerchief, various books a framed set of cigarette cards and a presentation silver plated salver to Lieut. C.F. Van-Der-Werff M.B.E with a photograph of him in uniform and photocopies of research. (qty)
Various items of military interest to include, a seed belt and hair tidy, with a note " Made by the inhabitants of St Helena, from the seeds of trees grown on Napoleons grave", Boer War, prisoner of war covers, Military related 1st day covers, Silk map of France & Germany, First Edition GSGS. Victoria Cross ribbon brooch bar with emblem, and card stating " Presented to Lance Corporal Francis Arthur Jefferson, By King George VI in Italy, July 1944, framed handkerchief printed with General Joffre, three silk souvenir handkerchiefs, and other ephemera
An early 19th century silk programme for the Theatre Royal in Barbados, 15th May 1819 by Command of His Excellency the Governor Lord Combermere and Patronage of Lady Combermere presenting The Cabinet Opera, a hornpipe dance and Musical Farce 'Is He Jealous' in aid of Mrs Spread, 18 x 32cm in good condition with silk embroidered handkerchief purse of the period
A collection of x4 WWI First World War period souvenir handkerchiefs comprising one of the Dardanelles sold as a souvenir of the 1915 Gallipoli campaign, one map of Europe circa 1914 showing the Allied powers, The Great Alliance hankerchief depicting a Military bi-plane, Zeppelin, Belgium Fort of Liege and an Edward VIII Coronation handkerchief.
Tracey Emin (b.1963) Be Faithful To Your Dreams Embroidered cotton handkerchief, 1999, published by Momart, London, within the original plastic packaging, overall 406 x 406mm (16 x 16in) Together with: Sarah Lucas (b.1962) The Perceval Mobile (Momart Christmas Gift) The complete multiple, 2007, comprising an inkjet print in colours on thick card, metal wire, thread, needle and printed instruction manual on brown wove paper, with title page and text, published by Momart Ltd., London, with the original white presentation box with printed title, overall 226 x 320 x 15mm (8 7/8 x 12 5/8 x 3/4in)This work is accompanied by the Momart authenticity document, confirming the work is part of the Victoria & Albert Museum, London.Gary Hume (b.1962)Fuzzy SnowmanMachine-cut detachable fuzzy felt elements on a baize-treated backing card, 2000, signed in blue felt-tip pen verso, published by Momart, London, the full sheet, 275 x 190mm (10 7/8 x 7 1/2in) This work is accompanied by the original Momart publication document.
French “Souvenir De Salonique” printed panel (or handkerchief) showing the Zeppelins LZ85’s skeletal frame, beneath appears the text “Le squelette du Zeppelin L.Z.85 de 135m de Long, Abattu par les Allies dans ta Nuit du 4 au 5 Mai 1916 et Expore pres la tour Blanche a Salonique”, bordered by pansy flowers and a picture of Lt. General Sarril. There is some foxing present
This figurine depicting a woman holding a handkerchief. This late 19th-century piece captures traditional Russian attire with intricate detailing, featuring a flowing dress in soft pink and blue hues adorned with delicate patterns. The figurine stands on a square base with a grassy texture. Marked with the Gardner Factory mark, this piece exemplifies the fine craftsmanship of the renowned Moscow porcelain manufacturer. A highly collectible example of Russian porcelain artistry from the Imperial era. No. 93.Issued: Late 19th centuryDimensions: 9.25"HCountry of Origin: RussiaCondition: Age related wear.
Rolex: A Lady's 18 Carat Gold Diamond Set Wristwatch, signed Rolex, model: Orchid, ref: 2908, 1970's, (calibre 1400) manual wound lever movement signed, champagne coloured dial with baton markers, oval shaped case with a diamond set bezel, snap-on back stamped inside Montres Rolex SA Geneva Switzerland and numbered 2908 060 334 1, gold convention mark 18k0.750, Rolex 18 carat gold textured integral bracelet with clasp stamped 750, with Rolex box and handkerchief22mm by 28mmCase and bracelet with surface scratches, diamonds are all complete, glass is clean, Rolex crown, crown is loose on the winding stem when hand setting, winding smoothly, bracelet very slightly twisted when laying flat, dial is clean, movement is clean, movement is working. Total watch weight 54g.
A small collection of glass animals - four by Hadeland of Norway, the fox 7cm high; together with a larger pale green glass squirrel; a carved soapstone chameleon; a brass owl; a carved stone figure of a duck, 12.7cm high; and a stoneware figure of a bird; together with a group of crested ware; and a group of commemorative mugs, a tankard and an Edward VIII commemorative handkerchief.
* Lace. A collection of lace, 18th century and later, comprising: a handkerchief edged with Valenciennes lace, circa 1730, fine cotton lawn, with border of drawn threadwork and handmade scalloped lace (lace 3.5 cm wide), a few brown spots and tiny holes, stitch-mounted on a pink fabric ground, with ink label 'Valenciennes Lace of 1730. used by Lady Bourne for her Wedding Handkerchief. in the 2nd. qtr of 20th C.', 33 x 33 cm (13 x 13 ins); a few other lace-trimmed handkerchiefs; and a small quantity of white and cream lace, mostly handmade, 19th century, comprising lengths, flounces, cuffs, collars, etc., some with old labels, including Mechlin, Valenciennes, Point d'Alençon, Flemish, Maltese, Bucks Point, some toned, various sizes, plus a cream tasselled shawl of silk appliqué on net, and a whitework modesty panel (not quite finished, with buttonholes not cut and buttons yet to be added)QTY: (a quantity)
* Louisa Caroline Alberta (Princess Louise, Duchess of Argyll, 1848-1939). A large finely embroidered lawn handkerchief, hand-stitched with wide whitework embroidered and appliquéd border of putti, grape vines, floral swags, and volutes, one corner with Princess Louise's cypher, trimmed with hand-made scalloped lace, one or two faint marks, but overall in excellent condition, approximately 48 x 48 cm (19 x 19 ins), sometime carefully stitch-mounted to a piece of blue tissue paper QTY: (1)NOTE:Provenance: Archives of The Ladies' Work Society.Lady Louise was the sixth child of Queen Victoria and Prince Albert, and their fourth daughter. She was an accomplished artist and sculptor, receiving tuition from sculptors Mary Thorneycroft and Joseph Edgar Boehm and enrolling, in 1863, at the National Art Training School in Kensington. During the 1870s and 1880s Princess Louise exhibited at the Royal Academy, the Society of Painters in Watercolour, and the Grosvenor Gallery, and during this time, in 1875, she formed The Ladies' Work Society. The Society was intended to assist gentlewomen who found themselves in financial hardship in an era when there was little choice of a working profession. Taking on paid work, even in more acceptable positions such as governess or companion, meant a serious loss of social standing. The society gave such women suitable embroidery and other stitching work, which built upon the standard needlework skills inherent in all female education, and raised their standards to a professional level. The Society, therefore, was a reflection of both Louise's interest in the decorative arts, and her passion for the education and rights of women.
* Handkerchief. London and its Environs, for 1832, printed in brown on a rich tan cotton ground, with a large street plan of London, within a volute border, titled to upper right corner below the royal coat of arms, selvedges to sides, hemmed by hand top and bottom, 2 short closed tears (approximately 1 cm long) and a tiny hole, 90 x 91 cm (35.5 x 36 ins), together with:Cruchley's New Travelling Map and Itinerary, Comprising the whole of England, with part of Scotland & Ireland and a Portion of France and the Netherlands shewing the Communication between London and Paris, 1832, printed in black on white cotton, slightly faded, some foxing and small holes, titled within a floral oval border to upper right corner, selvedge to right-hand side, remainder hemmed by hand (top edge with part of border incorporated into hem), 61.5 x 61 cm (24.25 x 24 ins), plus a broadsheet advertisement for Pears Transparent Soap, Leadenhall Press, circa 1870, printed on a Japanese tissue handkerchief, a little creased at edges, 37 x 26 cm (14.5 x 10.25 ins) QTY: (3)NOTE:Three rare printed handkerchiefs. The V&A has an extremely faded version of the second item, dated 1831 (accession number T.92-1965), and no record of the other items.
* Nightdress. A nightgown belonging to Lady Ottoline Morrell (1873-1938), handmade fine cream cotton lawn full-length nightgown, the neckline, tucked bodice, and long tucked flared sleeves with wide lace trims and insertions and drawn threadwork, side opening on the left of bodice with 6 tiny pearlescent buttons, tucked frill to hem, front of gown with monogram 'OM' hand-stitched in cream thread, some discolouration, tears, and repairs, with loss to a section of hem, sleeves 59 cm (23.25 ins), length 160 cm (63 ins), together with:A handkerchief belonging to Lady Ottoline Morrell, fine cotton lawn handkerchief, some marks, with monogram 'OM' hand-stitched in cream thread, and wide border of hand-made needlelace on net, several small holes in net, 44 x 43 cm (17.25 x 17 ins), together with 5 handkerchiefs belonging to Lady Ottoline's mother: 4 with embroidered coronet and initial 'B' (3 lace-trimmed) and the other (also lace-trimmed) with monogram 'AMB', plus a long length of hand-made cream lace edging taken from a cloth, one join, 12 x 329 cm (4.75 x 129.5 ins), all contained in a hand-stitched cream damask cloth bag (plus 2 other cloth bags similar) QTY: (4)NOTE:Provenance: Lady Ottoline Morrell (1873-1938); thence by descent.Renowned hostess and patron of the arts, Lady Ottoline Morrell was statuesque and striking in appearance: six foot tall, with a mass of red hair, she was highly original in the extravagant clothes she wore. Although this demure long nightgown is traditional enough in itself, there is nothing conventional in the way it may have been worn, for Lady Ottoline was known for wafting around the gardens of Garsington Manor, where she lived with her husband, Philip, in her nightdress. In fact the National Portrait Gallery has holds several photographs of Ottoline in her nightgown, with her long hair flowing loose, in the garden at Peppard Cottage, which she and Philip rented before buying Garsington (NPG Ax140001, NPG Ax140181, NPG Ax140182, NPG Ax140183, NPG Ax140184, NPG Ax140269).Lady Ottoline's mother, Augusta Mary Cavendish-Bentinck, née Browne, 1st Baroness Bolsover (1834-1893), was given a title at the personal request of Disraeli to Queen Victoria.
Attributed to Effetre International, late 20th/early 21st centuryOf flower form, with a four-sided "handkerchief" shade raised on a stem-form standard with a cushion base, in lattimo, black and colorless glass, unmarked. Height 29 1/2 inches; height of shade 11 inches, width 17 1/2 inches.Appears to be in generally good, undamaged condition; currently wired; two light sockets; not testedAppears to be in generally good, undamaged condition; currently wired; two light sockets; not testedAny condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Mixed group. Native American Iroquois beaded moccasins, velvet, suede and cloth with glass beads; WW1 Royal Naval Air Service silk card; silk teapot cover and clutch bag covered with regimental silks; cotton 1897 Queen Victoria 60th anniversary handkerchief; quantity of dolls clothing; cigarette cards and games; Pelham puppet.
A Scarce Lehmann (Germany) Tinplate Clockwork Anxious Bride Rad Cycle & Rear Cart EPL 470, circa 1901 early issue, lithographed and painted tinplate tricycle, with chauffeur in brown uniform & peak cap, pulling anxious bride in rear cart, dressed in red cloth skirt, red blouse, brimmed hat with feather and fur stole around neck, chauffer is in fair condition, some paint loss, bride lacks paper handkerchief, fixed Lehmann key, working spring mechanism. Approx L.21.5 cms (8 ½ inches)
A mid 19th century German papier-mâché large headed Dandy gentleman nodder, with two curls of blonde hair either side of temple, starring eyes with raised eyebrows, moulded grey top hat, green tailcoat with red handkerchief protruding for tails, red bow tie, light brown waist coat and trousers, a walking stick in one hand and a flower in the other, on painted wooden base indistinctly inscribed ‘Ni co V i er’, and pencil G to underside of base —8 ¼in. (21cm.) high (slight cracking and repair)
A pair of mid 19th century Rhöner carved wooden and papier-mâché Rhönwackler man and woman nodders, the woman in traditional dress with red headdress with black scarf and long black ribbon, articulated jaw, blue scarf, fingerless mittens, holding prayer book and rosary —6 ¼in. (16cm.) high (missing base) and a similar gentleman in 18th century dress with tricorne hat, blue coat, holding a glass bottle and pink handkerchief in pocket (missing foot, a few fingers and base)
A mid 19th century Thüringen swaying young girl in tall lace cap, with coy expression, blue eyes, tendrils of brown hair onto her forehead, a tall lace bonnet, swaying fromm the waist, traditional dress with crucifix and apron, one hand is tucked into her apron pocket, the other hand is held gently in front of her face, white and blue striped socks and painted circular wooden base with blue and white paper label on underside with indistinct ink details —7 ¾in. (19.5cm.) high - possibly original sniffing something, holding a handkerchief or similar
A mid 19th century Thüringen papier-mâché figure of an angry man match striker, with head turned to the left, heavily furrowed brow, brown side glancing eyes, broad nose and menacing curled up mouth showing teeth, wide primed hat, black tailcoat, yellow waistcoat, black britches, white socks and buckled shoes, leaning on a walking stick and with handkerchief protruding from back pocket, possibly Mr Brownlow from Dicken’s Oliver Twist and match strike down back, on painted wooden base —10 ¾in. (27cm.) high (some wear and slight damage)
▲ Tessa Newcomb (b.1955) Lady under handkerchief treesigned with initials and dated '2002' l.l., oil on board15 x 20cmProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 23.5 x 28cmPresents well overall. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
TWO BOXES OF ASSORTED VINTAGE EPHEMERA to include a quantity of wedding pictures between the 1930s-the 1960s, a small collection of telegraphs from the early 1930s, royal commemorative items covering the reigns of George V, George VI and Elizabeth II to include hand embroidered coronation handkerchief, assorted newspaper cuttings covering Derbyshire, Leicestershire, and Staffordshire, a group of vintage greetings cards, two menu cards from S.S Homeric's Mediterranean cruises signed and dated 1932, and a menu card from the S.S Orford signed and dated to 1928, a collection of personal postcards from the UK, Lebanon, France, Guatemala, etc (mostly 1970s), and a box of mostly railway interest items to include, maps, engineering drawings, sketches, magazines, etc (2 boxes) (s.d)
Collection of Vintage Vinyl Record Albums A diverse collection of vintage 12-inch vinyl record albums spanning the late 1960s to mid-1980s. Titles and artists include Pink Floyd's *Meddle* (catalogue CAQ 708, CAS 1062), Monty Python's *Previous Record* (Atlantic Records K 4040), *Manassas/Down the Road* and *Manassas* by Stephen Stills (including Atlantic ATL 60 021, 2-903), Crosby, Stills, Nash & Young's *Déjà Vu* and *4 Way Street*, and *The First Great Rock Festivals of the Seventies* featuring acts from the Isle of Wight and Atlanta Pop Festival. Other items include *Now Music 6* (EMI/Virgin, "Now 6"), Joan Baez’s *Blessed Are…*, the Small Faces’ *In Memoriam*, *Makin’ Tracks* by The Fivepenny Piece (SCX 6516), *The Small Faces Hits Collection* (Decca), and Monty Python's *Matching Tie and Handkerchief* (BBC). The group's condition indicates usage with visible wear, yet spines remain largely intact. Representing genres including rock, folk, and pop, these albums reflect the musical and cultural landscape of their era. Each sleeve measures the standard 12.375 x 12.375 inches.
A GROUP OF ENGLISH AND CONTINENTAL RUBY CUT TO CLEAR GLASS WARES, thirty pieces to include a John Walsh Walsh four piece cruet set, a pedestal bowl, a dish signed K Meissen, vases including a footed Webb Corbett vase, height 17.5cm, and a handkerchief vase, glasses and a decanter, etc (30) (Condition Report: most pieces appear in good condition, a few fleabites/tiny chips especially on points of handkerchief vase)
Venetian art glass vase featuring a handkerchief ruffle design and vibrant swirled patterns in shades of amber, brown, and green. This elegant piece measures 8" in diameter and 8.5"H, showcasing exceptional craftsmanship and the timeless beauty of Venetian glass. A stunning addition to any art glass collection or home decor.Dimensions: See DescriptionCondition: Age related wear.
London History - a Victorian vellum document, awarding the Freedom of the City of London, admitting John George Craney, Son of John Eddison Craney, Citizen and Haberdasher, in the Mayority of Robert Besley Esquire7th December 1869, blue slip case titled in gilt; a commemorative silk handkerchief, Coronation of King George VI, 1937 (2)
An Art Deco chainmail mesh evening purse, in salmon pink, lined interior, fringing detail, chain handle, 16cm; another similar in bright colours; a pair of lady's white kid leather gloves; a Macclesfield silk handkerchief, others similar; a printed tea dress; a polished shell purse, 10.5cm wide; a pair of ebony glove stretchers; a mother-of-pearl glove button hook; assorted beadwork evening purses, including souvenir of Venice; etc
Collection of Royal Doulton Bunnykins, Disney's Snow White dwarfs and Royal Albert Beatrix Potter figures to include: SW 10 'Doc'; SW15 'Sleepy'; SW17 'Dopey by Candlelight'; SW16 'Bashful'; SW12 'Happy'; SW14 'Sneezy'; SW11 'Grumpy'; DB166 'Sailor Bunnykins'; DB55 ' Bedtime Bunnykins'. Royal Albert figurines to include: 'Hunca Munca'; 'Peter and the Red Pocket Handkerchief'; 'Benjamin Bunny'; 'Jemima Puddleduck'; 'Mrs Tiggy Winkle Takes Tea' (14)
A selection of WW1, WW2, and later items. To include: documents relating to T/041366 Driver James Bull of 874 Company Royal Army Service Corps. Including his certificate of employment during the war, identity card, leaving pay document, discharge document, de-mob account, protection certificate and certificate of identity, and his ASC economy pattern cap badge. Plus, a pair of cloth Sherwood Foresters shoulder titles, an Essex Yeomanry cloth shoulder title, a Royal Artillery cloth shoulder title, a pair of civil defence Scientific & Reconnaissance patches, a Leading Aircraftman fitter’s propeller cloth badge. And, a WW2 Royal Navy officer’s bullion cap badge and Sub Lieutenant’s rank patches, WW2 era United States Army Eighth Service Command patches, a post 1953 REME bullion blazer badge, 4 pairs of RAF Regiment embroidered cloth shoulder titles, and a Black Watch tartan handkerchief. Condition: generally good to most pieces. The paper documents show normal age and service wear. The Royal Navy insignia shows evidence of uniform removal.

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