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George Weissbort (1928-2013), a still life of a red flowers and fruit, oil on canvas laid down, 18" x 21.5" (46 x 55cm), unframed.

19th Century English School, two 19th Century views by different hands, watercolour, one an oval, both around 5" x 7" (13 x 18cm), (2).

Probably American School, Circa 1900, a view of a Native American Encampment in a valley, oil on panel, 20" x 24.5" (51 x 62cm).

Alphonse Legros, a thatched building on a hillside, etching, signed in pencil, plate size 4.75" x 7" (12 x 18cm) unframed, a/f.

Herbert Dicksee, study of a springer spaniel, colour etching, later impression, plate size 13" x 9" (33 x 23cm).

Circle of Harlamoff, head study of a young girl with a red ribbon ties in her hair, oil on canvas, 18" x 15" (46 x 38cm).

20th Century, Possibly Australian School, an untitled abstract composition, oil on artist board, 16" x 20" (40 x 51cm).

George Weissbort (1928-2013), still life featuring a cornet on a tabletop, oil on board, 18" x 24" (46 x 61cm), unframed.

George Weissbort (1928-2013), a still life of wine, bread and other objects on a tabletop, oil on canvas laid down, 18" x 21.5" (46 x 55cm).

Raymond Allen Jackson, 'By Jove, That Nearly Woke Reggie Up', ink and watercolour, signed, 17" x 21" (43 x 53cm), unframed.

20th Century Soviet Subject, a head and shoulders portrait of Lenin in a button-down collar, oil on canvas, 51" x 37" (129 x 94cm).

George Weissbort (1928-2013), a still life of fruit in a wicker basket, oil on canvas laid down, 18" x 22" (46 x 56cm).

Karas Olissia, Late 20th Century Russian School, young girls picking flowers in a garden, oil on canvas, signed verso, 17" x 21" (43 x 53cm).

George Weissbort (1928-2013), a still life study of fruit and a marble figurine, oil on canvas laid down, signed, 15" x 18" (38 x 46cm), unframed.

George Weissbort (1928-2013), a still life of a claret jug, with grapes and glasses, signed, oil on canvas laid down, 21" x 25" (54 x 64cm), unfra...

19th Century English School, figures by a mountain river with castle ruins beyond, oil on canvas, 8.5" x 14" (21.5 x 36cm).

19TH Century Japanese School, possibly Seki Sanjuro, a nobleman with courtiers, woodcut, 14.5" x 9.5" (37 x 24cm), unframed.

George Weissbort (1928-2013), a still life of a trumpet and sheet music, oil on board, 18" x 21.5" (46 x 55cm).

A 20th Century surreal scene of a figure running in street, pastel, indistinctly signed, 26" x 39.5" (66 x 100cm).

19th Century English, possibly Norwich School, figures by a riverside cottage with a church spire beyond, oil on canvas, 12" x 16" (30 x 41cm).

George Weissbort (1928-2013), a still life of root vegetables and an earthenware urn on a tabletop, oil on board, 29" x 36" (74 x 92cm).

E. Kirkall after Charles Coypel, 'The Ephesian Matron', sanguine mezzotint, 15" x 12" (38 x 30cm) in a verre eglomise frame.

Thomas Tegg (1776-1845), 'The Modern Babel, or Crushed by the Weight of Evidence', hand coloured engraving, 13" x 9.5" (33 x 24cm).

John Tenniel (1820-1914), 'Treaty of Berlin', the Cheeky Chick, pencil, signed with initials, 8" x 6" (20 x 15cm), unframed.

Thomas Rowlandson (1756-1827), 'Fillial Affection or a Trip to Gretna Green', hand coloured engraving, 11.5" x 16.5" (29 x 42cm).

George Weissbort (1928-2013), workers in a field with a church beyond, oil on board, 28.75" x 36.25" (73 x 92cm), unframed.

20th Century Soviet Subject, Lenin stood in an office holding a book, oil on canvas, 72.5" x 48.75" (184 x 124cm), unframed.

20th Century Russian School, a portrait of a young female, oil on canvas, 51.25" x 37.5" (130 x 95cm), unframed.

After the Old Master from the Borghese Gallery and Museum, Christ on the cross, oil on canvas, 31.5" x 22.5" (80 x 57cm).

Attributed to Leonard Raven-Hill (1867-1942), 'The Postmaster General', ink and charcoal, 12.5" x 10" (32 x 25.5cm), unframed.

Leonard Raven-Hill (1867-1942), '11Millions Surplus', ink and charcoal, signed, 14.5" x 10.5" (37 x 27cm), unframed.

W. Dickinson after R. E. Pine, David Garrick Esq', (reading the Scottish play), mezzotint, 14.5" x 10.5" (37 x 27cm), a/f.

Late 19th Century Continental School, female figures gathered by a stream on a rocky coastline, oil on canvas, 19.5" x 24" (50 x 61cm).

After Landseer, 'A Distinguished Member of the Humane Society', oil on canvas laid down, 27" x 34" (69 x 76cm), unframed, a/f.

George Weissbort (1928-2013), a landscape view of a churchyard, oil on canvas, laid down, 22" x 29.5" (56 x 75cm), unframed.

John Tenniel (1820-1914), 'Prosecution', a startled man, pencil on paper, signed with initials, 8" x 6.25" (20 x 16cm), unframed.

Irina Savitskaya, Circa 1997, a still life of flowers and fruit, oil on canvas, signed verso, 19.75" x 23.25" (50 x 59cm).

Alphonse Roehn, Early 19th Century, 'Le Boxeur Blesse et Ses Parieurs Consternes', hand coloured engraving, 8" x 10.5" (20 x 27cm).

Late 19th Century English School, fishing boats in a bay at dusk, possibly a Cornish view, oil on canvas laid down, 17.5" x 23.5" (44.5 x 60cm).

George Weissbort (1928-2013), a still life of flowers and other objects on a tabletop, oil on canvas laid down, 18" x 21.5" (46 x 55cm).

George Weissbort (1928-2013), a still life of a classical tazze with wine and a top hat, oil on board, 23.75" x 35.5" (60 x 90cm).

George Weissbort (1928-2013), an oil on board head study of a female figure covering her mouth with her hand, 7" x 7" (18 x 18cm).

George Weissbort (1928-2013), a still life study featuring instruments, oil on canvas laid down, 14" x 21.5" (36 x 55cm), unframed.

George Weissbort (1928-2013), a still life of flowers in a blue and white vase, oil on canvas laid down, 18" x 13" (46 x 33cm) unframed.

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