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A carved tribal art stick, with loop top and applied face, 89cm high.

Tribal Art. A carved tribal bust of a gentleman, 24cm high.

Tribal Art. An African spear, with twisted metal spearhead, 95cm long.

Tribal Art. A carved wooden tooth necklace, 45cm wide.

Tribal Art. A carved African totem, of intertwined figures, 59cm high.

Tribal Art. A carved wooden figure, playing a bongo drum, 41cm high.

Tribal Art - three Aboriginal bark pictures, of stylised fish; bush hat; etc** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**

An Ethnic tribal art style side table having carved and pokerwork decoration, width approx. 92cm

Twenty-seven Sotheby's Tribal Art catalogues (1980s)

Four pieces of tribal art, comprising an Ethiopian Gurage Headrest, with dished elliptical top on pierced slim arcaded uprights incised with bands of reeding and with chamfered elliptical plinth base, 17cm (Provenance:- Seward Kennedy Collection); a Turkana Headrest, Kenya, of light brown wood, with dished rectangular top, waisted upright inset with plaited leather looped handle, on a chamfered domed base, 20cm; a 20th Century Kamba Stool, Kenya, the dished circular seat inlaid with circular and fan motifs in coloured glass beads, raised upon four turned outward splayed legs terminating in compressed bun feet, 35cm diameter, 34cm high; a Bembe, Kongo (Bafum) Power Figure, in glossy chestnut coloured wood, carved as a man seated on the back of a crouching boy, and wearing a wide brimmed hat covered in sheet tin, his head tilting slightly backwards, with glass covered painted eyes, his hands resting on his knees and holding the head of a man and a sheet tin covered dagger, on a circular plinth, the edge bound with sheet tin, 52cm (4)Condition report: Cracks to his face, some lifting and splitting of the sheet metal applique.

Tribal art. A pair of African hardwood souvenir paddles, 160cm long.

Tribal Art - a Teke reliquary power figure, stylised features picked out in white pigment, abdominal aperture, 31cm high, Democratic Republic of Congo

Tribal Art - a Zulu knobkerrie, of one-piece rootball construction, fluted head, 80cm long, South Africa, 19th century

Tribal Art - an African prestige or status staff, the pommel carved with a face beneath a headdress, eliptical features, 90.5cm long, 19th/early 20th century

Tribal Art - an African two-handled bowl, angular handles, chamfered feet, 26cm wide, possibly Kenya

Tribal Art - an Australian Aboriginal boomerang, each end scratched with three band motifs, 62.5cm long, 19th/early 20th century

Tribal Art - an Australian Aboriginal boomerang, of good colour and patination, stone-carved texture, 56.5cm long, collector's inscription Oolden SA [South Australia] 1923, G.A.W; another, 46.5cm long (2)

Tribal Art, in the form of mystical beast with bulbous eyes, hair, mane, horns surmounted by a nude male., 101 cm high, together with a wooden trough with three divisions.

Two african tribal arrowheads, believed to have been collected during the Boer war by an ancestor of the vendor, both 43cm long, together with a trench art ashtray, 16 by 8 by 12cm high, with rubbed inscription, and a brass cannon, 24 by 11 by 11cm high. (4)

A Tribal Art wooden artifact, 31 1/2" long.

Tribal Art - a graduated set of ebonised elephants; ebonised See No Hear No Speak No Evil monkeys; tribal figures; etc

Tribal Art- an African carving of a Hippo; large chip carved African elder carving, various other carved ebony busts.

Tribal Art - Five African carvings of small deer, possibly Dik-diks, the largest 16cm high , early 20th century

Collection of tribal art to include hand carved pieces

Collection of tribal art

Tribal Art: Sudanese war shield, c. 1890 type, an excellent old copy, 23" in diameter

Tribal Art - a Teke reliquary power figure, stylised features picked out in white pigment, abdominal aperture, 31cm high, Democratic Republic of Congo

Tribal Art - a Benin bronze, cast as the head of an Oba or figure of the court, 39cm high, Nigeria

Tribal Art - a Fijian bowai pole club, chip carved with bands of geometric motifs, 82cm long, Fiji, Melanesia, 19th century

Tribal Art - a Fijian kiakavo gunstock club, the head typically with spur and ridge, carved with chequered panels and bands of geometric motifs, 76cm long, Fiji, Melanesia

Tribal Art - a Fijian ula throwing club, 35cm long, 19th century

Tribal Art - a Luba axe, crescent blade, club shaped haft with figural terminal, 60cm long, Democratic Reupublic of Congo

Tribal Art - a West African bronze model, of an antelope, 13cm high, possibly Dogon; another (2)

Tribal Art - a West African gilt bronze sculpture, the mask with eliptical features and coiled protrusions to forehead, 9cm high

Tribal Art - a Zulu assegai or iklwa stabbing spear, 38cm slender leaf shaped blade, fibre-binding to tang junction, hardwood shaft, 100cm long, South Africa, late 19th century

Tribal Art - a Zulu axe, 16cm demi-lune blade, the tang chased with geometric motifs, the hardwood shaft bound with three bands of copper wire, 76cm long, South Africa, late 19th century

Tribal Art - a Zulu high status prestige knobkerrie, the shaft wire-bound in four bands, 57cm long, South Africa, 19th century

Tribal Art - a Zulu Induna assegai spear, of high status, 18cm slender leaf shaped blade, canted square tang with armourer's marks, wire-bound tang junction, two-tone hardwood shaft terminating in an ovoid pommel with chequered socle, 110.5cm long, South Africa, late 19th century

Tribal Art - a Zulu knobkerrie, of one-piece rootball construction, fluted head, 80cm long, South Africa, 19th century

Tribal Art - an Australian Aboriginal boomerang, each end scratched with three band motifs, 62.5cm long, 19th/early 20th century

Tribal Art - an Australian Aboriginal boomerang, of good colour and patination, stone-carved texture, 56.5cm long, collector's inscription Oolden SA [South Australia] 1923, G.A.W; another, 46.5cm long (2)

Tribal Art - an Australian Aboriginal woomera spear thrower, 61cm long, 19th/early 20th century

Tribal Art - Tribal Art - a Bambara heddle pulley, carved as a janus figure, 18.5cm high, Mali, West Africa, collector's display plinth

Six High Quality Reference Books:- Art of Africa by Jacques Kerchache, Jean-Louis Paudrat and Lucien Stephen; In and Out of Focus - Images from Central Africa, 1885-1960; Africa The Art of a Continent, edited by Tom Phillips; The Tribal Arts of Africa by Jean-Baptiste Bacquart; Wooden Dreams, East African Headrests by Eduardo Lopez Moreno; and African Dream Machines, Style, Identity and Meaning of African Headrests by Anitra Nettleton (6)Condition report: All in good clean condition.

Boxes and Objects - an oak cotton reel stand; a tribal art bronze; a brass desk weight as an anchor; a French five piece vanity set, porcelain backs; a Ben Casson walnut box; bridle mouth bits; Art Deco book ends; brass oil lamp; etc, qty

A Congo Pende staff, with carved head, 115.5cm high, and an African art tribal Chokwe Lwena staff with carved figure and entwined snake, 131.5cm high (2)

Indian Art A pair of brass paduka shoes Northern India, possibly Rajasthan, 19th century . . Cm 17,50. Pair of shoes characterized by a rigid sole and knot between the first and second toe. Shoes of this type are historically known in India and South East Asia, as a matter of fact, they are an honorary and royal attribute in Malaysia. The name derives from "pada", meaning "foot" in Sanskrit.There are padukas of various materials, those in metal were probably used as bathing clogs to prevent contamination during ritual ablutions ( (Christiane Serra Fabri-Terlinden, Mughal Silver Magnificence, XVI - XIX th, 1987, p. 167). Reference: Museum of Folk and Tribal Art, Gurgaon (Haryana) India;Aitken, M.E., When Gold Blossoms: Indian Jewelry from the Susan L.Beningson Collection, Asia Society & Philip Wilson Publishers 2004.Jain-Neubauer, J., Feet & Footwear in Indian Culture, Bata Shoe Museum/Mapin, 2000.

THREE BOXES AND LOOSE METALWARES AND TREEN, to include a decanter holder in the form of a fort with two amber pressed glass decanters (sd), a cuckoo clock, tribal art mask, figures and drums, a large wooden box approximately 39.5cm x 22cm x 30cm, carved animals, wooden book ends with bowls, a 23cm pair of Dutch clogs, a collection of horse brasses, a brass planter, vase, bell, soap dish, horse, carriage and cannon, a plated basket, a partial canteen of cutlery, etc (sd) (3 BOXES + LOOSE)

A Turkish tribal rug, 19th century, the green field with a large madder medallion filled an ivory hooked gul, within an ivory gul border, 141 x 87cm.From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North East Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.

Bunmi Agusto Aruaro (In Blue and Green) Pastel Pencil on Sandpaper, Ink and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bunmi Agusto's practice follows the inhabitants of a surrealist wonderland in her mind called Within. The indigenous inhabitants of this world are hybrids whose human form is combined with elements she finds integral to her sense of self and cultural consciousness. Non-Hybrid humans are also present in Within as family members, friends and passersby in the artist's waking life are subsumed into the world through encounters and begin to occupy the role of immigrants into her mind. Her works therefore explore cultural theory and the evolution of selfhood through the lens of fantasy. She cites stories such as Amos Tutuola's The Palm Wine Drinkard, Lewis Carroll's Alice In Wonderland and the Marvel Cinematic Universe as major influences. She also works predominantly with pastel pencils and mixed media. Education MA History of Art & Archaeology, SOAS University BA Fine Art, Central Saint Martins Erasmus Exchange, Royal Academy of Art, The Hague Select Exhibitions/Awards   Solo Exhibitions: Kenneth Ize SS22, Palais de Tokyo, Paris (2021) Escape To Within, DADA Gallery, London (2021) Group Exhibitions: 1-54 Contemporary African Art Fair, DADA Gallery, London (2021) Art X Lagos, DADA Gallery, Lagos (2021) Redefining The Trend- Histories In The Making, Christie's, London (2021) Now, Now, TAFETA, London (2021) London Grads Now, Saatchi Gallery, London (2020) Awards: Cass Art Prize, UAL Graduate Showcase (2020) Cass Art Prize, Xhibit (2019) Gallery Representation DADA Gallery Statement about AOAP Submitted Artwork This artwork features a member of Agusto's fictional Aruaro clan. This clan is known for their unique tribal marks in which lie a second set of eyes that allows them to tap into a more insightful ancestral perspective. However, in this piece, the Aruaro hides all four of their eyes as they engage in conversation leisurely.

A tribal art style walking cane having carved head to handle.

KriegerfigurIgbo, Nigeria. Holz, geschnitzt; teils weiße Fassung, weiße Pigmente. H. ohne / mit Sockel 81 cm / 87 cm. Auf Sockel montiert. Best. (alt). - Provenienz: Lempertz Tribal Art Africa, 26.4.2008, Brüssel, Auction 918, 187; Norddeutsche Privatsammlung. Schwert und Schild haltende Figur eines Kriegers. Auf dem Kopf zwei hornartige Ausbuchtungen, die mittig durchbrochen geschnitzt sind. Dunkelbraun-schwärzliche, krustige Patina. Auf dem Kopf Reste von kleinen Federn.

Männliche FigurLobi, Burkina Faso. Holz, geschnitzt. H. ohne / mit Sockel 49,5 / 53,1 cm. Altersspuren, Hinterkopf und Rücken je mit Riss (alt). - Provenienz: Lempertz Tribal Art Africa, 26.4.2008, Brüssel, Auction 918, 90; Norddeutsche Privatsammlung. Großer Kopf mit hervortretendem Mund und halbgeschlossenen Augenlidern. Die Figur hat dunkelbraun-schwärzliche Patina.

Weibliche FigurTiv, Nigeria. Holz, geschnitzt. H. ohne / mit Sockel 88,8 cm / 97 cm. Auf Holzsockel montiert. Altersspuren. - Provenienz: Lempertz Tribal Art Africa, 26.4.2008, Brüssel, Auction 918, 179; Norddeutsche Privatsammlung. Schlanke, langgezogene weibliche Figur. Die (fragmentarischen) Beine tragen den zylindrisch geformten Oberkörper mit konischen Brüsten. Die Schulterpartie ist als Rundung gestaltet, von der aus die schlanken Arme den Oberkörper rahmen. Abstrahierendes Gesicht. Der Kopf mit einer Frisur in Form parallel geschnitzter Zöpfe.

Dogon FigurWestafrika. Holz, geschnitzt. H. ohne / mit Sockel 36,5 cm / 39,6 cm. Auf Holzsockel montiert. Alters- und Gebrauchsspuren. - Provenienz: Lempertz Tribal Art Africa, 26.4.2008, Brüssel, Auction 918, 50; Norddeutsche Privatsammlung. Auf angewinkelten Beinen stehende Figur mit schlanken Armen und konisch hervortretenden Brüsten. Die Oberfläche der Figur ist bedeckt mit verkrusteter, brauner Patina.

Collection of carved tribal art and wooden animals

A CARVED STONE LINGA, NEPAL, 16TH-17TH CENTURYSuperbly carved with four faces each representing aspects of Shiva, all four holding a rosary and a bottle, with elaborate coiffure and elaborate crown, fine expression, and richly adorned with jewelry, a raised band of wave diaper behind the heads.Provenance: Arturo Schwarz, Milan, 1997. A private collection in Bergamo, Italy, acquired from the above. Collection of Leonardo Vigorelli, Bergamo, acquired from the above. Arturo Schwarz (1924-2021) was an Italian scholar, art historian, poet, writer, lecturer, art consultant and curator of international exhibitions. He lived in Milan, where he amassed a large collection of Dada and Surrealist art, including many works by personal friends such as Marcel Duchamp, Andre Breton, Man Ray, and Jean Arp. In 1975, Schwarz started working as curator and writer, writing extensive publications on the work of Marcel Duchamp, as well as books and numerous essays on the Kabbalah, Tantrism, alchemy, prehistoric and tribal art, and Asian art and philosophy. His 1977 book on Man Ray's works and life was the first to reveal Ray's real name.Condition: Very good condition with old wear, mostly to the top, small nicks and losses, occasional light surface scratches. With a good, unctuous feel overall and an elegant, naturally grown patina and luster. Dimensions: Height 37.5 cm (excl. base) and 47.5 cm (incl. base)Mounted on a modern stepped base. (2)This large linga is in the form of panchamukhalinga, the five-headed Shiva. The four faces protruding from the sides are directed in the cardinal directions, representing different aspects of the deity, the ferocious Bhairava (south), Nandin with a lion crown (west), Tamreshvara with floral and serpent earrings (north), Mahadeva with matted hairstyle (east), all bearing rosaries and a bottle with the elixir of immortality. The fifth, representing the absolute, is generally not shown, in keeping with the Hindu belief that the absolute is formless.Literature comparison: For an earlier example, dated 10th century, see the Asian Art Museum of San Francisco, object number B87S7. Compare a gray stone linga, dated 10th-11th century, at Christie's New York, 31 March 2005, lot 178.Auction result comparison: Compare a related copper repousse linga cover, dated 15th-16th century, at Christie's New York in Sacred and Imperial: The James and Marilynn Alsdorf Collection Online on 29 September 2020, lot 14, sold for USD 35,000. 尼泊爾十六至十七世紀石雕林迦精雕細刻，四面各有一濕婆神，各持一串念珠和一個寳瓶，髮型精美，頭戴王冠，裝飾華麗。 來源：米蘭Arturo Schwarz, 1997年；義大利貝加莫私人收藏，購於上述收藏；貝加莫Leonardo Vigorelli 收藏，購於上述收藏。Arturo Schwarz (1924-2021) 是一位義大利學者、藝術史學家、詩人、作家、講師、藝術顧問和國際展覽策展人。 他住在米蘭，收藏了大量達達主義和超現實主義藝術作品，其中包括馬塞爾·杜尚、安德烈·布雷頓、曼·雷和讓·阿爾普等私人朋友的許多作品。1975 年，Schwarz開始擔任策展人并開始撰寫大量關於馬塞爾·杜尚作品的書籍以及關於卡巴拉、密宗、煉金術、史前和部落藝術以及亞洲藝術和哲學的書籍和大量論文。他在 1977 年出版的關於曼雷作品和生活的書是第一本揭露雷的真名的書。 品相：狀況極好，磨損，大部分到頂部，小劃痕和缺損，局部有輕微的表面劃痕。 整體感覺良好，包漿瑩潤優雅。尺寸：高37.5 厘米 (不含底座)，總 47.5 厘米 安裝在現代階梯式底座上。(2) 這個大林伽是五頭濕婆神的形式。從側面突出的四張臉朝向主要方向，代表神祇的不同方面，兇猛的陪臚（南）、戴獅冠的 南迪（西）、戴花卉和蛇形耳環的 Tamreshvara（北）、瑪哈德娃（東），都帶著念珠和一瓶長生不老藥。 第五，代表絕對，一般不顯示，與印度教認為絕對是無形的信仰一致。 文獻比較: 一件更早的十世紀的林迦，見 舊金山亞洲美術館，編號B87S7；比較一件灰石雕林迦, 十至十一世紀，見紐約佳士得，2005年3月31日，lot 178。 拍賣結果比較：比較一件相近的銅錘鍱林迦蓋，十五至六十世紀，見紐約佳士得Sacred and Imperial: The James and Marilynn Alsdorf Collection Online 2020年9月29日 lot 14, 售價USD 35,000。

AN IMPORTANT AND RARE BAMBOO FIGURE OF A CITIPATI, 17TH-18TH CENTURYTibet or Himalayas. Finely carved standing in samabhanga atop a small skull, lacking feet or arms, the spine neatly detailed, the ribs well-executed in openwork, the two large eye sockets vacant, with fierce grimace and teeth bared. Wearing a crown in the form of a vajra rising from lotus-lappets behind three smaller skulls.Provenance: Marc Assayag, Montreal. Indian Heritage, Paris, acquired from the above. Collection d'un Grand Amateur, France, acquired from the above. Marc Assayag is an art dealer, photographer, researcher, and writer. As one of the pioneers of presenting Tribal Art, Marc has been engaged as guest curator in New York, invited to travel with the Cousteau Foundation and served as photographer for many noted publications. As an international Art dealer, Marc participates in major art fairs around the world both as lecturer and dealer. Specializing in Melanesian art, Marc is also, since 2015, owner of the world class Jolika Collection of New Guinea art, and its reputed library. Established in 2006 by Frederic Rond, Indian Heritage is a gallery specializing in Indian and Himalayan art. Located in St Germain des Pres, Paris, it offers a large selection of primitive and classical pieces with a focus on Himalayan masks.Condition: Very good condition with minor old wear, few minuscule nicks, and occasional light scratches. Fine natural patina, commensurate with age, and an unctuous feel overall.Weight: 107.2 g (excl. stand)Dimensions: Height 30.7 cm (incl. stand) and 29.6 cm (excl. stand)With an associated metal stand. (2)Auction result comparison: Compare a related but larger gilt-bronze figure, described as a Chitipati or Kinkara from Tibet or the Himalayas and also dated 17th-18th century, at Sotheby's Hong Kong in The Heart of Tantra – Buddhist Art Including Property from the Nyingjei Lam Collection on 2 October 2017, lot 3144, sold for HKD 9,100,000. 十七至十八世紀罕見竹雕屍陀林像 西藏或喜馬拉雅。竹雕屍陀林立像，無足無臂，脊椎細密，肋骨鏤空，兩個大眼窩，猙獰地露出牙齒。頭上有三個骷髏，其後有一個金剛冠。 來源：蒙特利爾Marc Assayag。巴黎的Indian Heritage，購於上述收藏。法國 一個業餘愛好者收藏，購自上述收藏。 Marc Assayag 是一位藝術品經銷商、攝影師、研究員和作家。 作為展示部落藝術的先驅之一，Marc曾在紐約擔任客座策展人，受邀與Cousteau基金會一起旅行，並擔任許多著名出版物的攝影師。 作為國際藝術品經銷商，Marc 以講師和經銷商的身份參加世界各地的主要藝術博覽會。 Marc 專注於美拉尼西亞藝術，自 2015 年以來，他還是世界一流的新幾內亞 Jolika 藝術收藏館及其著名圖書館的所有者。 Indian Heritage 由 Frederic Rond 於 2006 年創立，是一家專門從事印度和喜馬拉雅藝術的藝廊。 它位於巴黎的聖日耳曼德佩區，有大量原始和古典作品，重點是喜馬拉雅面具。品相：狀況極其好，有輕微的磨損，微小的劃痕，局部有輕微劃痕。 細膩的自然光澤，與年齡相稱，整體感覺潤滑。 重量：不含底座107.2 克 尺寸：總高 30.7 厘米，不含29.6 厘米 配金屬支架 (2) 拍賣結果比較：比較一件稍大的十七至十八世紀西藏銅鎏金屍陀林或吉迦夜像見香港蘇富比The Heart of Tantra – Buddhist Art Including Property from the Nyingjei Lam Collection 2017年10月 2日 lot 3144, 售價HKD 9,100,000。

Follower of Max BarrettAn anthropomorphic green marble beast with tribal style head, length 17cm, together with a braised copper rectangular vessel, both apparently unsigned (2).The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

A Yoruba tribal art staff, Nigeria, West Africa, carved with a figural finial and multiple bladed knops, 144cm long.