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4851 Los(e)/Seite
Three pieces of later 20th Century Scandinavian glass, two Orrefors vases by Sven Palmqvist, the first of compressed ovoid form engraved with thistles, engraved signature, height 20cm, the second of square section with canted slice cut corners, engraved with a woman watching birds, engraved signature, and a Holmegaard soap bubble vase designed by Per Lutkin, in a smoke grey tint. (3)
An Orrefors 'Äpplet' green glass vase, designed by Ingeborg Lundin, designed in 1955, inscribed 'Orrefors Expo 32-57 Ingeborg Lundin', 37cm high For the nearly thirty years between 1947 and 1971, that Ingeborg Lundin designed glassware for Sweden's Orrefors glassworks, her designs were prized for their originality, simplicity and grace. Founded in 1898, Orrefors originally manufactured bottles, window glass, and tableware. In 1914, the firm started to produce cut crystal, and by 1925 had become internationally renowned for its engraved art glass. By the late 1940s, the young Lundin and her contemporaries at Orrefors and other Scandinavian glassworks were developing new forms that expressed the spirit of a softer, organic type of modernism. In 1955, Lundin designed the Apple (Äpplet) vase for the Helsingborg 1955 Exhibition, a world’s fair dedicated to modern design. The simple transparent form of her Apple vase is a beautiful luminous shape that needs no ornamentation. The slightly imperfect sphere, topped by a thick-walled cylindrical neck reminiscent of an apple’s stem, relies on the play of light on and in the colourless glass itself. The form exploits the transparency of glass exceptionally well. When shown at the Milan Triennale of 1957, the Apple vase won a gold medal. Produced in both clear and light green transparent glass, it is the best known of Lundin’s designs for Orrefors.
Studio Glass - a small ovoid clear glass tulip vase, by Kaj Franck, 11.5cm, engraved mark, K. Franck, Nuutajarvi Notsjo - 59; an Orrefors type ovoid vase, engraved with a fish amongst fronds of pond weed, fluted rim, 19cm, unmarked; a Kosta clear glass square sided vase, 16cm, engraved mark; etc (4)
Edvin Ohrstrom for Orrefors - a vase, engraved with a dancing female figure in ball dress feeding a long tailed bird amid scattered blooms, of colourless glass and oval section cut with facets, engraved mark, design number F 2756 and engravers mark AR for Arthur Roos, Sweden, Mid Century, 14.8cm high x 15.2cm max diam
EDVIN OHRSTROM FOR ORREFORS - a mid-century Swedish red glass Ariel vase, circa 1950s, cuboid form with horizontal bands of air pockets, signed with model no. 473 F, height 20cm Very good original condition, no chips, cracks or restoration, the edges around the base have a few tiny nibbles with surface scratches on the base through general handling and use, signature is clear.
INGEBORG LUNDIN FOR ORREFORS - a mid-century Swedish Orchid yellow glass vase, circa 1950s, clear bulbous body with yellow tapered neck and flared turned rim, signed with model no. Du 3112, height 22cm Very good original condition, no chips, cracks or restoration, very lightly abraded all over through general handling, base has a couple of small surface scratches, signature clear.
INGEBORD LUNDIN FOR ORREFORS - a mid-century Swedish cut-glass crystal vase, ovoid form with lozenge-cut panel, signed on base with model no. DA 3658/4, height 21.5cm Very good original condition, no chips, cracks or restoration, top and bottom edges have a couple of tiny surface scratches and marks through general use, signature clear.
A rare Orrefors glass Applet (apple) vase designed by Ingeborg Lundin, designed in 1955, dated 1957, clear glass with cylindrical stem neck, etched Orrefors Expo 32-57 Ingeborg Lundin, 37cm. high Catalogue notes The Apple vase was exhibited at the Swedish Art Exhibition H55 in 1955 and also at the Milan Triennale (titled Expo in the catalogue). Literature Lesley Jackson The New Look Design in the Fifties, Thames & Hudson, front cover and page 18 an example in green illustrated. Bauhaus and other Important 20th Century Avant-garde Design, Sotheby's London, 1st November 1996 lot 255 for a comparable vase. Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 63 for a comparable example illustrated,
A Hartley Wood Sunderland glass vase, shouldered amorphic form, pink and amber streaked glass with air bubble inclusions, another Hartley Wood streaked vase and an Orrefors etched and cut glass vase by Sven Palmqvist, flaring, faceted form engraved with a naked female figure, unsigned, Orrefors etched signature, 28.5cm. high (3)
A Collection of Art glass and crystal to include Orrefors Corona clear crystal bowl, White Friars block vase, Adrian Sankey Apple paperweight and pot pourie vase, Nachtmann crystal glass dolphin candle sticks, Italian glass squirrel paperweight, St. Johns Crystal bulbous vase, art glass paraffin lamp with plated top lid, Large Art glass centre piece and White Friars style drinking glass.
SVEN PALMQUIST FOR ORREFORS; a 'Ravenna' glass bowl with shaped rim, signed and no. 4363 to base, diameter 25.7cm. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukLight general surface wear and minor scratches to interior, internal blemishes in the glass, scratches to the outside of the bowl and the bowl requires a good clean, minor bruise to the outside, no cracks. Postage to a UK address will be a medium box.
SVEN PALMQUIST FOR ORREFORS; a 'Kraka' vase, the cased body with blue tint above mesh and air bubble detail, signed no. 411 to base, height 22.2cm. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Tiny chip to underneath of base,surface dirt to interior, otherwise in good condition.
EVA ENGLUND FOR ORREFORS; a 'Maja' painted crystal bowl on circular foot, signed with initials 'E.E.A.L.' and bearing label, diameter 17.5cm, and a turquoise perfume bottle with clear stopper by Anne Nilsson, signed to base, height with stopper 14.5cm (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Chip to top corner of perfume bottle, tiny chip to base, minute nibbles to rim of bowl, and air bubbles created as part of the manufacturing process.

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4851 Los(e)/Seite