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Lot 266
Chinese carved hardwood framed table screen, the rectangular porcelain panel having polychrome decoration depicting a lakeland landscape, overall height 58.25cm Condition: Porcelain panel is cracked across its centre, the initial crack coming in from the right beneath the boats and then branching off into three further cracks running through the largest tree to the opposite side, the base has one loss to an element of the pierced carving in one of the end supports and one of the pierced lower carved frieze elements maybe a replacement - **General condition consistent with age
Lot 47
Mid 20th Century mahogany stained beech framed four fold screen, each fitted with a finely embroidered panel representative of the four seasons and depicting a lamb, squirrel and birds in a landscape, worked by Ethel Wills who studied at The Royal School of Needlework, 168cm high Condition: Please see extra images and TELEPHONE department for further details
Lot 306
Mahogany framed two fold screen inset with twelve 19th Century Chinese rice paper paintings, each showing an interior scene with a seated figure and hand servant, 174cm high Condition: All the panels have the typical splits and discolouration to the rice paper, there are splits and wear to the lower large panels - we would recommend viewing this lot in person
Lot 822
HELEN C COLMAN: PRINCES' STREET CONGREGATIONAL CHURCH, NORWICH 1819-1999, 1999, orig ptd bds + THE REV R N USHER: SWANTON MORLEY CHURCH ITS HISTORY AND INTEREST AS AN EXAMPLE OF A FINE FOURTEENTH CENTURY CHURCH, Norwich 1945, autographed note sigd on Swanton Morley Rectory Headed Paper loosely inserted, cont cl gt + C J MESSENT: THE MONASTIC REMAINS OF NORFOLK AND SUFFOLK, Norwich 1934, 1st edn, orig cl + E F STRANGE: THE ROOD SCREEN OF RANWORTH CHURCH, 1902, orig cl bkd bds + HENRY HARROD: GLEANINGS AMONG THE CASTLES AND CONVENTS OF NORFOLK, Norwich 1857, 1st edn, sigd and inscr, old cl, ptd paper label + AUGUSTUS JESSOPP AND M R JAMES (ED): THE LIFE AND MIRACLES OF ST WILLIAM OF NORWICH BY THOMAS OF MONMOUTH ..., Cambridge University Press 1896, orig cl gt (6)
Lot 322
TWO JAPANESE IVORY NETSUKE MEIJI 1868-1912 The first depicting boys playing around a tsuitate (standing screen), signed Gyokko in an inlaid rectangular cartouche to the base, the other carved as a caparisoned elephant with a boy sat on its back and two other children playing musical instruments at its feet, signed Chikuyosai Tomochika with a seal for Tomochika and inscribed with the name of the Tokyo shop for which the piece was made, 5.6cm. (2) Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part B, p.891, where the netsuke by Tomochika is described.
Lot 143
A SMALL CHINESE TABLE SCREEN, QING DYNASTY Mounted with an openwork pale celadon jade plaque carved with a dragon, two deer, a bat and a bird amongst scrolls, the hardwood frame carved with fruiting vines, bamboo and prunus on key fret grounds, the feet formed as large lotus leaves, 19cm x 20cm overall. (2) 清 硬木嵌青白玉雕福壽屏
Lot 329
A six-fold paper screen, Edo period, 19th century A six-fold paper screen, Edo period, 19th century , painted in ink and colour on a buff ground with autumn flowers, a bamboo fence, rocks, a pair of Oshidori (Mandarin ducks) and s hikishi (poem slips) among gold clouds in a river landscape, 138cm high and 334cm wide
Lot 330
A six-fold paper screen, Rimpa school, Meiji period, 19th century A six-fold paper screen, Rimpa school, Meiji period, 19th century , painted in ink and colour on a silver ground with aoi (hollyhock), leshi (poppies), kakitsubata (iris) and other summer flowers, 152cm high and 310cm wide For similar examples on a gold ground depicting the flowers of autumn see; Beyond Golden Clouds, Japanese Screens from the Art Institute of Chicago and the St Louis Art Museum. pp. 112-113, pl. 7and Catalogue of Selected Masterpieces from the Nezu Collections, Painting and Calligraphy. pp. 192-193, pl. 161. Provenance: From the collection of Frederick R. Innes
Lot 104
A Chinese jade oval Ming-style confronting dragon table screen, Qing Dynasty A Chinese jade oval Ming-style confronting dragon table screen, Qing Dynasty, worked and pierced with the dragon vigorously curling amid scrolling foliage, the jade plaque11.5cm diam; overall height of screen 19cm -1清代 明代风格龙纹玉嵌木插屏
Lot 331
A gold ground furosaki paper screen , Edo period, 18th century A gold ground furosaki paper screen , Edo period, 18th century, with shikishi (applied paper with calligraphy or paintings) showing scenes from The Tale of Genji and poems from Hyakunin Isshu (100 Waka Poems by 100 Famous Poets of Antiquity), 67cm high and 176cm wide The bottom right with Chapter 50 The Eastern Cottage, 'Leaving Ukifune to the place of Nakanokimi, the mother, Chujounokimi, went back to the house of the governor. Then Niou accidentally passed the room and found her there. She was very pretty indeed. He caught her hands, which were holding a fan. He approached her asking, "What is your name?" Ukifune was horrified and wondered whether this man might be Kaoru who was looking for her. Nothing further happened, but it was an unforgettable encounter for Niou' The top right with chapter 29, The Royal Outing, 'In the Twelfth Month there was a royal outing to Oharano. All the ministers and councillors and whole court had turned out for the occasion. The princes and high officials were beautifully fitted out. Their guards and grooms, very good-looking, had put on special dresses. The princes and high courtiers in charge of falcons were in fine hunting dress. The falconers from the royal guards were even more interesting, all in printed robes of most fanciful design. Even the skies seemed intent on favouring the occasion, for there were flurries of snow. The procession left the palace at six in the morning and proceeded south along Suzaku Avenue and west on Gojo. Carriages of viewers lined the streets all the way to the river Katsura. The princes of Rokujo and Tamakazura were among the spectators. Tamakazura paid special attention to the Emperor Reizei, her own father, To-no-Chujo, Prince Hotaru and General Higeguro. The emperor in his red robe, who resembled Genji, attracted Tamakazura. It was her opinion that no one compared with him'.
Lot 64
A small Chinese cinnabar lacquer screen, Qing Dynasty, 19th century A small Chinese cinnabar lacquer screen, Qing Dynasty, 19th century, one side depciting a scholar under a prunus tree and the reverse with flower, rocks and a cricket, overall height 18.7cm, the plaque 13.5cm high x 11.5cm wide, stand 13cm wide -1 清代 十九世纪 剔红小漆屏
Lot 327
A six-fold paper screen, Taishō period, 20th century A six-fold paper screen, Taishō period, 20th century , painted in ink and colour on a silver ground with a black cat amongst white yuri (lilies), seal Shūyō, 109.5cm high and 273.5cm wide Shūyō (the first character of this seal means excellence and the second character means yang of yin-yang, or bright ). The artist who used this seal has not been identified, although the style in which the seal has been engraved is reminiscent of the Rinpa artist Sakai Hoitsu and therefore suggests that the painter could be a follower of the late Rinpa School.
Lot 3
A Chinese marble and wood screen stand for the scholar’s table A Chinese marble and wood screen stand for the scholar s table, 19th or 20th century , the attractively veined marble reminiscent of a mountainous landscape, particularly regarded by the literati of late Imperial China, painted with a short inscription, 37cm wide and 28cm high without the stand -1木纹镶理石插屏式地座屏
Lot 251
2 Corgi Toys split-screen Bedford CA. A Mechanical ‘Utilecon’ Fire Tender (405M) in red with original black metal ladder to roof, motor in working order. Plus a ‘Dormobile’ Personnel Carrier (404) in greyish blue. Both boxed, some wear/damage to end flaps (3 missing). Vehicles VGC-Mint. Deserve better boxes. Plate 6
Lot 250
A pair of Arita baluster Vases and Covers,mid 19th century, the ovoid ribbed body typically painted in red, blue and gold with panels of a ho-o standing on a flowering tree next to a fence or a screen and peony in jardinière, against florets and double gourds, the base with false gadroons, the domed lid similarly decorated with shi-shi knop,74.5cm (4)
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