We found 1650 price guide item(s) matching your search

Nickel mounted violoncello bow stamped Otto Jos. Klier; also two nickel mounted violin bows (3)

Silver mounted violoncello bow; also three other violoncello bows (4)

Silver mounted violoncello bow; also a nickel mounted violoncello bow (2)

Three nickel mounted violoncello bows (3)

Two nickel mounted violoncello bows stamped Paesold; also another nickel mounted violoncello bow (3)

Silver mounted violoncello bow, unstamped, 73gm (a.f)

Silver mounted violoncello bow, unstamped, 65gm

Silver mounted violoncello bow faintly stamped Lavest, 83gm

*Contemporary double bass (at fault); also a contemporary full size violoncello and five various contemporary child's violoncellos (7) (all at fault) *This lot is subject to VAT of 20% on the hammer price

Mid 20th century violoncello labelled Meister Eberhard Meinel in Markneukirchen..., 30", 76.20cm

Late 19th century German violoncello in need of extensive restoration, 30", 76.20cm

19th century German violoncello in need of extensive restoration labelled Schiefler Instrumentenmacher, Fecit Hanover...., 28 3/4", 73cm

Contemporary violoncello spuriously labelled Charles Baille..., 29 3/4", 75.60cm

Stentor student full size violoncello and bow (a.f); also four hard violoncello cases (5)

19th century wooden violoncello case inscribed P. Sadgrove on a brass plaque; also a semi-rigid violoncello case (2)

Contemporary violoncello labelled Giovanni Pistucci..., 30", 76.20cm, hard case

Mid 20th century German violoncello, 30", 76.20cm

English violoncello by and labelled Robert A. Stanley, Violin, Bass & Bow Maker, Manchester 1922, 29", 73.70cm

Violoncello labelled J.B. Dworak, in Prag 1896, 29 1/2", 74.90cm

Violoncello labelled Michel Berger Janos, 1935, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 30", 76.20cm

Contemporary violoncello labelled Paoli Luigi..., 29 3/4", 75.60cm

19th century German violoncello, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain broadening to the flanks and the varnish of a golden-brown colour, 29 1/2", 74.90cm, bow

Late 19th century Saxon violoncello, 29 1/4", 74.30cm (a.f)

Late 19th century violoncello of the Wolff Brothers School, 30", 76.20cm (a.f)

18th century English violoncello from the Lockey Hill workshop, unlabelled, the one piece back of plainish wood with faint medium curl to the sides and head, the table of a medium width wavy grain and the varnish of a reddish-brown colour on a golden ground, 28 7/8", 73.40cm (a.f)

Good early 20th century violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a dark reddish-brown colour on a golden ground, 29 7/8", 75.90cm, bow, soft case

A modern student's violoncello, in soft case with bow.

Late 19th century violoncello of the Neuner & Hornsteiner School, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a deep red colour on a golden ground, 29 1/2", 74.90cm

Good French violoncello labelled J.T.L. Geronimo Barnabetti, Paris, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour, 29 7/8", 75.90cm, with nickel mounted violoncello bow

Fine French violoncello by and labelled Emile Jeandat, Matre Luthier fecit Mirecourt, anno 1927, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 29 7/8", 75.90cm

Late 19th century German violoncello, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 29 7/8", 75.90cm

English silver and bone mounted violoncello bow of the Tubbs School, unstamped, the stick round, the ebony frog inlaid with pearl eyes and with an ivory adjuster, 70gm

Violoncello by and labelled J.N. Lambert rue Michel-Le Corde, Paris, the two piece back of fine curl with similar faint curl to the sides and head, the table of a medium width grain broadening to the flanks and the varnish of a light golden-brown colour, 29 3/4", 75.60cm

Mid 19th century Saxon violoncello, 29 1/8", 74cm, with nickel mounted violoncello bow

Italian violoncello circa 1900 probably by and labelled Ulderico Arcangeli, Morciano di Romagna, no 37 Firma dell'Autore, the two piece back of narrow curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 29 5/8", 75.20cm, hard case

19th century German (Saxony) violoncello, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 30", 76.20cm

Good gold mounted English violoncello bow by and stamped to both sides A.R. Bultitude, also stamped 1560, England on the stick under the frog, the stick octagonal, the ebony frog inlaid with gold Tudor rose eyes and the ebony adjuster with two gold bands, 84gm

German nickel mounted violoncello bow by and stamped F.C. Pfretzschner, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 79gm

Violoncello labelled Ansaldo Poggi...Anno 1976, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour, 29 3/4", 75.60cm

19th century German violoncello labelled Gustav Bernardel,..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 30", 76.20cm

Contemporary violoncello labelled Bistoli Luigi..., 29 3/4", 75.60cm

Contemporary violoncello labelled Mario Bedocchi..., 29 3/4", 75.60cm

English nickel mounted violoncello bow possibly by William Tubbs, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two engraved silver rings, 84gm

19th century violoncello, unlabelled, the two piece back of fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a brownish colour on a golden ground, 29 7/8", 75.90cm

Brazilian silver mounted violoncello bow by and stamped Valdecir, the stick round, the ebony frog plain and the ebony adjuster with two silver bands, 78gm

BRITISH 18th CENTURY TOKENS, William Forster, Copper Halfpenny, 1795, obv crown, GOD SAVE THE KING above, 1795 below, encircled with the musical notes of ‘GOD SAVE THE KING’, rev Prince of Wales’s crest within a circle, WM. FORSTER . VIOLIN . TENOR . & VIOLONCELLO MAKER . NO . 348 STRAND LONDON around, edge plain, rounded (Conder p.87, 146; Pye p.29, 5; Virt p.61; Atkins p.93, 217; D&H Middlesex 302). A few small spots, otherwise nearly mint state with substantial original colour.

BRITISH 18th CENTURY TOKENS, William Forster, Copper Halfpenny, 1795, obv crown, GOD SAVE THE KING above, 1795 below, encircled with the musical notes of ‘GOD SAVE THE KING’, rev Prince of Wales’s crest within a circle, WM. FORSTER . VIOLIN . TENOR . & VIOLONCELLO MAKER . NO . 348 STRAND LONDON around, edge PAYABLE IN LANCASTER LONDON OR BRISTOL (D&H Middlesex 302a). Scattered contact marks and spots, otherwise extremely fine and bronzed, exceedingly rare. ex F S Cokayne Collection

Mozart (Wolfgang Amadeus) - Six grand quintettos for Two Violins, two Tenors and a Violoncello, 4 parts only (of 5) for W.Forster, [ c.1800] bound after Beethoven (Ludwig) A quintett for two violins, two tenors & violoncello: op. 20, 4 parts only (of 5), Clementi, Banger, Collard, Davis & Collard, [c.1810], together 8 parts in 4 vol., stab holes to margins, some spotting and browning, later cloth backed boards, ink numbers and some soiling to covers, worn, folio ; sold not subject to return.

Gasparini Francesco. L'armonico pratico al cimbalo regole, osservazioni, ed avvertimenti per ben suonare il basso, e accompagnare sopra il cimbalo, spinetta, ed organo. Quinta impressione. In Venezia: appresso Antonio Bortoli, 1764. In-8° (mm 235x170). Pagine viii, 86, [2]. Fregio tipografico inciso su legno al frontespizio, testatine xilografiche. Tracce di sporco al frontespizio, gore, foro restaurabile al centro delle carte, arrossature. Brossura coeva in carta decorata, strappi ai bordi, mende al dorso, gore. Al recto della prima carta disegni a matita e firma di possesso a penna blu datata 3-11-53, al frontespizio anno 1764 in cifre arabe vergato a penna. Quinta edizione di questo importante trattato sull'armonia apparso a stampa per la prima volta a Venezia nel 1708. Questa guida al basso continuo del compositore toscano Francesco Gasperini non è il solo trattato teorico da lui composto, ma senza dubbio si tratta del più famoso e prezioso per la storia della musica: realizzato con chiaro intento didattico, l'armonico pratico mostra l'eccellente formazione teorica del suo Autore e denuncia sia il rispetto per la tradizione consolidata, sia l'apertura verso innovazioni originali e poco convenzionali all'epoca, come la regola dell'ottava o il ricorso a due bassi, uno per il continuo e uno per il violoncello.

Puccini Giacomo. Madama Butterfly (da John L. Long e David Belasco) Tragedia giapponese di L. Illica e G. Giacosa. Musica di Giacomo Puccini...Nuova edizione. Milano: G. Ricordi & C. [1904]. Dedica autografa di Puccini alla seconda carta di guardia anteriore. Ritratto fotografico di Puccini in antiporta. Legatura editoriale illustrata. Timbri a secco dell'editore alle carte di guardia anteriori. Al frontespizio timbro 'Emporio Musicale Oreste Galassi di Reggio Emilia'. SI AGGIUNGE: Puccini Giacomo. La bohème (Scene da La vie de bohème di Henry Murger) 4 quadri di Giuseppe Giacosa e Luigi illica. Musica di Giacomo Puccini. Nuova edizione con aggiunte dell'autore....riduzione di Carlo Carignani. Milano: G. Ricordi & C. [1898]. Ritratto di Puccini in antiporta. Legatura editoriale illustrata. Al piatto anteriore timbro in inchiostro blu Avv. Mario Cavallini Reggio Emilia; al frontespizio timbro in inchiostro blu 'Stabilimento Musicale Ditta Enrico Spallanzani Reggio Emilia'. SI AGGIUNGE: Zandonai Riccardo, D'Annunzio Gabriele. Francesca da Rimini. Tragedia di Gabriele d'Annunzio ridotta da Tito Ricordi per la musica di Riccardo Zandonai. Prima rappresentazione: Torino - Teatro Regio, 19 febbraio 1914Opera completa riduzione di Ugo Solazzi. Milano: G. Ricordi & C. [1914]. Pagine 209. Legatura editoriale illustrata. Ritratto di Zandonai in antiporta. Al piatto anteriore e all'occhietto anteriore timbro in inchiostro 'Avv. Mario Cavallini Reggio Emilia'. SI AGGIUNGE: Andrea Chénier. Dramma di ambiente storico in quattro quadri di Luigi Illica. Musica di Umberto Giordano. Riduzione per pianoforte solo di Amintore Galli. Pagine 160. Brossura editoriale originale. Al piatto anteriore e all'occhietto timbro in inchiostro 'Avv Mario Cavallini Reggio Emilia'. SI AGGIUNGE: Catalogo delle composizioni per istrumenti ad arco (Violino - Viola - Violoncello - Contrabbasso) Prezzi netti (Ottobre 1922). Milano: G. Ricordi & C. [1922]. Pagine 80. Brossura editoriale originale. I opera: Impreziosita dalla dedica autografa del compositore 'A Sua Maesta' la Regina Elena', datata Milano, 5 febbraio 1904.

Good contemporary hard violoncello case, also another violoncello case (2)

Five various violoncello cases (5)

Early 20th century violoncello in need of extensive restoration, 29 3/8", 74.60cm

Mid 20th century violoncello, 29 7/8", 75.70cm

Contemporary violoncello labelled Giuseppe Bossi..., 29 3/4", 75.60cm

English violoncello by and labelled John Sydenham, Maker, Bruton, no. 24, 2010, 29 3/4", 75.60cm

Good English violoncello by and labelled John Sydenham, Maker, Bruton, no. 23, 2005, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 29", 73.70cm

19th century violoncello in need of restoration, 29", 73.70cm, hard case

Early 20th century half size violoncello labelled Hart & Son of London, in need of restoration, 26 3/4", 68cm, soft case

Late 19th century Dresden violoncello in need of restoration, 29 5/8", 75.20cm (at fault)