We found 1650 price guide item(s) matching your search

French nickel mounted violoncello bow by and stamped *C. Bazin*, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and with a nickel overlaid ebony adjuster, 80gm

Transitional violoncello bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and with an ebony overlaid adjuster, 71gm

French nickel mounted Viullaume style violoncello bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 82gm

Part silver mounted violoncello bow stamped Caressa et Francais Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 79gm

Silver mounted violoncello bow of the Hoyer school, the stick round, the ebony frog plain and the ebony adjuster with two silver bands, 83gm

Contemporary violoncello labelled Antonio Cavelazzi, Revenne 1947, 30", 76.20cm

Contemporary violoncello labelled Antonio Ciciliano, 29 3/4", 75.60cm

Contemporary violoncello labelled Gastone Bargelli di Giuseppe..., 29 3/4", 75.60cm

Violoncello labelled Charles Bailly..., 30 1/8", 76.50cm

Late 19th century violoncello labelled Jean Morlot, the two piece back of a faint fine curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 30", 76.20cm

Early 20th century French violoncello, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour, 29 3/4", 75.60cm, bow

Interesting early 19th century violoncello, the two piece back of faint wild flame with plainish wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a golden-brown colour, 28 1/2", 72.50cm

Good French five string violoncello probably by Louis Guersan, Paris circa 1750, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish colour, 27 7/8", 70.80cm

Good French violoncello by and labelled Modele Guarnerius fait par le Maitre Luthier Rene Jacquemin, Ex. Ouvrier des Luthiers du Conservatoire de Paris. 70, rue Chanzy, anno 1933, the one piece back of medium curl with similar wood to the sides, the head of fine curl, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 30", 76.20cm

Italian violoncello attributed to Vincenzo Cavanni, labelled Vincenzo Allieve di Giovanni on the upper rib and branded CV externally above the saddle and internally where the label is normally positioned, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 29 7/8", 75.80cm

A VOLUME OF SHEET MUSIC, 9 WORKS BOUND AS ONE, ARCANGELO CORELLI: TWELVE SONATAS FOR TWO VIOLINS AND A VIOLONCELLO ….., [1784], (2), the first work lacking ttl pg with some damaged leaves + GEORGE FRIDERIC HANDEL: SIX FUGUES OR VOLUNTARIES FOR THE ORGAN OR HARPSICHORD ….., [1784] + JOHN STANLEY: TEN VOLUNTARIES FOR THE ORGAN OR HARPSICHORD ….., [1785], [1785], [1795], OPERAS 5, 6 AND 7 + DR SAMUEL HOWARD: THE AMOROUS GODDESS, circa 1785 + JOSEPH BAILDON: THE LAUREL A COLLECTION OF ENGLISH SONGS, circa 1785, Books 1 & 2 with separate engraved ttl + MAURICE GREENE: CANTATAS AND SONGS, [1785], all bound as one with manuscript contents page (damaged), old hf cf, obl

THREE SONATAS FOR THE GRAND AND SMALL PIANO FORTE WITH ACCOMPANIMENTS FOR THE VIOLIN AND VIOLONCELLO COMPOSED BY W A MOZART, circa 1800, old hf cf gt worn and scuffed

A Romanian Violoncello, made in Reghin, with 70cm two piece back, rosewood tuning pegs, together with a bow, in a soft case

Mozart (Wolfgang Amadeus). Grand Quintetto per due violini, due diole e violoncello, Op. 24, No. 5, printed & sold by Preston, c. 1800, five engraved titles (for each part) and 36 pp. of eng. music in all, eng. titles with signs of wear to the plate, untrimmed, stitched as issued, slim folio, together with Duvernay (Flamini), A Complete Instruction Book for the Guitar, 2nd ed., pub. H. Lea, c. 1830, eng. title (loose, and torn without loss), single-page litho. port. of the author, additional printed Note of the Author bound in, 42 pp. of eng. guitar exercises, including folding plate of the finger board (with a little wear to outer fold), some soiling to title, stitched as issued without covers, slim folio, plus three other portions of engraved music, including the cello part only for Haydn’s Piano Sonata Opus 40, printed by Muzio, Clementi & Company, 26 Cheapside, slim folio (5)

Haydn (Franz Joseph).- No. 1_2_3_[12] of HaydnÆs G 4 vol. [Flauto Piano Forte Viola & Violoncello] engraved titles and musical score occasional spotting and offsetting contemporary half calf rather worn covers detached red morocco labels on upper covers n.d. [c.1880]; and 2 others Clarke`s Beauties of Purcell 4to (6)(6)

A 20th Century Artia Excelsior Violoncello, model number 4/20, with printed label, 760mm one piece back, ebonised tuning pegs, together with a bow, in a soft nylon case

A silver mounted violoncello bow, double stamped J Hel, possibly by Pierre Joseph Hel (damage to frog).

A German violoncello, with two-piece back, length of back 73cm, cased with a bow stamped Doerfler.

A violoncello with one-piece back, length 76cm, cased with a bow.

A VIOLONCELLO fingerboard stamped H494, length of back 78cm, fitted wood case++Condition report unavailable

A 19th century violoncello, with a two piece back, the varnish of a golden orange colour. Length of back 30 ins, soft canvas case.

A student violoncello of a golden orange colour. Length of back 30 1/8 ins.

Music Haydn`s Grand Symphonies, Composed for Mr Salomon`s Concerts and arranged for five Instruments, viz Two Violins, A German Flute, A Tenor, and A Violoncello: with an Accompaniment for the Piano Forte ad libitum by J.P. Salomon, nd. [bound with] a large number of other musical scores by Haydn and others, including Beethoven, Himmel and Handel, 6 copies, each containing 28-33 works and thus some variations in content, half calf (worn, several boards detached) (6)

A 20th Century Romanian Violoncello, labelled "Maistru Lutier, Mare Zaharie, Reghin Romania, No.56 1985" with 755mm two piece back, together with a bow, in a hard plastic case.

A very fine Cello by William Forster, London circa 1780, Labelled: William Forster, Violin, Violoncello, Tenor and Bowmaker for their Royal Highnesses the Prince of Wales, and Duke of Cumberland, London, Length of back: 28 7/8ins, 735mm. Fingerboard bearing the number of W.E. Hill & Sons: K923. Sold with the certificate of W.E. Hill & Sons, London. This instrument is in a very fine state of preservation

A fine Cello by Simon Andrew Forster, London 1831, Labelled: S.A. Forster, Violin, Tenor and Violoncello Maker, No 9 London SW1, Signed on bottom rib and numbered, Length of back: 29ins, 736mm. Originally sold by Forster to a William Glanville

HAYDN (Joseph) Die Jahreszeiten nach Thomson, Leipzig: Breitkopf and Haertel [no date, c.1801], Novello stamp to foot of engraved title, in 2 vols, some age staining, rebound in modern blue cloth; A Complete Collection of Quartets, being a Corrected Copy of the Paris Edition, London; Collard and Collard [no date], 4 vols comprising Violino I & II, Viola and Violoncello, in damaged half bindings (6)

A Cello, Germany 1894 Labelled: Orchester-Violoncello Fabrik Marke No. 457 A.D. 1894 Length of back: 30ins, 762mm

Pleyel (Ignace Joseph). Three Trios for Two Violins and a Violincello, 3 vols., printed by Longman and Broderip, c.1790, eng. musical notation throughout, a few repaired tears to fore-margins, contemp. reversed calf, worn, with spines torn and frayed, and bindings detached or becoming detached, upper covers with gilt lettered leather label, 4to, together with Handel (George Frideric), Parthenope an Opera as it was Performd at the Kings Theatre for the Royal Accademy, printed for J. Walsh and Joseph Hare, [1730], eng. title, contents leaf, and musical notation, lacking final leaf, contemp. blind-panelled reversed calf, extrems. rubbed, lettered in ms. to darkened spine and covers, slim folio, plus Corelli (Arcangelo), Concerti Grossi con duoi Violini e Violoncello di Concerto Obligati e duoi altra Violini e Basso di Concerto Grosso ad Arbitrio che si Potranno Radoppiare, 3 parts only (of 7), printed for John Johnson, c.1760, 2nd violin, alto viola, and bass parts only, all with eng. musical notation throughout, disbound, slim folio, plus another two (of 7) Corelli parts similar (for 1st and 2nd violin), and other various eng. music, mostly odd parts, 18th c., incl. Handel, Pellegrino, Sardi, Haydn, Beethoven, Cramer (carton)

A MID 19TH CENTURY CELLO, with an internal paper label "James M'Intosh violin and violoncello maker, Blairgowrie no. 49, September 1856", in a fitted travelling case, together with a mid 19th century German bow.

Handel (George Frederic). Six Concertos, In Score, For the Organ or Harpsichord, with accompanyments for Two Violins, Two Hautboys, Viola & Violoncello, & A Second Set of Six Concertos, In Score, For the Organ or Harpsichord, with accompanyments for Two Violins, Two Hautboys, Viola & Violoncello, [Arnold's edition plates numbered 121 128], c. 1793,. eng. frontis. of the Apotheosis of Handel, by Heath after Rebecca, eng. title to each part, 2 pp. list of subscribers at end, a little foxing to frontis. and first title, contemp. half calf, rubbed and some minor wear, lacks title label to spine, together with Israel in Egypt, A Sacred Oratorio In Score Composed in the Year 1738, [Arnold's edition, plates numbered 92 98], c. 1790, without frontis. of the Roubiliac statue, some marks and marginal soiling, contents page to verso of final leaf, 2 pp. list of subscribers at end, title at front strengthened to inner margin with tape, modern quarter dark brown morocco, both folio, both ex libris Birmingham Festival Library, with one or two ink stamps to prelims., plus Haydn (Joseph), The Creation, An Oratorio... adapted for Voices and Piano Forte by Muzio Clementi, printed by Clementi Banger, Hyde, Collard, and Davis, n.d., c. 1801 06, eng. title, 200 pp. of engraved music (numbered 2 201), modern half black morocco, rubbed and some marks, folio, plus a copy of Arnold's edition of Handel's Messiah, somewhat soiled with some occn. marks in pencil or ink and archivally repaired to title and several other leaves to inner and lower margins, and archivally repaired to lower outer corners throughout, modern quarter brown calf, folio, plus Boyce (William), The Chaplet. A Musical Entertainment. As it is Perform'd at the Theatre Royal in Drury Lane, printed for I. Walsh [c. 1755], eng. title and forty six pp. of eng. music, with privilege leaf printed in a different type, bound with A Cantata and Six Songs set to Musick by a Gentleman of Oxford, printed by John Johnson ... and by Wm. Cross in Oxford, n.d., [c. 1745 49], eng. title, four pp. list of subscribers, and sixteen pp. of eng. music (numbered 2 17), some soiling and marks to first title, with contemp. gift inscription, dated 1767, from Mr. Buckeridge Ball Acworth, to Miss Mary Merest, modern morocco backed maroon cloth boards, slim folio Handel Descriptive Catalogue, p. 228 & 109 for the first two volumes. Haydn's Creation was first published in 1800. (4)

An English Violoncello by William Forster (II) London 1795 labelled Made by William Forster Violin Violoncello and Bow Maker to Their Majesties . . . . London and inscribed William Forster London 1795 by the end pin the two-piece back of faint narrow curl the ribs and head of similar wood the table of medium grain the varnish of a dark red-brown colour length of back 30 in. (76.2 cm.) * The varnish of this instrument has suffered heat trauma and is in need of restoration. Apart from this the condition is fair with no serious structural cracks. The damaged label is probably a replacement. The (faint) inscription by the end pin is far more convincing and indicates that this is one of eight cellos made in 1795. The names of the recipients were recorded and published by his grandson Simon Andrew but there is no record of exactly which one this was beyond the certainty that it is not the one made that year for George the Third. Provenance: Peter & Ann Davies Collection

A French Violoncello ascribed to Louis Guersan Paris circa 1770 unlabelled the two-piece back of medium curl ascending slightly from left to right the ribs of narrow curl the head of plain wood the ears of the scroll with a carved foliate design and with scalloped decoration at the chin of the pegbox the table of very fine grain in the centre opening out to medium grain on the flanks the varnish of an orange-brown colour length of back 27 3/4 in. (70.6 cm.) Provenance: Peter & Ann Davies Collection

An Interesting Collapsable Violoncello probably 19th Century unlabelled the body of rectangular box form of softwood but with hardwood corners dovetailed into the ribs the neck and head removable via a sliding fit in the top-block retained by a brass screw the pegbox terminating in a curved rectangular finial the table with straight-sided hardwood inserts in place of soundholes two further inserts under the bridge feet length of body 29 ½ in. (75.0 cm.) string length 27 in. (68.6 cm.) A Provenance: Peter & Ann Davies Collection

Silver-mounted Violoncello Bow by W.E. Hill & Sons London stamped H. & S. on the shaft round stick half mounted ebony frog silver overlaid button 76 grams Provenance: Peter & Ann Davies Collection

Silver-mounted Violoncello Bow by W.E. Hill & Sons London Stamped Hill on the shaft round stick the ebony frog inlaid with pearl eyes silver overlaid button 76 grams Provenance: Peter & Ann Davies Collection

Nickel-mounted violoncello Bow unstamped Vuillaume model 69 grams Provenance: Peter & Ann Davies Collection

Four eighteenth century music parts, library copies: 'Six Sonatas for the Piano Forte with...Flute or Violin and Violoncello by Ignace Pleyel', printed Goulding; 'Six Duets for violin and a violoncello ... by Gianbattista Cirri' (violoncello part), printed Welcker; cello part for 'Beethoven's Grand Overture arranged as a Quintett, J. Betts; and 'Six Concertos in seven parts ...dedicated to Mrs Ord by Charles Avison', basso part, dated 1751(four)

Handel (George Frederic) Hercules, an Oratorio in Score composed in the year 1744, 248 pp. of engraved music, including title and list of contents to verso of final leaf, some minor soiling to margins, endpapers soiled, contemp. half calf, worn with covers det., together with [Six Anthems], In Score, Composed at Cannons, For His Grace The Duke of Chandos Between the Years 1718 & 1720, n.d., c. 1790, together six anthems bound in one, (the list of the titles are My Song shall be alway, As Pants the Hart, The Lord is my light, In the Lord put I my trust, Oh Praise the Lord with one Consent & Oh praise the Lord ye Angels), engraved music throughout, including title and list of contents at end of each anthem, contemp. half calf, rubbed and somewhat worn, covers det., folio, together with Corelli (Arcangelo), The Score of the Twelve Concertos compos'd by Arcangelo Corelli, for two Violins and a Violoncello, with two Violins more, a Tenor, and Thorough Bass for Ripieno Parts, ed. Dr. Pepusch, vol. II only, printed for & sold by I. Walsh ... at the Harp & Hoboy in Catherine Street in The Strand, n.d., c. 1750s, eng. title, and 171 pp. of engraved music, contemp. half calf, joints partly cracked and some wear to extrems., folio, and other mostly early 19th c. folio volumes of engraved music, including Rode's Celebrated Air in G, with Variations for the Violin & Piano Forte, pub. R. Cocks & Co., n.d., c. 1810, The Beauties of Handel, by Joseph Corfe, vol. I only, printed & sold for the author by Preston, n.d., c. 1780s, etc. (13)

Fourteen various violoncello soft cases

Tatra by Rosetti full size violoncello, Hungarian full size violoncello and another full size violoncello bearing a repairer's label (3)

Two Musima full size violoncellos and another full size violoncello (3)

Boosey & Hawkes Excelsior full size violoncello, Boosey & Hawkes Golden Strad full size violoncello and an Artia full size violoncello (3)

Boosey & Hawkes Excelsior three-quarter size violoncello and two other three-quarter size violoncellos (3)

Musima three-quarter size violoncello, Korean three-quarter size violoncello and another three-quarter size violoncello (3)

Two Artia three-quarter size violoncellos, Boosey & Hawkes three-quarter size violoncello and a Czechoslovakian three-quarter size violoncello (4)

Early 20th century violoncello, 29 1/4", 74.30cm

GOOD CONTEMPORARY VIOLONCELLO LABELLED ATTILIO MENEGOTTI FECIT-VERONA-1976, 29 3/4", 75.60cm, soft case

VIOLONCELLO BY ANTON SCHROETTER, labelled Anton Schroetter..., the two piece back of faint broad curl with similar wood to the sides, the head of narrow curl the table of a medium grain widening at the flanks and the varnish of a golden-brown colour, 29 7/8", 75.90cm, hard case *This instrument is sold with a nickel mounted violoncello bow stamped Cuniot-Hury and another nickel mounted violoncello bow*

Contemporary violoncello outfit, 29 1/4", 74.30cm, bow, soft case

Late 19th century violoncello, 30 1/8", 76.50cm, bow, soft case

Late 19th century violoncello labelled Fridrich Konrad Paulus, Markneukirchen, 29 7/8", 75.90cm

Four soft violoncello covers

Three-quarter size Stentor Student II violoncello, 27 1/2", 69.90cm, cased

LATE 19TH CENTURY MITTENWALD VIOLONCELLO, 29 1/2", 74.90cm, two bows, within a W.E. Hill & Sons style oak case