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‡ PAUL PETER PIECH two colour lithograph - for Amnesty International opposing the detention of prisoners of conscience and political prisoners, signed and dated 1988, 76 x 51cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed
‡ PAUL PETER PIECH two lithographs - exhibition poster from 'The Old Fire Station, George Street, Oxford', supporting threatened tribal people, entitled 'Injustice Around the World', signed and dated 1987, 76 x 51cms, together with a three colour lithograph - stark image of figure with neck in noose and Christian cross suspended, with words from Australian Aboriginal Jack Davis' poem 'Aboriginal Australia', signed and dated 1988, 51 x 75cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed, the old fire station print has a water stain top right corner, light creasing to both, no rips or tears
Collection of early 20th century postcards contained within two albums, to include an album of Australian postcards (mostly Kerry / Kerry & Co, of Sydney, featuring agriculture, government buildings, wildlife, Aboriginal, etc), and an album of British & French postcards (featuring artist examples, landscapes, people, etc), the postcards being a mixture of written & unwritten examples, some with franked postage stamps
Collection of early 20th century Australian / Australian-themed postcards contained within two albums, to include an album of postcards depicting Collins Street - Melbourne, and an album mostly containing 'Coloured Shell Series' postcards (featuring Queensland views & Toowoomba Views), also featuring postcards depicting Aboriginal scenes, the postcards being a mix of written & unwritten examples, some with franked postage stamps
Album of early 20th century Australian postcards depicting Australian Aborigines and Aboriginal scenes, the subjects to include a missionary, tribal chief, children, fighting men, Aboriginal Princess, etc, the postcards being a mixture of written & unwritten examples, in colour & monochrome, some with franked postage stamps
Aboriginal Boomerangs. 5 in total one large hunting boomerang 75cm x 20cm with unusual striated markings to both sides, looks to have been repaired at sometime. the second is 60cm x 6cm still faint evidence of having been decorated with poker work to one side, the third and fourth are very similar and look to be hunting boomerangs with no visible markings 66cm x 6 cm. The last one is the smallest at 29cm x 5cm flat on one side convex on the other.
Three Aboriginal Carved Lizards possibly representing Goanna's, monitor lizards, one 87 x 15cm covered in small poker work circles with banded tail, the second 86 x 18cm also covered in larger poker work circles and the third 60 x 80cm covered in larger poker work circles. All three possibly made from Mulga wood.
ANNA PRICE PETYARRE (PITJARA) (AUSTRALIAN B. 1965) TALI (SANDHILLS) Acrylic on canvas Signed, titled and dated 29/3/17 (verso) 150 x 90.5cm (59 x 35½ in.) UnframedProvenance: Aboriginal Art Galleries, Sydney, Australia Acquired from the above by the present ownerPlease note measurements do not include the frame unless otherwise stated. Condition Report: Unframed. No obvious condition issues. Appears to be in good original condition. Condition Report Disclaimer
An Aboriginal decorated didgeridoo, a fabric painted panel and two decorated wooden sticks, fabric panel 61cm x 51cm Didgeridoo slight split at mouthpiece, approx. 15mm, as shown; mouthpiece covered with hard wax; otherwise good; 114cm. Oil good, inscribed verso, see image. Two smaller, incised sticks good, 24cm.
After Gustav Klimt (1862-1918, Austrian), coloured print, 'The Kiss', framed, mounted, and under glass, measuring 50cm x 84cm, & 70cm x 102cm, together with three other coloured prints, to comprise 'Pink Roses, Chinese Vase', after Samuel John Peploe (1871-1935, British), 'Lac d'Annecy', after Paul Cezanne (1839-1906, French), and an Australian aboriginal print (4)
Australia and New Zealand: un-mounted mint Prestige/Collector's Packs (x31) Comprising:Australia - comprising 14 Prestige / stamp books with total value Australian $110. Includes 2005 World Stamp Expo $10 booklets (x2), minimal duplication. Designs include Australian Open, Aboriginal Art, Architectural Buildings etc.New Zealand - comprising 17 Prestige / Collectors packs with total value New Zealand $192. Includes four 2005 All Blacks Rugby Collectors Packs. Some duplication. Designs including Vineyards, Historic Farm Equipment, Racehorses etc.
Americana, Quakers. Some Account of the Conduct of the Religious Society of Friends Towards the Indian Tribes in the Settlement of the Colonies of East and West Jersey and Pennsylvania: with a Brief Narrative of their Labours for the Civilization and Christian Instruction of the Indians, from the time of their settlement in America, to the year 1843. Published by the Aborigines' Committee of The Meeting for Sufferings, first edition, London: Edward Marsh, 1844, pp: [iv], x, 11-247, most gatherings unopened, map frontispiece (Aboriginal America, East of the Mississippi) and folding map (A Map of North America, denoting the boundaries of the Yearly Meeting of Friends and the locations of the various Indian Tribes), lithographed by H. Clark after James Bowden, hand-coloured &/or delineated in watercolour, the folding map with a stable marginal tear, original publisher's brown cloth, split upper-joint, chipped spine, 8vo Provenance: John Massey from his affectionate Father, 6th March 1844; ffep with contemporary ink MS presentation inscription. Probably descendants of a John Massey, noted 18th c Lincolnshire Quaker, appointed by the Meetings for Sufferings to manage the Ackworth school 'intended for the education of children of Friends who were not "in affluent circumstances" ' (Burtt, Quakerism in Lincolnshire, 1989, pages 70-72).
Americana, Quakers. Some Account of the Conduct of the Religious Society of Friends Towards the Indian Tribes in the Settlement of the Colonies of East and West Jersey and Pennsylvania: with a Brief Narrative of their Labours for the Civilization and Christian Instruction of the Indians, from the time of their settlement in America, to the year 1843. Published by the Aborigines' Committee of The Meeting for Sufferings, first edition, London: Edward Marsh, 1844, pp: [iv], x, 11-247, most gatherings unopened, map frontispiece (Aboriginal America, East of the Mississippi) and folding map (A Map of North America, denoting the boundaries of the Yearly Meeting of Friends and the locations of the various Indian Tribes), lithographed by H. Clark after James Bowden, hand-coloured &/or delineated in watercolour, the folding map crudely repaired, original publisher's brown cloth, slight wear, chipped spine, 8vo Provenance: 1) John Alderson, contemporary ink MS ownership inscription to ffep; presumably a member of the well-established Quaker family. 2) William H. Joad, 1919, dated ink stamp to same leaf.

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