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Lot 285
THREE LARGE CROWN DUCAL POTTERY CHARGERS BY CHARLOTTE RHEAD, having tube lined floral and foliate stylised decoration, various colourways including creams, yellows, oranges, blues, greens and purples etc. Printed marks to base for: Crown Ducal, and signed by Charlotte Rhead, numbered 5983; 5623 and 4016. All approx. 44cm diameter. (3)(B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby overall, general wear and marks commensurate with age, some wear especially to the rim of the blue charger, no obvious visible cracks or restoration.
Lot 247
A glass vase with floral decoration and silver plated rim; together with a selection of decorative ceramics, including: Carlton ware floral decorated jug; a Crown Ducal Charlotte Rhead florally decorated vase; a Victorian pottery jug with raised cherub decoration; a Victorian cheese dish and cover; etc.
Lot 127
'The Life Of Our Saviour Jesus Christ', 365 compositions from the four Gospels with notes and explanatory drawings by J. James Tissot, published Samson Lowe, Marston & Co., London, the book containing numerous coloured plates and having a hand written dedication from the Author to Prime Minister William Gladstone, dated October 1897. The inner cover also has a dedication reading 'Presented to Frederick A Rhead Esquire by the members of the Pottery Managers and Officials Association, for valuable services rendered during the inaugural year ending May 1919,' with signatures. Also included in the lot, is a bound copy of the English Illustrated Magazine 1888, published by MacMillan & Co., formerly the property of Frederick Rhead and bearing his signature to the inside cover page.
Lot 208
Mr Thomas Hardy a J H Barratt & Co portrait tile designed by George Cartlidge, dated 1924, covered in a sepia glaze, framed in oak, impressed marks to reverse, GC monogram to front, 22.5 x 15cm. Literature Tony Johnson The Morris Ware, Tiles & Art of George Cartlidge, private press, page 82 catalogue number 222. Provenance Tony Johnson This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. George Cartlidge (1868-1961) Born in 1868 he trained at Hanley School of Art, staying and painting at the school until 1897 when he was apprenticed to Sherwin & Cotton Tile Works. Here he helped to develop a series of portrait tiles from photographs - subjects included international politicians, military leaders, artists and religious figures. He experimented with the technique of Emaux Ombrants - a technique of flooding glaze onto a shallow relief design which created a smooth graduated tone giving a realistic 'photographic' quality to the design. In 1916 he moved to Sampson Hancocks designing a range of tubelined pottery proudly titled Morris Ware to the base. The range was released at the British Industries Fair in 1918 and competed commercially with the tubelined designs of Frederick Rhead, and William Moorcroft who had recently set up his own factory in Burslem. George Cartlidge was Tony Johnson's great uncle - who Tony unfortunately never met.
Lot 232
An Art Nouveau Foley Intarsio pottery mantel clock of architectural form designed by Frederick Rhead. Decorated with a pair of maidens titled dies and nox, to the centre with a river landscape and a rising sun titled carpe diem. 29.75cm. Condition Report. To be used as a guide only. Two small chips on the roof. No further damage and free from repair. Movement a later marriage.
Lot 415
A Foley pottery `Intarsio` clock, circa 1900, designed by Frederick Rhead (1856-1933) , the pottery case with pitched roof above canted sides, printed and painted with a bright yellow sun above three tall lilies, sailing boats and a banner inscribed `Carpe Diem`, the canted corners with half-length portraits in profile of Art Nouveau maidens emblematic of day and night above the inscription `Dies Nox`, flanked by further side panels of tall lilies, printed maker`s marks and '3160' and 'Rd.no.3?42574' to back of case, enclosing a clock with cream circular chapter ring with black Arabic numerals, later quartz movement, 11½in high x 10½in wide (29cm x 26.5cm)
Lot 1113
Harold Bennett, watercolour paintings of a Tudor House and scene of Mow Cop, overall sizes are 44 x 36cm for both, Harold Bennett was a watercolour artist who joined Burgess & Leigh pottery in 1929 and worked alongside Charlotte Rhead designing various successful tableware ranges and tube lining his own designs, he became Art director and worked until the 1950s (2)
Lot 1079
Harold Bennett, watercolour painting of winter landscape in wood frame, overall 65 x 50cm, Harold Bennett was a watercolour artist who joined Burgess & Leigh pottery in 1929 and worked alongside Charlotte Rhead designing various successful tableware ranges and tube lining individual art pieces and was art director until the 1950s
Lot 1100
Harold Bennett, watercolour painting of local church and farm scene in frame, overall 47 x 56cm, Harold Bennett was a watercolour artist who joined Burgess & Leigh pottery in 1929 and worked alongside Charlotte Rhead designing various successful tableware ranges and tube lining his own designs, he became Art director and worked until the 1950s
Lot 1101
Harold Bennett, a collection of watercolour paintings on paper including Endon canal, Beach scenes, Farm scenes and pot bank scene (5) Harold Bennett was a watercolour artist who joined Burgess & Leigh pottery in 1929 and worked alongside Charlotte Rhead designing various successful tableware ranges and tube lining his own designs, he became Art director and worked until the 1950s
Lot 1099
Harold Bennett, watercolour painting of winter landscape in painted frame, overall 66 x 53cm, Harold Bennett was a watercolour artist who joined Burgess & Leigh pottery in 1929 and worked alongside Charlotte Rhead designing various successful tableware ranges and tube lining his own designs, he became Art director and worked until the 1950s
Lot 318
TWO PIECES OF CHARLOTTE RHEAD BURSLEY WARE TUBE LINED POTTERY, COMPRISING; FOOTED BOWL, decorated in colours with flowers on a buff ground, (T.L. 95), 3 1/2" (9cm) high, 7 1/2" (19cm) diameter and a GINGER JAR AND COVER, decorated in blue with stylised carnation flowers on a mottled grey ground (T.L.40), 6" (15.2cm) high, printed marks (2)
Lot 126
A Bursley ware Art Deco charger designed by Charlotte Rhead with stylised floral decoration in tones of pink, blue, yellow and pale green and with printed mark to base, 31 cm diameter, together with a pair of Bristol pottery plates with humorous printed decoration of 17th century style men inscribed "Look Before You Leap" and "Eat To Live Not Live To Eat", a Midwinter Stylecraft Homeweave tureen and cover
Lot 153
SELECTION OF DECORATIVE CERAMICS comprising a Gray's Pottery hand painted rectangular dish; a Charlotte Rhead Bowl numbered '4921'; a Golden Memories Lladro figure of a boy holding a piglet; a Goebel figure of a girl with two geese; two Carlton Ware Rouge Royale leaf dishes; a Maling preserve pot and cover; a Sylvac vase; a Royal Doulton sugar bowl; and a small Burmese opaque glass frilly rimmed vase
Lot 48
An Arts & Crafts pottery vase of compressed footed form with kiln shape neck, decorated with six seated white cats to the neck, stylised foliage in yellow, brown and green on a green blue ground, DR.A monogram, 23cm high In the style of Adolphine (Dollie) Rhead 1888-1981 signed with monogram and initials DR.A to base
Lot 291
Staffordshire Pottery Reference Books - 'Staffordshire Portrait Figures' by John Hall, 1972, 'Portrait Figures of the Victorian Era' by P D Gordon Pugh, 1970, 'Pottery Figures' by Herbert Read, 1929, 'Unearthing Staffordshire' by David Barker and Pat Halfpenny, 1990, 'Staffordshire Porcelain 1740-1851', edited by Pat Halfpenny and Terry Lockett, 1979 and 'Pots & Potters' by J Woolliscroft Rhead and Frederick Alfred Rhead, 1977
Lot 545
Three Wardle pottery vases: probably by Frederick Hurten Rhead, one of oviform decorated with slender Art Nouveau blooms in coloured slips on a gun metal ground, 13.5 cm high, one of globular form with short raised neck similarly decorated with three oval panels of stylised blooms on a green ground, 15 cm high and another of ribbed and tapering form decorated with wrythen blooms on a green ground, 12.5 cm high, each impressed Wardle England, early 20th century, [minor glaze flakes]. *Notes An identical example of the former is illustrated on page 21 in 'Frederick Hurten Rhead; An English Potter in America' by Sharon Dale.
Lot 289
PROBABLY BARUM OF DEVON ORANGE GLAZED TWO HANDLE STUDIO POTTERY OVOID VASE, 9 1/2" HIGH, A SMALL MOORCROFT GREEN LUSTRE GLAZED SQUAT VASE, OTHER STUDIO POTTERY, A GERMAN EARLY TWENTIETH CENTURY FLORAL DECORATED PORCELAIN BISCUIT BARREL WITH PLATED SWING HANDLE, CHARLOTTE RHEAD PLAQUE, LOSOL WARE OBLONG OCTAGONAL BOWL
Lot 13
A 1930s Charlotte Rhead for Crown Ducal pottery bulbous form squat vase, with stylised floral tube-lined decoration, painted in tones of orange and yellow, black printed backstamp verso, raised signature Rhead, h.11.8cm Condition Report / Extra Information Mid-level crazing throughout. Discoloured. Grubbiness to interior. Otherwise good.
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1012 item(s)/page