British & European Paintings, Old Master Prints & Drawings, 20th Century Pictures & Prints

* Carducho (Vicente, 1576-1638). Holy Family with Saint Catherine, Mary Magdalen and Saint Luke, circa 1630-1638, pen and black ink and brown wash...

* Circle of Federico Zuccaro (circa 1543-1609). Head of a Boy with a Ruff, circa 1600, oil on wood panel, 107 x 74 mm (41/4 x 3 ins), inset 19th c...

* Dutch School. Dutch galleons on choppy seas, one firing a report, a coastline with windmill on the horizon, 17th century, oil on panel, 47 x 61 ...

* Flemish 17th century School, Adoration of the Magi, oil on copper with gilding, 20.8 x 16.9 cm, framed, 28.5 x 28.4 cmQty: (1) ...[more]

* Circle of Salvator Rosa (1615-1673). An extensive mountainous landscape with hunters, oil on canvas, 49.3 x 67.3 cm (19 3/8 x 26 1/2 ins)Qty: (1...

* Attributed to Sir Joshua Reynolds (1723-1792). Child's Head, after Antonio da Correggio (1489-1534), oil on canvas, 44.5 x 36.2 cm (17 1/2 x 14 ...

*Circle of Julius Caesar Ibbetson (1759-1817). Peasant women with a donkey, a suckling calf and haymakers in an extensive landscape with a river a...

* Attributed to Biagio Pupini (circa 1496-circa 1575). Nymph pouring water from an urn aided by putti, after Giulio Romano (1499-1546), pen and br...

* Follower of Raphael Sanzio (da Urbino, 1483-1520). Infant Saint John baptising seated Christ child holding a palm branch, pen and brown ink laid...

* German School. Head of a Wild Man, 16 century. Pen and black ink on a brown-pink prepared laid paper, some marks and light soiling, indistinct c...

* German School. Saint Christopher carrying the Infant Christ, 16th century. pen and black ink on laid paper, being a partial and free copy after ...

* Attributed to Giovanni Lanfranco (Parma 1582-1647 Rome). Study for the Transfiguration, black chalk heightened with white on grey-green, fibrous...

* Follower of Giovanni Lanfranco (1582-1647). Saint Anthony in the wilderness, pen and dark grey ink and grey wash on fine laid paper, inscribed '...

* Attributed to Stefano della Bella (1610-1664). Griffins guarding a martial cartouche, a hunting dog chasing a hare on the first tier; two eagles...

* Attributed to Pietro Bernardi (circa 1585/90-1623). A young saint kneeling, pointing heavenwards, black chalk heightened with white on fibrous b...

* Circle of Jan Breughel (1568-1625). Three Peasants, probably late 16th or early 17th century, pen, ink and brown wash on laid paper, with additi...

* Attributed to Remigio Cantagallina (Florence 1582-1630). View of Pisa with a canal, pen and umber ink with brown wash on fine laid paper with in...

* Follower of Domenico Zampieri, Il Domenichino (1581-1641). Study of a male figure, possibly for a Transfiguration or Ascension scene, with a sep...

* Attributed to Pietro Bernardi (c. 1585/90-1623). St. Francis receiving the Stigmata with figures cowering beneath his cloak, black chalk heighte...

* Circle of Giorgio Vasari (1511-1574). Battle scene with pikebearers, pen and brown ink and wash, inscribed verso 'Matteo Rosselli / Vasari for f...

* Italian School. Study of a Young Boy Reaching Upwards, 17th century, red chalk on laid paper, laid down on old card, with pale blue wash outer b...

* School of Carlo Maratta (Camerano 1625-Rome 1713). Seated male figure, black chalk heightened with white, recto; and Group of Women and Children...

* Attributed to Conrad Martin Metz (1749-1827). Apollo playing his Lyre to an assembled group of figures in a clearing by a stream, pen, black ink...

* Attributed to Pier Francesco Mola (Coldrerio 1612–1666 Rome). Holy Family with Saint Joseph and Saint John the Baptist, pen and brown ink and wa...

* Circle of Pierfrancesco Mola (1612-1666), The Rest on the Flight into Egypt, pen, brown ink and brown wash on laid paper, sheet size 27.6 x 19.0...

* Attributed to Pierre Paul Prud'hon (1758-1823). Cupid and Psyche, black chalk heightened with white chalk on pale blue laid paper, some light sp...

* Roman School. Nymph chased by a Satyr, with Cupid and two Putti, first half 17th century, pen and brown ink, grey wash, heightened with black ch...

* Attributed to Giovanni Francesco Romanelli (1610-1662). Moses striking water from the rock, circa 1640-50, large-scale composition in pen and br...

* Hussey (Giles,1710-1788). Roman bust of Caligula, from three-quarter profile to profil perdu, sanguine chalk on fine laid paper with watermark i...

* Circle of George Romney (1734-1802). A group of oppressed male and female figures, brown ink and red chalk on pale buff textured laid paper, ins...

* Van Loo (Carle, 1705-1765). Academy study: Reclining male nude with raised arm, red chalk on cream laid paper, single-rule framing line in brown...

* Baratta (Antonio, 1724-1787). Dessein du Spectacle, que leurs Excellences Messeurs Nicolas Michieli, et Philipe Calbo Sages préposés au Trésor, ...

* Bartolozzi (Francesco, 1727-1815). Bacchanal of seven children with wine barrel, & Bacchanal of nine children at play with a goat and satyr, 176...

* Beham (Hans Sebald, 1500-1550). St Anthony the Hermit, 1521, engraving on laid paper, a very good impression on a laid paper support, trimmed to...

* Bloemaert (Cornelis, circa 1603-1692). The Temptation of St. Anthony, engraving on laid paper, after Abraham Bloemaert, with engraved inscriptio...

* Buffagnotti (Carlo Antonio, 1660-(c.1715). Four etched plates of stage designs (including three for the spectacle entitled Endimione): Facciata ...

* Castiglione (Giovanni Benedetto, 1609-1664). Man with beard and moustache wearing a turban, from the series Large Heads in Oriental Headdress, e...

* Attributed to Antonio de Pereda y Salgado (1608/11-1678). Saint John the Baptist, black chalk on laid paper with early attribution in brown ink ...

* De Jode (Pieter II, 1603-circa 1674). King Charles I and Queen Henrietta Maria, after Anthony van Dyck, circa 1650-55, two etchings on laid pape...

* De Vos (Martin, 1532-1603). Mulier Inclinata (plate 9 from Icones Illustrium Feminarum Novi Testamenti), circa 1590-1612, etching on laid paper,...

* Faber (John, 1684-1756). Hippocrates Hiraclidae, F. Cous, circa 1720-25, mezzotint on laid paper, with watermark of a shield and fleur-de-lys, s...

* Florentine School. Satyr abducting a nymph, early 17th century, sanguine crayon on fine laid paper, in very good condition, a few unobtrusive cr...

* Gheeraerts (Marcus, I, 1516/21 - circa 1590). The Horse and the Ass, & The Greedy Bird-Catcher (from Aesop's Fables), 1567, two etchings on laid...

* Gillot (Claude, 1673-1722). Witches' Sabbath, etching on laid paper, with indistinct watermark, pale overall toning, close-trimmed to plate marg...

* Glass Paintings. A Matronly Lady in white satin be-ribboned bodice and lace cap, circa 1760, reverse glass mirror painting, framed as an oval, f...

After Guercino (Giovanni Francesco Barbieri, detto Il Guercino, 1591-1666). Racolta di alcuni disegni del Barberi da Cento, detto Il Guercino, Rom...

* Isselburg (Peter, circa 1568/1580-1630 or later). Double Portrait of the Holy Roman Emperor Matthias I and Queen Anna of Austria, after Gabriel ...

* Laurie (Robert, circa 1755-1836). Tippoo Saib's Two Sons deliver'd up to Lord Cornwallis, as hostages, after he had so gloriously conquered that...

* Attributed to Johann August Nahl (1752-1825). Acquedotti di Claudio a Tivoli, fine sepia wash over etched outline, on laid paper (bears partiall...

* Circle of Guido Reni (1575-1642). Study of the head of a youth, with a study of a hand palm upraised (verso), & Study of a hand, youth’s head in...

* Sadeler (Aegidius, 1570-1629). Portrait of Charles de Longueval, Duc de Bucquoy (1571-1621), 1621, engraving on laid paper, trimmed to (or just ...

* Sichem (Christoffel van, 1546-1624). Judith with the Head of Holophernes after Hendrick Goltzius (1558-1617), woodcut, a very good impression on...

* Stolker (Jan, 1724-1785). Backgammon Players in an inn, mezzotint after Jan Steen (circa 1625-1679), on laid paper, two or three short closed te...