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Nägele, ReinholdMurrhardt 1884 - 1972 Stuttgart, Maler und Grafiker, Mitbegründer der Stuttgarter Sezession, 1952 Verleihung des Professorentitels. "Französische Kriegsgefangene bei Erdarbeiten", unten rechts sign. und dat. 1916, Tempera/Karton, HxB: 22/31 cm. Rahmen min. besch. Verso Klebeetikett "Galerie der Stadt Stuttgart...Kat.Nr. 26". Aus der Sammlung Dr. Lieblich Stuttgart. Lit.: Brigitte Reinhardt, Reinhold Nägele, Stuttgart 1984, S. 226, WVZ Gemälde 1916.22.

Nägele, ReinholdMurrhardt 1884 - 1972 Stuttgart, Maler und Grafiker, Mitbegründer der Stuttgarter Sezession, 1952 Verleihung des Professorentitels. "Feuerbohne", unten rechts sign. und dat. 1924, Tempera/Karton, HxB: 29/43 cm. Part. verschmutzt. Rahmen best.. Verso Klebeetikett "Kunsthaus Schaller". Aus der Sammlung Dr. Lieblich Stuttgart. Lit.: Brigitte Reinhardt, Reinhold Nägele, Stuttgart 1984, S. 234, WVZ Gemälde 1924.31.

Nägele, ReinholdMurrhardt 1884 - 1972 Stuttgart, Maler und Grafiker, Mitbegründer der Stuttgarter Sezession, 1952 Verleihung des Professorentitels. "Der Ipf bei Bobfingen", unten rechts sign. und dat. "Mai 1922", Tempera/Karton, HxB: ca. 49/64 cm (Sichtmaß). Min. fleckig. Gerahmt. Verso Klebeetikett "Kunsthaus Schaller". Aus der Sammlung Dr. Lieblich Stuttgart. Lit.: Brigitte Reinhardt, Reinhold Nägele, Stuttgart 1984, S. 231, WVZ Gemälde 1922.29.

Reinhardt, BrigitteReinhold Nägele - Werkverzeichnisse, Stuttgart, Theiss, 1984, mit zahlr. tls. farb. und ganzseitigen Abb., Originaleinband mit illustr. Schutzumschlag, Quart. Leichte Altersspuren.

A large quantity of a collection of Children's books (approx 78) , mainly hardback, to include: M Sasek, This is New York, Paris, Rome; Ludwig Bemelmans Madeline's series x 3; Ten Little Nigger Boys; Barbar Albums x 5; Jean de Brunhoff x 4 ; Eloise in Moscow; The May queen, by Alfred Tennison, illuminated by Hartley, 1861; Christophers Rainy Day book, Marigold Garden, Heroes of Greek Fairy tales by Charles Kingsley, Larder Lodge , illustrated by N Parker, Verses by B Parker, and set of Margaret Utley, The Golliwogg's Circus, Bertha Upton,Florence Upton,Longmans, Green and Company,1903; Eloise In Paris, Kay Thompson, Hilary Knight,Max Reinhardt,1958 etc. see all photos

FOLK/ JAZZ - LP COLLECTION. A smashing collection of 27 folk LPs with a smattering of jazz. Artists/ titles include Shirley Collins & Dolly Collins - Anthems In Eden (SHVL 754, No EMI logo on label. Record VG+/ sleeve VG+), Joe Harriott/ John Mayer Double Quintet - Indo-Jazz Fusions (SX6122, VG+/ VG+), Nic Jones (LER 2027), Martin Carthy inc Second Album (TL 5362), S/T (TL5259). Leon Russell (AMLS 982). Pentangle - Cruel Sister, The Incredible String Band - Be Glad The Song Has No Ending. Johnny Cash, Alex Campbell, Sea Shanties, Ewan MacColl & AL Lloyd, The Watersons, Leon Rosselson, A Jug Of Punch, Suivez La Piste, Django Reinhardt, Seekers, The Dubliners, Billy Connolly. Condition is generally VG to Ex.

Konv. 3 Puppen, Kämmer & Reinhardt Celluloid-Baby, 48 cm, Augenmechanismus klemmt, farbiges Tortulonmädchen, Größe 43 und 1 Einbindekopf-Baby, dazu Hund und 2 Rasseln, teilweise verstaubt/verschmutzt, bespielt

3 Charakterbabys, je Biskuitporzellan-Kopf, Schlafaugen, offener Mund, SIMON & HALBIG 1397, HEUBACH-KÖPPELSDORF und KÄMMER & REINHARDT 126, 36-60 cm, Körper bespielt, rissig und Finger teilweise bestoßen, dazu 2 STEIFF Tiere (eines neuer)

Konv. 3 größere Kleider für hochwertigere deutsche Charakterpuppen, L 39-44 cm, sowie Lederschuhe für größere KÄMMER & REINHARDT Puppe, 12 cm, Verzierungen fehlen, dazu neuerer Fächer

3 Paar Schuhe für große Charakterpuppe, um 1900, z.B. für hochwertige Kämmerer & Reinhardt Puppe, L 9 - 12 cm, 1 Verzierung fehlt

Konv. 6 Puppen und 2 Plüsch-Hunde, großes KÄMMER & REINHARDT Charakterbaby Nr. 126, 60 cm, Risse am Kopf geklebt, SCHILDKRÖT Junge, Größe 32, Oberkörper leicht beschädigt, Nasenspitze mit Delle, SCHILDKRÖT Replik-Puppenpaar, Mehrgesichterpuppe und Massekopf-Mädchen (Kopf farblich ausgeblichen), teilweise Krakelee, bespielt, zum Herrichten

SIMON & HALBIG FOR KRAMER & REINHARDT; an early 20th century doll, with bisque socket head, sleeping blue eyes (lacking most lashes), open mouth with teeth, pierced ears and painted features and brown wig, with composition and wood ball jointed body, head impressed 'Simon & Halbig, K*R, 66', in period dress, height 64cm.Condition Report: The head is in good condition with no damage noticeable. Both ears are pierced but there is only one earring. Most of the eyelashes have gone,I haven't removed the clothing to check underneath but from the visible bits there is damage to one knee. Both hands have signs of wear/damage.Please see the extra photographs to satisfy yourself of the condition.

Minimal Art - - Ad Reinhardt. (1913 Buffalo - 1967 New York). 1 Farbserigraphie aus "Ten Screenprints". 1966. Auf Velinkarton. 45,6 x 29 cm (55,9 x 43 cm). Verso typographisch bezeichnet "8". Punktuell auf Unterlage montiert und unter Plexiglas hochwertig gerahmt. - Lediglich sehr vereinzelte und kaum merkliche, leichte Oberflächenbereibungen und wenige -anschmutzungen. Verso mit Klebespuren der Montierung. Insgesamt sehr gut und ausgesprochen schön. Prachtvoller, farbsatter und nuancierter Druck mit breitem Rand. Museum of Modern Art 22.1972.1-10, Smithsonian Museum 1967.23.8. - Eines von 250 Exemplaren, die im Collophon signiert und nummeriert wurden. - Blatt 8 aus dem Portfolio. - Zusammen herausgegeben von Wadsworth Atheneum, Hartford und Ives-Sillman, Inc., New Haven (mit dem Blindstempel). 1 colour silkscreen from "Ten Screenprints". On wove cardboard. Typographically inscribed "8" On the verso. Spot-mounted to mat and framed under plexiglass to a high quality. - Only very isolated and barely noticeable slight surface rubbing and a few soiling marks. On the verso with traces of mounting adhesive. Overall very good and exceptionally fine. Splendid, richly coloured and nuanced print with wide margins. - Museum of Modern Art 22.1972.1-10, Smithsonian Museum 1967.23.8. - One of 250 copies, that were signed and numbered in the imprint. - Sheet 8 from the portfolio. - Co-published by Wadsworth Atheneum, Hartford and Ives-Sillman, Inc., New Haven (with the blindstamp).

** Antique Toys ; Antique Kammer & Reinhardt / Simon and Halbig character 126 baby doll with asymmetrical body -bisque head with original wig, open glass Halbig eyes and some lashes remain , fitted with a tremble tongue in a 2 tooth cavity , original applied row stitched baby fair wig  and feathered stroke brows. All original body and limbs and has age paint wear and paint loss . Dressed in mid century old vintage knitted baby clothes. Very attractive face, with smooth bisque finish. (1)

Schmidt. Magacs, Eva Regina und Michael Negele. Paul Felix Schmidt - A Winning Formula. Berlin, Exzelsior - Edition Randstein, 2017. 8°. Mit Textabbildungen. 320 Seiten. Orig. Leinenband mit Schutzumschlag. (60) * Interessante Biografie über das wechselvolle Leben des deutsch - estnischen Schachmeisters Paul Felix Schmidt (1916 - 1984). Widmung auf Titel. Beiliegen: Reinhardt, R. Aaron Nimzowitsch 1928 - 1935. Partien - Kommentare - Aufsätze. Berlin, Edition Marco, ca. 2010. 8°. Mit Textabb. und Diagrammen. 408 Seiten. Orig. Pappband. / Barcza, G., L. Alföldy und J. Kapu. Die Weltmeister des Schachspiels. 2 Bände. Hamburg, Schach - Archiv, 1975. 8°. Mit Diagrammen. 363, 346 S., 1 Bl. Orig. geheftet. Zustand: Innen etwas gebräunt. Umschläge bestoßen.

Kinderbuch. (Glaßbrenner, Adolf.) Sprechende Tiere. Ein Bilderbuch. 33. Auflage. Berlin, Mecklenburg vormals Richter, ca. 1925. 4°. Mit 18 kolorierten Bildern von C. Reinhardt. 18 numm. Blättern incl. Titelblatt. Halbleinenband mit farbigem Vorderdeckel. (Buchblock gefestigt) (29) * Vergl. dazu: Bilderwelt im Kinderbuch, 1772; Doderer/Müller, Das Bilderbuch, S. 172. Beiliegt: Kindersang – Heimatklang. Deutsche Kinderlieder. Nur 2. Band. Tonsatz von Bernh. Scholz. Mainz, Scholz, um 1920. Quer 4°. Mit farbigen Bildern von Ernst Liebermann, auf 8 Blättern. Halbleinenband mit farbigem Vorderdeckel und Schutzumschlag. Scholz Künstler Bilderbücher Nr. 34. Zustand: Alle Bände Titelblatt und innen gebräunt, insgesamt leicht fleckig, Papierränder teils stärker. Einbände an Ecken und Kanten berieben und bestoßen.  

Two Early 20th C bisque headed dolls to include German Simon & Halbig Kammer & Reinhardt doll in white dress and headpiece with brown leather shoes with brown hair marked to back of head with 'Simon & Halbig' and Kammer & Reinhardt star mark with sleeping blue eyes and French SFBJ Société Française de Fabrication de Bébés et Jouets doll with curly hair, tan dress and brown leather shoes marked to back of head 'Fabrication Francais' Cherie 10 with fixed glass eyes

Willy Rizzo (1938-2013), Django Reinhardt (1910-1953), photo of a music session. 17 x 23,5 cm.

Willy Rizzo (1938-2013), Django Reinhardt (1910-1953), photo of a music session. 17 x 23,5 cm.

Ein Verwandlungsbilderbuch (...) mit Versen von Julius Beck. Esslingen/ Munich, J.F. Schreiber, n.d. (ca. 1890). 2nd ed. 6 col. lithogr. plates, all lacking the moveable parts. Cloth-backed pictorial boards. Bookblock loose, sold w.a.f. Added: Reinhardt, C. Sprechende Tiere. Berlin, K.W. Mecklenburg, (1929). Cloth-backed pictorial boards. Foxed. (total 2)

with ill. wrappers. London, 1974-1982. Includes: Vol. 1 Nos. 1-4; Vol. 2 Nos. 1,3 & 4; Vol. 3 No 2; Vol. 5 Nos. 1, 3-4. Audio Arts was the first art magazine to be published on audio cassette, founded by William Furlong and Barry Barker in 1973. The seminal aural archive of artists’ interviews, commentary and sound works existed over 35 years, producing 25 volumes of four issues each, and a large number of supplements, featuring exclusive contributions from hundreds of artists including Joseph Beuys, Marcel Broodthaers, Helen Chadwick, Hermann Nitsch. (1) Vol.1 No.1 1974: Caroline Tisdall, Ad Reinhardt, Art-Language. (2) Vol.1 No.2: Wyndham Lewis, Michael Craig-Martin, Noam Chomsky. (3) Vol.1 No.3: A question of James Joyce by Margaret Henry. (4) Vol.1 No.4: W.B. Yeats reads The Song of the Old Mother, Anne Yeats, Memories of her father. (5) Vol.2 No.1 1975: Joseph Beuys at the ICA 1974, R. Buckminster Fuller. (6) Vol.2 No.3: Conversation with Edna O'Brien. (7) Vol.2 No.4: Marcel Duchamp (interview by Richard Hamilton), Hermann Nitsch at Basel Artfair 1975. (8) Vol.3 No.2 1976: Recent English Experimental Music featuring John White, Michael Nyman, Howard Skempton, Gavin Bryars et al. (9) Vol.5 No.1 1981: Conversations with Helen Chadwick, Maggi Hambling, Ian McKeever. (10) Vol.5 Nos.3-4 1981: Three tapes plus catalogue in cardboard box. Published in conjunction with the Audio Art show 'Live to Air. Artists' sound work' at Tate London, featuring Acconci, Art & Language, Ulay/Abramovic, Ess, Graham, Roth, Weiner, Willats et al. (total 12)

(1) Audiocassette, first issue of the first art magazine to be published on audio cassette. Edited by Barry Barker and William Furlong. Side 1: Caroline Tisdall, Auto interview by Ad Reinhardt read by J. Wendler; Cyrill Barrett, interview by William Furlong; Richard Sladden, Systems approach to art and design education. Side 2: Extract from ‘Art-Language’ proceedings. (2) Exhibition announcement card, 16.5 x 12 cm, 4 pp. Audio Arts at the Whitechapel Art Gallery 21 Sept. - 23 Oct. 1977. Features the program and a list of published and unpublished tapes. (total 2)

A quantity of 12" vinyl records, consisting of mostly jazz, including Chris Barber, George Lewis, Jelly Roll Morton, Django Reinhardt, Bud Powell, James P Johnson, Bunk Johnson, Red Nichols, Sydney Bechet, Bessie Smith, Eddie Condon etc.

A WWI leather German holster, another holster marked Gustav Reinhardt Berlin 1915 and a WWII German officers holster - sold with a quantity of collectable items including rifle front sight, two wooden pistol grips, etc.

Zierliches Puppenmädchen. Kämmer & Reinhardt. Kopfmarke: Majestic Germany 2 1/2 Regd. 1902. Biskuitporzellan, Masse. L 48 cm. Kurbelkopf, blaue Schlafaugen, braune Echthaarperücke. 15-teiliger Gliederkörper. Weißes Kleid, heller Haarkranz. Kopf durchleuchtet: ohne Risse, lediglich überschliffene Stelle an der Kopfkrone und unsaubere Kante an der Halskurbel. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:17 Uhr (CET)Dainty doll girl. Kämmer & Reinhardt. Head mark: Majestic Germany 2 1/2 Regd. 1902. Biscuit porcelain, mass. L 48 cm. Cranked head, blue sleeping eyes, brown real hair wig. 15-part jointed body. White dress, light wreath of hair. Head x-rayed: without cracks, only sanded-over area on the crown of the head and unclean edge on the neck crank. Call time 13 June 2024 | probably 10:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Charakterbaby "Mein Lieblingsbaby". Kämmer & Reinhardt. Kopfmarke: K & R Simon & Halbig 126 56. Um 1914. Biskuitporzellan, Masse. L 53 cm. Kurbelkopf, blaue Schlafaugen, tressierte Echthaarperücke mit Altersspuren, 5-teiliger Sitzbabykörper, gestrickte Babybekleidung, langes rosa Kleid, passende Haube. Kopf durchleuchtet: ohne Defekte. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:18 Uhr (CET)Character baby "My favorite baby". Kämmer & Reinhardt. Head mark: K & R Simon & Halbig 126 56. c. 1914. Biscuit porcelain, mass. L 53 cm. Cranked head, blue sleeping eyes, tressed real hair wig with traces of age, 5-part sitting baby body, knitted baby clothes, long pink dress, matching bonnet. Head x-rayed: without defects. Call time 13 | June 2024 | probably 10:18 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Charakterpuppe im Matrosenkleid. Kämmer & Reinhardt. Kopfmarke: K & R S & H 116/A 42. Ab 1911. Biskuitporzellan, Masse. L 46 cm. Kurbelkopf, blaue Schlafaugen ohne Lider, offener lächelnder Mund mit beweglicher Zunge, rotbraune Mohairperücke. 17-teiliger Toddlerkörper. Blau-weiß gestreiftes Kleid, schwarze Wachstuchschuhe, Strohhut. Kopf durchleuchtet: ohne Defekte, lediglich Zungenspitze retuschiert und Perücke ergänzt, Originalkörper überarbeitet, rechte Hand repariert. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:16 Uhr (CET)Character puppet in sailor dress. Kämmer & Reinhardt. Head mark: K & R S & H 116/A 42. from 1911. Biscuit porcelain, mass. L 46 cm. Cranked head, blue sleeping eyes without lids, open smiling mouth with movable tongue, red-brown mohair wig. 17-part toddler body. Blue and white striped dress, black oilcloth shoes, straw hat. Head x-rayed: no defects, only the tip of the tongue retouched and wig added, original body reworked, right hand repaired. Aufrufzeit 13. | June 2024 | probably 10:16 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

REINHARDT Jäger mit HirschÖl/Leinwand. Mittig unten signiert. Ende 19. Jh. 78 x 93,5 cm. Gerahmt : 95 x 111 cm (Goldstuckrahmen). Jäger mit Bauer und Junge am Waldrand beim Transportieren des erlegten Tieres auf einem Schimmel, gefolgt von den Hunden. Leinwand doubliert. Aufrufzeit 15. | Juni 2024 | voraussichtlich 15:12 Uhr (CET) REINHARDT Hunter with stagOil/canvas. Signed lower center. Late 19th century 78 x 93.5 cm. Framed : 95 x 111 cm (gilt stucco frame). Hunter with farmer and boy at the edge of the forest transporting the hunted animal on a white horse, followed by the hounds. Doubled canvas. Call time 15 | June 2024 | probably 15:12 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Porzellankopfmädchen. Simon & Halbig. Beide "S & H", sowie 1x WSK 4, 1x K & R 403 gemarkt. Um 1910. Biskuitporzellan, Masse. Beide mit Kurbelkopf, blauen Schlafugen und dunkelblonder Perücke. Die größere für Kämmer und Reinhardt: 11-teiliger Körper mit Laufmechanismus. L 63 cm. Die kleinere für Wiesenthal, Schindel & Kallenberg: 15-teiliger Gliederkörper. L 55 cm. Beide mit hellen Kleidern, Haube und weißen Lederschuhen. Laufpuppe mit kleinem, geklebtem Ausbruch an der Kopfkrone, 1x Hände repariert. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:44 Uhr (CET)2 porcelain head girls. Simon & Halbig. Both marked "S & H", as well as 1x WSK 4, 1x K & R 403. Circa 1910. Biscuit porcelain, mass. Both with crank head, blue sleep eyes and dark blonde wig. The larger one for Kämmer and Reinhardt: 11-part body with walking mechanism. L 63 cm. The smaller one for Wiesenthal, Schindel & Kallenberg: 15-part articulated body. L 55 cm. Both with light-colored dresses, hood and white leather shoes. Walking doll with a small, glued break at the crown of the head, 1x hands repaired. Call time 13th | June 2024 | probably 10:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Mein neuer Liebling". Kämmer & Reinhardt. Kopfmarke: K & R Simon & Halbig 117n 58. Ab 1916. Biskuitporzellan, Masse. L 57 cm. Kurbelkopf, blaue Schlafaugen, blonde Echthaarperücke mit Defekten. 17-teiliger Gliederkörper. Weißes Kleid mit Lochstickerei. Kopf durchleuchtet: ohne Defekte, lediglich Zungengrund berieben. Körper bespielt: mehrere Finger geklebt, 2 bestoßen. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:17 Uhr (CET)"My new favorite". Kämmer & Reinhardt. Head mark: K & R Simon & Halbig 117n 58. from 1916. Biscuit porcelain, mass. L 57 cm. Cranked head, blue sleeping eyes, blonde real hair wig with defects. 17-part jointed body. White dress with perforated embroidery. Head x-rayed: without defects, only base of tongue rubbed. Body worn: several fingers glued, 2 bumped. Call time 13 | June 2024 | probably 10:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Reservistenkrug Langensalza 1908.  Porzellan mit Bodenlithophanie, kolorierte Vordrucke, Zinn. H 32 cm. Krug mit profiliertem Sockel und zahlreichen Soldatenszenen (im Zentrum Kaiser Wilhelm II. und Lanzenreiter). Reliefierter Zinndeckel mit Adlerdrücker und Lanzenreiter. Im Pferdekopf Lupenminiatur (Stanhope) mit Reservistenszene. "2. Esk. Jäger zu Pferde Nro. 2", "Reservist Reinhardt", gedruckte Namensliste. Mikrofotografie etwas beschädigt.Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:43 Uhr (CET)Reservist jug Langensalza 1908.  Porcelain with ground lithophane, colored overprints, pewter. H 32 cm. Jug with profiled base and numerous soldier scenes (in the center Kaiser Wilhelm II and lancers). Pewter lid in relief with eagle pusher and lancer. A magnifying glass miniature (Stanhope) with a reservist scene in the horse's head. "2nd Esk. Jäger zu Pferde Nro. 2", "Reservist Reinhardt", printed list of names. Micrograph somewhat damaged.Aufrufzeit 13. | June 2024 | probably 13:43 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Selina Trieff, American 1934-2015 - Woman, 2000;  oil on card, signed and dated lower right 'Trieff 2000', 30.7 x 30.4 cm (unframed)Note:Trieff was a student of Ad Reinhardt and Mark Rothko at Brooklyn College and later was taught by Hans Hofmann at his schools in New York and Provincetown.

Selina Trieff, American 1934-2015 - Woman, 1997; mixed media on card, signed and dated lower left 'Trieff '97', 30.6 x 30.7 cm (unframed) Note:Trieff was a student of Ad Reinhardt and Mark Rothko at Brooklyn College and later was taught by Hans Hofmann at his schools in New York and Provincetown.

Georg BASELITZ (1938), Birken II (1972), Radierung, Ed. 7/52, Maße: ca. 35,6 x 48,8 cm, signiert und datiert. Vgl. Reinhardt 188; Jahn 101, hinter Glas gerahmt, Bogen min. gebräunt.

A quantity of French Jazz concert posters to include Tremplin 1992, Grande Parade (Nice) '91, Miles Davis 1991, Dee Dee Bridgewater, New Morning; together with a large photo poster of Django Reinhardt (6)

Antique 30” Kammer & Reinhardt Simon and Halbig bisque head doll ;  Large 30” child standing doll on original body. Beautiful clear pale bisque with bloom cheeks and grey blue original glass eyes fixed and original fair curled Halbig wig with card pate marked size 70 on original body with antique clothing on solid turned body . ( 1 doll and antique clothing layers as shown)

"Simon und Halbig", Puppe, Kämmer und Reinhardt, Schlafaugen, mit Ohrringen, Länge 72cm

Fotobücher mit Signaturen der Porträtierten - Herlinde Koelbl. Jüdische Porträts. Photographien und Interviews. Frankfurt am Main, S. Fischer 1989. Mit 80 blattgroßen Fotoporträts. Leinenband mit aufgezogenen Ausschnitten aus Originalumschlag. - Widmungsexemplar.Von etwa der Hälfte der 80 porträtierten Persönlichkeiten erwirkte der Vorbesitzer eine Gefälligkeitssignatur unter den Porträtfotos, teils auch mit Widmung, so von Rudolf Arnheim, Uri Avnery, Hans Bethe, Ilse Bing, Konrad Bloch, Artur Brauner, Erwin Chargaff, Berthold Goldschmidt, Eduard Goldstücker, Sir Ernst Gombrich, Käte Hamburger, Stephan Hermlin, Stefan Heym, Hans Jonas, André Kostalany, Erwin Leiser, Emanuel Levinas, Leo Löwenthal, Hanna Marron, Hans Mayer, Max. F. Perutz, Marcel Reich-Ranicki, Gottfried Reinhardt, Hans Sahl, Kurt Sanderling, Curt Siodmak, Sir Georg Solti, Fritz Stern, Georges Tabori, Josef Tal, Edward Teller, Georg S. Troller, Lord Arthur George Weidenfeld, Grete Weil, Victor Weisskopf, Simon Wiesenthal und Fred Zinnemann.32,5 : 25 cm. 288, [4] Seiten. - Wohl neu aufgebunden, da der Originalband die Autogrammjagden nicht überstand.

Hölzel, Adolf -- Ohne Titel (Figürliche Komposition)Pastellkreiden über Bleistift auf Velin. Um 1925-30. 11,8 x 15,4 cm.Unten rechts mit Bleistift signiert "A.HOELZEL".Adolf Hölzel, Gründungsmitglied der Wiener sowie der Münchner Sezession, galt er als einer der ersten Vertreter der Künstlerkolonie Dachau. Ab 1905 lehrte er in Stuttgart an der Staatlichen Akademie der Bildenden Künste und malte hier bereits abstrakte Kompositionen in den für ihn typischen kräftigen Farben. Berühmt wurden insbesondere Hoelzels Glasfenster und deren Entwürfe, wie sie ab 1920 entstanden und an die auch unsere Zeichnung erinnert: Zwischen den wie Blei schimmernden Graphitlinien leuchten die zersplitterten Farbflächen wie Buntglasscheiben in einer Bleiverglasung. In schwingenden Linien zeichnet der Künstler mit stark abstrahierendem Blick Menschen und Szenen, die sich wie Puzzleteilchen einer großen, geometrisch und doch abstrakt wirkenden Komposition unterordnen. Wir danken Dr. Alexander Klee, Wien, für freundliche Hinweise vom 24.01.24. Provenienz: Dr. Ursula Reinhardt, Stuttgart Privatbesitz Ostdeutschland - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Wauer, William -- Der SturzGips. 1921/wohl späterer Guss.Ca. 43 x 17 x 19,5 cm.Verso seitlich unten signiert "W.WAUER.".Geschwungene Linien und harte Kanten markieren die drastische Haltung der Figur des Gestürzten: Würfelartig liegt sein Kopf zuunterst auf einem modernistisch gestalteten Sockel, Arme und Beine strampeln hilflos nach oben. Der gesamte Körper ist in stark abstrahierte, kubistische Formen gefasst. William Wauers "Sturz" diente als Modell für ein geplantes, jedoch nie realisiertes Fliegerdenkmal. Vermutlich plante er eine Monumentalfassung mit dem Schriftzug "In Memoriam" für den Wettbewerb für das Luftbrücken-Denkmal am Flughafen Tempelhof (vgl. Ursel Berger, in: William Wauer und der Berliner Kubismus, Ausst.-Kat. Kolbe Museum, Berlin 2011, S. 88f.). William Wauer war nicht nur ein bedeutender Bildhauer und Maler, ausgebildet in Dresden, Berlin und München, sondern auch tätig als Regisseur in Theater und Film, Illustrator, Verleger und Theaterkritiker. Seit 1905 lebte er in Berlin und wurde von Max Reinhardt ans Deutsche Theater geholt. 1918 bis 1925 stellte er Skulpturen in Herwarth Waldens Berliner Galerie Der Sturm aus. Dessen bekannte Monumentalbüste gilt als Hauptwerk der deutschen expressionistischen Plastik. Die genaue Entstehungszeit des Gipses ist nicht dokumentiert, es könnte sich aber um ein posthumes Exemplar handeln.Provenienz: Privatbesitz BerlinLiteratur: Marc Wellmann (Hrsg.), William Wauer und der Berliner Kubismus, Ausst.-Kat. Kolbe Museum, Berlin 2011, S. 88f. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Wilde (Oscar).- Contract letter signed by Wilde, selling the rights of publication of The Ideal Husband and The Importance of Being Earnest to Leonard Smithers for £30, folds, tape-repairs, hole-punched at head, surface soiling, 27th April, 1899; and 4 others, a typed copy of the same and autograph documents covering sale and transfer of stock and rights from Smithers to Bickers & Son and John Lane, v.s. (5)*** Oscar Wilde selling the publishing rights to his most celebrated play before Smithers, facing bankruptcy, sells them one year later.The publisher Leonard Smithers and Oscar Wilde became friends and business associates sometime in the summer of 1897 when Wilde was living near Dieppe following his release from prison. The two men took to each other instantly and in August, Wilde approached Smithers to publish the poem The Ballad of Reading Gaol. The resulting publication was a modest success, running through several editions within a year. The success prompted Smithers to propose publishing Wilde's Importance of Being Earnest and An Ideal Husband, both of which had been staged to great success until the run was curtailed by Wilde's trial and the proposed publication of which by Mathews and Lane (see lot XXX) had been abandoned. The negotiations regarding publication were protracted, hampered in large part by the poor financial situation in which both men found themselves. Ultimately they would settled on splitting the profits from the venture, though Smithers would also send Wilde some £30 to assist in his finances. The close association of the plays with the disgraced Wilde however would prove fatal to their prospects with much of the press refusing to review or even acknowledge the publication, with resultant sales proving poor. In February 1899 Smithers wrote to Wilde offering to buy him out for £30, observing "judging by the sales up to now. I should say you would make £30.0.0 more by taking this offer than by taking half the profits." Wilde agreed to Smithers' proposal and signed the present item on 27th April, 1899.Whether Smithers bought out Wilde as a means of assisting his friend or whether he thought he would be able to ultimately profit from the venture is unclear, but in early 1900 the publisher was in dire straits, a situation attested to by the remaining documents in the lot. Smithers appears to have made a deal with Moore & Son of Vigo Street to sell the remaining stock of the plays (roughly 400 copies of Earnest and 600 copies of Husband), at which point it seems they also took on the publication rights. Both the stock and rights then appear to have transferred to Bickers & Son before the rights finally came to John Lane in April 1901.Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Reinhardt (Max).- Weisz (Victor "Vicky") and others. Collection of original drawings, Reinhardt company documents, and other related ephemera, including cartoon portraits by Weisz of Reinhardt company directors, a self portrait by Weisz, over 50 original drawings and tracings by Peter Roberson for the publication 'of John Elliot's 'Way of the Tumbrills', over 20 original illustrations for an unidentified legal publication by Reinhardt, the drawings initialled 'GBC', an original pencil designed Christmas card by Mel Calman for Reinhardt's 72nd birthday, various sizes, all unframed, [circa 1950 to 1980]; and a framed photograph of Emlyn Williams inscribed to Max (Sm. qty.)Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Chesterton (G.K.) Autograph Letter signed to John Lane, 1p., regarding the publication rights of "Napoleon of Notting Hill" and "Heretics", Arisaig Hotel, Arisaig, 19th July, 1903 folds, hole-punch to head, chip to corner; and 3 other ALs by Frances Chesterton totaling 6pp. regarding payment for publication of "Orthodoxy" and her and her husband's shock at the sudden death of her brother by drowning 10 days previously, 8vo (4)*** Chesterton discussing payment for the rights to what would become his most celebrated novel.Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Wilde (Oscar).- Douglas (Lord Alfred) Autograph Letter signed to Robert Sherard, 2pp., declining to view the proofs for Sherard's upcoming biography, stating that he is satisfied in regards to Sherard's understanding of his behaviour in relation to and support of Wilde "though at one time you were misled, as many others were, by the likes of Ross, Harris & others, & even (I must add) by the misstatements Oscar himself. But now you have seen his own personal letters & you know that I gave him quite a lot of money when I left him at Naples & later" and stating that Sherard has generally treated him well "& probably given me credit for being better than I was!", 1 St. Ann's Court, Hove, 29th September, 1936, folds, hole-punches (affecting 1 word), stitch-marks and paper residue to left-hand margin; and a cheque for 10 guineas made out to Douglas by Sherard, signed by Douglas on verso, v.s. (2)*** Bosie complaining to Wilde's principal early biographer about mis-characterisations of his behaviours by Robert Ross, Frank Harris and Wilde himself. The letter and cheque both likely related to Douglas' contributions to Sherard's forthcoming Bernard Shaw, Frank Harris and Oscar Wilde (T. Wener Laurie, 1937).  Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Wilde (Oscar).- Shannon (Charles) Autograph Letter signed to John Lane, 2pp., commencing "Oscar called tonight" and regarding the binding format and pricing for Lady Windermere's Fan and The Portrait of Mr. W.H. as agreed and discussed with Oscar Wilde, The Vale, Chelsea, [1893], folds, hole-punched at head, staple holes to foot; and 2 others comprising an autograph draft listing of Wilde's books on the reverse of a Mathews and Lane order form in an unknown hand and a 2pp. rough draft of a contract with Wilde for Lady Windermere's Fan, The Duchess of Padua, A Woman of No Importance and Mr W.H., possibly in Elkin Mathews' hand, 8vo & 4to (3)*** A superb letter from Shannon that demonstrates the detailed and exacting interest Wilde took in the publication of his works along with the significant influence of Shannon and Ricketts on format and pricing.Shannon in the letter states that Wilde has been persuaded to alter the pricing of W.H., but that with regards to the plays "Oscar is averse to the idea of their all being bound in the same cover", a stance that Wilde would later abandon. Shannon also discusses taking the material for Lady Windermere to Ballantyne, his preferred printer. The accompanying items show the beginnings of what would become the formalised agreement between the publishers, the involvement of Shannon and Ricketts in the publications is repeatedly specified in both drafts.Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Ayrton (Michael) Collection of original illustrations, proof prints, and related ephemera for 'Tittivulus, or The Verbiage Eater', including seven sheets of original ink drawings with white correction fluid, two signed by Ayrton, one proof print with manuscript note 'Dear Max [Reinhardt], Herewith a further proof of Tittivulus... M.A.', two original drawings on acetate for transfer, one inscribed 'Prelim Frontis', a copy of the published book with bookplate of Max Reinhardt, and copy of 'Publications of The Nonesuch Press 1953', the drawings various sizes between approx. 200 x 170 mm (7 3/4 x 6 3/4 in) and 250 x 350 mm (9 7/8 x 13 3/4 in), some minor nicks and tears, the acetate sheets on toned acid mount support, the dust jacket to the book with nicks and small losses, all unframed, [circa 1953] (Sm. qty.)Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Wilde (Oscar).- Ross (Robert) re Oscar Wilde deceased, printed bifolium, folds with some splitting and tape repairs, some fraying to extremities, light surface soiling, 1908; and 3 others, including a typed letter signed by Ross to John Lane discussing publication of the 1912 Lane edition of Salomé and a typed indenture with calligraphic heading between Ross and Lane regarding further rights for another edition of Salomé based on Richard Strauss' operatic adaptation, v.s. (4)*** Robert Ross fighting against the black market copies of Wilde's works and securing lucrative deals for the estate with the very publishers who dropped the author at the height of his trial. We can trace no other example of the first item at auction and only institutional copies at the British Library and the Bodleian.Robert Ross was among Wilde's longest-standing and most faithful friends, likely also his lover from as early as 1886 and was present at his death in 1900. Wilde appointed Ross his literary executor, a role he took to with remarkable energy and passion, almost single-handedly rehabilitating Wilde's reputation and preserving his literary legacy. The first item comprises a circular sent by Ross to members of the book trade, providing a list of authentic editions of Wilde's works (this based on the work of Stuart Mason) and threatening with legal action any sellers found to be offering pirated works. In the letter Ross discusses royalties for the forthcoming edition as well as the use and original of the Ricketts-designed circular symbol used on numerous posthumous editions of Wilde's works: "I took the idea from the old eighteenth century editions of Swinburne and Tennyson in regard to the colour and size, and got Ricketts to adapt a little designed of Blake's for the medallion". Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Wilde (Oscar) and Aubrey Beardsley.- Contract letters, agreed and signed by Wilde and Beardsley with publishers Elkin Mathews and John Lane, together 5pp. on Holyrood watermarked paper, 6d. stamps to each contract, each hole-punched at head, some repaired splitting at folds, tape residue to verso, folds, window-mounted together, framed and glazed, 8vo, 8 June and 3 August, 1893.*** Contracts for the publication of Salomé, one of the most important literary and artistic collaborations for the period and for the publication of Wilde's Lady Windermere's Fan, A Woman of No Importance and The Duchess of Padua as well as the unrealised enlarged version of The Portrait of Mr W.H.Wilde wrote the original French version of Salomé while living in Paris in 1891. He submitted the completed work to Sarah Bernhardt who agreed to include the production in her 1892 season at the Royal English Opera House. Rehearsals were underway in June 1892 when word came that the Lord Chamberlain had withheld his licence, ostensibly on the grounds that the play depicted biblical characters. This resulted in an indefinite hiatus for the play (Wilde would never see a performance of his work) and in the publication of numerous letters, essays, poems and cartoons both in support and opprobrium of the play and Wilde. Elkin Mathews and John Lane had published an edition of Wilde's Poems in May 1892 (the first work by any author to be published under the joint imprint) and were clearly keen both to capitalise on the furor surrounding the play and to cement their relationship with its author, publishing the first edition of the play (in French), in February 1893. The publication of Salomé was itself an event given the extensive discussion of the cancelled run in the previous year. Several literary periodicals took special notice of the event, including the Pall Mall Budget whose editor, Lewis Hind, commissioned the young Beardsley to create a picture inspired by the work or its author. The resulting picture of Salomé, embracing the severed head of John the Baptist, was seemingly too strong for Hind but was published instead in the first issue of the Studio magazine in April, 1893. Wilde was impressed by the drawing and an introduction between the pair was arranged by their mutual friend Robert Ross. The enthusiasm of Wilde for Beardsley's work, along with the desire of Mathews and Lane to continue their relationship with the author, is evident in the present contract being dated 8 June, just 2 months after the issue of The Studio appeared, and in the agreed sum of 50 guineas, a considerable fee for the young artist. Wilde's contract too shows the enthusiasm of the publishers to work with the author and to agree to his choice of designers (Ricketts, Shannon and Beardsley) and other collaborators. Ultimately the revelations made in the trial led to the publishers parting ways with the author and their edition of The Duchess of Padua along with the extended Portrait of Mr W.H. would never appear. Together these contracts show the considerable influence of Wilde a mere 2 years before his downfall. Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Beadsley (Aubrey).- An archive of material relating to the purchase of rights relating to Aubrey Beardsley's works by John Lane, c.25 items, including a typed contract letter dated 9th March 1900 and signed by Leonard Smithers selling the rights to drawings by Beardsley along with the stock of books owned by him for £275; 5 typed lists with a few annotations by Smithers listing in detail the rights and stock to be transferred to Lane; Autograph Letter signed by Leonard Smithers to Herbert Jenkins (while working at Bodley Head), regarding the delivery of Beardsley materials to Hodgsons; Autograph Note signed from Matthew Bell regarding books and blocks relating to Volpone; as well as several other notes (some in Smithers hand) relating to sale of the material, a proof pulling of Beardsley's "The Snare of Vintage" and letters from the Riverside Press, Edinburgh and others relating to others Beardsley materials, folds, some splitting with tape-repairs; and 4 others, 3 relating to Malcolm Pinhorn's article "An Important Discovery" and a Anthony D'Offay facsimile of a Yellow Book poster, framed and glazed, v.s. (c.30)*** A fascinating archive of material that details John Lane's attempt to bring the majority of publishing rights relating to Beardsley into his hands.Beardsley and Lane's working relationship had only lasted 2 years until the scandal surrounding Wilde and the widespread public revulsion against the Aesthetic movement, epitomised by Beardsley and Wilde, led to Lane's firing of Beardsley from the Yellow Book in 1895. It may be that Lane felt some degree of guilt surrounding this action, doubtless compounded by the artist's death in 1898, and he seems to have devoted no small amount of energy from 1900 onwards securing as many available rights relating to Beardsley's works as he could. Certainly Lane's printing of Beardsley's works in the early 1900s assisted in rehabilitating the artist's reputation and the beginning of that process is evident in the present archive.  Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Angling.- Minhinnick (Sir Gordon Edward George) Collection of 14 original illustrations and 20 original photographs for O.S. Hintz's 'Trout at Taupo', including the pen and ink manuscript map of Lake Taupo, original designs for chapter headpieces with fish, fisherman, tackle, and subjects with Māori interest, with two copies of the publication, from two editions, one with inscription 'To Max [Reinhardt], Who made this possible... Budge', the drawings various sizes between approx. 280 x 220 mm (11 x 8 5/8 in) and 220 x 490 mm (8 3/4 x 19 1/4 in), the photographs between approx. 155 x 115 mm (6 x 4 1/2 in) and 300 x 240 mm (11 3/4 x 9 1/2 in), a few with extensive inscriptions verso, some handling creases, nicks and tears, all unframed, [circa 1955]; together with twelve original monochrome wash illustrations for Bernard Venables 'The Gentle Art of Angling' with a copy of the books, the illustrations on artist's board, each approx. 270 x 390 mm (10 1/2 x 15 1/4 in), all unframed, [circa 1955]; and a framed photograph with a faded inscription from Charles Ritz to Max Reinhardt (Sm. qty.) Provenance: from the estate of the late Max Reinhardt. Proceeds from the sale will benefit MaxLiteracy.org, which inspires creative writing in young people - set up in memory of Max and his authors.

Modern Vinyl Releases, five to include Elvis Presley - That's All Right (Rat Pack 700477 827472, 2017) blue vinyl with CD, Django Reinhardt - Best Of (20th Century 436563 183041, 2020) 180g yellow vinyl, Beach Boys - Surfin' Safari ( TheDoxy DOK325, 2013) still sealed as new, Mike Campbell And the Dirty Knobs - External Combustion (BMG 050538 750904, 2022) still sealed as new, Evans The Death - Evans The Death (SLR166, 2012) still sealed as new.

KAMMER and REINHARDT - Baby boy character, n° 126, between 1886 and 1930. - Weight: 390 g - Shipping unavailable - Sizes: H 260MM - At first glance: good condition

Kammer & Reinhardt Bisque Socket Head Doll, impressed 117n, with brown side glancing eyes, open mouth, teeth, blond wig, jointed body, wearing a white cotton dress, bonnet, blue shoes and socks, 59cmNo cracks, chips to the head.  Some scuffing to the face, eyelids repainted and cracks, eyes working side to side, although possibly been reset slightly further back.  Base of her neck has scuffing and wear.  Some cracks and wear to the body, hands appear to be intact.

Matheson, Richard - 'Born of Man & Woman, Tales of Science Fiction and Fantasy' - First UK edition, published by Max Reinhardt, London, 1956, bound in the original publisher's cloth and unclipped dust wrapper

A bisque porcelain-headed girl doll, made by Kammer & Reinhardt using Simon & Halbig bisque head, no. 58. length 61cm

Edvard Munch, "Norwegische Landschaft"zwei an einem Kanal wachsende Birken in flacher Landschaft, Werksverzeichnis Schiefler II 268, Radierung, gleichmäßig gegilbt, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 10,3 x 14,7 cm. Künstlerinfo: bedeut. norwegischer Maler und Graphiker (1863 Løten bis 1944 Ekely/Oslo), Kindheit in Oslo, Besuch von Aktzeichenkursen an der königlichen Zeichenschule, 1885 kurzer Studienaufenthalt in Paris, Kontakt zu dem anarchistischen Umkreis von Hans Jæger, 1889 erste Einzelausstellung in Kristiania, ein Stipendium ermöglichte ihm einen Aufenthalt in Paris, 1892 Einladung des Berliner Kunstvereins und Ausstellung, welche einen Skandal auslöste und vorzeitig geschlossen wurde, intensiver Kontakt zu den Berliner Künstler- und Intellektuellenkreisen, 1893 Ausstellung Unter den Linden, Meier-Graefe charakterisierte die Arbeit von Munch mit den Begriff „psychischer Realismus“, 1896 Übersiedlung nach Paris und Beschäftigung mit der Graphik, 1898 Rückkehr nach Norwegen, 1902 Ausstellung in der Berliner Sezession, 1906 Bühnenbildentwürfe für „Gespenster“ von Max Reinhardt, 1902-08 Aufenthalt in Deutschland und Ausführung zahlreicher Aufträge und Warnemünde wurde sein Ruhepol, ging Aufgrund akuter nervlicher Probleme in eine Kopenhagener Klinik, Verleihung des Sankt-Olav-Ordens, 1912 Teilnahme auf der Großen Sonderbundausstellung in Köln, Bau eines Ateliers in Kragerø, 1916 Ausstattung der Universitätsaula in Oslo, Beschäftigung mit der aufkommenden Arbeiterbewegung, 1916 Umzug nach Ekely, Quelle: Thieme-Becker, Vollmer und Wikipedia.

A Kammer & Reinhardt 403 bisque head girl doll, German circa 1910, with weighted brown glass eyes, painted brows, open mouth with upper teeth and original blonde wig, on a fully jointed wood and composition body, wearing later white dress with pink polka dots, bonnet, underclothes, socks and brown shoes, incised K star R, Simon & Halbig, 403, 17” (43cm) tall, (condition: excellent).

A large Kammer & Reinhardt/S & H bisque head ‘walker’ doll, German circa 1910, with weighted blue glass eyes, painted brows, open mouth with upper teeth, pierced ears and original light brown wig, on a composition walking body operating head movement, wearing a white cotton dress and bonnet, together with her parasol, white gloves, corsets, bloomers, bonnet, and two slips, 25” (64cm) tall, (condition: good).

A Kammer & Reinhardt 100 bisque head character baby doll, German circa 1910, also known as ‘Kaiser Baby’, with painted brown eyes, single stroke brows and open/closed mouth showing tongue, painted blonde hair and on a five piece composition baby body, wearing a white cotton dress with ribbed cotton coat with cape, incised 36, K star R, 100. 15” (38cm) tall, (condition: excellent).

All original Kammer & Reinhardt/Simon & Halbig 127 bisque head character baby doll, German 1910-14, with weighted brown glass eyes, open mouth with tongue, moulded painted hair, on a five piece composition baby body and wearing white cotton night dress, napkin and bonnet, 11” (28cm) tall, (condition: perfect, some wear to hands, lacks one small finger).