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Charles Vyse (1882-1971) a stoneware vase, covered to the foot in a Chun glaze incised C Vyse Chelsea 12cm. high

Charles Vyse (1882-1971) Seated Tabby Cat a stoneware figure, painted in tenmoku and ochres, incised Charles Vyse Chelsea small chip to one ear, 22cm. high Provenance Private collection Literature Charles Vyse Richard Dennis/FAS catalogue 1974, page 48 catalogue number 86 Terence Cartlidge Charles & Nell Vyse, Dennis & Pascoe, page 52.

Charles Vyse 'Chelsea, 1924' character group of a nude child leapfrogging a faun, upon a grassy stump with toadstools etc, inscribed to base, 8" high

A Chelsea Pottery figure 'The Morning Ride',by Charles Vyse (1882-1971), modelled as a young faun, seated on the back of a large snail, painted in muted shades of lilac, green and blue, incised 'Charles Vyse, Chelsea',28cm highLiterature: Terence Cartlidge, 'Charles and Neil Vyse', Richard Dennis, p.25.

Charles Vyse, 'The Windmill Woman', 1924, artist monogram with `Chelsea 1924' to underside 22½cm (9in)

Charles Vyse, Youthful Bacchus, 1921, artist monogram with `Chelsea 1921' to underside 29½cm (11in)

Charles Vyse, The Tulip Woman, 1921, artist monogram with `Chelsea 1921' to underside 26cm (10in)

Charles Vyse, The Daffodil Woman, 1924, artist monogram with `Chelsea 1924' to underside 26cm (10in)

Charles Vyse, The Tug of War, a rare allegorical group, 1924, artist monogram with `Chelsea 1924' to underside 24 x 21cm (9 x 8in)

Charles Vyse, The Kettle Holder, 1924 artist monogram with `Chelsea 1924' to underside 23cm (9in)

A CHARLES VYSE MANNER FIGURE OF A YOUNG GIRL holding a deer at her side, on a circular base.Signed E. Stu-----t. 6.5ins high.

Charles Vyse (1882-1971) a flaring bowl painted with brushed foliate motif in tenmoku over celadon, and a model of a seal by L Cookes, 1928 glazed with incised marks and dates, repaired damages 19cm. diam. (2). Provenance The Geoffrey Godden Reference Collection.

Charles Vyse (1882-1971) a stoneware footed vase dated 1938, ovoid with incised decoration covered in a pale off blue/grey glaze to the foot incised Vyse and date 20cm. high

Charles Vyse (1882-1971) an unusual stoneware bowl, moulded to the interior with three scaly fish amidst carved geometric waterweed, glazed celadon under a curdled blue glaze, the exterior olive green incised C Vyse Chelsea to base 20cm. diam. Literature Charles Vyse Richard Dennis/Fine Art Society exhibition catalogue, page 49 catalogue number 88 for this design in a Lung Chuan glaze.

A Charles Vyse (British 1882-1971) stoneware bowl of Chinese censer form, circa 1935, indistinct makers mark to base, 13.5cm diameter.

Charles Vyse (British, 1882-1971) at Chelsea, two shallow footed bowls, one with tenmoku glaze, incised marks (2)

A CHARLES VYSE MANNER FIGURE OF A YOUNG GIRL holding a deer at her side, on a circular base. Signed E. Stu-----t 6.5ins high.

Charles Vyse glazed earthenware group, "The Falconer", boy seated on donkey carrying eagle and dead duck, incised "C Vyse, Chelsea" to base, 35cm high (damaged) Live Bidding: If you would like a condition report on this lot, please contact us at info@cotswoldauction.co.uk or 01242 256363. Please note this lot has not been tested under UV light.

Charles Vyse glazed cream earthenware group, semi-clad maiden on horseback leaping over fish rising from the sea, incised "C.Vyse, Chelsea" to base, 33cm on wooden plinth base Live Bidding: If you would like a condition report on this lot, please contact us at info@cotswoldauction.co.uk or 01242 256363. Please note this lot has not been tested under UV light.

Charles Vyse figure Madonna of the Worlds End Passage, dated 1920, number 20, painted marks monogram and Chelsea to base, 23cm high Condition report: Overall fine crazing, the base and bottom of her gown have very minor glaze chips however there is no damage or restoration.

Charles Vyse figure of a Flower Seller, dated 1921, painted monogram and Chelsea to base, 25cm high Condition report: Overall fine crazing, minor chips to nineteen flower petals and one leaf, no restoration or other damages.

Charles Vyse `The Boy and Goat` (The Youthful Bacchus) dated 1921, painted monogram and Chelsea to base, 27cm high Condition report: The tip of one horn and the goat's head dress detached but present, small chip to his hair, and gown as well as the goats fur. Glaze flake. Overall fine crazing. Unknown black pad glued to the base partially obscuring the Chelsea mark. Small flat chip to the corner of the base.

Charles Vyse RBS, British, 1882-1971, a bronze portrait bust of an Army officer, signed Charles Vyse RBS to back, in square socle, 35.6cm high CONDITION REPORT: in good condition,

Charles Vyse for Royal Doulton, Darling, figure HN1, circa 1913-28, painted marks, 19.5cm high

A Royal Doulton figure, Darling, HN1985, Charles Vyse, Hunting Scene china, vase a/f, a face pot a/f, and five Wade tortoises, some a/f

Boy on a Goat a Charles Vyse pottery figure, dated 1923, painted in colours, with ebonised wood stand, painted CV monogram and date, head restored 27cm. high

Charles Vyse pottery vase of squat ovoid form, having a Jun Yao glaze, base incised C.Vyse Chelsea, 11.5cm high Condition: **No obvious restoration - General condition consistent with age

A Royal Doulton figurine "Bedtime", model No. HN1978, together with a Royal Doulton figurine "Darling", modelled by Charles Vyse, model No. HN1985

•Charles Vyse (1882-1971) a stoneware censor, modelled in low relief and covered in a pale Sung blue crazed glaze painted Vyse 21cm. diam.

Charles Vyse (1882-1971) an ovoid stoneware vase, dated 1928, covered to the foot with a thick pale blue running glaze, and a Tenmoku glazed pot incised C Vyse 1928 15.5cm. high (2)

•Charles Vyse (1882-1971) a stoneware vase, covered to the foot in a Chun glaze incised C Vyse Chelsea 12cm. high

•Charles Vyse (1882-1971) a stoneware Chun glazed dish, covered in a lavender and blue glaze over grey, and a pair of terracotta busts possibly by Charles Vyse incised Charles Vyse Chelsea to dish, busts incised CV 16cm. diam. (3) Literature Terence Cartlidge Charles & Nell Vyse, Richard Dennis and Ed Pascoe, page 51 for two bowls and a vase covered in comparable Chun glazes.

Antiquarian Books - Anon., The Art of Cookery, Made Plain and Easy; Which far exceeds any Thing of the Kind yet Publifhed By a Lady (sic)., London 1767, bound in full period calf; Vyse (Charles), The Lady's Accomptant and Best Accomplisher, Robinson and Roberts, London 1771; Spectator; Homer's Odyssey; other period bindings

A Charles Vyse figure 'The Mother of the World's End Passage', dated 1921, with monogram and 'Chelsea', restored neck, 23.5cm

A Chelsea Pottery Group "The Piccadilly Rose Woman", by Charles Vyse, modelled as a seated woman with a large basket of roses, painted mark "CV 1922 Chelsea"

ANTIQUARIAN BOOKS - ARITHMETICIANS REPOSITORY 2ND ED CHARLES VYSE, 1775 - SPENCERS FAERIE QUEENE NEW ED 1865, ILL e. CORBOULD - THE SPECTATOR 11 ED 1733 2,3,4,5,6 & 8 STUDIES OF NATURE VOLUME II JAMES HEANY-BERNARDIN & GOLDSMITHS MISCELLANEOUS WORKS NEW ED 1837

Staffordshire flatback model of a man wearing plumed hat, carrying sheath of corn, 35cm high and a pottery model of a woman carrying a child with large basket of flowers at her feet in the manner of Charles Vyse, 25cm high (af)

Charles Vyse (1882-1971) a stoneware vase dated 1932, slender bottle form with everted rim, glazed to the foot with a tenmoku glaze with rush splash incised CV 1932 20cm. high

Charles Vyse `Chelsea` figure of a balloon seller, monogrammed and dated 1921 to base, 9" high

An early Royal Doulton figure, HN1, 'Darling', by Charles Vyse, the very first HN number to be produced, circa 1913-1928, printed and painted marks, 19.5cm high

Archival Material from the Collection of Ernest Marsh, Collector, Writer, Lecturer and Generous Lender and Donator to numerous museums including the British Museum and Victoria & Albert Museum. The Martin Brothers 5 typescripts, some with ms. additions for his article The Martin Brothers, Studio Potters of London and Southall, Middlesex, in Apollo magazine; and another inscribed part II, part ms; together with an ms letter from Marsh to the editor of Apollo regarding the articles and hoping that his exceeding both the word count and the number of illustrations will be tolerated. Typescript with ms additions for his lecture on the Martins at the Central Library, Fulham, May 9th 1929. Ms In pencil on the Martins. Ms in pencil, seemingly a draft for an article or autobiography on Marsh's relationship with the Martins including the description of a firing (includes a pencil washing list!). Photocopy typescript of the Frank Knight Collection of Martinware at Southall District Library. Original photographs of various pots, some with ms. descriptions, in a re-used addressed envelope. A rare Martin Brothers printed and folded Brochure with quotes from magazines about their work: '… it is no exaggeration to say that no more interesting and, in its own line, superior pottery has ever been turned out in England'. The Pall Mall Gazette, January 23rd 1897. A Brochure, also rare, with a three page article by Sidney Greenslade (the brothers' patron), the slate-grey cover with a photograph of the brothers in their studio. Apollo, October and November 1944, illustrated articles by Marsh on the Martins. Miscellaneous press cuttings, auction catalogues, magazine articles etc., mostly on the Martin Brothers. Other works Typescript of article on collecting (mainly Chinese). Apollo, May 1925, seven-page, illustrated article on Reginald Wells. Shoji Hamada. Invitation cards for an exhibition at The Little Gallery, London, SW1 (probably 1942 or 1943) together with photographs of pots by him and Kawai (in addressed envelope) together with a five-page ms draft of Three Modern Japanese Potters, Shoji Hamada, Kanjiro Kawai and Kenkichi Tomimoto, together with two, five-page typescripts for the article and a three-page extract on Kawai with ms corrections and additions. W.Staite Murray; Studio Potter of Bray, Berkshire. Typed six-page article (two copies). Nora Braden. A fascinating four-page autograph, signed, letter to Marsh from Cobwebs - West Hoathley - Sussex, 22.2.43, which touches on, inter alia, the war and her fear of not getting a job when it ends, apologising for only having five photographs left of her work for Marsh's Apollo article and pleading for them back, not having made pots for six years and being refused a licence by the Board of Trade to make more; a meeting with W.B.Honey at the V&A, her cv and more; together with: a five-page letter to Marsh (numbered x-3) from Katherine PBouverie (so signed)The Mill, Coleshill, Swindon, Wilts, Jan. 19.43, regarding Marsh's article for Apollo and mentioning her year with Bernard Leach at St Ives in 1924, followed by Norah Braden; a three page Autograph Letter to Marsh from Katherine PBouverie, dated Jan. 31.43 largely about the same article and photographs, s.a.e.;together with Miss K.Pleydell-Bouverie and Miss D.K.N. Braden, Studio Potters of Coleshill, Wiltshire, ink four-page ms, apparently an early (first?) draft for his article, together with a typed, seven-page article (three copies) one inscribed by Marsh in pencil 'First Draft', presumably from the ms. Interestingly, Marsh sets out on page one in confident style, but by the end is making numerous crossings-out, substitutions and marginalia. 'A Short Talk on Modern Pottery' six-page ink ms draft (first?) with numerous corrections, together with two eight-page, typed copies. The Fremlington Pottery 1889, typescript, five pages, 2 copies. Charles & Nell Vyse. Studio Potters of Chelsea, six-page typescript with ms corrections. Draft pencil ms on the Etchers Art, five pp. CONDITION REPORT: All in sleeves, stapled articles, pamphlets worn. Provenance - East Sussex collector

A Charles Vyse stoneware bowl of circular conical form, the dark brown hares fur glazed body with black and yellow trailed splashes to interior and iron oxide splashes to exterior, incised `C. Vyse, Chelsea` to base, diameter approx 14.5cm.

A Charles Vyse Chelsea figure of a spring flower seller, the woman wearing a yellow shawl over a stripped dress holding a bunch of daffodils in her right side and having a basket of flowers on her left side raised on an octagonal flagstone base, CV monogram, Chelsea and dated 1925 to the base, 26 cm high, the whole raised on a rectangular ebonised base Condition Report Crazed overall. Some flower petal losses.

A rare Charles Vyse pottery group `The Sleeper Awakes`. Modelled as a young girl biding on the back of a cockerel, glazed in muted shades of pink and blue. Incised to the base Charles Vyse Chelsaa. Restoration to neck of cockerel and waist of the girl rider. Chip to the tail feathers. Charles Vyse 1882 - 1971, English Studio potter noted for producing colourful figures of characters on London streets. Charles Vyse was part of a Staffordshire family that had traditionally been involved in the pottery industry. He was apprenticed to Doulton in Burslem at the age of fourteen as a modeller and designer and trained by Charles Noke. Henry Doulton saw his potential and steered him to the Hanley Art School where he won a scholarship to visit Italy in 1909. In 1911 he became a member of the Royal British Society of Sculptors

CHARLES VYSE LOBED BOWL, with light reddish-brown glaze, marked to base `Vyse 1938`, D 15 cm

A Charles Vyse pottery figure, c1921, modelled as 'The Madonna of the Worlds End Passage', painted monogram, date and Chelsea, applied monogrammed sticker - H23cm

Charles Vyse large stoneware vase painted leaf form sections in aventurine copper over tenmoko glaze, incised mark and dated 1935 12.70in. (32cm) No cracks, chips or detectable restoration

Charles Vyse stoneware vase with foliate decoration baluster form with wax resist decoration in shades of green brown and ochre with black, incised mark and dated 1939 10.80in. (27cm) No cracks, chips or detectable restoration

Charles Vyse (British, 1882-1971) Bowl, of lobed form, with turquoise glaze, circa 1935 incised `C VYSE CHELSEA` 15cm diameter.

Charles Vyse (British, 1882-1971) Vase, two loop handles, painted foliate designs, 1927 incised potter`s monogram and date 12.5cm high.

Charles Vyse (British, 1882-1971) Vase, olive green ash glaze and rust painted foliate designs, 1931 incised potter`s initials and date 24cm high.

A CHELSEA POTTERY MODEL OF A FLOWER SELLER, The Shawl modelled by Charles Vyse, on a ebonised plinth base, impressed mark, 26cm high

VYSE (CHARLES) - The Tutor`s Guide Being a Complete System of Arithmetic, new edition 1807, full calf; HUTTON (CHARLES) - The Compendious Measurer, London 1803, full calf; HERALDRY - n.d. early 19th century, lacking title page, 120mm x 90mm; PEACOCK (THOMAS) - The Practical Measurer, 2nd edition, London 1810, tree calf, 8 folding plates (4) Note: Offered upon instructions from a High Court Enforcement Officer

`Boy on a Goat` a Charles Vyse pottery figure, dated 1921, painted in colours painted mark, re-struck headdress to goat 27cm. high

Charles Vyse earthenware figure The Cineraria Boy, modelled standing and wearing a checked jacket and herring bone trousers, carrying a bunch of blue cineraria, raised on an octagonal paved flagstone base, blue painted marks verso, CV 1925 Chelsea, on an ebonised plinth base (small chip to his cap and restored to neck area), 27 cm high

Charles Vyse earthenware figure Saturday Night, the elderly lady modelled standing and wearing a pink shawl over blue stripped dress with white smock apron, she carries a basket of vegetables, raised on a square flagstone base, on a further ebonised plinth, approx 25cm high

Charles Vyse earthenware figure Daffodil Woman, modelled standing, the flower seller wears a yellow shawl over stripped dress, with a bunch of daffodils in her right hand and a basket of mixed flowers at her left hand side, raised on an octagonal flagstone base, on a further ebonised plinth, 26 cm high

Charles Vyse earthenware figure, The Madonna of the Racecourse, modelled standing and wearing a checked skirt, yellow jacket and lilac head scarf, she carries a bay in her arms with paisley shawl, on a square grassy mound base, on a further ebonised base, 26cm high

A Chelsea Pottery Group ``The Balloon Woman``, by Charles Vyse, modelled as a woman holding balloons in one arm, raised on a plinth, impressed VYSE CHELSEA, 22cm on an ebonised base crazed and hairline cracks, nicks to the bottom of shawl, glaze nick on blue balloon, firing crack at bottom of shawl, screwed to ebonised base. 09/04/2013

Charles Vyse (1882-1971), a tenmoku glazed model of a Big Cat, incised ‘CHARLES VYSE CHELSEA’, 25cm high. See Cartlidge, Terence ‘Charles & Nell Vyse’ Shepton Beauchamp 2004, p. 48 for a similar example.