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Morghen (Raphael) Lorenzo de' Medici; La Poesia; La Fornarini, and other portrait plates by Morghen and others, after Titian, Raphael, Vasari and others, including a portrait of Antonio Canova by Joseph Saunders, engravings, each c.320 x 220mm., with wide margins, occasional spotting and light creasing, Florence, Luigi Bardi, c.1820; with 10 other plates of portraits, religious scenes, ecclesiastical architecture and an etching of a venerable Welsh oak tree by George Cuitt (18).
Bemelmans (Ludwig) A Tale of Two Glimps, colour illustrations, explanatory card loosely inserted, original pictorial boards, tanned at edges, New York, Columbia Broadcasting System, (c.1947) ~ Staff of the Walt Disney Studio (The). Pecualiar Penguins, colour illustrations, ink inscription on front endpaper, original cloth, pictorial label laid on, corners bruised, Philadelphia, 1934 ~ Charlip (Remy) Fortunately, illustrations, some colour, original pictorial boards, dust-jacket, New York, 1967 ~ Marino (Josef) Ho! Ho! Pinocchio!, illustrations by William Donahey, colour frontispiece, illustrations in the text, original pictorial cloth, dust-jacket, corners torn, edges creased, spine ends chipped, Chicago, 1940 ~ Kingsley (Charles) The Water-Babies, illustrated by Mabel Lucie Attwell, edited by Capt. Edric Uredenburg, colour plates, illustrations, ink inscription on front endpaper, original cloth-backed pitorial boards, Raphael Tuck, (c.1923), 8vo & 4to (5).
Attwell (Mabel Lucie). - Kingsley (Charles) The Water-Babies, 6 colour plates and illustrations by Mabel Lucie Attwell, ink inscription to front free endpaper, hinges reinforced, original cloth-backed boards, slightly rubbed, Raphael Tuck & Sons, n.d. (?c.1920) ~ Barrie (J.M.) Peter Pan & Wendy, 11 (of 12) colour plates by Mabel Lucie Attwell, some light spotting, p.11 with tear repaired, original pictorial cloth, soiled, n.d. (?c.1920); and another, Mabel Lucie Attwell, 8vo.
Harbour (Jennie) Blow Winds Blow!, original hand-coloured pochoir print, 210 x 170mm., signed and titled below, in pencil, publisher's blind-stamp, lower left, with wide margins, slight browning, a small damp-stain, lower right corner, well outside the platemark, Raphael Tuck & Sons, framed and glazed, early 20th century.
Pallucchini (Rodolfo) Die Venezianische Malerei des 18. Jahrhunderts, Munich, 1960 § Shearman (John) The Pictures in the Collection of, the Queen, The Early Italian Pictures, 1983 § Levey (Michael) The Pictures in the Collection of, the Queen, The Later Italian Pictures, 1991 § Schulz (Juergen) Venetian Painted Ceilings of the Renaissance, Los Angeles, 1968 § Daniels (Jeffery) Sebastiano Ricci, 1976 § Dussler (L.) Raphael: A Critical Catalogue, , 1971 § Valentiner ( .Dr. W.R.) A Catalogue of Early Italian Paintings Exhibited at the Duveen Galleries, , original cloth-backed boards, rubbed and soiled, privately printed, New York, 1926, plates and illustrations, all but the last original cloth, the first five with dust-jackets; and c.60 others on Italian Art, v.s. (c.65).
An original album containing 204 postcards, comprising various topographical views, theatre and music hall cards, artist cards including Tom Browne ("London Streets" policeman), Raphael Kirchner (Tuck 4024), A.K. Macdonald ("At The Theatre"), Lance Thackeray (table tennis and leap year), and Louis Wain (Tuck monochrome "Last of the Dandies"); also Tuck Celebrated Posters (1500 Pears Soap) and the winner of the Stock Exchange 1903 London to Brighton walk
Groves, Capt J Perry, 'On Service' at Rome and abroad, London, Paris and New York, Raphael Tuck and Son, ca. 1917, small folio, coloured title vignette, coloured and tinted illustration throughout, a few team with loss, some pages scuffed, original pictorial gilt grey cloth, front cover depicting partly in gilt, a Trumpeter of the Hussars
A matched pair of 18th century Sevres oval dishes, the rims moulded with eight plaits, painted with blue and gilt lines, the centres with sprigs and sprays of flowers, marks in blue and grey for the painters Theodore-Raphael Marcou , Claude Couturier, Grison and VD monogram which in this instance of given painters marks may be for the gilder (also a painter) Vande pere, 27.5cm wide (2)
Crawhall (Joseph) A Jubilee Thought, presentation copy from the author to his daughter, [i], 77pp., one of 50 copies, hand-coloured woodcut illustrations throughout, 2pp. press notices at end, 2 Crawhall woodcuts plates tipped in to rear endpaper and paste-down, browning, light water-staining and foxing to paste-downs and endpapers, several ff. with edges chipped, title and final leaf reinforced at inner margin, 1f. loose, original half vellum, printed boards with hand-coloured vignettes, rebacked with original spine laid down, 4to, Newcastle upon Tyne, Mawson, Swan, & Morgan, 1887. *** Inscription reads "Elspeth Crawhall Challoner with her Father's Dear love. July. 1887." This book also appeared in the same size in black and white. Printed from the original blocks, this celebrates Victoria's Jubilee, and includes portraits of Sir Walter Raleigh, King Alfred, Raphael and the Madonna, and again, a self-caricature (p.54). This work displays well Crawhall's talent particularly for working in dialect or in the comic vein.
Holinshed (Raphael) Chronicles of England, Scotland, and Ireland, 6 vol., 1807-08 ~ Grafton (Richard) Chronicle, 2 vol., 1809 ~ Froissart (Sir John) Chronicles, 2 vol., 1812 ~ Monstrelet (Enguerrand de) Chronicles, 5 vol., 1809; and 5 others, Chronicles, 5 vol. contemporary russia, rebacked, outer corners worn, rest uniformly bound in half morocco, ex-library copies with bookplates and stamps, 4to (20).
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5914 item(s)/page