764
Gerard Dillon (1916-1971) "Belfast after the Blitz, c. 1941-42," O.O.B., approx. 48cms x 62cms (19"
Gerard Dillon (1916-1971) "Belfast after the Blitz, c. 1941-42," O.O.B., approx. 48cms x 62cms (19" x 24"), signed l.l. ‘Dillon’ Bears label, verso: ‘Arts Council of Ireland: Gerard Dillon Retrospective, Hugh Lane Municipal Gallery of Modern Art. 5th Jan – 4th February 1973, Catalogue No. 16, ‘Belfast after the Blitz’, Owner Mr. Thomas Teevan’. Exhibited: Gerard Dillon Retrospective, Hugh Lane Gallery, Dublin, Jan-Feb 1973, Cat. No. 16. Dillon’s paintings often reflect the angst that had been a part of his life since his childhood in Belfast. Born in 1916, he grew up near the Falls Road, not far from Daniel O’Neill’s family home. Leaving school at the age of fourteen, Dillon moved to London, where he worked as a house painter. Later, while making his name as a full-time artist, he again worked on building sites to earn a living. On the outbreak of WWII, Dillon returned to Belfast, and in April 1941 witnessed the destruction of Belfast’s inner city and docklands by the Luftwaffe. Belfast after the Blitz records this traumatic and tragic event in the city’s history, when over one thousand houses were destroyed and almost one thousand people killed. The painting depicts not only bombed-out houses, but also, in the foreground, those made homeless by the blitz. The painting is marked with diagonal lines, scored into the paint surface by the artist, as a visual expression of his revulsion at what had happened. Although he did not attend art college as a full-time student, from early on in his career Dillon’s work was championed, particularly by fellow-artist Mainie Jellett. He spent some of the war years in Dublin where, in 1942, Jellett opened his first exhibition. Dillon’s friendships with artists such as Daniel O’Neill, George Campbell, Noreen Rice and Nano Reid were important to him, and in the 1950s he enjoyed a considerable degree of success, exhibiting at the Waddington and Leicester galleries and in 1963 having a one-person show at the Whitechapel Art Gallery. In London, Dillon lived in his sister Molly’s house in Abbey Road, St. John’s Wood, in an artistic household. He represented Ireland at the Guggenheim International in 1958 and that same year, notwithstanding his Irish nationalist sympathies, represented Great Britain at the Pittsburgh International. Dillon travelled in Europe and taught for brief periods in London. In 1968 he was in Dublin, designing sets and costumes for Sean O’Casey’s play Juno and the Paycock. He died prematurely three years later, of the congenital heart condition that had already claimed the life of his three brothers. Belfast After the Blitz was in the collection of Thomas Teevan, a distinguished lawyer who in 1953-54 served as Attorney-General of Ireland. The judge, in a celebrated court case where Patrick Kavanagh sued a newspaper for libel, Provenance: Collection of Thomas Teevan, Dublin. A distinguished lawyer and judge, Thomas Teevan served as Attorney General of Ireland in 1953-54. Peter Murray 2024
Gerard Dillon (1916-1971) "Belfast after the Blitz, c. 1941-42," O.O.B., approx. 48cms x 62cms (19" x 24"), signed l.l. ‘Dillon’ Bears label, verso: ‘Arts Council of Ireland: Gerard Dillon Retrospective, Hugh Lane Municipal Gallery of Modern Art. 5th Jan – 4th February 1973, Catalogue No. 16, ‘Belfast after the Blitz’, Owner Mr. Thomas Teevan’. Exhibited: Gerard Dillon Retrospective, Hugh Lane Gallery, Dublin, Jan-Feb 1973, Cat. No. 16. Dillon’s paintings often reflect the angst that had been a part of his life since his childhood in Belfast. Born in 1916, he grew up near the Falls Road, not far from Daniel O’Neill’s family home. Leaving school at the age of fourteen, Dillon moved to London, where he worked as a house painter. Later, while making his name as a full-time artist, he again worked on building sites to earn a living. On the outbreak of WWII, Dillon returned to Belfast, and in April 1941 witnessed the destruction of Belfast’s inner city and docklands by the Luftwaffe. Belfast after the Blitz records this traumatic and tragic event in the city’s history, when over one thousand houses were destroyed and almost one thousand people killed. The painting depicts not only bombed-out houses, but also, in the foreground, those made homeless by the blitz. The painting is marked with diagonal lines, scored into the paint surface by the artist, as a visual expression of his revulsion at what had happened. Although he did not attend art college as a full-time student, from early on in his career Dillon’s work was championed, particularly by fellow-artist Mainie Jellett. He spent some of the war years in Dublin where, in 1942, Jellett opened his first exhibition. Dillon’s friendships with artists such as Daniel O’Neill, George Campbell, Noreen Rice and Nano Reid were important to him, and in the 1950s he enjoyed a considerable degree of success, exhibiting at the Waddington and Leicester galleries and in 1963 having a one-person show at the Whitechapel Art Gallery. In London, Dillon lived in his sister Molly’s house in Abbey Road, St. John’s Wood, in an artistic household. He represented Ireland at the Guggenheim International in 1958 and that same year, notwithstanding his Irish nationalist sympathies, represented Great Britain at the Pittsburgh International. Dillon travelled in Europe and taught for brief periods in London. In 1968 he was in Dublin, designing sets and costumes for Sean O’Casey’s play Juno and the Paycock. He died prematurely three years later, of the congenital heart condition that had already claimed the life of his three brothers. Belfast After the Blitz was in the collection of Thomas Teevan, a distinguished lawyer who in 1953-54 served as Attorney-General of Ireland. The judge, in a celebrated court case where Patrick Kavanagh sued a newspaper for libel, Provenance: Collection of Thomas Teevan, Dublin. A distinguished lawyer and judge, Thomas Teevan served as Attorney General of Ireland in 1953-54. Peter Murray 2024
CHATSWORTH SUMMER FINE ART SALE
Sale Date(s)
Venue Address
Recommended Shipping Companies to assist you with Collection and Shipment:
Mail Boxes Etc , Dublin.
Tel. 01.6710400 Email: info@mbedublin2.com
Mc Cann Removals & Storage, Durrow, Co. Laois
Tel: 0578736596 Email: info@movinghome.ie
Please contact these shipping companies directly to discuss your requirements and for agreed cost quote, delivery schedule, etc.
Important Information
CHATSWORTH SUMMER FINE ART SALE
FINE ART & ANTIQUE SALE - To include: quality Furniture, Paintings, Irish & International Art, Ceramics, Clocks, Fine Selection of Objet d'Art, Light Fittings, Miniatures, Silver and Silver Plateware, Jewellery, Oriental Ceramics & Art, Rugs, Carpets & Tapestries, Militaria, Taxidermy, & Other Collectibles, etc.
Pre-Sale Condition Reports will not be provided on Multiple-Item lots of Silverware, Porcelain, Glassware, or on lots with an estimate below € 250 Euro. All such lots are sold " as is and with all faults "
Terms and Conditions
Buyer's Premium 25 % (VAT inclusive) applicable to all lots purchased. Online bidding surcharge of 5 % applicable.. We accept payment by Debit / Credit Cards (credit card payments from outside the E.U. will incur 3% surcharge) .Payment by direct bank transfer , guaranteed cheque. Cash Payments strictly subject to Anti-Money Laundering provisions and regulations.
PSRA Number 001687
Catalogue Abbreviations : Paintings, Prints, Works of Art, Furniture, etc.
The first name or names and surname of the Artist or Craftsman: In our opinion a work by the Artist of Craftsman. Attributed to: In our opinion probably a work by the Artist or Craftsman but less certainty as to authorship is expressed than in the preceding category.
Studio of: In our opinion a work that may have been executed in whole or in part by the artist's hand. Circle of: In our opinion a work of the period of the Artist or Craftsman that is in a similar style to the work of that Artist or Craftsman.
The surname of the Artist or Craftsman, preceded by “After”: In our opinion, a copy of the work of the artist or craftsman.
Signed – Stamped: Has a signature or stamp, which in our opinion is the signature or stamp of the artist or craftsman.
Bears Signature or Stamp: Has a signature or stamp, which in our opinion might be the signature or stamp of the artist or craftsman.
Dated: Is so dated and in our opinion was executed at about that date.
Bears Date: Is so dated and in our opinion may have been executed at about that date.
Abbreviations
O.O.C. Oils on Canvas O .O.P. Oils on Panel
O.O.B. Oils on Board W/C Watercolour
GOU Gouache MAH. Mahogany
VICT. Victorian ED W. Edwardian
W.A.F. With all faults As Is With all damages, faults, restorations, etc.
S.N.S.R. Sold not subject to return..
O.R.M. Of recent manufacture,
Catalogue Abbreviations ; Books and Manuscripts
mls Manuscript Letters signed
als Autographed Letters signed
acs Autographed Cards signed
pb Paperback
a.e.g. All edges gilt
t.e.g Top edge gilt
w.a.f. With all faults
As is With all damages , faults, restorations.
As a lot With all faults , As is
L.S.s Library stamps
S.N.S.R. Sold not subject to return
Publ. Published
f.e.p. Front end paper
mor Morocco
n.d. No date
n.p. No place
d.j. Dust jacket
L.P. Large paper
h.m.p. Hand made paper
vell. Vellum
hf. Half
d.w.s. Dust wrappers
I.M.C. Irish M/ss Commission
A.M.S Armorial motif on spine
cont. Contemporary
n.a.t. Not affecting text
frontis Frontispiece
engd. Engraved
cold. Coloured
hd. Hand
port. Portrait
N.B.: Please note the auctioneers offer no After Sale Guarantee
whatsoever, with regard to mechanical and electrical items, or
firearms. We accept no subsequent liability for any damage, loss or
injury arising from the use of the foregoing.
IMPORTANT NOTICE
We recommend that any prospective buyer views lots prior to purchase or has a representive do this on his/her behalf. Any condition report given by the auctioneer prior to auction is based on an opinion and should not be taken as a definitive statement of fact.
Any subsequent issues or disputes arising, based on condition reports given prior to auction, will not be entertained.
Fonsie Mealy Auctioneers reserve the right to withdraw or adjust any lot prior to the auction without notice. Any such lots so affected will be announced on the auction day. The auctioneer reserves the right to decline bidding from any prospective bidder.
N.B. All lots purchased are held, pending collection, at the buyer's risk from the fall of the auction hammer.
While the auctioneer endeavours to answer clients enquiries, we accept no responsibility or liability for any inaccuracy in auction results given verbally during the sale days.
We recommend that clients should only make such enquiries following the conclusion of the Sale.
IMPORTANT INFORMATION REGARDING CONDITION REPORTS
All property is sold “as is”, with all faults, without any representation or warranty of any kind by Fonsie Mealy Auctioneers or the seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry.
All statements by Fonsie Mealy Auctioneers made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by Fonsie Mealy Auctioneers of any kind. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. All measurements are approximate.
In the case of Wines and Spirits, Fonsie Mealy Auctioneers do all that is possible to indicate the accuracy of levels. Such levels may change between cataloguing and sales. A risk of cork failure must be taken into account by any potential buyer. The Auctioneers will not entertain any price negotiation or return of purchases nor will substitutes be provided in the case of breakage or error of description. Labels may invariably be stained or torn. Fonsie Mealy Auctioneers reserve the right to open original cases prior to sale to describe levels and condition.
FIREARMS
Special Note Regarding Firearms
A specific Permit or Licence must be produced relating to the Firearm purchased, before same can be removed from our Premises. Please contact your local Gardai.
The shipping of antique firearms and weapons to destinations, particularly outside of the E.U., requires compliance with the stringent regulations governing such. We recommend that intending purchasers seek guidance from our designated shipping company as to these issues , Mail Boxes Etc ,Dublin, Tel. 01.6710400 info@mbedublin 2.com or Pack and Send Belfast Tel ; +44 (0) 2890 219003 Email belfasteast@packsend.co.uk
Lots subject to C.I.T.E.S. cannot be sold to buyers based in countries outside the Europoean Union ( E.U. ) Permission to export such items outside of the E.U. is very restricted / most probably unobtainable.
From time to time digital equipment is used to dispaly items for sale at auction.This service is merely a reminder to the customer of items previously viewed during view days.
We do not guarantee the quality of the item viewed, the accuracy of the the digital image or guarantee the item on display is the item being sold. Disputes arising as a result of digital image display will not be entertained.
Live bidding is subject to occasional interruption and loss of connection and audio / digital image streaming. These are technical issues beyond the auctioneers control, We accept no responsibility for any bids missed, placed in error, or omitted as a result of the foregoing.
Limited Collection available on sale days .
From 9.30 am to 5.30 pm on subsequent weekdays. No collections available at weekends.
We request that all purchases be collected by Friday, 7th June, 2024.
Overseas purchasers are requested to arrange collection and shipment as soon as possible, and by no later than 7th June, 2024.
We recommend the following Shipping Companies to assist you with collection and shipment.
Please contact them directly to obtain shipping cost quote, delivery schedule, etc.
For; Paintings ,Books & Manuscripts :
Callanan Couriers Email: info@callanancouriers.ie
Mob: 0863881072 | 0862545191 Dublin Area Only
For Larger Items.
Carlyle Fine Art Services ; Dublin. Tel; 087.2890898 Email david@davidcarlyle.ie