Bullen, A. H. (editor), Musa Proterva: Love-Poems of the Restoration, London, privately printed by the Chiswick Press, 1889, small 4to (200 x 140mm.), half title, title printed in red and black, original blue cloth, spine lettered in gilt, protective decorative paper dust-jacket, top and tail of spine rubbed, No. 777 of 780 Limited Edition copies. Bullen, A. H. (editor), Speculum Amantis: Love-Poems from Rare Song-Books and Miscellanies of the Seventeenth Century, London, privately printed by the Chiswick Press, 1895, small 4to (200 x 140mm.), half title, title printed in red and black, original blue cloth, spine lettered in gilt, protective decorative paper dust-jacket, No. 312 of 375 Limited Edition copies.
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Corbett, Jim, The Man-Eating Leopard of Rudraprayag, London, Oxford University Press Geoffrey Cumberlege, 1949, 8vo (200 x 130mm.), half title, photographic plates, illustrated endpapers, inscribed and dated by the author on the half title 'I greet you as a friend Charers, for all who walked with me through the jungles of Kumaon, are my friends' original green cloth, dust jacket, worn. Corbett, Jim, Man-Eaters of Kumaon, New York & Bombay, Oxford University Press, 1946, 4to (205 x 135mm.), half title, illustrated endpapers inscribed and dated by the author on the dedication leaf 'To remind you, in the years to come, of your voice in our collage', original red cloth, faded.
Cornwell, Bernard, Sharpe's Trafalgar, London, Harper Collins Publisher, 2000, 8vo (190 x 125mm.), half title, title signed by the auhtor, original blue cloth, spine lettered in gilt, dust-jacket, First Edition. With a number of other works including Iain M. Banks 'Feersum Endjinn' (London, 1994), Ronald W. Clark's 'An Eccentric In the Alps' (London, 1959), Hugh Ruttledge's 'Everest 1933' (London, 1936), Edward Shackleton 'Nansen The Explorer' (London, 1959), Heinrich Harrer's 'Seven Years in Tibet' (London, 1953), and a signed copy of Salmon Rushdie's 'The Satanic Verses' (London, 1988).
Fleming, Ian, Dr. No, London, Jonathan Cape, 1958, 8vo (155 x 105mm.), half title, oiginal black cloth, spine lettered in white, dust-jacket, tears, price clipped, First Edition. With a quantity of other works including R. M. Ballantyne's 'The Iron Horse a Life on the Line' (London, 1871), Kathlenn Hale's 'Orlando The Marmalade Cat A Seaside Holiday' (London, 1991), Jean de Brunhoff's 'Babar The King' (London, n.d.), Len Deighton's 'Close-Up' (London, 1972), John Updike's 'The Centaur' (New York, 1963), and Philip Roth's 'Portnoy's Complaint' (London, 1969).
Mannering, Eva (editor), Mr. Gould's Tropical Birds, London, The Ariel Press, 1955, folio (405 x 290mm.), title printed in green and black, 24 colour plates, illustrations, original limp boards, illustrated dust-jacket, few marginal tears. With the Ariel press published 'Pierre-Joseph Redoute Roses' (London, 1954), and a colour botanical print of 'Hypericum olympicum'.
Milne, A. A., & Ernest H. Shepard (illustrator), The House at Pooh Corner, London, Methuen & Co Ltd, 1928, 8vo (190 x 120mm.), half title, frontispiece, illustrations, illustrated endpapers, original pink cloth gilt, spine lettered in gilt, t.e.g., dust-jacket, spine rubbed. With Milne and Shepard's 'Now We Are Six' (London, 1927), and Dodgson's 'Alice's Adventures in Wonderland' (London, 1919).
Murdoch, Iris, The Bell, London, Chatto & Windus, 1958, half title, original green cloth, spine lettered in gilt, original dust-jacket, with yellow Book Society Choice band around the book, bookplate of W. H. Smith & Son Library, First Edition. With a number of other works including volume two only of Walton & Cotton's 'The Complete Angler' (London, 1826), the W. Heath Robinson illustrated Kipling work 'A Song of the English' (London, n.d.), Henry Holt's 'The Life of Prig' (London, 1885), Winston Churchill's 'The Crisis' (London, 1908), and by the same author 'Coniston' (London, 1906), Kingsley Amis 'I Want it Now' (London, 1968), a signed copy of Minette Walters 'The Echo' (London, 1997), and Clare Leighton's 'Four Hedges A Gardener's Chronicle' (London, 1935).
Pullman, Philip, His Dark Materials (Northern Lights, The Subtle Knife, & The Amber Spyglass), London, Scholastic Press, 2001, tall 8vo (235 x 150mm.), half title, title signed by the author, loose acknowledgement letter inserted, original black cloth, spine lettered in gilt, decorative dust-jacket. With other works by Pullman, 'His Dark Materials Northern Lights' (London, 1995) with a pasted in compliament slip signed by the author, 'Lyra's Oxford' (Oxford, 2003) signed by the author on the title, 'His Dark Materials III The Amber Spyglass' (London, 2000) with two of the author's signatures loosely inserted, 'His Dark Materials II The Subtle King' (London, 1997) with a signed compliment slip pasted in, and 'His Dark Materials Northern Lights' (London, 1995) signed by the author on the title.
Sparling, H. Halliday, The Kelmscott Press and William Morris Master-Craftsman, London, Macmillan and Co, 1924, 8vo (230 x 160mm.), half title, frontispiece portrait of William Morris, plates, advertisement leaf at end, original cloth backed spine, title label pasted onto spine, dust-jacket, tears. With the William Targ edited 'Carrousel for Bibliophiles' (New York, 1947), J. A. Herbert's 'Illuminated Manuscripts' (Bath, 1972), a privately printed copy of 'The Dun Emer Press ... The Cuala Press...' (Dublin, 1932), a limited edition copy (one of 250) 'A Bibliography of the Books Issued by Hacon & Ricketts' (London, n.d.), William Blades 'The Enemies of Books' (London, 1896), and John Willis Clark's 'The Care of Books' (Cambridge, 1901).
Vidal, Gore, Myra Breckinridge, Boston & Toronto, Little, Brown and Company, 1968, 8vo (210mm.), half title, original black cloth, spine lettered in gilt, dust-jacket, First Edition. With a number of other works including Henry Miller's 'Just Wild About Harry' (New York, 1963), Maude Hutchins 'Love is a Pie' (New York, 1952), Kingsley Amis 'Take a Girl like You' (London, 1960), John Updike's 'Couples' (London, 1968), Lawrence Durrell's 'The Black Book' (New York, 1960), Henry Miller's 'Tropic of Capricorn' (New York, 1961), Nelson Algren 'A Walk on the Wild Side' (London, 1957), Norman Mailer's 'Deaths For The Ladies (and other disasters) ' (New York, 1962), Edna O'Brien 'August is a Wicked Month' (London, 1965), John Osborne 'The World of Paul Slickey' (London, 1959), Stephen Schneck's 'The Nightclerk' (New York, 1965), and Charles A. Lindbergh 'The Spirit of St Louis' (New York, 1953).
Wells, H[erbert] G[eorge], Men Like Gods, London, New York, Toronto, and Melbourne, Cassell and Company Ltd, 1923, 8vo (190 x 120mm.), half title, slight browning to endpapers, original green cloth, dust-jacket, slightly creased and nicked, second state binding with publisher's name in blind at foot of the spine, First Edition, Second Issue.
A pair of 19th century Meissen twin handled figural table candlesticks, modelled as a young man with a black wide brimmed hat, a blue jacket, on rococo plinth, supporting flower encrusted spiral column branches, blue painted crossed sword mark and impressed number marks, his companion with striped skirt and chequer decorated bodice (2) 20cm high
A lady's gown of bright yellow silk shot with gold, the high waisted bodice with draw-string neckline, long sleeves with pleated sleeves and soft pleated skirt, circa 1810; and a matched bolero jacket of bright yellow satin, applied with soft pleated trim to neckline and front opening, ruching to shoulders and cuffs, lined in yellow (2)
A lady's riding habit of dark green wool broadcloth, comprising a fitted jacket with stand collar and front buttoned detailing, and a trained skirt, circa 1880; two pairs of black leather riding boots with wooden shoe trees; a collection of cravats; a lady's bodice of navy broadcloth; and another lady's jacket of navy broadcloth, with navy cut velvet lappels and cuffs, decorated with gilt metal buttons bearing crests; contained within a black painted metal bound trunk
A gentleman' s Ayrshire Hunt jacket, of scarlet red broadcloth, with deep collar, slightly puffed sleeves and tails, Ayrshire Hunt gilt metal buttons; a waistcoat of red wool cloth, lined and labelled in ink 'Hamilton Sundrum', and five pairs of whitened buckskin/suede breeches, early 19th century, contained within a later metal bound domed leather trunk
A gentleman's court suit of navy cut velvet, comprising a front opening jacket with stand collar and tails; a pair of matching breeches, each with bright cut steel buttons; a bicorn hat; dress sword with cut steel hilt; velvet scabbard; a pair of bright cut steel and black leather buckles, cased; and another pair of buckles, contained within a painted metal trunk, with applied plaque 'C.W. Mitchell Esq.'
A collection of late 19th/early 20th century gentlemens' costume, including livery and military costume; a heavy linen double breasted gardening jacket; a boating jacket, bearing internal label 'C Mitchell', Thomas Plant and Co., of Cheltenham; a pair of riding breeches; two black silk top hats and two further grey felt examples (qty)
Theatrical Costume; a gentleman's 'Elizabethan' type suit of navy cut velvet applique with navy blue silk stripes and silk covered buttons; comprising a doublet type jacket with muslin ruffle stand collar and cuffs, lined in blue and navy silk; a pair of full breeches trimmed with imitation Chantilly lace to the leg aperatures and lined in brushed cotton; a short cape; and a matching sword belt set with gilt metal mounts, late 19th/early 20th century (4)
Theatrical costume, a full-length tabbard/robe of golden lame type fabric, embroidered and applique with lions rampant and encrusted with colourless paste and red glass cabochons; matching headress; thee contemporary black and white photographs of 'Isabella' wearing the outfit, circa 1905; a page boy's outfit of blue satin, embroidered in metal threads, comprising a lace trimmed fitted jacket, breeches, matching black velvet cap; and further 20th century costume (qty)
A collection of sporting books including "The Game of Golf", various contributors, London Seeley, Service & Company Ltd 1931 complete with price intact dust jacket; "Bedrock Principles of Golf" by WW Lowe, Collins London 1937 complete with dust jacket (af), "A New Way to Better Golf" by Alex J Morrison, William Heinemann London 1934, "Forty Years in Football" by Ivan Sharpe, Hutchinson's London 1952 complete with dust jacket together with "Secret Session Speeches" by Winston S Churchill, Cassell & Company 1946, with dust jacket
An Officer's Uniform of the Scots Guards A good KC period Full Dress tunic with Lieutenant's embroidered Thistle Star badges of rank; a gold and crimson State sash; a gold and crimson aiguillette for an ADC; a pair of blue barathea overalls with 2in. scarlet stripes; an exceptionally fine blue winter weight braided frock coat; a good crimson silk weight-sash; a scarlet mess-jacket with single loop of cord on cuffs, embroidered collar-badges and companion waistcoat with gilt mounted QEC buttons; in a metal trunk with plaque inscribed Capt. Harbord Scots Guards (lot) of tunic and frock coat
Officer's Uniform Items of the Scots Guards A good Captain's regulation Full Dress tunic, bearing QVC mounted buttons (KC buttons on cuff-slashes), Bath Star badges of rank, and embroidered R on shoulder-straps, label inscribed Capt. J. H. Cuthbert (lining AF, but skirt-lining sound); a gold/crimson State Dress waist-sash; a crimson silk Guard Order waist-sash, an Atholl Grey cape, the gilt collar-chain with Thistle Star finials, with small regimental buttons; a mess jacket, with embroidered collar-badges and double row of gold cord on sleeves, label inscribed J. Harold Cuthbert Esq (lining AF); a Major's blue frock by Guthrie & Valentine (owner's name illegible) and pair of trousers with 2in. scarlet stripes; and a fine blue coatee of the THIRD GUARDS CLUB, with black velvet collar and indented gilt club buttons (lot) of tunic and sash
Uniform Items of the Household Cavalry An assortment of Post War Other Ranks' uniform, as follows: a pair of white Full Dress leather pantaloons; a pair of Full Dress jack boots, complete with spurs and spur-chains; a Nº1 Dress jacket of The Blues and Royals with embroidered Eagle on sleeve, companion overalls with wide scarlet cloth stripes; a blue peaked forage-cap of The Life Guards with AA badge and two rows of Russia braid on peak; a khaki peaked service-dress cap of The Life Guards with black oilskin lining and a Nº2 Dress jacket of The Royal Horse Guards
'Worcester at Work' compiled printed and published by 'The Worcester Daily Times'. 1903. Folio Edition. Together with a pamphlet entitled 'British Industries' reprinted from; 'The British Trade Journal' Feb 1st 1881, Worcestershire by J S Leatherbarrow, Published by B T Batsford Ltd, London.1974. 1st Edition. In original dust jacket, and 'Bartholomew's Pocket Atlas and Guide to Birmingham'. Published by John Bartholomew and son Ltd. Edinburgh 1952. (4)
A quantity of hard-backed antique related books, including 'Staffordshire Portrait Figures of the Victorian Age' by Thomas Balston, in original dust jacket, Titles from 'The Faber Monographs on Pottery and Porcelain' edited by W D Honey, including the titles 'French Porcelain', '19th Century English Pottery and Porcelain', 'Worcester Porcelain', 'Chinese Celadon Wares', and others (13 Approx)
A Beswick Beatrix Potter 'Pigling Bland' figurine, from F Warne Co Ltd. Dark maroon jacket, light blue waistcoat, and red basket. Gold mark to base. Numbered 90, Together with a Beswick Beatrix Potter 'Samuel Whiskers' figurine from F Warne Co Ltd. Green jacket and mustard waistcoat, yellow breeches, gold mark to base (AF) 4" and 3 1/2" high (2)
A FRAME OF SIX OVAL PORTRAIT MINIATURES various periods, being:-, 1. Portrait of a lady wearing a blue and white dress, cream necktie and powdered wig, 5cm., 2. Portrait of a gentleman wearing a red fur trimmed coat and powdered wig, bears part date 78 or 18, height 5cm., 3. Portrait of a gentleman, wearing a blue jacket and white cravat, 5cm., 4. Portrait of a lady, wearing a white dress and white headpiece, 7cm., 5. Portrait of a young man, wearing a black jacket and white shirt, 5.5cm., 6. Portrait of a young man, wearing a brown jacket, probably a touched up photograph, 6cm., All contained in a glazed frame, 14cm x 45cm.

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