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PIERRE AUGUSTE RENOIR (1841 Limoges - 1919 Cagnes-sur-Mer) Radierung, ¨Weiblicher Akt nach dem Bad¨ (1910), unsigniert, Motivmaß ca. 16,5x10,5cm (in Passepartout), gerahmt (ca. 53,5x43,5cm) FR

Fabulous copper clip back earrings. One pair is a modernist square shape. The other pair is a double leaf with a squared stem scrolling from the top. One leaf is matte finish and the other leaf is shiny which creates interest. Backstamp Renoir. Square: 0.75"L x 0.75"W. Leaf: 1.25"L x 0.75"W. Issued: 20th centuryManufacturer: RenoirCountry of Origin: United StatesCondition: Age related wear.

AUGUSTE RENOIR Limoges 1841 - 1919 Cagnes bei Nizza: Le Fleuve Scamandre (2e Planche) - Odalisque. Radierung mit leichtem Plattenton und 1 Bl. Lithographie um 1900/1904. Delteil 25 und 35. Stella 25, II und 35. - Eines von 1000 (Rad.) bzw. 75 Expl. (Litho). Mit der Stempelsignatur (Rad.) bzw. dem Namenszug rechts unterhalb der Darstellung im Stein. Auf kräftigem chamoisfarbenen Vélin bzw. China-Bütten. 25,2 x 19,3 und 8,1 x 12,3 cm (Darst.; Blatt: 18,8 x 23,5 cm). Radierung an den Rändern gering gebräunt bzw. fleckig und mit Vorsatzblatt. Litho geringfügig wellig. Radierung erschienen in der Vorzugsausgabe von Vollards „Tableaux, pastels et dessins de Pierre-Auguste Renoir“, Paris 1918. [ms]

THE GRAND ILLUSIONFrench Lobby Card (15" x 19.5" )Fine- RAC, 1937There is a snipe on the top credits, and the corners have some pin holes and general wear. There is a small chip at the leading right edge. The item is printed on heavy cardboard.The Grand Illusion ("La Grande Illusion" is a 1937 war drama directed by Jean Renoir and stars Jean Gabin, Erich von Stroheim, and Pierre Fresnay. Class kinship is king as a group of French soldiers-all from vastly different walks of life-are held as prisoners of war.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.

A Petite Mademoiselle pinstripe ladies pure new woollen trouser suit in aubergine, approx 30" waist x 34" chest together with a Gim Renoir silk scarf in a grey, black and red image of a lady in a hat design. Location:Rail

A House of Renoir reproduction bronze bust, ‘Tête de Petite Venus a la Pomme’ 10/99 AZB, 24cm high

Three Royal Doulton ltd ed Renoir Collection figures - 'La Loge' HN3472, 775/7500, 'Lise' HN3474 44/7500 and 'Les Parapluies' 712/7500 to/w an Italian stemmed bowl and a Nao figure (5)

After Renoir Pastel drawing  Red headed girl in a white blouse holding flowers, framed  Chromolithographic portrait  Girl in pre-Raphaelite dress, within a heavily carved gilt and gesso frame (2) 

AFTER PIERRE AUGUSTE RENOIR: A PAIR OF ETCHINGS 'LE CHAPEAU EPINGLE' AND 'SUR LA PLAGE' Mounted in frames and glazed. 12cm x 9cm

A House of Renoir reproduction bronze bust, ‘Tête de Petite Venus a la Pomme’ 10/99 AZB, 24cm high

Alfred Sisley (1839–1899) was an English-born Impressionist painter who spent much of his life in France and became a prominent figure within the Impressionist movement. He was born in Paris to British parents and retained British citizenship throughout his life. Sisley's family sent him to London to study business, but he soon abandoned that pursuit to pursue his passion for art.Sisley became associated with the Impressionist movement in the 1860s and formed close friendships with fellow Impressionist painters, including Claude Monet, Pierre-Auguste Renoir, and Frédéric Bazille. Like his contemporaries, Sisley sought to capture the effects of light and atmosphere in his paintings, often depicting landscapes, river scenes, and cityscapes.One of Sisley's notable contributions to Impressionism was his focus on the changing effects of weather and light on the natural world. His works often featured scenes along the Seine River, particularly in and around the town of Moret-sur-Loing.Some well-known paintings by Alfred Sisley include "Snow at Louveciennes," "The Bridge at Moret-sur-Loing," and "Flood at Port-Marly." Despite facing financial struggles during his lifetime, Sisley's contributions to the Impressionist movement are now recognized and appreciated, and his works are displayed in major art museums around the world.Measures 6.5 x 7.5 x 1.0.

A Burnt Out Case, original publishers cloth, dust jacket, 8vo, London: The Reprint Society, 1962; Jean Renoir. Renoir: My Father, numerous photographic illustrations, original publishers cloth, dust jacket, 8vo, London: The Reprint Society, 1962; Wilbur A. Smith. When the Lion Feeds, original publishers cloth, dust jacket, 8vo, London: The Reprint Society, 1966; and 22 others, mostly twentieth century literature, v.s. (25).Mixed condition.

Charles François Prosper Guérin, 1875 Sens – 1939 ParisKOKOTTENÖl auf Leinwand.65 x 81 cm.Links unten signiert „Ch. Guerin“.In einem großen französischen Café eine sitzende Kokotte in weißem Kleid mit tiefem Dekolleté und großem Hut, hinter ihr die beleuchtete Bar mit Flaschen und einem eleganten stehenden Ober mit Fliege. Vor ihr an der Brüstung zwei weitere, elegant vorbeistolzierende Kokotten mit großen, Feder geschmückten Hüten.Das Werk des Künstlers zeichnet sich aus durch den lebhaften Umgang mit Farbe und Pinsel, der einst als frivol bezeichnet wurde. Er nutzte eine Palette leuchtender Farben, meist aufgetragen in kurzen Strichen in impressionistischer Manier. Guérin war ein Schüler des französischen Symbolisten Gustave Moreau. Er war Bewunderer des Werks der Impressionisten Monet und Renoir, insbesondere aber des Postimpressionisten Cézanne. (1391613) (18))

Louis Valtat, 1869 Dieppe – 1952 ParisLE QUAIS À BERCY – 1894Öl auf Leinwand.46 x 55 cm.Rechts unten monogrammiert.Der französische Maler wird dem Kreis der Fauves zugeordnet und zählt zu den bedeutenden Neuerern der Kunst des 20. Jahrhunderts. Das Gemälde entstand in der Blütezeit seines Schaffens. Trotz der für damals ungewöhnlichen Farbwahl strahlt die Komposition Ruhe aus. 1888 trat Valtat in Paris in die Acadèmie Julian ein, um daraufhin im Atelier von Gustave Moreau kurzzeitig zu wirken. Zusammen mit Toulouse-Lautrec war er an der Fertigung von Bühnenbildern für „Le Chariot de terre coute“ am Théâtre de l´Oeuvre beschäftigt. Ab 1903 regte sich im Salon d´Automne bereits eine Bewegung gegen diese Art der Moderne, jene Fauves genannte Gruppierung, die im „Saal der Wilden“ einen Skandal ausgelöst hatten. Mit Beginn des Weltkrieges zog Valtat für immer nach Paris. Bereits jener Vertrag, den er 1900 mit dem bedeutenden Verleger und Kunsthändler Ambroise Vollard geschlossen hatte, und der bis 1912 gültig war, sorgte dafür, dass Bilder seiner Hand in große und bedeutende Sammlungen kamen. Der namhafte russische Kunstmäzen Iwan Abramowitsch Morosow etwa erwarb für seine Sammlung etliche Werke Valtats. 1948 erblindet, musste der Maler seine Tätigkeit einstellen. Werke seiner Hand befinden sich u. a. im: Musée du Petit Palais, Genf sowie in der Stiftung Oscar Ghez, Genf.Der Künstler wurde bereits im Alter von 17 Jahren Mitglied der École des Beaux-Arts und studierte zusammen mit Malern wie Gustave Boulanger (1824-1888) und Jules Joseph Lefebvre (1836-1911/12). Zahlreiche zeitgenössische Künstler beeinflussten ihn, wie Henri Matisse (1869-1954), Jean Édouard Vuillard (1868-1940), Pierre Bonnard (1867-1947) und besonders Pierre-Auguste Renoir (1841-1919), mit dem ihn eine lebenslange Freundschaft verband. Seine Werke sind in bedeutenden Sammlungen der ganzen Welt zu sehen, etwa im Metropolitan Museum of Art, New York und in der Eremitage, Sankt Petersburg.Literatur:Vgl. Ulrich Schneider, Valtat, Louis, in: Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker (AKL), Bd. 112, Berlin 2021.Vgl. Jean-Louis Ferrier, Fauvismus – Die Wilden in Paris, Paris 1992.Vgl. Raymond Cogniat, Lous Valtat, Neuchatel. (1391772) (11)Louis Valtat,1869 Dieppe – 1952 ParisLE QUAIS À BERCY  – 1894Oil on canvas.46 x 55 cm.Monogrammed lower right.

Six framed prints, comprising after Henri Matisse The Goldfish, 61cm x 41cm, after Russo, The Walk, 43.5cm x 53.5cm, after Renoir, The Artist's Son, 43cm x 54cm, after Matisse Utrillo Christmas in Montmartre, 35cm x 44.5cm, Edouard Manet, A Bar at the Folies Bergere, 34cm x 77cm, and after Rembrandt, A Girl with a Broom, 64.5cm x 55cm, each in painted white frame. (6)

Renoir, a limited edition collection of prints housed in a slip case.

A framed Print of a vase of flowers signed lower right Niven, along with a framed Print of two girls reading by Renoir.

Pierre-Auguste Renoir1841 Limoges - 1919 Cagnes - "Le Chapeau Epingle" - Radierung/Papier. 11,2 x 8,3 cm, 13 x 9 cm (Passepartoutausschnitt). Sign. im Druck l. u.: Renoir. Passepartout. Unter Glas gerahmt. Leicht gewellt.

Pierre-Auguste Renoir1841 Limoges - 1919 Cagnes - "Femme au cep de vigne" (1904) - Lithografie/Papier. 16,5 x 10 cm, 33 x 25,5 cm. Im Stein sign. l. u.: Renoir. Passepartout. Bräunungsspuren. Leicht stockfleckig. - Lit.: Delteil 47.

Jonathan Harris - A contemporary studio glass vase from the Renoir Landscape collection, of shouldered ovoid form with wide flat rim, with Renoir inspired decoration of a stylised tree canopy formed of trails and mottling in blue, opal and amethyst, over the dusk pink and gold leaf ground, engraved signature and dated 2019, height 18cm.

Jonathan Harris - A contemporary studio glass vase from the Renoir Landscape collection, of shouldered ovoid form with wide flat rim, with Renoir inspired decoration of a stylised tree canopy formed of trails and mottling in indigo, opal and ochre, over the amethyst and gold leaf ground, engraved signature, height 24cm.

HENRI FANTIN-LATOUR (FRENCH 1836-1904) ROSES THÉ Oil on canvas Signed and dated 74 (upper right) 44 x 39.5cm (17¼ x 15½ in.)Provenance: Private Collection, Edwin Edwards, London The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Glasgow Acquired from the above by the family of the present owner Thence by descentExhibited: Poughkeepsie, New York, Vassar College Art Gallery (now The Frances Lehmann Loeb Art Center), circa 1977-1980 (loaned by the mother of the present owner)Literature: Madame Fantin-Latour, Catalogue de l'Oeuvre complet de Fantin-Latour, Paris, 1911, p. 79, no. 722 (Titled 'Roses') The authenticity of this work has been confirmed by Brame & Lorenceau and it will be included in the forthcoming Catalogue Raisonne of the artist's paintings and pastels currently being prepared. Exquisite still life paintings such as the present work are synonymous with the work of Fantin-Latour. Initially trained by his father who was also a painter, Fantin-Latour went on to study alongside Edgar Degas and Alphonse Legros at the Ecole des Beaux Arts in Paris in the 1850s. The artistic milieu in which he was surrounded comprised Edouard Manet, Pierre-Auguste Renoir and Claude Monet amongst many others that would go on to be instrumental in the Impressionist movement. Fantin-Latour's work at this time comprised many group portraits of his contemporaries, but it was his flower compositions that brought him both critical and commercial success. James Abbott McNeil Whistler was instrumental in encouraging Fantin-Latour to visit London where, in 1862, he exhibited at the Royal Academy for the first time, finding success with a flower composition. He would go on to return and exhibit there almost every year until 1881. Whistler was also pivotal in introducing Fantin to Edwin and Ruth Edwards who would become his most important supporters and patrons, buying many of his still lifes and promoting his work to their friends. Fantin-Latour prioritised simple compositions, focussing his energy on the intricate representation of each element of the flower. The result is almost always a sumptuously rendered harmony of colour imbued with a sublime delicacy and an unparalleled attention to detail. The more complex compositions with both flowers and fruit show him to be the worth successor to Chardin and Courbet, bridging the artistic divide between Realism and Impressionism.Edward Lucie-Smith writes that 'Fantin's flower pieces have a special quality which is well summed up in Jacques-Emile Blanche's description of them: "Fantin studied each flower, its grain, its tissue, as if it were a human face". But this is true with one proviso: he looked at flowers, as he did at faces, with no perceptions. His belief, academic in origin, that technique in painting was separable from the subject to which the artist applied it, enabled him to see the blooms he painted not as botanical specimens, but as things which, though not necessarily significant in themselves, would generate significant art upon the canvas' (Henri Fantin-Latour, New York, 1977, pp. 22-23). Condition Report: Please refer to the department for a condition report on this lot.Condition Report Disclaimer

LUCIEN PISSARRO (FRENCH 1863-1944) GIBBET HILL, BROUGH Oil on canvas-board Signed with monogram and dated 1932 (lower right) 33.5 x 41cm (13 x 16 in.)Painted in 1932 from a drawing executed in 1914.Provenance: Anthony d'Offay, London Private Collection, Alan Tapper (acquired from the above in 1977)Exhibited: London, Anthony d'Offay, Lucien Pissarro, 1977, no. 42London, Belgrave Gallery, Masters of Modern British Painting, 1978, no. 13Bradford, Cartwright Hall Art Gallery & London, Belgrave Gallery, Jewish Artists of Great Britain 1845-1945, 1978, no. 15 Literature: Anne Thorold, Catalogue of Oil Paintings of Lucien Pissarro, 1983, no. 490 (illustrated p. 21) Lucien was the eldest son of French Impressionist painter, Camille Pissarro. He benefitted not only from the tutelage of his father but growing up in a milieu surrounded by some of the greatest artists of that period including Claude Monet, Paul Signac and Pierre-Auguste Renoir. Although French by birth, from a young age, Pissarro was drawn to English shores, visiting first as a child in 1870-71 and settling permanently in 1890. He became a British citizen in 1916 and was an integral part of the English art scene of the first half of the twentieth century. His influence is notable in the work of Walter Sickert, Harold Gilman and Spencer Gore. Pissarro is primarily known as a landscape painter and the present oil is a typical example of his work. Between 1913 and 1919, he travelled extensively producing views of Dorset, Westmorland, Surrey, Sussex, Essex and Devon. The present work, although painted some decades later, is based on a drawing from that period. It forms part of a group of works from 1914 depicting the village and landscape around Brough in Westmorland, now Cumbria, of which Wild Boar Fell, Brough is held by Manchester Art Gallery. Condition Report: Light surface dirt throughout. Inspection under UV reveals no obvious evidence of restoration or repair. Overall appears to be in good original condition. Condition Report Disclaimer

Pierre-August Renoir (1841-1919) Etude pour une baigneuse (Delteil 16) The original uncancelled copperplate for the drypoint, circa 1906, bevelled and the corners rounded, overall 218 x 166mm (8 5/8 x 6 1/2in) Provenance:Ex Coll Ambroise VollardEx Coll Henri-M. PetietAcquired by the present owner from the estate sale of the above

Pierre Auguste Renoir (1841-1919)Etude de Femme nue, Assise, from L'Album des douze Lithographies (Delteil 42)Lithograph, 1904, with the artist's signature stamp, from the edition of circa 1000, published by Ambroise Vollard, Paris, on wove paper, with full margins, sheet 330 x 250mm (13 x 9 ¾in)

PISSARRO CAMILLE: (1830-1903) French Impressionist painter. A.L.S., C. Pissarro, two pages, small 8vo, Paris, 19th May 1884, to Claude Monet ('Mon cher Monet'), in French. Pissarro writes, in full, 'Rien de nouveau l'affaire de Durand a evidemment ete remise ou modifiee comme je vous le pressentais - Durand est plus tranquille et m'a assure que je pouvais partir, comme bien vous pensez je retourneai a Eragny avec bien peu de ressources affronter les creancieres; au moins je travaillerai un peu' (Translation: 'Nothing new, Durand's case has obviously been postponed or modified as I suspected - Durand is calmer and has assured me that I can leave, as you can imagine I will return to Eragny with very few resources to face the creditors; at least I will be able to work a little'). A letter with good associations. VGClaude Monet (1840-1926) French Impressionist painter.Paul Durand-Ruel (1831-1922) French art dealer associated with the Impressionists, and the first to support Pissarro, Monet and Renoir.

RENOIR PIERRE-AUGUSTE: (1841-1919) French Impressionist Artist. A fine and good association A.L.S., `Renoir´, two pages, written to the first and third page, small 8vo, Cagne, 8th January 1908, to Claude Monet, in French. Renoir writes to his long life friend Monet `Mon cher ami…´ ("My deaf friend…"), and first asks about his correspondent´s health `Tu me diras si tu as toujours mal à l´estomac, c´est une maladie qui rend triste, il faut vite guérir´ ("Tell me if you still have a stomach ache, it's a disease that makes you sad, you have to heal quickly") Renoir further refers to Vollard, their art collector supporter, stating `Vollard est ici, je le portraiterai´ ("Vollard is here, I will make a portrait of him") Further again Renoir thanks Monet and his daughters for the letters they often send him, and before concluding makes a sharp critic of a colleague´s exhibition, stating `Une pièce que je n´irai certainement pas voir c´est celle de Geoffroy à l´Odéon…´ ("A painting that I will certainly not go to see is the one of Geoffoy at the Odeon") To a post-scriptum Renoir referring to the new year 1908, states `Ce 8 me fait bien vieillir´ ("This 8 makes me feel older") VG Claude Monet (1840-1926) French Impressionist Painter.Ambroise Vollard (1866-1939) French art Dealer. One of the most important dealers of his time in French contemporary art. He supported many painters such as Cézanne, Renoir, Gauguin, etc… Jean Geoffroy (1853-1924) French Painter and Illustrator, best known for his scenes with children.

RENOIR PIERRE-AUGUSTE: (1841-1919) French painter. A.L.S., Renoir, two pages (written to the first and third sides of the feint ruled bifolium). 8vo, Cagnes-sur-Mer, January 1909, to a lady, in French. Renoir writes a charming letter from his retreat on the French Riviera, commencing ‘Coco a recu le chemin de fer electrique dont il est tres fier. Quoiqu'il ne sache pas le faire marcher. Je lui avait predit que electrique etait de trop. Mais emballe par ce mot magique il n'a rien ecoute’ (Translation: ‘Coco received the electric railway of which he is very proud. Although he doesn’t know how to make it work. I told him that electric was too much. But carried away by this magic word he didn’t listen to anything’), further informing his correspondent that his family are all well, and hoping that she will survive the cold weather, and also writing ‘Nous avons un temps superbe qui va tout a fait a mes rhumatismes……Je pense souvent a vous car la solitude a cela de bon c'est que l'on peut par les pensees etre avec ceux qui vous plaisent. Ma femme et moi la brulle vous souhaitons un tas de bonnes choses’ (Translation: ‘We have superb weather which is helping my rheumatism……I often think of you because the good thing about solitude is that you can, through your thoughts, be with those you like. My wife and I wish you a lot of good things’). VG Claude Renoir (1901-1969) French ceramicist, the third and last son of Renoir. Affectionately named ‘Coco’ within his family, the young Claude was the subject of a number of paintings by his father.

RENOIR JEAN: (1894-1979) French film Director. Academy Award winner. A good A.L.S., `Jean Renoir´, two pages, 4to, Rome, 14th April 1952, to Man Ray, in French. Renoir responds to his correspondent new year´s greetings `Chère Aimée, chère Julie, Cher Jean, cher Man, Je réponds à vos vœux de bonne année par une pensée Pascale, quel plaisir ce sera de vous voir à Paris´ (`Dear Aimée, dear Julie, dear Jean, dear Man, I respond to your new year greetings with an Easter thought, what a pleasure i twill be to see you in Paris´) Renoir further announces great news saying `Une grande nouvelle : Je suis grand-père, un petit fils John né à Boston le 27 Décembre dernier´ (`Great news : I am a grandfather, a grandson called John was born in Boston last 27th December´) Further again, and to a postscriptum, Renoir refers to Rome and to young boys very explicitly, stating `Rome est superbe. La neige disparait des montagnes. Les arbres sont en fleurs. Les pédérastes s´épanouissent. Les jeunes garçons ayant ressorti leurs étranges, collantes, indécentes petites culottes´ (`Rome is superb. The snow disappears from the mountains. The trees are in bloom. Pederasts flourish. The young boys having taken out their strange, tacky, indecent panties´) Very small overall minor age wear, otherwise VG Man Ray (1890-1976) American Artist who contributed significantly to the Dada and Surrealist movements.At the time of the present letter, Renoir was filming in Rome his second colour film `Le Carrosse d´Or´, which was his first film in Europe after thirteen years of absence. Truffaut would declare that this film could be considered Renoir´s best film.

Etching, girls decorating bonnets, inscribed to the plate ' Renoir ', 11 x 8cm and another framed etching, head and shoulder portrait of lady, 11 x 8cm

After Pierre-Auguste Renoir (French 1841-1919): 'Girls at the Piano', artagraph on canvas 76cm x 54cm

Albert Marie Lebourg zugeschr., Paris, "Ile de la Cité" mit Badekabinen an der Seine, Ölgemälde um 1890, in alter französischer RahmungAlbert Marie Lebourg, 1849 Montfort-sur-Risle - 1928 Rouen, französischer Impressionist der Schule von Rouen, hier: Sicht über die Seine und die "Pont des Arts" auf die "Ile de la Cité" mit der Kathedrale Notre Dame, dahinter die "Pont Neuf". Links unten sieht man die alten Badekabinen der Badeanstalt an der Seine, die in den 1920er Jahren abgebrannt sind und einen zweifelshaften Ruf als "Liebestreff" hatten, Öl/ Lw., 28 x 40 cm,verso zwei alte Aufkleber. Die Zuschreibung ist begründet, vgl. dazu Kat. Bd II des "Musée Petit Palais", Paris Nr. 524Zum Künstler: Albert Marie Lebourg studierte Malerei an der Académie de Peinture et de Dessins in Rouen bei Gustave Morin. Im Jahr 1879 debütierte er auf der Impressionisten-Ausstellung neben Claude Monet, Alfred Sisley, Pierre-Auguste Renoir u. a. Seitdem nahm er mehrmals an den Impressionistenausstellungen teil. Seine Adressen in Paris waren von 1898 bis 1903 Rue de la Cage 16 und ab 1903 Quai du Havre 9, mit Sicht auf die Seine. Der Fluss erscheint in zahlreichen seiner Werke.

Pierre-Auguste Renoir, 2 Pastelle, eine Lithographie & ein Ölgemälde in Galerierahmung, 4 qualitätvolle Reproduktionen Pierre-Auguste Renoir, 1841 Limoges, Limousin - 1919 in Cagnes-sur-Mer, einer der bedeutendsten französischen Maler des Impressionismus, hier: "La femme en bleu" & Mädchenbüste mit zwei Kopfstudien um 1930, je 24 x 37 cm, mit Renoir-Signet, Prägestempel ES, auf Arches -- Bauermädchen mit Hund, Lithographie nach einer Rötelzeichnung von 1894, 30 x 24 cm, Prägestempel sowie Nach dem Bade- junger Frauenakt sich mit einem Tuch trocknend, Öl/Lw., 60 x 50 cm, in schöner Galerierahmung

1 bt Cúmaro Rosso Conero 1999 Umani Ronchi i.n, bs, cdl 1 bt Michele Chiarlo Barbera D'Asti Superiore 1999 ts 1 bt Collepiano Sagrantino di Montefalco Rouge 2000Arnold- Caprai, bs, cdl 1 bt Castello Corbaia di Bossi 2001 Toscana i.n, vsl bs 2 bts Sampietrana Vigna delle Monache Salice Salentino Riserva 2006 vts 1 bt Renoir Serradenari 2007La Morra i.n Above 7 bottles

Pierre-Auguste Renoir (1841-1919) - a contemporary reproduction 'La Danse a la Campagne', oil on canvas, with artist's signature to lower right 'Edmond'. Gilt framed. Measures 90cm x 63cm. 

PIERRE-AUGUSTE RENOIR1841 Limoges - 1919 Cagnes-sur-Mer'TÊTE DE COCO' (KOPF VON CLAUDE 'COCO' RENOIR) Bronze, schwarz patiniert auf quadratischem Marmorsockel (H. 15 cm). Ges.-H. 41, B. 17,5, T. 18 cm, Gew. ca. 15,54 kg. Seitlich signiert 'Renoir', Rückseitig nummeriert '1/30' und Gießereistempel 'Cire C.Valsuani Perdue'. Konzipiert um 1908 und gegossen in einer nummerierten Auflage von 30 um 1928. Vollplastische Darstellung einer Porträtbüste des jüngsten Sohnes Renoir's, Claude, genannt 'Coco'. Min. best. und ber., Sockel min. best.. Literatur: J. Meier-Graefe, Renoir, Leipzig, 1929, Nr. 406, Gipsabdruck abgebildet S. 402 und P. Haesaerts, Renoir Sculpteur, Brüssel, 1947, S. 19-20 illustriert auf den Tafeln. IV und XXXVI. Provenienz: Anfang der 1970er Jahre in Paris erworben.

PIERRE AUGUSTE RENOIRThe FishermanVintage Print24" x 30"

photo print of a work by Renoir || Fotogravure naar het werk "Trois baigneuses" van Renoir

PIERRE EUGÉNE MONTÉZIN (FRENCH, 1874–1946)Pêcheur à Veneux-les sablonsOil on canvas, 33 x 41cmSigned Provenance: Tajan Auction Rooms, Paris, 5 June 2009, lot 129; With Besch Cannes Auction Rooms, Cannes; Private collection Born in Paris in 1847, Pierre Eugène Montézin was educated at the Ecole d’Application de Beaux Arts. Montézin later apprenticed at the workshop of a decorator specialising in murals. At 19, Montézin submitted works for the first time to the Salon des Artistes Francais but it was not until 1903, ten years later, that he would make his Salon debut. 1903 was the same year that he met and began to study under the Impressionist painter Ernest Quost (1844-1931). Throughout his career, Montézin showcased his works in prestigious exhibitions and influential galleries, including those at Galerie George Petit (1922), Galerie Charpentier (1933), Galerie du Journal (1936), and Galerie Durand-Ruel (1938). The success of Montézin’s work brought him several accolades: after receiving the Rosa Bonheur Prize in 1920 he was named a Chevalier of the Legion d’Honneur, and subsequently promoted to Officer of the Legion d’Honneur. In 1932 he received the Medal of Honor at the Salon des Artistes Francais, no landscape artist had won since Henri Harpignies (1819-1916) in 1897, and he was unanimously elected president of the Salon jury in the same year. In 1941 he was elected member of the Institut de France at the Academie des Beaux Arts succeeding Edouard Vuillard (1868-1940).  In 1925, seeking inspiration and serenity, Montézin purchased a property in Veneux-les Sablons near Moret sur Loing. The present work depicts a fisherman at the riverbanks, relaxing in the shade of the trees with Veneux-les Sablons emerging in the distance. The same landscape inspired Auguste Renoir (17841-1919), Claude Monet (1840-1826), and Camille Pissarro (1830-1903), who all painted similar scenes.Montézin once remarked to the French critic, Louis Vauxcelles: ‘The subjects of the landscape painter are less in front of the artist’s eyes, than in his heart’. Jean Pierre Klein-Montézin has confirmed the authenticity of this work: Certificate no. 250 In the event of transfer of this painting, this certificate must accompany it and cannot be replaced by a duplicate. I, the undersigned, Jean Pierre Klein-Montézin, grandson of the painter Eugène Montézin, certify that this oil on canvas ‘Le pêcheur à Vevreux les Sablon’, 33x41, signed bottom left is an authentic artwork of my grandfather. Made in Paris on 10.05.93 Signed. Jean Pierre Klein-Montézin N.B. Featured in the catalogue raisonné currently being prepared by J. Pierre Montézin 

Ernst Eitner (Hamburg 1867 - Hamburg 1955). Am Winterhuder Fährhaus. Öl/Karton. 34,5 x 47 cm. R. u. sign. E. Eitner, verso Landschaft. Elegant gekleidete Herrschaften wie in Gemälden von Monet oder Renoir versetzen den Betrachter von der Alster an die Seine. Mit lockeren langen Pinselstrichen faßt der Künstler Farbflächen zusammen und zeigt sich so auch stilistisch auf der Höhe der Zeit. - Deutscher Maler und Graphiker. Ein Stipendium der Stadt Hamburg ermöglichte E. ab 1886 das Studium an der Karlsruher Akademie bei G. Schönleber sowie an den Akademien Düsseldorf und Antwerpen. 1892 gewann er eine Goldmedaille auf einer Ausstellung in Dresden und bereits 1894 stellte er in Paris aus. Er war 1897 Gründungsmitglied des Hamburgischen Künstlerclubs. Er bereiste 1890 erstmals Italien, später auch Paris, London und Antwerpen. 1917 wurde er zum Professor ernannt. Mit seinem farbenfrohen und freundlichen Impressionismus ist Eitner einer der Hauptmeister der künstlerischen Erneuerung in Hamburg. Mus.: Hamburg (Kunsthalle, Altonaer Mus., Hamburg-Mus., MK&G), Schleswig (SHLM), Lübeck (St.-Annen-Mus.), Flensburg, London (The British Museum). Lit.: Thieme-Becker, Vollmer, Der Neue Rump, Kat. Haspa: E. E. - Ein Hamburger Impressionist, 2005, E. E. Ein Hamburger Maler des Lichts, 2012, Schulte-Wülwer: E. E. 2017 u.a.

A Group of Decorative Modern Reproductions, After Auguste Renoir, Paul Cezanne, Paul Gaugin and others; together with further smaller examples (18)

Anders Osterlind, Straße im VillenviertelSommerliche, von herrschaftlichen Anwesen gesäumte Straße im Schatten mächtiger Laubbäume, pastose Malerei, noch unter dem Einfluss der Kunst Paul Cézannes stehend schuf Osterlind, der meist direkt vor der Natur malte, mit breitem dynamischen Pinselduktus eine stimmungsvolle Straßenansicht, die er durch geschickte Licht- und Farbakzente gekonnt in Szene setzte, Öl auf Leinwand, um 1920, rechts unten signiert "Anders Osterlind", rückseitig auf der Leinwand mehrfach Nummer "14" im Kreis, Craquelure, Farbplatzer, restaurierungsbedürftig, gerahmt, Falzmaße ca. 65 x 55 cm. Künstlerinfo: eigentlich Anders Orm Österlind, nannte sich ab 1917 Osterlind, frz. schwedisch stämmiger Maler (1887 Lépaud/Creuse bis 1960 Paris), Kindheit mit wechselnden Aufenthalten in Lépaud/Creuse, in der Bretagne (Île-de-Bréhat und Penvénan), Gargilesse-Dampierre, Fresselines, Neuilly-sur-Seine, Berry und in Paris, Sohn und Schüler des schwedischen Malers Erik Allan August Österlind (1855 Stockholm bis 1938 Juvisy-sur-Orge), aufgrund des künstlerischen Elternhauses frühzeitig Umgang und Förderung durch bedeutende Künstler und Intellektuelle wie Max Jacob, Edmond Haraucourt, Prinz Eugen von Schweden, August Strindberg, Maxime Maufra, Maurice Rollinat und Auguste Renoir, Schüler von Maurice de Vlaminck, künstlerisch beeinflusst durch Paul Cézanne, Jean-François Raffaëlli und Per Ekström, später verkehrte er in den Kreisen der Pariser Boheme im Künstlerviertel Montparnasse und unterhielt Freundschaft zu Michel Kikoine, Othon Friesz und Amedeo Modigliani, 1908-24 Annahme der schwedischen Staatsbürgerschaft, 1917 Eintritt in die Fremdenlegion, beschickte ab 1905 den Salon der Société Nationale des Beaux-Arts, Vorstandsmitglied des Salon des Tuileries, Mitglied des Salons d'Automne und des Salons der Société des Artistes Indépendants, 1932 mit Conrad Kickert und Oberkampf de Dabrun Gründung der Malschule „les Trois Ateliers“ in Paris-Montparnasse, der rastlose Künstler unternahm zahlreiche Studienreisen und fand seine Motive unter anderem in Paris, Versailles, der Bretagne (Vexin), der Île-de-France, Aix-en-Provence, Creuse, Neuilly-sur-Seine, Colombes, Cagnes-sur-Mer, Arles, Tunesien, Venedig, den Niederlanden, Cantal, der Normandy, Stockholm, Kopenhagen und Pays Basque, erhielt zahlreiche Ehrungen wie 1951 Offizier der Ehrenlegion und die Médaille de la Reconnaissance française, Hauptwohnort war Paris, Quelle: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, Schurr, Edouard-Joseph und Wikipedia.

Monograph Pierre August Renoir, Edizioni Seat, 1984, edition 830 of 2500, 21.5" x 15.5" (54 x 39cm) overall.

Reproduction after a painting by Auguste Renoir, Lunch at the Restaurant Fournaise (The Rower's Lunch) with a dummy champagne bottle of the defunct Renoir brand, together with 3 Renoir champagne glasses and ice bucket. Added a champagne ice bucket La Belle Epoque and champagne bottleReproductie naar een schilderij van Auguste Renoir, Lunch at the Restaurant Fournaise (The Rower's Lunch) met een dummy champagnefles van het verdwenen merk Renoir, samen met 3 Renoir champagneglazen en ijsemmer. Toegevoegd een champagne-ijsemmer La Belle Epoque en champagnefles48 x 59 cm

A large framed and glazed Renoir print entitled 'On The Terrace' COLLECT ONLY.

Riviere,G.: Renoir et ses amis. Paris, Floury 1921. 4°. Mit 1 Kaltnadelradierung v. A. Renoir u. zahlr. tls. farb. Abb. 2 Bl., 273 S., 1 Bl. Mod. Ldr. mit eingeb. illustr. Obrosch. Enthält die Orig.-Radierung "Jeunes filles fleurissant leurs chapeaux" (Delteil 8; unter dem Titel "Le chapeau epingle") in einem Schwarzdruck. - Etw. gebräunt u. tls. leicht fleckig, S. 17-24 verbunden u. beschäd. (mehrere tls. geklebte Einrisse), Vors. erneuert.

Four exhibition posters 'Monet', Royal Academy of Arts 1990'Renoir', Hayward Gallery 1985The National Gallery (Van Gogh's Sunflowers)'Toulouse-Lautrec. The Graphic Works', Royal Academy of Arts 1988-1989The largest 76.5 x 51cm

John Cother Webb after J M W Turner,Bridge of Sighs, and The Fighting Temeraire, two mezzotints, signed in pencil,each 40x52cm; and an oleograph after Renoir, Young woman sewing,53x43cm.Qty: 3

Douglas Percy Bliss (Scottish, 1900-1984)Renoir Old signed 'Douglas Percy Bliss' (lower right), titled 'Renoir old.' (lower left)watercolour, pen and ink and gouache on paper25 x 28.5cm (9 13/16 x 11 1/4in).Footnotes:ProvenanceWith Chris Beetles Gallery, LondonPrivate Collection, U.K.ExhibitedLondon, Chris Beetles Gallery, The Illustrators: The British Art of Illustration 1780-1993, November 1993 - January 1994, no. 382The present lot was drawn for, but not illustrated in, The Sketch Christmas 1936 issue, which included the series titled More Mockery of the Old Masters.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Renoir coloured print of a French restaurant scene

Gustave Caillebotte (August 19, 1848 – February 21, 1894) was a French painter, art collector, and patron of the arts. He was associated with the Impressionist movement and played a crucial role in supporting and financing the activities of his fellow Impressionist artists. Caillebotte's paintings are characterized by their realistic and detailed depictions of urban life in Paris.Key points about Gustave Caillebotte:1. **Wealth and Background:** Caillebotte was born into a wealthy Parisian family. His father was a successful textile manufacturer, and Caillebotte inherited considerable wealth.2. **Art Education:** Despite his family's expectations for him to pursue a career in law, Caillebotte developed a passion for art. He studied at the École des Beaux-Arts in Paris and became friends with fellow artists like Edgar Degas and Claude Monet.3. **Artistic Style:** Caillebotte's style is often associated with Impressionism, but his work also demonstrates Realist and Naturalist influences. His paintings are known for their precision, attention to detail, and unique viewpoints.4. **Urban Scenes:** Caillebotte's urban scenes are a notable aspect of his work. He painted everyday life in Paris, often depicting the city's streets, bridges, and public spaces. His compositions are characterized by modern perspectives and the use of unusual angles.5. **Paris Street, Rainy Day:** One of Caillebotte's most famous paintings is "Paris Street, Rainy Day" (1877). This large-scale work captures a Parisian intersection on a rainy day, featuring elegant figures and the newly renovated cityscape.6. **Role in Impressionism:** Caillebotte participated in several Impressionist exhibitions, and his financial support was instrumental in organizing these exhibitions. He purchased numerous works from fellow artists, including paintings by Claude Monet, Edgar Degas, and Pierre-Auguste Renoir.7. **Boating Scenes:** Caillebotte had a fascination with boating and often depicted leisure activities on the water. His paintings featuring regattas and sailboats showcase his interest in capturing movement and atmosphere.8. **Private Collector:** In addition to supporting his fellow artists, Caillebotte was a discerning art collector himself. He accumulated an impressive collection of works by artists like Gustave Courbet, Camille Pissarro, and Paul Cézanne.9. **Legacy:** Despite his significant contributions to the Impressionist movement, Caillebotte's work was somewhat overshadowed by his role as a collector and patron. However, in the 20th century, there was a renewed interest in his paintings, and he is now recognized as a talented artist in his own right.10. **Death and Posthumous Recognition:** Gustave Caillebotte died at the age of 45 due to complications from a stroke. In the years following his death, his work gained increasing recognition, and his contribution to the Impressionist movement was acknowledged.Gustave Caillebotte's paintings continue to be celebrated for their unique blend of realism and Impressionist aesthetics, providing a window into life in late 19th-century Paris.Measures 34 x 44.

Certainly! Edgar Degas (1834–1917) was a French artist famous for his contributions to Impressionism, particularly in the field of painting and sculpture. Here are key points about Edgar Degas:1. **Early Life:** Hilaire-Germain-Edgar De Gas, known as Edgar Degas, was born on July 19, 1834, in Paris, France, into a prosperous family with connections to the banking industry.2. **Artistic Education:** Degas initially studied law but decided to pursue art and enrolled at the École des Beaux-Arts in Paris. He studied under the academic painter Louis Lamothe and became friends with fellow artists like Édouard Manet.3. **Impressionism:** Degas is often associated with the Impressionist movement, although he preferred to be considered an independent realist. He exhibited in several of the Impressionist exhibitions, sharing common interests with artists like Claude Monet and Pierre-Auguste Renoir.4. **Subject Matter:** Degas is best known for his depictions of ballet dancers, horse racing, and Parisian scenes. He captured moments of modern urban life, often focusing on movement, light, and the human figure.5. **Ballet Dancers:** One of Degas's most iconic subjects is ballet dancers. He created numerous paintings, drawings, and sculptures depicting dancers in various poses and stages of rehearsal.6. **Innovative Compositions:** Degas was innovative in his compositions, using unusual angles and perspectives. He frequently cropped his compositions to focus on specific details, creating a sense of immediacy.7. **Media:** Degas worked in various media, including oil painting, pastel, sculpture, and printmaking. His use of pastels was particularly notable, and he created vibrant and dynamic pastel drawings.8. **Sculpture:** Degas was a skilled sculptor and created several sculptures, often focusing on the human form. His sculptures of dancers and horses are celebrated for their naturalistic and dynamic qualities.9. **Interest in Photography:** Degas had an interest in photography, and some of his works show the influence of photographic framing and composition.10. **Private and Reserved Personality:** Degas was known for his private and reserved personality. He was critical of his own work and often kept his paintings and drawings out of the public eye.11. **Later Years:** In his later years, Degas experienced vision problems, likely due to retinal disease. Despite his declining eyesight, he continued to work, often relying on sculpture and pastels.12. **Death and Legacy:** Edgar Degas died on September 27, 1917, in Paris, at the age of 83. His legacy as a revolutionary artist and innovator in the depiction of modern life continues to be celebrated. The Musée d'Orsay in Paris houses a significant collection of his works.Edgar Degas's impact on the art world, particularly in his exploration of modern life and the innovative use of composition, continues to be recognized and appreciated. His work has left an indelible mark on the history of art.Measures 7 x 3.5. 2.75.Bonded bronze.

Edgar Degas (1834–1917) was a French artist famous for his contributions to Impressionism, particularly in the field of painting and sculpture. Here are key points about Edgar Degas:1. **Early Life:** Hilaire-Germain-Edgar De Gas, known as Edgar Degas, was born on July 19, 1834, in Paris, France, into a prosperous family with connections to the banking industry.2. **Artistic Education:** Degas initially studied law but decided to pursue art and enrolled at the École des Beaux-Arts in Paris. He studied under the academic painter Louis Lamothe and became friends with fellow artists like Édouard Manet.3. **Impressionism:** Degas is often associated with the Impressionist movement, although he preferred to be considered an independent realist. He exhibited in several of the Impressionist exhibitions, sharing common interests with artists like Claude Monet and Pierre-Auguste Renoir.4. **Subject Matter:** Degas is best known for his depictions of ballet dancers, horse racing, and Parisian scenes. He captured moments of modern urban life, often focusing on movement, light, and the human figure.5. **Ballet Dancers:** One of Degas's most iconic subjects is ballet dancers. He created numerous paintings, drawings, and sculptures depicting dancers in various poses and stages of rehearsal.6. **Innovative Compositions:** Degas was innovative in his compositions, using unusual angles and perspectives. He frequently cropped his compositions to focus on specific details, creating a sense of immediacy.7. **Media:** Degas worked in various media, including oil painting, pastel, sculpture, and printmaking. His use of pastels was particularly notable, and he created vibrant and dynamic pastel drawings.8. **Sculpture:** Degas was a skilled sculptor and created several sculptures, often focusing on the human form. His sculptures of dancers and horses are celebrated for their naturalistic and dynamic qualities.9. **Interest in Photography:** Degas had an interest in photography, and some of his works show the influence of photographic framing and composition.10. **Private and Reserved Personality:** Degas was known for his private and reserved personality. He was critical of his own work and often kept his paintings and drawings out of the public eye.11. **Later Years:** In his later years, Degas experienced vision problems, likely due to retinal disease. Despite his declining eyesight, he continued to work, often relying on sculpture and pastels.12. **Death and Legacy:** Edgar Degas died on September 27, 1917, in Paris, at the age of 83. His legacy as a revolutionary artist and innovator in the depiction of modern life continues to be celebrated. The Musée d'Orsay in Paris houses a significant collection of his works.Edgar Degas's impact on the art world, particularly in his exploration of modern life and the innovative use of composition, continues to be recognized and appreciated. His work has left an indelible mark on the history of art.Measures 156 x 99.Composed of six panels.

Roethlisberger (Marcel). Claude Lorrain The Drawings, 2 volumes, 1st edition, California: University of California Press, 1968, numerous monochrome illustrations, original uniform cloth in dust jackets & slipcase, covers slightly rubbed to head & foot with some minor tears, large 8vo, together with:Chappuis (Adrien), The drawings of Paul Cézanne, a catalogue raisonné, 2 volumes, 1st U.S. edition, Connecticut: New York Graphics Society, 1973, numerous monochrome illustrations, original uniform cloth in slipcase, spines lightly faded & rubbed, large 8vo, plusDaulte (François), Auguste Renoir, catalogue raisonné de l'oeuvre peint, I Figures 1860-1890, Lausanne: Éditions Durand-Ruel, 1971, numerous colour & monochrome illustrations, some minor marginal toning, original cloth in dust jacket, covers very lightly toned, large 4to, un-numbered limited edition of 1850, and other drawings & art reference, many original cloth, some in dust jackets, some paperback editions, G/VG, 8vo/4toQTY: (3 shelves)

How rare! An entire set of this fabulous copper tulip design. The necklace and bracelet are hinged single tulip buds. The screw-back earrings are a single tulip bud and the brooch is a full bouquet of tulips. All pieces backstamped Renoir. Necklace: 15"L. Bracelet: 7"L. Brooch: 2"L x 2.5"W. Earrings: 0.75"L x 0.75"W. Issued: 20th CenturyManufacturer: RenoirCountry of Origin: United StatesCondition: Age related wear.

Copper and green enamel brooch pin and clip-on earrings with the Renoir Matisse backstamp. The earrings measure 1"L x 1"W. The brooch measures 2.25"L x 2"W. Manufacturer: Renoir MatisseCountry of Origin: United StatesCondition: Age related wear.

Vintage enamel and copper artist's paint pallet brooch pin and clip on earrings with the Renoir Matisse backstamp. The earrings measure 1.75"L x 0.75"W. The brooch measures 4.5"L x 1.75"W. Manufacturer: Renoir MatisseCountry of Origin: United StatesCondition: Age related wear.

All of these spectacular earrings are clip back. The first pair is a round shape with a red and blue mosaic. The second pair is a square shape with a copper back square beneath a formed enamel square of pink and yellow abstract cherry blossom flowers. The third pair is a teardrop shape with a smaller enamel inset of blacks, golds and orange mosaic. Each has a backstamp Matisse Renoir. Round and Square: 1" dia. Teardrop: 1.5"L x 0.75"W. Issued: 20th centuryManufacturer: Matisse RenoirCountry of Origin: United StatesCondition: Age related wear.

Vibrant and artsy the brooch is entirely copper with three long paintbrushes running through it. The clip back earrings are a mini version of the brooch with two copper paint brushes running through. Both of the earrings have enamel atop the copper. One pair of earrings has blue and copper enamel with yellow, red and white paint dabs. The other pair has red and copper enamel with green, white and black paint dabs. Brooch backstamp Renoir. Earrings backstamp Matisse. Brooch: 1.75"L x 4.5"W. Earrings: 1.75"L x 0.75"W. Issued: 20th centuryManufacturer: Renoir MatisseCondition: Age related wear.

Fun and free flying this brooch is a striking turquoise color blue enamel with lots of movement. The backing and kite tail are copper. The kite tail looks as if it is blowing in the wind. Backstamp Matisse Renoir, 3.5"L x 2"W. Issued: 20th centuryManufacturer: Matisse RenoirCountry of Origin: United StatesCondition: Age related wear.