131
Large Jalisco Ameca Pottery Seated Female Figure
1/5
Description
Pre-Columbian, West Mexico, Jalisco, Ameca type, Protoclassic Period, ca. 100 BCE to 250 CE. An exceptional hollow-bodied pottery female statue depicted kneeling with a skirt covering her thighs. She leans slightly forward and has globular breasts, immense shoulders, one arm held out with an open palm, and the other arm touching her face, each hand with veristic fingers and nails. A thick neck holds aloft a sizable head with spherical eyes set within thick lids, a massive nose above full lips and a pointed chin, and pierced tab-shaped ears, all beneath a simple cap. Her head and lower body are accentuated with smooth cream-hued slip, and much of her arms and upper body exhibit deep red slip which imbues her with a lovely presentation evocative of ancient West Mexico! Size: 11.25" W x 16.2" H (28.6 cm x 41.1 cm).
West Mexican shaft tomb figures like this example derive their names from the central architectural feature that we know of from this culture. Jalisco, located on Mexico's southwestern coast, was part of the shaft tomb culture during this time, along with neighbors in nearby Colima and Nayarit. These people would build generally rectangular vertical or near-vertical shafts down from the ground level - usually about 3 to 20 meters deep - through tepetate, the volcanic tuff that makes up the geology of the region, to narrow horizontal tunnels that led to one or more vaulted or rounded burial chambers.
These shafts were almost always dug beneath a dwelling, probably a family home, and seem to have been used as family mausoleums, housing the remains of many related individuals. Figures like this one were placed into the tombs; researchers believe that they were placed around the edges facing inward, as if in conversation with the dead. Grouped with other figures, and alongside clay bowls, and boxes, figures like this one were positioned around the body (or bodies), near the skull.
Unfortunately, we lack the necessary information to fully understand what these figures were made for - Did they represent everyday people, even individuals? Were they religious? Were they created to mediate between the living and the dead? Whatever their purpose, today they are beautiful artwork and reminders of the mysterious past.
A stylistically-similar example of a larger size hammered for $15,000 at Sotheby's, New York "African, Oceanic and Pre-Columbian Art Including Property from the Krugier and Lasansky Collections" auction (May 16, 2014, lot 261): http://www.sothebys.com/en/auctions/ecatalogue/2014/african-oceanic-n09146/lot.261.html
Provenance: ex-private Los Angeles, California, USA collection; ex-Arte Primitivo Gallery, New York, New York, USA; ex-private southern California, USA collection; ex-private old Tucson, Arizona, USA estate collection, collected in the 1970s
Condition: Restoration to some age fissures on the skirt and legs. Repair to a couple of fingers, with minor abrasions and nicks to legs, body, arms, and head, and light fading to original pigmentation. Nice earthen deposits and craquelure to original pigmentation throughout.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#145672
West Mexican shaft tomb figures like this example derive their names from the central architectural feature that we know of from this culture. Jalisco, located on Mexico's southwestern coast, was part of the shaft tomb culture during this time, along with neighbors in nearby Colima and Nayarit. These people would build generally rectangular vertical or near-vertical shafts down from the ground level - usually about 3 to 20 meters deep - through tepetate, the volcanic tuff that makes up the geology of the region, to narrow horizontal tunnels that led to one or more vaulted or rounded burial chambers.
These shafts were almost always dug beneath a dwelling, probably a family home, and seem to have been used as family mausoleums, housing the remains of many related individuals. Figures like this one were placed into the tombs; researchers believe that they were placed around the edges facing inward, as if in conversation with the dead. Grouped with other figures, and alongside clay bowls, and boxes, figures like this one were positioned around the body (or bodies), near the skull.
Unfortunately, we lack the necessary information to fully understand what these figures were made for - Did they represent everyday people, even individuals? Were they religious? Were they created to mediate between the living and the dead? Whatever their purpose, today they are beautiful artwork and reminders of the mysterious past.
A stylistically-similar example of a larger size hammered for $15,000 at Sotheby's, New York "African, Oceanic and Pre-Columbian Art Including Property from the Krugier and Lasansky Collections" auction (May 16, 2014, lot 261): http://www.sothebys.com/en/auctions/ecatalogue/2014/african-oceanic-n09146/lot.261.html
Provenance: ex-private Los Angeles, California, USA collection; ex-Arte Primitivo Gallery, New York, New York, USA; ex-private southern California, USA collection; ex-private old Tucson, Arizona, USA estate collection, collected in the 1970s
Condition: Restoration to some age fissures on the skirt and legs. Repair to a couple of fingers, with minor abrasions and nicks to legs, body, arms, and head, and light fading to original pigmentation. Nice earthen deposits and craquelure to original pigmentation throughout.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#145672
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Pre-Columbian, West Mexico, Jalisco, Ameca type, Protoclassic Period, ca. 100 BCE to 250 CE. An exceptional hollow-bodied pottery female statue depicted kneeling with a skirt covering her thighs. She leans slightly forward and has globular breasts, immense shoulders, one arm held out with an open palm, and the other arm touching her face, each hand with veristic fingers and nails. A thick neck holds aloft a sizable head with spherical eyes set within thick lids, a massive nose above full lips and a pointed chin, and pierced tab-shaped ears, all beneath a simple cap. Her head and lower body are accentuated with smooth cream-hued slip, and much of her arms and upper body exhibit deep red slip which imbues her with a lovely presentation evocative of ancient West Mexico! Size: 11.25" W x 16.2" H (28.6 cm x 41.1 cm).
West Mexican shaft tomb figures like this example derive their names from the central architectural feature that we know of from this culture. Jalisco, located on Mexico's southwestern coast, was part of the shaft tomb culture during this time, along with neighbors in nearby Colima and Nayarit. These people would build generally rectangular vertical or near-vertical shafts down from the ground level - usually about 3 to 20 meters deep - through tepetate, the volcanic tuff that makes up the geology of the region, to narrow horizontal tunnels that led to one or more vaulted or rounded burial chambers.
These shafts were almost always dug beneath a dwelling, probably a family home, and seem to have been used as family mausoleums, housing the remains of many related individuals. Figures like this one were placed into the tombs; researchers believe that they were placed around the edges facing inward, as if in conversation with the dead. Grouped with other figures, and alongside clay bowls, and boxes, figures like this one were positioned around the body (or bodies), near the skull.
Unfortunately, we lack the necessary information to fully understand what these figures were made for - Did they represent everyday people, even individuals? Were they religious? Were they created to mediate between the living and the dead? Whatever their purpose, today they are beautiful artwork and reminders of the mysterious past.
A stylistically-similar example of a larger size hammered for $15,000 at Sotheby's, New York "African, Oceanic and Pre-Columbian Art Including Property from the Krugier and Lasansky Collections" auction (May 16, 2014, lot 261): http://www.sothebys.com/en/auctions/ecatalogue/2014/african-oceanic-n09146/lot.261.html
Provenance: ex-private Los Angeles, California, USA collection; ex-Arte Primitivo Gallery, New York, New York, USA; ex-private southern California, USA collection; ex-private old Tucson, Arizona, USA estate collection, collected in the 1970s
Condition: Restoration to some age fissures on the skirt and legs. Repair to a couple of fingers, with minor abrasions and nicks to legs, body, arms, and head, and light fading to original pigmentation. Nice earthen deposits and craquelure to original pigmentation throughout.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#145672
West Mexican shaft tomb figures like this example derive their names from the central architectural feature that we know of from this culture. Jalisco, located on Mexico's southwestern coast, was part of the shaft tomb culture during this time, along with neighbors in nearby Colima and Nayarit. These people would build generally rectangular vertical or near-vertical shafts down from the ground level - usually about 3 to 20 meters deep - through tepetate, the volcanic tuff that makes up the geology of the region, to narrow horizontal tunnels that led to one or more vaulted or rounded burial chambers.
These shafts were almost always dug beneath a dwelling, probably a family home, and seem to have been used as family mausoleums, housing the remains of many related individuals. Figures like this one were placed into the tombs; researchers believe that they were placed around the edges facing inward, as if in conversation with the dead. Grouped with other figures, and alongside clay bowls, and boxes, figures like this one were positioned around the body (or bodies), near the skull.
Unfortunately, we lack the necessary information to fully understand what these figures were made for - Did they represent everyday people, even individuals? Were they religious? Were they created to mediate between the living and the dead? Whatever their purpose, today they are beautiful artwork and reminders of the mysterious past.
A stylistically-similar example of a larger size hammered for $15,000 at Sotheby's, New York "African, Oceanic and Pre-Columbian Art Including Property from the Krugier and Lasansky Collections" auction (May 16, 2014, lot 261): http://www.sothebys.com/en/auctions/ecatalogue/2014/african-oceanic-n09146/lot.261.html
Provenance: ex-private Los Angeles, California, USA collection; ex-Arte Primitivo Gallery, New York, New York, USA; ex-private southern California, USA collection; ex-private old Tucson, Arizona, USA estate collection, collected in the 1970s
Condition: Restoration to some age fissures on the skirt and legs. Repair to a couple of fingers, with minor abrasions and nicks to legs, body, arms, and head, and light fading to original pigmentation. Nice earthen deposits and craquelure to original pigmentation throughout.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#145672
Exceptional Day 2 Ethnographic Tribal Fossils
Sale Date(s)
Venue Address
686 S Taylor Ave
Ste 106
Boulder
Colorado
80027
United States
For Artemis Gallery delivery information please telephone +1 7208907700.
Important Information
Day 2 of an important 2-day auction featuring exceptional ethnographic art from around the world. Today's sale will feature Pre-Columbian from the ancient americas, Native American, African / Tribal, Oceanic, Spanish Colonial, and incredible Fossils.
Terms and Conditions
Please read the following "Terms of Sale" carefully. Your submission of bids in this auction constitutes your acceptance of these "Terms of Sale." 1. All items in this auction have been legally acquired, are legal to sell, and guaranteed to be as described or your money back. 2. By bidding in this auction, the bidder personally guarantees payment. The auctioneer has final discretion in all matters. In case of dispute, the lot(s) in question may be resold. Lots will be sold in their numerical sequence unless the auctioneer directs otherwise. 3. HIGH and LOW ESTIMATES are provided for each lot for reference only. The actual selling / hammer price may be higher or lower based on bidder demand. All lots will sell to the highest bidder without hidden / confidential reserves. 4. No lots will be released / shipped until payment has been made in full. Payment (in U.S. funds) may be made via personal check or money order, via credit card (MasterCard, Visa, Discover), PayPal or Bank Wire Transfer. For PayPal payments please use "artemisgallery@gmail.com" email address for processing payments. 5. BUYER'S PREMIUM: A 24.5% Buyer's Premium will be added to the final price of each lot purchased through Artemis Gallery and will be paid by all bidders without exception. 6. CO SALES TAX: Appropriate Colorado Sales Tax will be added to all invoices, unless a valid CO seller's permit is on file with Artemis Gallery/Artemis Gallery Live prior to any bidding in the auction. Items shipped outside of CO (United States or international) are also sales tax exempt. 7. RETURN POLICY: In the event of an authenticity dispute, written notification of the dispute must be provided to Artemis Gallery within two business days from receipt of the item as shown by FedEx, UPS, or USPS tracking data. After Artemis Gallery is notified of the dispute, a written letter from a recognized expert in the field pertaining to the item in dispute must then be presented. If Artemis Gallery concludes that the assessment of the piece is accurate, a full refund, including item price, buyer's premium (if applicable), and shipping costs will be provided. Artemis Gallery will either provide a pre-paid return shipping label or will reimburse the return shipping charge. Artemis Gallery will only remit refund after the item has been returned. In the event of an error in item description, condition report, provenance, or dimensions, written notification of the error must be given within two business days from receipt of the item as shown by FedEx, UPS, or USPS tracking data. A full refund, including item price, buyer's premium (if applicable), and shipping costs will be provided. Artemis Gallery will either provide a pre-paid return shipping label or will reimburse the return shipping charge. Artemis Gallery will only remit refund after the item has been returned. If a return is requested for any reason other than the above, written notification with reason for return must be given within 15 days from receipt of the item as shown by FedEx, UPS, or USPS tracking data for Artemis Gallery to issue a refund to the original payment method. If notification is given after 15 days, the item may be returned for credit toward a future purchase or may be consigned for sale through Artemis Gallery. The item must be returned to Artemis Gallery at the buyer's expense and a refund or credit of the item price and buyer's premium (if applicable) will be provided after the item is returned. Original shipping charges will not be refunded. All items to be returned must be adequately insured and must be received by Artemis Gallery in the same condition as when shipped. In no event may any item be returned after 90 days from the date of delivery. 8. SHIPPING: As a convenience to our buyers, shipping is handled in-house. All buyers will receive an invoice detailing their purchases, sales tax (if applicable), buyer's premium, and shipping/insurance charges. Items will be shipped only upon receipt of payment in full and will be insured for their full value. **For shipments outside of the USA, customs and duties may apply upon entry into said country; this fee, if any, is the buyer's responsibility. Also, please be aware that Artemis Gallery will NOT falsify customs value on any international shipments - what you pay is what we declare, no exceptions. There are a small number of international countries we cannot ship to. If you have questions about this, please inquire BEFORE bidding** 9. REQUEST TO DELAY SHIPPING FOR LOTS WON: We are happy to delay shipping on all paid lots for up to 30 days with no storage fees. After 30 days, storage fees will accrue based on a 2% of invoice total. 10. In the event a successful bidder fails to make payment when due, Artemis Gallery reserves the right to re-sell the merchandise and bidder agrees to pay for the reasonable cost of such a sale and to pay any difference between the resale price and the previously successful bid, together with any incidental costs of sale and disbursements. 11. If the auction invoice is not paid for in full when due per invoice terms, including any applicable credit card processing fees, the unpaid balance will bear interest at the highest rate permitted by law until paid in full. If the matter is referred to an attorney for collection, bidder agrees to pay all reasonable attorney fees, court costs and other collection cost incurred by Artemis Gallery to collect past due invoices and that the services of process by certified or registered mail, return receipt requested, shall be sufficient to confer "in personam" jurisdiction over bidder. 12. Buyer agrees that any claim of controversy arising out of, or relating to the formation, interpretation of performance of these terms and underlying transactions or the breach thereof, is subject to arbitration or judicial proceedings and shall take place within the County of Boulder, CO subject to the laws of the State of Colorado. 13. QUESTIONS? Feel free to email us at info@artemisgallery.com with questions prior to bidding or feel free to call us at 720-890-7700. Please be sure to ask all questions at least 30 minutes prior to auction start time, as we will not be able to take calls or answer emails sent to us during the auction.
