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ALFRED RHEAD FOR POOLE POTTERY; a freeform vase decorated in pattern PQB, height 25cm, together with a Whitefriars glass ovoid vase, pattern number 9653 in the Cinnamon colourway, height 24cm (2).Additional InformationLight wear, especially to the glass vase, also minor chips/nibbles to the foot rim of the glass vase.
A Royal Doulton "Orange" pattern vase by Bernie Newberry, 15 cm high and a Charlotte Rhead Bursley ware "Trellis" pattern dish with single handle, 24.5 cm x 25 cm, together with a studio pottery bowl in off-white and faded turquoise bearing indistinct maker's stamp to the circular foot, 11.5 cm diameter x 7 cm high
Grays Pottery: An Art Deco Marquerite Circular Plate, probably designed by Sam Talbot NRD (Gray's Art Director) hand painted with flowers and leaves, printed factory mark and A5493 (from 1938), 31cm; A Similar Plate, factory marks and A4116 (from 1937), 31.5cm; A Crown Ducal Charger, designed by Charlotte Rhead, pattern 4401, printed and painted marks, 37cm; and A Shelley Charger, green glazed, printed mark, 36cm (4)
FREDERICK RHEAD; a floral decorated charger, possible for Wood & Sons Pottery with indistinct transfer mark and further impressed mark to base, diameter 40.7cm.Additional InformationLight surface wear, crazed, and firing cracks to base and underside, manufacturing and glazing imperfections also.
A Foley Intarsio pottery model of a longcase clock, designed by Frederick Rhead, colour decorated with an Art Nouveau lady blowing dandelions, inscribed "Prithee Whats O'Clock", printed marks and number 3116, height 32.5cm.Condition report: There is a small chip to the back left corner of the base. No evidence of any other damage or repair. Some general light crazing. The green glaze has 'missed' slightly to the edge of the foot. The movement is stamped 'Mercedes made in Germany' and although it ticks when wound we can offer no guarantee of its condition. It may be a replacement.
An Arts & Crafts studio pottery pierced vessel, modelled as three grotesque heads, glazed in mottled greens, signed to base 'F. Hurten-Rhead', possibly Frederick Hurten-Rhead (1880-1942), (brother of Charlotte Rhead), 9cm high, with an Edward Bingham for Castle Hedingham baluster jug, late 19th century, with loop handle, applied horseshoes to the shoulders and incised geometric decoration to the neck and body, incised maker's marks, pattern number '1138', and applied partial castle motif to base, 19cm high (2) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
Charlotte Rhead for Crown Ducal - a pair of 1930s pottery chargers, each bright colour underglaze painted and floral tube-line decorated, having raised signature and printed backstamp verso, dia.32.2cmCondition report: Both with mid to wide level crazing throughout.One charger with surface blemish / imperfection to outer edge, approx. 10x2mm and later painted over.
Charlotte Rhead for Crown Ducal - a pair of 1930s pottery squat vases, each of gourd form, bright colour stylise floral and tube-line decorated, having raised signature and numbered 152, further printed backstamps verso, h.15cmCondition report: Both in very good and original condition overall.
A SUSIE COOPER CROWN WORKS POTTERY JUG, CIRCA 1930'S, hand-painted stylised fruit; together with A CHARLOTTE RHEAD BURSLEY WARE VASE, tubelined and hand-painted with foliage; and A CLARICE CLIFF FOR NEWPORT POTTERY SINGLE-HANDED VASE, moulded with a floral spray; and A CLARICE CLIFF CROCUS PRESERVE POT, black printed Bizarre mark. (4) Tallest 20.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Susie Cooper: Small foot chip which is only just visible when standing on a surface.Charlotte Rhead: In very good condition without chips, cracks or restoration.Clarice Cliff jug: Glazing flaw to foot but otherwise in good condition.Clarice Cliff preserve pot: Scratches to the paint and glaze. In otherwise good condition.
A SUSIE COOPER CROWN WORKS POTTERY JUG, CIRCA 1930'S, hand-painted stylised fruit; together with A CHARLOTTE RHEAD BURSLEY WARE VASE, tubelined and hand-painted with foliage; and A CLARICE CLIFF FOR NEWPORT POTTERY SINGLE-HANDED VASE, moulded with a floral spray; and A CLARICE CLIFF CROCUS PRESERVE POT, black printed Bizarre mark. (4) Tallest 20.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Susie Cooper: Small foot chip which is only just visible when standing on a surface.Charlotte Rhead: In very good condition without chips, cracks or restoration.Clarice Cliff jug: Glazing flaw to foot but otherwise in good condition.Clarice Cliff preserve pot: Scratches to the paint and glaze. In otherwise good condition.
Eight books on Moorcroft Pottery comprising: Walter Moorcroft, Memories of Life and Living, Moorcroft by Paul Atterbury, William Moorcroft Behind the Glaze, Moorcroft: A New Dawn, Winds of Change, The Phoenix Years by Fraser Street etc, a large collection of Moorcroft Newsletters and other reference books including V&A Catalogue of Pottery by William De Morgan, Poole Pottery, Charlotte Rhead & Dennis Chinaworks (12) Condition Report Click here for further images, condition, auction times & delivery costs
NO RESERVE Ceramics.- Haslem (John) The Old Derby China Factory..., 1876 § Kidson (J.R. & Frank) Historical Notes of the Leeds Old Pottery, one of 250 copies, Leeds, 1892 § Turner (W.) The Ceramics of Swansea and Nantgarw, 1897 § Rhead (G.W. & F.A.) Staffordshire Pots & Potteries, 1906 § Bryant (G.E.) The Chelsea Porcelain Toys, 1925 § Hurlbutt (F.) Bow Porcelain, 1926 § Hayden (Arthur) Spode & his Successors, 1925, plates and illustrations, many colour, original cloth, the last with dust-jacket, most a little rubbed, some spine faded, the first with split to lower joint; and 9 others on British pottery manufactories, 4to & 8vo (16)
A Bursley Ware pottery charger designed by Charlotte Rhead, pattern no.1550, tubeline decorated with wild poppy flowers in shades of red, blue and purple, highlighted in gilt, inside geometric border, printed and painted marks, 36.5cm. diam. Literature Bernard Bumpus, Charlotte Rhead Potter and Designer, Kevin Francis Publications, page 35 figure 18 this design illustrated. Provenance The Collection of Bernard Bumpus. Private collection of Charlotte Rhead.
Charlotte Rhead for Crown Ducal and H J Woods - Three pottery wall chargers comprising a H J Woods Bursley Ware Trellis pattern charger, patt no TL3/0, printed and painted marks to base, 14 3/8", a Crown Ducal Tudor Rose pattern charger, patt no. 4491, painted signature and printed marks to base, 14 3/8" and a Crown Ducal Golden Leaves pattern charger, patt no 4921, painted signature and printed marks to base, 14" dia, circa 1930Location: C-R

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1012 item(s)/page