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Box of studio pottery including Winchcombe lidded pot, unmarked, Japanese jug, marked, etc

Five items of modern studio pottery comprising a Priscilla Fursdon (Wirral) square pot with X-shaped holes, possibly hat pins, on a naturalistic border, 9.5 x 9.5cm, a Chris Jenkins (Huddersfield) brown glazed pot, with gently flared rim, height 7.5cm, diameter approx. 8cm, a Winchcombe Pottery (Cheltenham) lidded jar with dark tenmoku-style glaze and repeating patterns, height to lid 13cm, diameter approx. 11cm, with impressed mark to side with initials 'F.H.', a modern Japanese-style red glaze bowl, height 6.5cm, diameter 13cm, unmarked, a colourful studio pottery ornament in the shape of a squat ball, with bright colours, height approx. 9cm, diameter approx. 13cm and a Wedgwood pottery match holder/striker of tapered form, set within dished base, height 8cm, diameter approx. 12.5cm, impressed mark to base (6).

Collection of Studio Pottery ware including Winchcombe Studio ware, Chris Lewis, Barbara Phelps, Jane Day, etc (8 pieces)

A collection of Winchcombe Studio pottery to include three mugs, two similar saucers and a milk jug; a tureen and cover; a milk jug; a sugar bowl; a further mug stamped indistinctly; a serving dish; a tagine bowl; various plates and bowlsQty: qtySome cracking and chipping to the bowl and plates commensurate with age and use. Of the larger plates one with a hairline fracture running from the rim. The serving dish with a crack and evidence of repair. Chipping to the tagine base and to the separate mug. Various chips and nicks to the smaller plates.

Collection of assorted Studio Pottery inc Winchcombe Pottery

Patrick Groom (active 1947-1954) for Winchcombe Pottery, a slipware rectangular dish, brown glaze with cream trailing design, pinched edge, approx 33 x 23 cms.  Note: Patrick was apprenticed to George Townsend and Raymond Finch at the tender age of 14 years and was apprenticed for seven years to the age of 21 years. 

Patrick Groom (active 1947-1954) for Winchcombe Pottery, large slipware bowl, ochre and brown glaze with brown trailing, approx 26 x 14 cms, monogrammed PG. Note: Patrick was apprenticed to George Townsend and Raymond Finch at the tender age of 14 years and served seven years to the age of 21 years. 

Eddie Hopkins for Winchcombe pottery a large studio pottery vase with loop handles 28cm high

Christine Cummings (Contemporary)Studio pottery model of a pig, incised initials to the base and dated April 1995, 12cm high overall x 23cm long approx overallProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall display wear and scratches. Would benefit from a light clean, minimal loss to the ear, possibly even in the making. Small chip to the foot.

Collection of studio pottery and ceramicsConsisting of: Leach pottery circular dish, with seal mark to footrim, 12cm across, attributed to David Leach at Lowerdown Pottery set of four square dishes with Lowerdown pottery marks to the base, 11cm across, Winchcombe pottery dishes by Charles and Sidney Tustin, studio pottery teapot with indistinct signature to the base etc (11)Provenance: The property of a Gentleman, from a period Winchcombe Town House. All with overall signs of marks and wear. Charles Tustin dish is chipped. Sidney Tustin dish with handle is damaged. Lowerdown pottery square dishes all have crazing to the glaze. Teapot spout is chipped.

Set of six teacups and saucers Studio pottery, with iron glaze, unmarked, saucer 13.5cm across, teacup 6.5cm high (12)Note: The vendor believes these are Ray Finch of Winchcombe pottery. Overall minimal glaze faults, minimal signs of wear and scratches. One teacup with minor glaze loss to the rim. One saucer with small area of glaze loss. One saucer is a little darker than the rest and is marginally smaller.

Andrew McGarva (b.1956) Studio pottery dish decorated with a fox, marked 'McGarva Aunay' to the reverse, 24cm wide x 17cm deepProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall minimal marks and scratches. Does not appear to have been used. Would benefit from a light clean. Otherwise seems ok.

Collection of miscellaneous studio ceramics and pottery Including: Ray Finch (1914-2012) at Winchcombe pottery teapot, 21cm high, studio pottery bird in the style of Margaret Hine, Moorcroft pomegranate meiping vase, Dorothy Kemp studio pottery miniature jug with iron glaze, seal mark to the base, 11cm high, studio pottery owl etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Collection of Winchcombe Pottery consisting of: two large jugs, one with seal mark to the footrim and a set of four tumblers and a pitcher jugs, all with impressed pottery marks and each numbered '2698', the tumblers measure 10cm high, the jug measures 20.5cm (7) Overall wear and signs of use. Minimal glaze faults in places, otherwise seems ok.

Chris Harries (1901-1971) at Winchcombe potteryTwo pottery dishes, the larger slip glazed example with incised pie crust rim, with impressed mark to the footrim, 31cm x 20.5cm and one other smaller example, also with impressed mark to the base, 13.5cm x 10cm (2)Provenance: The collection of Ron and Lorna Wheeler. Overall wear, marks and some scratches. Small chips/glaze losses to the edges in places.

Ray Finch (1914-2012) at Winchcombe PotteryStudio pottery 'rum' decanter, impressed mark to footrim, 22cm high exluding corkProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall wear, marks and scratches, minimal glaze/firing faults, due to firing methods. Otherwise seems ok.

Paul Young (b.1961)Studio pottery baking dish, with slip glazed decoration of a bird, unsigned, 30cm wide x 5.5cm high x 25cm deepProvenance: The property of a Gentleman, from a period Winchcombe Town House. Overall ok, minimal crazing in places to the glaze.

Collection of Winchcombe pottery Including bowls, plates, dishes, Coronation mug, small vases etc, some unmarked (16)Provenance: The collection of Ron and Lorna Wheeler. With signs of wear consistent with age and use. With natural firing imperfections. Some pieces with crazing. Some chips and cracks. Some labels remaining.

Large collection of mixed studio pottery , to include Prinknash , Dunster  , E B Fishley , Dicker , Winchcombe and others ,  Chip to large ewer . (1 box)

A large group of mixed studio pottery , to include Harry & May Davis Crowan pottery , Dorothy Kemp , Winchcombe , and others . slight minor damage . (2 boxes)

A group of mixed studio pottery , to include Wendord Bridge , Jane Herold , Sidney Tunstin of Winchcombe pottery , Ewenny pottery and others and some Buchan wares of Scotland . Chips to Ewenny asnd Wenford  jugs (1 box)

A mixed lot of Devon pottery to include motto ware, Aller Vale, Winchcombe, Babbacombe etc

A quantity of Torquay pottery, to include a pair of candlesticks, 18cmH; Winchcombe; Longpark; Watcombe etc

† RAY FINCH (1914-2012) for Winchcombe Pottery; a stoneware casserole covered in oatmeal glaze, impressed WP. mark, diameter 23cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† MICHAEL CARDEW (1901-1983) for Winchcombe Pottery; a slipware mug covered in motted yellow/green galena and iron glaze, impressed MC and pottery marks, height 8.5cm. Provenance: Kevin de Choisy collection.Condition Report: Chips around rim and to one side of handle, re-glued handle, otherwise appears good with no further signs of faults, damage or restorations.

Winchcombe Pottery; a set of six small bowls, impressed pottery marks, diameter 10.5cm, and a skillet, diameter 18.5cm (including handle) (7).Condition Report: Small blow to side of skillet, otherwise appears good with no further signs of faults, damage or restorations.

† Attributed to RAY FINCH (1914-2012) for Winchcombe Pottery; a press moulded rectangular slipware dish with pie crust rim partially covered in green and yellow galena glaze with simple meander decoration, impressed early pottery mark, 20 x 13cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† Attributed to RAY FINCH (1914-2012) for Winchcombe Pottery; a rectangular stoneware dish with wax resist decoration, impressed pottery mark, 39 x 29cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† DAVID LLOYD JONES (1928-1994); a tall stoneware jug covered in oatmeal, iron rich and cobalt glaze, impressed LJ mark, height 40cm, and a deep bowl by Ray Finch for Winchcombe Pottery, diameter 24cm (2).Condition Report: Kiln kiss to one side of bowl, chips to footring (where bowl has stuck to kiln shelf) and bloating to body, otherwise appears good with no further signs of faults, damage or restorations.

† RAY FINCH (1914-2012) for Winchcombe Pottery; a slipware flagon covered in green galena and iron glaze, impressed RF and pottery mark (glaze filled), height 16cm, and a beaker and egg cup by Sid Tustin (3).Provenance: Kevin de Choisy collection.Condition Report: Nibbles around beaker rim, otherwise appears good with no further signs of faults, damage or restorations.

Ray Finch for Winchcombe, a studio pottery vase, twin handled shouldered ovoid form, tenmoku glaze with blue speckles, impressed seal marks, 25.5cm high

Eddie Hopkins for Winchcombe Pottery, a large studio pottery jug, ovoid stoneware, green glaze with sgraffito wave banding, impressed marks, 30cm high

MICHAEL CASSON (1925-2003). A studio pottery saucer dish with dark green/brown glaze, impressed seal mark, circa 1953/5, 16.5 cm; JOHN SHELLY (Bath, 1950s), a slipware rectangular dish, 16cm x 12cm; & SIDNEY TUSTIN (1913-2005). A Winchcombe Pottery slipware bowl, 15cm; & JOHN POLLEX (Plymouth), a slipware shallow dish with marbled centre, circa 1965, 30cm. (4).

Michael Cardew Winchcombe pottery pot and lid. Impressed marks, height 18cm together with a 60's Marylin Raw (Porthleven potter) slab vase. (2)Chip to the inner rim of the lid, two hairline cracks to the body of the jar.

A mixed lot of studio pottery to include Winchcombe

Winchcombe Pottery, either Michael Cardew or Ray Finch Studio Pottery and Contemporary Ceramics Large slipware jug with wavy line and spots between banded decoration, circa 1950 Glazed earthenware Seal obscured by glaze 28.8cm high 

A Winchcombe studio pottery charger by Ray Finch, 14in diameter x 1.25in high

Blue and white pottery albarelloItalian, Naples, 18th Century, painted in blue with a campanile, churches, and an oval cartouche, 22cm highProvenance: The property of a Gentleman, from a period Winchcombe Town House.With some chips, crazing/hair cracks, and losses to the glaze.

Group of maiolica and other pottery piecesPortuguese and Italian, including a lustre glazed Renaissance-style basket, 42cm wide and five other pieces (6)Provenance: The property of a Gentleman, from a period Winchcombe Town House.The basket has a chip and some of the plates have chips and losses to the glaze.

Group of stoneware and pottery pieces19th Century and later, including a two-sided mask cup, 13cm high, a Gothic style flask impressed Wilde, High Street, Boro, 16cm, a basket, 18cm long, and five other pieces, (8)Provenance: The property of a Gentleman, from a period Winchcombe Town House.For the Gothic style flask only: Starburst hairline cracks. Chips to the base. No stopper. Crazing to the glaze. If you would like further details of any other item(s) in this lot, please contact us.

Collection of pottery and porcelainto include a blue transfer hors d'oeuvres dish, 36cm wide, six Spode Felspar plates, 23cm, a pair of Spode ironstone plates, 26cm, and other pieces (16)Provenance: The property of a Gentleman, from a period Winchcombe Town House.Overall in good condition. Some signs of wear consistent with age and use. Some natural firing imperfections. Some pieces with crazing. Would benefit from a cleaning.

A GROUP OF STUDIO POTTERY PIECES, comprising a 1970's Jean Hampton slipware pottery oval dish decorated with a stylised fish design, incised marks to base, a Muchelney preserve pot and small jug, impressed marks to base, a Jack and Joan Doherty vase, height 12cm, monogram J.J to the base, an unmarked blue and grey vase, height 14cm, three pieces from Winchcombe Pottery, comprising a platter with a central flower design, small bud vase and square dish, all with impressed W.P mark, an unmarked vase and jug (10) (Condition Report: good condition)

Michael Cardew (1901-1983)a Winchcombe Pottery footed bowl, slip decorated in brown and buff, a Winchcombe plate titled Rhoda and a small Sidney Tustin bowl,impressed seal marks, 21xm. diam. (3)

A Winchcombe Pottery dish, together with a jug and a Ray Finch (Winchcombe) metallic glaze jug (3)condition generally good. Some wear to the glaze on the black jug. Some scratching the glaze across the bowl. Craqulure across the lower section on the Ray Finch jug

Patrick Groom (active 1947-1954) for Winchcombe Pottery, large slipware vase, with green glaze and brown concentric circles enclosing trailing design, approx 28 cms, monogrammed PG. (*cr) This lot includes a debenture certificate of his apprenticeship. Note: Patrick was apprenticed to George Townsend and Raymond Finch at the tender age of 14 years and served seven years to the age of 21 years. Condition ReportThe rim of this vase has a small chip. 

Patrick Groom (active 1947-1954) for Winchcombe Pottery, three jugs including an ochre slipware example with trailing decoration, the first approx 12 cms, 12 cms and 8 cms respectively. Note: Patrick was apprenticed to George Townsend and Raymond Finch at the tender age of 14 years and was apprenticed for seven years to the age of 21 years.

A Winchcombe pottery stoneware vessel, with stylised tree decoration, together with a treacle glazed jug

Ray Finch, Winchcombe Pottery, a circular glazed charger decorated with incised wavy lines, 32cm diameter, impressed mark beneath.

Michael Cardew (1901-1983) at Winchcombe PotteryDishslip decorated depicting a birdimpressed pottery and potter's seal and incised initials for Elijah Comfort32cm diameter.The dish appears in good condition with no signs of damage or restoration. The surface does have some light surface scratches from use. Some glaze imperfections.

Charles Tustin (1922-1966) at WInchcombe PotteryTwo large oval plattersslipwareimpressed pottery and potter's seals37cm and 29cm diameter (2).

Michael Cardew (1901-1983) at Winchcombe PotteryLarge teapotwith dark grey glaze and yellow brushwork design, metal handleimpressed pottery and potter's seal to the pot and lid28.5cm high (excluding handle).Overall signs of wear and use. Chips to the spout. Lid broken and repaired. Unknown if handle is original. Chips and losses to the inside lip of the teapot where the lid sits. Dull when tapped. Small firing/glaze faults in places. Small crack near the bottom of the handle.

Michael Cardew (1901-1983) at Winchcombe PotteryMugslipware, decorated with the Torches of St Ivesimpressed potter's and pottery seals12cm high.NO cracks or restoration. Some glaze loss to the rim and some specks to the body. Firing imperfections.

Michael Cardew (1901-1983) at Winchcombe PotteryBath Salts jar and coverimpressed potter's and pottery seals28.5cm high.The lid has been broken and repaired. Some small chips to the underside of the lid. Overall glaze and firing faults. Crazing throughout.

Michael Cardew (1901-1983) at Winchcombe PotteryFrench steamer pot and covergreen glazeimpressed potter's and pottery seals26cm high. Literature:With a copy of a page from Cardew's clay book with the clay weights and sketch of the piece.Appears good and free from major damage or restoration. Sone very tiny flea bite chips of glaze loss to edges. Firing imperfections.

Art NouveauArt Pottery vasethe body with four pierced and moulded decorative panels, the slender turned neck with a turquoise glaze and pewter stopperimpressed factory mark31cm high. Provenance:The collection of Paul Whitfield (1942–2018).Paul Whitfield’s distinguished auctioneering career began in in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.The cork stopper has broken in the rim so we cannot take this out. The pottery looks in good condition.

Michael Cardew (1901-1983) at Winchcombe PotteryCoffee potlight cream glaze with a tenmoku sprigimpressed potter's and pottery seals23cm high.

Ray Finch (1914-2012) at Winchcombe PotteryAn early slipware bowlimpressed potter's and pottery seal11cm high, 25.5cm diameter. Provenance:Bonhams, Bath, 2007.Good condition. Some glaze imperfections.

Michael Cardew (1901-1983) at Winchcombe PotteryVasewith green glaze and three handlesimpressed pottery and potter's seal25cm high.Overall wear, marks, signs of age and use. Crazing to the glaze. Dull when tapped. Some chips to the lug handles. Small chips to the rim, very small.

Ray Finch (1914-2012) at Winchcombe Pottery Bowlpainted 'Paul'impressed potter's seal15.5cm diameter. Provenance:The collection of Paul Whitfield (1942–2018)Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Condition good, Some firing dots to the glaze.

Ray Finch (1914-2012) for Winchcombe Pottery, cider flagon with tap in tenmoku glaze, height 38cm