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HANS BURGKMAIR (AUGSBURG 1473-1531)Plate 106 from the Triumphal procession of Emperor Maximilian, 1522woodcut, trimmed within and just before the ...
ALBRECHT ALTDORFER (REGENSBURG 1480-1538)The Nativity from the Fall and Redemption of Man, 1513woodcut, a fine impression trimmed just outside the...
ALBRECHT ALTDORFER (REGENSBURG 1480-1538)Christ being nailed to the cross from the Fall and Redemption of Man, c.1513woodcut, a good impression, t...
ALBRECHT ALTDORFER (RESENBURG 1480-1538)The raising of the cross from the Fall and Redemption of Man woodcut, a fine impression trimmed just outsi...
ALBRECHT ALTDORFER (REGENSBURG 1480-1538)Fall and Redemption, c. 1515the complete set of 40 woodcuts, good impressions, printed later, most trimme...
SEBALD BEHAM (NUREMBERG 1500-1550 FRANKFURT)Standard bearer and drummer, 1544 engraving, a very fine, clear impression with marginssheet: 72 x 48 ...
SEBALD BEHAM (NUREMBERG 1500-1550 FRANKFURT)Standard bearer, drummer, and piper, 1543engraving, a fine impression trimmed along the marginssheet: ...
ÉTIENNE DELAUNE (ORLÉANS 1518-1583 STRASBOURG)Grotesque with Venus and Cupid, before 1573 engraving, one from a set of six, trimmed along the plat...
ÉTIENNE DELAUNE (ORLÉANS 1518-1583 STRASBOURG)Grotesques with scenes from the Old Testament, c. 1550five mounted engravings from the set of six, g...
HANNS LAUTENSACK (BAMBERG 1520-1560 VIENNA)Hieronymus Schurstab, 1554etching, a clear, slightly later impression, trimmed just outside the margins...
THEODOR DE BRY (LIÈGE 1528-1598 FRANKFURT)Maxima egestas est avaritiaengraving on square sheet, a strong impression on laid paper with large armor...
HIERONYMOUS COCK (ANTWERP C.1510-1570)The Baths of Caracalla from the set of Roman Ruins, 1551two etchings on laid paper, one with watermark of sm...
UGO DA CARPI (CARPI C. 1480-1532 BOLOGNA)A Sybil reading facing right (after Raphael), c.1517-18 chiaroscuro woodcut printed in black and ochre, a...
DOMENICO BECCAFUMI (CORTINE IN VALDIBIANA MONTAPERTI 1484-1551 SIENA)The various operations of alchemy, c.1540-1550seven woodcuts from the set of ...
DOMENICO BECCAFUMI (CORTINE IN VALDIBIANA MONTAPERTI 1484-1551 SIENA)The metals flee, Mercury the furthest from The various operations of alchemy,...
ATTRIBUTED TO ANTONIO DA TRENTO (TRENTO 1520-1550 BOLOGNA)Circe giving drink to the companions of Ulysses after Parmigianino, c. 1540schiaroscuro ...
NICCOLÒ BOLDRINI (VICENZA 1500-1570 VENICE)Old woman and child on horseback, c.1566woodcut, a good impression cut along and just inside the black ...
ANDREA ANDREANI (MANTUA 1540-1623)Sheet six from the Triumph of Caesar after Mantegna, c. 1598chiaroscuro woodcut printed in black and three shade...
ANDREA ANDREANI (MANTUA 1540-1623)The Triumph of the Christian hero after Battista Franco, 1590woodcut printed in black with tonal additions, trim...
ANONYMOUS AFTER FRANCESCO VANNI (SIENA 1563-1610)Virgin and Child, c. 1580-1600chiaroscuro woodcut printed in black and ochre, a good impression, ...
ANONYMOUS ITALIAN SCHOOL (16TH CENTURY)Four putti singing amongst clouds, c. 1550-1590etching, trimmed to or just inside platemarksheet: 149 x 210...
ANONYMOUS AFTER JACOPO TINTORETTO (VENICE 1519-1594)St. Peter's vision of the cross, c. 1600etching on laid paper with watermark letters 'GF' in c...
PROBABLY AFTER ANTONIO CORREGGIO (C. 1489-1534)The Lamentation, c. 1600-1700etching a good impression, trimmed outside borderlinesheet: 210 x 153 ...
AGOSTINO CARRACCI (BOLOGNA 1557-1602 PARMA)Venus chastizing Cupid, c. 1590-95engraving, a fine impression trimmed along or just inside the border;...
AGOSTINO CARRACCI (BOLOGNA 1557-1602 PARMA)Portrait of Giovanni Gabrielli, called "Il Sivello", c. 1599engraving, a strong impression on laid pape...
AGOSTINO CARRACCI (BOLOGNA 1557-1602 PARMA)Portrait of Titian, 1587etching, a good later impression on laid greenish paper with wide margins; mino...
HENDRICK GOLTZIUS (BRÜGGEN 1558-1617 HAARLEM)Frederick II, King of Denmark and Norway after Frans Hogenberg, c. 1588engraving, a slightly later cl...
SCHOOL OF HENDRICK GOLTZIUS (BRÜGGEN 1558-1617 HAARLEM) Doctor François Maelson engraving on laid paper, with small margins, a good clean impressi...
ATTRIBUTED TO JAN SADELER I (1550- 1600 VENICE)Portrait of Lorenz Dürnhofer, 1577engraving, a very fine impression of this rare print, trimmed alo...
POSSIBLY WERNER VAN DEN VALCKERT (THE HAGUE 1580/85-1627 AMSTERDAM)Allegory of Vanity engraving a strong impression on laid paper with hairline ma...
JACQUES CALLOT (NANCY 1592-1635)The great Apostles, 1631 the complete set of 16 etchings, very fine strong, crisp impressions on thin laid paper, ...
JACQUES CALLOT (NANCY 1592-1635)Three of a kind, also called The card players and The prodigal son tricked by a group of thieves), 1628-29 etching...
JACQUES CALLOT (NANCY 1592-1635)La petite Passion, 1624 the complete set of 12 etchings, strong, clean impressions with thread margins, inky plate...
JACQUES CALLOT (NANCY 1592-1635)La Carrière de Nancy, c. 1627etching, probably the first state (of two), a fine impression with small marginssheet...
JACQUES CALLOT (NANCY 1592-1635)Les Exercises Militaires, 1635 the complete set of 13 etchings with wide margins on thin laid paper; some minor mo...
JACQUES CALLOT (NANCY 1592-1635)The Seven Vices, c. 1620 the complete set of seven etchings; very fine clear impressions with thread marginssheet ...
JACQUES CALLOT (NANCY 1592-1635)Varie Figure Gobbi, 1616fourteen from the total of twenty etchings in this series, and the frontispiece; strong an...
OTTAVIO LEONI (ROME 1578–1630) Portraits of Galileo Galilei; Paolo Giordano Orsini, Duke of Bracciano; and Lodovico Leoni three engravings on laid...
OTTAVIO LEONI (ROME 1578-1630) Portrait bust of Francesco Bracciolini dell'Api, 1626 engraving, a fine impression of what Bartsch called this "ver...
OTTAVIO LEONI (ROME 1578–1630) Three portraits of painters: Giovanni Baglione; Giuseppe Cesare, called Cavaliere d'Arpino; and Cristoforo Roncalli...
GUIDO RENI (BOLOGNA 1575-1642) The Holy Family seated in front of a colonnade, c. 1590-1610etching, a good impression with narrow margins; on laid...
GUIDO RENI (BOLOGNA 1575-1642)Girl carrying a cushion and Girl with a crucifix (both after Parmigianino) two etchings printed on one sheet; fresh ...
CATERINO DOINO (ITALIAN, ACTIVE 1596-1641)Portraits of Alfonso II d'Este and Cesare d'Este, Dukes of Ferrara, c. 1641etching, from the set of 13 p...
CLAUDE MELLAN (ABBEVILLE 1598-1688 PARIS) St. Mary Magdelene reclining in a grotto, c. 1630 etching with engraving, a strong impression with narro...
CLAUDE MELLAN (ABBEVILLE 1598-1688 PARIS)Portrait of Girolamo Frescobaldi, 1619engraving; a very fine impression on laid paper, without watermark,...
ATTRIBUTED TO FRANÇOIS COLLIGNON (NANCY C.1609-1687 ROME)Dwarf riding a donkey and attended by two other dwarfs, c.1632etching on thick laid paper...
JONAS SUYDERHOEF (HAARLEM 1613-1686) Drunken Silenus after Rubens, 1633-57 etching, a good, clear impression with plate tone on laid paper with a ...
SCHELTE ADAMSZ. BOLSWERT (BOLSWARD C. 1586-1659 ANTWERP)Maria Ruten, wife of Anthony Van Dyck, c.1630-1645 engraving from Van Dyck's Iconographiea...
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP)Portrait of Jacques Callot after Anthony Van Dycketching, a very fine impression, with the full mar...
ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON)Portrait of Desiderius Erasmus after Hans Holbein, c.1630-1640etching, a very good and tonally nuanced ...
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP)The mocking of Christ after Anthony Van Dyck, 1630-1640 etching; a good, strong impression with nar...
ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON) Three plates from the Iconography: Joos de Momper; Paulus Pontius; Johannes Vorstermans etchings, all...
JACOBUS NEEFFS (ANTWERP 1610-AFTER 1660) & ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON) Portrait of Frans Snyders, c.1630-41etching, with wide marg...
JONAS SUYDERHOEF (HAARLEM 1613-1686) Portrait of Hendrick Goltzius, 1649etching, first state (of two); a good, strong impression on thin laid pape...
ABRAHAM CASEMBROOT (BRUGES 1593-1658 MESSINA)A galley in the Harbour near the Castle; A galley sailing to the right two etchings, on laid paper, b...
WENCESLAUS HOLLAR (PRAGUE 1607-1677 LONDON) Mulier Coloniensis, 1643etching, a clear impression with tonal depth; wide margins sheet: 109 x 76 mm;...
WENCESLAUS HOLLAR (PRAGUE 1607-1677 LONDON)The Four Windmills after Jan Brueghel the Elder, 1650 etching on laid paper; a clear and clean impressi...
WENCESLAUS HOLLAR (PRAGUE 1607-1677 LONDONCharles II as a Boy after Van Dyck, 1649 etching, a good later impression of the fourth state (of seven)...
WENCESLAUS HOLLAR (PRAGUE 1607-1677 LONDON) Portrait of Pietro Aretino, after the engraving by Raimondi (based on a portrait designed by Sebastian...
WENCESLAUS HOLLAR (PRAGUE 1607-1677 LONDON) One plate from Women's Heads Framed in Roundels etching, a good impression trimmed just outside the bo...
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