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Two trays of china to include; Portmeirion Botanic Gardens vases, cups and saucer, rolling pin, a Mason's Ironstone dresser jug, various Wade porcelain animal pin trays and viking boat design trinket bowl, Wade ring bowl with baby on a swan in the centre, Ewenny pottery jug, art pottery mug etc. (2)(B.P. 21% + VAT)
A TRANSFER-PRINT ROLLING PIN OR NAILSEA SALT, CIRCA 1860 cobalt blue glass with sentimental verse flanked by graphics of the sailor's farewell and a brig -- 15½in. (39.5cm.); together with two further in opalescent and green glass (3)Condition report: Transfers typically warn, each end opened but in good overall condition.
AN EARLY 20TH CENTURY SCANDINAVIAN POTTERY ROLLING PIN 38cm in length; a Royal Copenhagen faience pottery bowl by Inge-Lise Koefoed, 11cm diameter x 6cm in height and a Scandinavian pottery tile decorated with a lady sorting fish, 18cm wide x 17cm deep (3) Condition: a hairline crack and crazing to the rolling pin; Copenhagen bowl in good condition with some crazing on the inside; tile in good condition possibly very minor surface marks
A NAILSEA PINK GLASS ROLLING PIN, 36.5cm long; together with TWO NAILSEA FLASKS. (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The three pieces in generally good condition without or cracks.
An impressive George III eight-day musical longcase clock with moonphaseRichard Bullock, Ellesmere, circa 1775The substantial seven pillar triple-train bell striking movement with T-shaped plates, anchor escapement regulated by seconds pendulum and playing a choice of seven tunes every three hours on a graduated nest of ten bells with twenty hammers via a 11.25 inch pinned cylinder mounted transversely across the upper edge of the backplate, the 13 inch brass break-arch dial with subsidiary tune selection dial annotated EASTER HYMN/MARCH IN PTOLOMY/BANK OF FLOWERS/BEILLISLE MARCH/ROAST BEEF/NANCY DAWSON/HARVEST HOME to the symmetrical foliate scroll engraved dial centre incorporating oval reserve signed Rich'd Bullock, Elles mere, No. 539 around the calendar aperture to lower margin, within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced blued steel hands and crested female mask and scroll cast spandrels to lower angles opposing subsidiary STRIKE/NOT STRIKE and CHIME/NOT selection dials to the upper, beneath arch with rolling moonphase incorporating conforming mask-centred mounts to lunettes and unusual Classical capriccio landscape painted decoration opposing starry sky with a comet to the concentric age-of-the-moon annotated lunar disc, in a case possibly by Gillows of Lancaster with carved lobed finials over dentil cavetto moulded swan-neck pediment incorporating leafy pendant scroll and blind-fretwork infill over ogee bolection moulded break-arch glazed hinged dial aperture enclosing gilt leaf carved mask around the dial, flanked by free-standing Gothic cluster columns and the sides with rectangular sound frets and conforming columns set against bargeboards at the rear, the trunk with dentil cavetto throat and blind fretwork frieze over ogee lancet triple arch-topped flame-figured door flanked by cluster columns to angles, the plinth base with stepped ogee top mouldings over shaped chevron-line panel bordered fascia flanked by moulded canted angles over ogee bracket feet, 241cm (95ins) high excluding top finial; 254cm (100ins) high overall. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Research undertaken by Brian Loomes places the earliest record of the Bullock family of clockmakers in Ellesmere, Shropshire through the Baptism of Sarah Bullock daughter of Edmund Bullock, clockmaker on 8th July 1708. Loomes further notes a baptism of an Edmund Bullock at nearby Wrockwardine in 1686, which most likely records the year of his birth. Of Edmunds work several turret clocks are known (including an example made for Chirk in 1712), numerous longcase clocks many of which are numbered, a sundial dated 1726 and at least one table clock. Edmund Bullock's son, Richard, was born in 1718/19 along with his twin sister, Hannah. Richard followed his father in becoming a clockmaker, although his exact dates appear to be unrecorded it can be safely assumed that he was working, probably alongside his father, by around 1740. Richard also numbered his clocks and maybe continued the series first established by his Edmund although there are no records to confirm this. The current lot is a particularly impressive example and would have been a very expensive commission most likely placed by a very wealthy local land owner. The mechanism is rare in that it has survived unaltered, which is unusual for a musical clock of this complexity. The quality of the case certainly befits that of the movement and exhibits details which may support an attribution to Gillows of Lancaster; namely the ogee-moulded frame to the hood door, fine quality carving to the pediment and sparing/restrained use of parquetry stringing. Condition Report: Movement is complete and appears all original with no visible alterations or missing items and replacement limited to some historic re-pinioning (undertaken at time of past servicing to counter wear in the relevant pinions). The hammers and bells generally sound cleanly on the bells and testing through manual operation of the mechanism suggests that the pin/hammer tail engagement is generally very good. The tune selection feature is present and functional however the return spring that holds the lateral position to the barrel is a bit weak for its purpose. Although the trains will run/operate the mechanism is generally in dirty/neglected condition so will need a gentle clean/service before putting to use.The dial is generally in good original condition albeit with some discolouration, tarnishing and wear to the finishes. All functions (calendar, strike/time selection, moonphase, tune selection and seconds) are operational. The moon disc has some slight flaking to the painted decoration otherwise is in very good original condition.The movement retains its original seatboard. The seatboard however does not stretch to the full width of the cheeks hence much of the support is reliant on blocks applied to the inside of the cheek uprights; such blocks are present but appear fairly recent. The upper surface of the cheeks however appear undisturbed. Due to the seatboard appearing a little narrow for the case we cannot offer any assurances that the movement and dial are original to the case.The case is generally in good condition with faults mainly limited to age related bumps, scuffs, wear, a few very small repairs and slight shrinkage. The finish is a little flat hence case would benefit from a good polish. The hood has carved gilded wood dial surround applied to the inside edge of the mask. This is an unusual (and visually striking) detail may not be original which adds weight to the probability that the movement and dial are not original to the case (as this detail serves to 'adjust' the dimensions of the mask to accommodate the current movement and dial). Notable other faults to the case include a length of slender dentil moulding missing from the throat to the left hand side, a vertical shrinkage crack to the left hand side of the trunk. The moulded skirt and ogee bracket feet are replacements probably dating to the early 20th century.Clock is complete with pendulum, three weights, case key and winder. Condition Report Disclaimer
Quantity of assorted items to include two metal buckets, marked 'Coca Cola', brass candlesticks, small music centre and speaker, assorted prints, model necklace holder, assorted kitchenware to include rolling pin, earthenware casserole, white dinner plates and side plates made by Maxwell Williams and assorted games (4 boxes)
A quantity of glassware to include a Victorian blue opaline raised bowl with foliated edging and floral decoration, height 29cm, together with a Bristol blue rolling pin, a glass and brass 'Patent A.M Marbe Vegetine Lamp', height 14cm, various pieces of cranberry glass, a green glass bottle in a copper wrap embossed with a depiction of a woman, height 33cm and a small group of later 20th Century glass wares to include a textured bottle in the Whitefriars style with decoration of a flowering plant, height 27cm and figures of cockerel and cat (24)
A group of assorted metalware, to include brass fire accessories, brass crumb tray and brush, set of three copper measures with brass handles, brass spirit kettle with burner stand, brass rolling pin, pair of knopped brass candlesticks, etc. Click here to view further images, condition reports, sale times & delivery costs for this lot.
SECTION 2. A 1970s Portmeirion 'Birds of Britain' by Susan Williams-Ellis from the original design by E Donovan pattern part dinner service including 'Black Cock' storage jar, other storage jars, plates, bowls, cups and saucers, rolling pin, teapot, milk jug, six egg cups and salt and pepper etc. (39 pieces)
Two old green glass bottles, two various blue spirit decanters, iridescent blue flask, square, blue glass rolling pin and one other item (7) Condition ReportThere is no hand blown pontil mark on base of small onion botte, smooth base, the smaller bottle with the windmill stopper has some areas of paint missing , cork damaged, area around top damaged, larger one damaged, see images
Collection of concert / music memorabilia to include: approx 54 assorted ticket stubs/stickers/passes, a T.Rex programme and small selection of magazines/sheet music etc, approx 70 assorted pin badges. Artists to inc: Alex Harvey Band, AC/DC, Def Leppard, Rolling Stones, Mick Ronson and more.
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2969 item(s)/page