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''Ariel'' - Schale Lars Hellsten (Entwurf), Orrefors Gallery, 1988 Farbloses Glas mit blauem Überfang. Dekor nach Zwischenkühlung in kalter Technik herausgearbeitet, anschließend wiedererwärmt und dickwandig farblos überstochen. Angesetzter Fuß in Farblos. Unterseite in Gravur bez.: Orrefors Gallery - 88 929320 Lars Hellsten 31-40, mit dem Namenszug des Entwerfers. Orig- Aufkleber. H. 10,5 cm; D. 24 cm Lit.: A. Duncan, Orrefors Glass, 1995, S. 198 f.

Vase Mats Bergström (Entwurf), Orrefors Gallery, 1988 Farbloses Glas, mit beigefarbenem Opal unterfangen, schwarz überfangen. Angesetzter Sockel in Farblos. Horizontaler Rillenschliff. In Gravur bez.: Orrefors Gallery -88 907679 Mats Bergström 23-30 und Namenszug des Entwerfers. H. 32 cm

PAIR OF SWEDISH STROMBERGSHYTTAN GLASS VASES,each with wheel-engraved decoration of a ship, both signed, 11cm high, along with a Kosta Boda tealight holder and a pair of candlesticks with shallow recesses to tops, possibly Orrefors (5)

An Orrefors geometric cut clear glass vase designed by Ingeborg Lundin. 20cm high

Three pieces of Scandinavian clear glass including an Orrefors 'Thousand Windows' vase by Simon Gate, An Iittala dish and an Afors vase etched with a female figure. Tallest 10.5cm

An Orrefors clear glass fruit bowl with cut circular detail, 8cm high x 20cm diameter

Simon Gate - Orrefors - A 1930s Art Deco clear crystal glass bowl of high sided form with a cut and polished repeat wave line above a plain black glass foot, engraved signature, height 8.5cm.

Vicke Lindstrand - Orrefors - A Pearl Diver glass vase circa 1931, of footed form with tapering optic moulded bowl, engraved by Emil Goldmann with the original design of three stylised nude figures swimming, one with a knife at the ready, with polished printie, engraved signature and pattern number 1115, height 34cm.

Vicke Lindstrand - Orrefors - A Swedish glass decanter, circa 1934, of square section with short collar neck, with a corroso finish, with conforming stopper, engraved signature, height 24cm, S/D, with a matching drinking glass of footed conical form. (2)

Vicke Lindstrand - Orrefors - A 1930s Persica glass decanter, the ovoid body with optic ribbing, with conforming tubular stopper, engraved signature, height 25.5cm.

Simon Gate - Orrefors - An Art Deco glass decanter, circa 1934, of cylindrical form with short collar neck, with applied black foot, and black stopper, engraved signature, height 21.5cm.

Sven Palmqvist - Orrefors - A post war glass vase, the circular base rising to a square rim, engraved with a little girl holding flowers, engraved signature and retains label, height 14.5cm, together with a pair of Kosta candle holders, each of ovoid form with a polished surface, the first engraved with a bird with a branch, the other with a basket of flowers, each with an engraved signature. (3)

Sven Palmqvist - Orrefors - A mid 20th Century clear glass Sail vase of slender swollen sleeve form, engraved with an abstract linear design, engraved marks, height 20.5cm.

Eva Englund - Orrefors - A post war footed glass bowl, decorated with dark blue outlined flowers and leaves over a mottled orange ground and cased in clear, signed, width 20cm, height 11cm.

Nils Landberg - Orrefors - A post war Dusk glass vase of tapering triangular form, the smoky olive core cased in clear crystal, engraved signature, height 28.5cm

Edward Hald - Orrefors - A post war Swedish glass decanter, circa 1951, of compressed ovoid form, cased in amber over clear with polished faces, conforming stopper, engraved signature, height 24.5cm.

Vickie Lindstrand - Orrefors - A Swedish glass decanter, circa 1939, of ovoid form, cased in amber over clear with four polished faces, with clear torpedo form stopper, engraved signature, height 31cm.

VICKE LINDSTRAND (Gothenburg, Sweden 1904 - 1983 ), for KOSTA. Sweden ca. 1950.Blown glass vase.Hand signed with burin "kosta" and numbered, on the back of the base.Measurements: 14 x 9 x 7 cm.Blue and translucent blown glass soliflower vase, circular in shape with flat sides.Victor Emanuel Lindstrand, known as Vicke Lindstrand was a glass designer, textile and ceramic designer and painter. He is considered a pioneer of Swedish glass art. He began his career at the glass manufacturer Orrefors in 1928. He pioneered more daring art glass designs at Orrefors and, together with Edvin Öhrström and Knut Bergqvist, invented the Ariel technique. In 1950 he joined Kosta Glasbruk as artistic director before retiring in 1973. At Kosta, he was the dominant designer and lent his name to many designs that are now classics. At this point, Lindstrand began to inject more and more colour into his creations, resulting in iconic designs such as Trees in the Fog and Autumn. He spent the last 10 years of his life as a freelance artist working with Hanne Dreutler and Arthur Zirrnsack at Studio Glashyttan in Åhus. He made his debut as a designer at the Stockholm World Exhibition in 1930, where he presented twelve glass vases with enamel decoration in exotic patterns. For this he received great attention in international design publications. Lindstrand added new artistic dimensions to the already famous Orrefors glass with his unique designs and revitalisation of classical forms and techniques. During his time at Orrefors, he worked on etched glass and Graal vases. With sculptor Edvin Öhrström he developed the new Ariel technique. Orrefors could not afford to keep Lindstrand during the war and between 1943 and 1950 he became creative leader at Uppsala Ekeby, where he designed many different stoneware objects, from vases to figurative sculptures.

Two Mid 20th Century Selena Opalescent Glass Bowls, Probably Sven Palmquist for Orrefors, Although Signature Rubbed, Engraped PU3090, 12cm and 13cm Diameter

A Modern Glass Ashtray by Orrefors Together with an Orrefors Bowl

Four items of Orrefors glass and two other items of Scandinavian glass

An Orrefors icicle vase together with a Kosta Boda by Erik Hoglund blue vase

QUANTITY OF 20TH CENTURY DRINKING GLASSES TO INCLUDE ORREFORS

An Orrefors green glass Applet (Apple) vase, designed in 1955 by Ingeborg Lundin, etched 'Orrefors Expo Nr 32 57 Ingeborg Lundin' to base, height 40cm. Note: Ingeborg Lundin's 'Apple' vase is one of the most iconic Scandinavian glass designs. Lundin joined Orrefors in 1947 as the company's first female designer. The Apple was created for the Helsingborg 1955 exhibition and remains a symbol for the golden age of Swedish art glass.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A quantity of mostly cut glassware, including Webb champagnes, Orrefors champagne flutes and other glass

A collection of glassware to include a green Bohemian glass vase converted to a table lamp set with gilt decoration and enamelled panel depicting a young woman with lace veil 29.5 cm high excluding fittings together with Orrefors square based decanter 23.5 cm high, a Murano handkerchief style vase approx. 13 cm high, oversized egg timer, a glass punch ladle and a Doulton Lambeth baluster shaped vase with floral and butterfly decoration by Lizzie Shettleworth 32 cm high

A Collection of Various Glassware to comprise Bohemian Purple Glass Bowl, Orrefors Heavy Glass Shaped Bowls, Pair of Villeroy and Boch Candlesticks, Cut Glass Candleholders, Green Glass Two Handled Vase Etc

Orrefors 'Ariel' glass bowl by Öhstrom and other glass

A Gunnar Cyren for Orrefors bowl and a footed bowl, tallest 21cm

A small Orrefors engraved glass vase, signed Gate, 9cm

Nils Landberg for Orrefors, a Swedish Modernist glass decanter, Prelude, circa 1957, teardrop bottle form with mitre cut neck, hollow ovoid stopper, 32cm high

Art Glass - a Kosta Boda blue and clear cloud glass bowl; Holme Gaard candlestand; Echt Bleincristal amber and clear hand cut overlaid glass vase; Orrefors bud vases etc (14)

Four cut glass crystal animals comprising Villeroy & Boch bison and bear, further Orrefors bear and a Wedgwood pig, together with a heavy Scandinavian glass fruit bowl with indistinct makers mark to base, 22cm diameter (5)

A Mats Jonasson glass intaglio paperweight of a Viking longboat, signed, 7.5cm x 11cm; a pair of Orrefors style vases, decorated with angelfish, 18cm; and another Mats Jonasson paperweight of a polar bear.

Edvin Ohrstrom (1906-1994) For Orrefors: An Ariel Glass Vase, coloured with red glass cased in clear, engraved orrefors Ariel no 96F Edvin Ohrstrom, 20cm high; and A Clear Cut Glass Vase, engraved orrefors, 11cm high (2)Condition report: Ariel vase is in good order. Orrefors cut vase has two tiny nicks on foot rim. Ait bubble hole on rim and side.

Simon Gate (1883-1945) for Orrefors: A Glass Vase, of compressed oval form, wheel engraved with a Javanese dancer, signed orrefors Gate 2235 ?, 25cm high

Simon Gate (1883-1945) for Orrefors: A Facetted Clear Glass Vase, signed orrefors 1936 GA1505/1,18.5cm high; and A Facetted Smokey Glass Vase, signed of GA 381, 10cm (2)

Edward Hald (1883-1980) for Orrefors: A Clear Glass Vase, of swollen ovoid form with repeat vertical concave pillar cuts, engraved of HA 1539/1, 25cm high; and A Facetted Clear Glass Vase, engraved orrefors HA 1785/1, 14cm (2)

Edward Hald (1883-1980) for Orrefors: A Clear Blown Glass Vase, of tapering cylindrical form, engraved with fish, engraved orrefors HA 1919, 27cm high; and A Clear Glass Vase, with bubbles, engraved orrefors sweden Edward Hald 1746-175 and a compass, 12cm high (2)

A Swedish Glass Vase for Orrefors, engraved with Romeo and Juliet scene, engraved 'Orrefors' underneath, height 20 cmGeneral surface wear and some small chips to the edge and rim.

Two Swedish Glass Vases and A Crystal Bowl For Orrefors, Two vases designed by Sven Palmqvist and bowl unsigned, vases engraved with figures, tallest 21 cm (3)In good overall condition with no signs of damage or repair, general surface wear as expected with age.

Three Swedish Glass Vases, to include one by Nils Landberg for Orrefors, one by Sven Palmquist for Orrefors and one by Bengt Edenfalk for Skruf Crystal, each engraved differently, Tallest 19 cm (3)All in good overall condition with no visible signs of damage or repair, general surface wear expected with age.

Sven Palmqvist for Orrefors, a Kraka glass vase, of bottle form, etched marks to underside24cm highCondition report: In good condition, free from damage or repair.

Six items of Scandinavian Glass including Kosta Boda, Holmegaard and Orrefors

Nils Landberg for Orrefors a 'sommerso' vase: of paddle-shaped form, the smoked glass body cased in clear, diamond point etched Orrefors and 3538/1 with factory label, 34.5cm high.

Orrefors crystal glass bowl, with seven lobes, base inscribed Orrefors 4455-111, 21cm diameter

Vicke Lindstrand for Orrefors etched glass Peace vase, #1647, signed to base, 27.5cm. Appears to be in good order with no evidence of chips or rough edges.

Sven Palmqvist for Orrefors etched glass vase decorated with female nude, #1726, signed to base, 30cm. Very small nibbles or flaws to the rim

An assortment of glassware, including a glass Baccarat model of a polar bear, an Orrefors vase, 4 1/4" high, a glass funnel, two cut glass bowls and other items

A Swedish seaweed Kosta art glass vase by Vicke Lindstrand, together with a 1960's Boda arts bowl designed by Bertil Vallien and an Orrefors/Kosta icicle vase.

AN ORREFORS 'PRELUDE' PART SUITE OF TABLE GLASS 8 water, 11 wine, 6 wine (taller), 6 Champagne flutes, 6 liqueur

An Orrefors glass bowl designed by Edvard  Hald, on black glass foot, 21.5cm diam, engraved marks Good condition with light wear scratches consistent with age but not too noticeable, not cracked or chipped

Pair of Erika Lagerbielke (1960 - ) for Orrefors Blue and Green Glass ' Louise ' Pedestal Bowls, labelled and marks to base, 9cms high

Eight continental glass candle holders including three Holmegaard, Denmark, three Orrefors Sweden, Pukeberg Sweden and Rosenthal Germany

A small group of clear and coloured glass, to include: a Lalique fish, 4.5cm high; an Orrefors masonic dish; and a Hoffmann pin dish. (13)

Nine Orrefors engraved glass plates or dishes, by Edward Hald, each finely decorated with an emblematic figure, comprising five differing designs, to include four duplicates, engraved marks, 15cm diameter.

EDWARD HALD (1883-1980)Glass centre, design Edward Hald. Sweden 1960s.Signed on the side, " G...Po... Sweden nº 24066".Measurements: 6 x 14 x 17 cm.Small Tall graal centrepiece designed for Orrefors, in crystal glass with green shades. Beautiful underwater fish motif, in which the layers of glass create a lively, aquatic effect with fish and algae.Edward Hald was determined to become an artist and began his studies as a painter in 1904.Copenhagen (under Johan Rohde) and later in Stockholm and Paris (partly under Matisse).He first exhibited as an artist in Stockholm in 1909. In 1917, after a major exhibition in Lund, he became interested in glass and ceramics. After designing important ceramics for Rorstrand, Hald joined Orrefors Glass in 1917. For almost thirty years he formed a close partnership with Simon Gate, another important Orrefors designer. He was responsible for a number of important early works, including the famous Graal fish vase which first appeared in 1937. Along with other designers at Orrefors he continued to experiment with Graal, other glass and manufacturing techniques. In 1973 Orrefors held a retrospective exhibition of his works in honour of his 90th birthday. His last exhibition was held in 1978 in Oslo.

EDWARD HALD (1883-1980).Glass vase, design Edward Hald. Sweden 1960s.Signed on the reverse "Orrefors, Graal 146 n Edw... Hald".Size: 20 x 14 x 14 cm.Tall graal vase designed by Edward Hald for Orrefors, in crystal glass with green shades. Beautiful underwater motif with fish, in which the layers of glass create a lively, aquatic effect with fish and algae.Edward Hald was determined to become an artist and began his studies as a painter in 1904 in Copenhagen (under the supervision of Johan Rohde) and later in Stockholm and Paris (partly under Matisse). He first exhibited as an artist in Stockholm in 1909. In 1917, after a major exhibition in Lund, he became interested in glass and ceramics.After designing ceramics for Rorstrand, Hald joined Orrefors glassworks in 1917. For almost thirty years he formed a close association with Simon Gate, another important Orrefors designer. He was responsible for a number of important early works, including the famous Graal fish vase, which first appeared in 1937. Together with other designers at Orrefors he continued to experiment with Graal, other glass and manufacturing techniques. In 1973 Orrefors held a retrospective exhibition of his works in honour of his 90th birthday. His last exhibition was held in 1978 in Oslo.

A 1970s Orrefors Glass decanter and stopper, 25cm, engraved The Martini Treble Winning Jockey 1979 with horse and jockey (2)

Rosenthal Bjorn Wimblad designed pottery mug and an Orrefors glass paper knife and figure of a Joiner, boxed (3)