Ca.1700-1950 AD. Yemeni Tribal. Lot of five white metal Yemeni Tribal intaglio rings with turquoise and red coloured stone itaglio settings some with intricate scroll work or incised decoration on the hoops and an elegant lapis lazuli necklace. Yemeni tribal rings were made by Jewish silversmiths between the 18th and the. first half of the 20th century, when the majority of Yemeni jews emigrated to Israel. Yemeni silver was traditionally given to brides as an emergency fund from her family, which she would cherish and care for throughout her entire life or otherwise sell if she was in financial need. These items may have belonged to either Yemeni brides orrepresent part of a silver merchant's stock. Excellent condition; wearable.Size: L:set of 7: 220mm necklace, 7 1/2mm / W:Pmm ; 160g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
We found 6027 price guide item(s) matching your search
There are 6027 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
6027 item(s)/page
Ca.1700-1950 AD. Yemeni Tribal. Lot of five white metal Yemeni Tribal intaglio rings with turquoise, blue and turquoise coloured stone itaglio settings some with intricate scroll work or incised decoration on the hoops and an elegant lapis lazuli necklace. Yemeni tribal rings were made by Jewish silversmiths between the 18th and the. first half of the 20th century, when the majority of Yemeni jews emigrated to Israel. Yemeni silver was traditionally given to brides as an emergency fund from her family, which she would cherish and care for throughout her entire life or otherwise sell if she was in financial need. These items may have belonged to either Yemeni brides orrepresent part of a silver merchant's stock. Excellent condition; wearable.Size: L:set of 6: 230mm necklace, 7-8mm / W:O-Qmm ; 159g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
A c1950s brown carrying case 'Sirram' picnic set comprising spoons, sandwich tin, four cups, various glass containers, a 20th century phrenology head by L N Fowler and a small quantity of wooden items to include tribal art inspired masks and figures, a cockerel, a carved bone jewellery box and a quantity of treen boxes to icnlude Swiss-style chalets, treasure chests, etc (3).
Two Baule / Guro dance masks, to include one Guro mask of small proportions with horns and painted details, H30 x W14cm, and one Baule mask bearing traditional scarification facial marks, wood carved, Ivory Coast, H47 x W23cm Provenance: Neville Kingston Collection of Tribal Art; Private Collection, UK
NO RESERVE Ancient & Tribal Art.- Thompson (J.Eric S.) The Rise and Fall of Maya Civilization, second edition, Norman, Ok., 1966 § Lothrop (S.K.) Treasures of Ancient America: Pre-Columbian Art from Mexico to Peru, 1979 § McNeish (James) & others. Art of the Pacific, 1979 § Korn (J.) Modern Makonde Art, 1974 § Broderick (A.H.) Father of Prehistory. The Abbé Henri Breuil: His Life and Times, New York, 1963 § Groenewegen-Frankfort (H.A.) & Bernard Ashmole. Art of the Ancient World, second printing, New York, n.d. § Henig (M.) A Handbook of Roman Art, 1983, illustrations, many colour, original cloth or boards with dust-jackets; and c.45 others on archaeology, ancient and tribal art, v.s. (c.50)
Fateh Moudarres (Syria, 1922-1999)The Three Graces oil on canvas, framedsigned 'Moudarres' and dated '65' (lower right), executed in 1965200 x 115cm (78 3/4 x 45 1/4in).Footnotes:Provenance:Property from a private Lebanese collectionThe present work is a stunning, monumental rendition of a popular artistic subject matter by Syrian artist Fateh Moudarres. In Greek mythology, the Graces were the three goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. The usual roster, as given in Hesiod, is Aglaea ('Shining'), Euphrosyne ('Joy'), and Thalia ('Blooming'). Moudarres weaves these figures, who have been depicted by centuries of renowned and accomplished sculptors and painters, into the stylistic framework of his own individual artistic styleThe present work embodies all of the prominent features of Moudarres oeuvre: use of rich, earthly, ochre hues characterizing the rural palette of his native Syria, depictions of totemic, angular figures recalling the art of primitive Mesopotamia, and huddled groups, clinging to each other with a mixture of affection and anxiety.Moudarres has been broadly classified as a painter within the expressionist tradition, accordingly, his mysterious figurative depictions are animated almost entirely by subjective experiences and esoteric perceptions of his natural environment.The product of a fragmented family, Moudarres' yearning for domestic fulfilment is writ large in his works, which often revolve around sympathetic depictions of family units closely clustered together. Moudarres' sentiments are channelled through the aesthetic of ancient Mesopotamian reliefs and Neolithic statuary, an apt visual language given early arts fixation on the primitive subject matters of fertility, vitality and tribal solidarity.Its liberal application of paint gives it a tactile and almost gestural quality. In place of Moudarres' usually crowded canvases, this is notable in placing compositional centrality on the three main figures depicted. Vibrant, lyrical and exemplary, the present work demonstrates the expressive finesse characteristic of Moudarres' oeuvre.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
William Dalrymple, White Mughals Love & Betrayal in 18th C India. 2002. ISBN: 0-00-225676-2 Milo C Beach Ebba Koch et al, The King of the World. The Padshahnama. An Imperial Mughal Manuscript from the Royal Library, Windsor Castle, Thames & Hudson. 1997. ISBN: 1-898592-10-1 Anjan Chakraverty, Indian Miniature Painting, Lustre Press. 2005. ISBN: 81-7437-045-5 MS Randhawa, Basohli Painting, Government of India. 2014. ISBN: 81-2301-806-1 Robert Delort, The Life and Lore of the Elephant, Thames & Hudson. 1992. ISBN: 0-500-30008-9 AL Basham, The Wonder that was India (vol 1), Sidgwick & Jackson. 2000. ISBN: 0-283-99257-3 Romila Thapar, A History of India volume 1 (revised ed), Penguin. 1990. ISBN:0-14-013835-8 Roy C Craven, Indian Art (revised edition), Thames & Hudson. 1997. ISBN: 0-500-20302-4 Balraj Khanna and Aziz Kurtha, Art of Modern India, Thames & Hudson. 1999. ISBN: 0-500-28046-0 T Richard Blurton, Hindu Art, British Museum Publications Ltd. 1992. ISBN: 0-7141-1442-1 Jim Masselos & Jackie Menzies, Dancing to the Flute Music and Dance in Indian Art, The Art Gallery of New South Wales. 1997. ISBN: 0-7313-0003-3 J M Rogers, Mughal Miniatures, British Museum Press. 1993. ISBN: 0-7141-1457-X Ashi Manohar, Tribal Arts and Crafts of Madhya Pradesh, Mapin Publishing Pvt Ltd. 2006. ISBN: 81-85822-40-9 Andrew Topsfield & Milo Cleveland Beach, Indian Paintings and Drawings from the Collection of Howard Hodgkin, Thames & Hudson. 1991. ISBN: 0-500-97837-9 Provenance: The Professor Conrad Harris Collection
Tribal Art - a pair of Benin erotic models, of copulating tribes people, rectangular bases, the tallest 4.5cm high, West Africa; another similar, singular, 6cm high; a Benin gilt-patinated bronze rectangular, the cover with an aviary of birds, 6.5cm wide; a 19th century Indian patinated bronze incense burner or Diwali lamp, anthemion cresting, scroll frame, 14cm high, [5]
Tribal art carved wooden Dogon maternity pots from Mali, consisting of a very large tower of carved African wooden bowls. The two containers stack on top of each other, with the lid mounted with a kneeling female figure. Sculpture has evidence of old native repairs. Size: 60 x 14 x 15 1/2 in.
Timor, carved wooden door, showing a large rectangular panel in relief with spirals, two conical breasts and a stylized buffalo head a drilled hole for attachment of a rope. With dark black-brown patina. Ex collection Rob Kok, Amsterdam Tribal Art collector and dealer. A similar Timor door of the same collector was sold at Christie's Amsterdam, March 6th 1990, lot 165 ca. 121 x 58 and with hinges h. 149 cm [1]
PNG, Ngaju Dayak, carved wooden warshield, ca. 1900, with geometrical painted patterns and circles. Collection of John Rädecker (1885-1956), a famous Dutch sculptor who designed the sculpture for the Dutch WW2 monument on the Dam Square, Amsterdam. He was a friend of Carel van Lier, and had several exhibitions in Kunstzaal van Lier where he bought or traded tribal art objects with him h. 120 cm [1]
Ivory Coast, Dan mask, With black patina, the lips with blackened added surface. With remnants of old label on the inside. . Collection of John Rädecker (1885-1956), the Dutch sculptor who designed the sculpture for the Dutch WW2 monument on the Dam Square, Amsterdam. He was a friend of Carel van Lier and could have bought from or traded Tribal Art objects with him. h. 21,5 cm. [1]
Nias, black lightwooden dance shield, baluse, decorated with tapering carving and horizontal lines of plant fibers, faceted edge. With a bulbous cilindrical decoration in the front and a handle grip carved at the back. (small damage) Ex collection Rob Kok, Amsterdam Tribal Art collector and dealer. h. 131 cm. [1]
-
6027 item(s)/page