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Giovanni Francesco Pieri (Italian 1699-1773). A rare polychrome wax relief picture depicting the Holy Family with Infant St. John, after the original painting by Raphael (Raffaello Santi), the outside of the beechwood inner box frame signed `Gio: Franco Pieri fece. an. 1750.`, 7.5 x 6in (19 x 15cm), within a 19th century carved giltwood frame. Giovanni Francesco Pieri was born in Tuscany and worked for Gian Gastone de Medici. He later travelled to Naples and worked for the Neapolitan Courts of Carlo di Borboni and Ferdinando IV. His works are in the Capodimonte Museum and the Royal Collection of Spain.

An autographed 1962 Davis Cup souvenir fan, in the form of a wooden paddle with a Queensland Lawn Tennis Club paper label either side, signed by 14 players, officials and other personalities from the Australia v Mexico Challenge Round Final, Milton, Brisbane, December, 1962, including C. Chaplin (possibly Charlie Chaplin, a great supporter and player of lawn tennis?), other signatures including Harry Hopman (Australian non-playing captain), Rod Laver, John Newcombe, Fred Stolle, Raphael Osuna, Antonio Palafox, Nell Hopman, Burt Edwards and the President of Lawn Tennis Australia

Pietro Santi Bartoli Eminentissimo ac Reverendissi designs after Raphael for ornamental plasterwork in the Vatican Loggia 42 of 43 plates lacking last plate engravings v.s. marginal staining to just a few leaves plate 2 stained into the image contemporary vellum backed marbled boards but lacking most of upper board oblong 4to Rome Giovanni Giacomo de Rossi 17th century.

Raphael Soyer Self portrait holding lithographic lithograph 255 x 205mm. artist`s proof signed in pencil lower right; with an etched study of a woman undressing artist`s proof; 2 copies of Woman and Child in a Fallout shelter signed in pencil lower right from an edition of 25 one an artist`s proof slight browning 20th century (4)

After Raphael Poesis Philosophia Theologia 3 from the set of 4 circular compositions engravings by Raphael Morghen each c.415 x 380mm. Rome Volpato c.1780 (3)

Large Religious Plates a mixed group of Old and New Testament and later spiritual scenes by or after Gustave Dore Herbert Dicksee Leonardo da Vinci Raphael and others also 2 large church views by Axel Haig engravings 500 x 415mm. to 670 x 920mm. occasional surface dirt spotting browning and marginal tears a few duplicates mid 19th to early 20th century (15)

RAPHAEL (20th/21st century), `Abstract`, oil on canvas, 90cm x 71cm, signed, framed.

A PAIR OF 19TH CENTURY ITALIAN MINIATURE PAINTINGS after Raphael on porcelain, in gilt frames, both 6 1/2" high overall.

LATE 19th CENTURY ITALIAN SCHOOL AFTER RAPHAEL "Madonna della Sedia", oil on board, unsigned, circular in a good carved giltwood frame, dimensions of frame 46 x 39.5 cm (Provenance: G Hautmann`s Gallery, Florence) (ILLUSTRATED)

After Bernard Gribble, early 20th Century lithographic print, Silent Night , view of British warships at night, published by Raphael Tuck, London 1916, with inscription, 62 x 74cm.

After Raphael - Madonna Della Sedia oil on canvas, circular, diameter 49cm, within an ornate Florentine carved and applied giltwood frame decorated with classical masks, scallop shells, acanthus foliage and scrolls, 101 x 84cm overall.

A boxed jigsaw puzzle entitled "Bildajig" of a cargo liner made by Scottish Toys, Glasgow with 144 pieces and one other boxed jigsaw Tuck`s Zag-Zaw Royal Picture Puzzle by Raphael Tuck & Sons ltd together with a linen "Autocar" road map circa. 1950, three royal cigarette card albums, three royal books and an additional book entitled "Popular Fallacies explained and Corrected" by A.S.E Ackerman View on www.staceyauction.com

A continental porcelain plaque of Raphael`s Renaissance painting of the Madonna of the chair depicting Mary, Jesus and John the Baptist, printed and painted, set in an octagonal gilt frame diameter 150mm marked verso Firenze with a fleur di lis

A hard bound copy of "The Characters of Charles Dickens, Portrayed in a Series of Original Water Colour Sketches by "Kyd", Raphael Tuck & Sons, London, Paris and New York.

A pair of Continental porcelain oval plaques, one painted with Raphael`s Lady Madonna and Child, the other with the portrait of a pretty turbanned girl, 19th century, 14.5cm. (2)

A pair of French fashion prints, Raphael Tuck & Sons "Well in hand" and "Araignee du soir" plus a "Historic Map of Scotland"

Yoma Sasburg - a late 20th Century carved stone panel, decorated with a stylized tree inset with flint, dated 1993, height approx 54cm, together with a group of other works by Yoma Sasburg, comprising a stylized bird bath, four carved slate totem pole style reliefs, inscribed `Uriel`, `Gabriel`, `Micael` and `Raphael`, heights approx 38cm to 47.5cm, and another carved slate panel.

An album containing approximately 164 postcards, the majority colour printed artist topographical views, including a number published by Raphael Tuck.

RALPH, Benjamin, and others (editors). The School of Raphael; or, the Student’s Guide to Expression in Historical Painting. London: John Boydell, 1782. Folio (434 x 282mm.) 95 engraved plates only. (First few leaves creased, soiled, torn and repaired, some spotting and browning.) Contemporary half-calf (worn, covers detached, stitching broken and some leaves now loosely inserted, lacking all leaves prior to title). Provenance: Thomas Farmer Dukes (armorial bookplate).

Luigi Rossini 1790-1857- "Veduta degl`Avanzi del Secondo Piano delle Terme Diocelziane"; published Roma 1823, etching, good impression, laid on to card, 59x52cm: Raphael Morghen 1758-1833- "Theologia"; line engraving, after Bernardino Nocchi 1741-1812 after Raphael 1483-1520, laid on card, 44x40cm (2) (unframed)

Betty Raphael, Parisian Lady, oil on canvas, signed, 51 x 40.5 cm (20 x 16 in.)

A collection of eight Raphael Tuck`s, The Queen`s Dolls` House postcards, in original envelopes

* Raphael (Sanzio d’Urbino). Large engraving from ‘Delle Loggie di Rafaele nel Vaticano’, Rome, [1772-77], large engraved prospect and elevation by Joann Ottaviani, later hand colouring, three sheets conjoined, marginal closed tears not affecting image, slight spotting and staining largely confined to margins, 380 x 1640mm. A striking and very large engraving. (1)

CONTINENTAL SCHOOL (19TH CENTURY) OVAL PORTRAIT OF RAPHAEL within an carved fruitwood frame, surmounted by a musical trophy; together with a portrait of an old man with white beard, after Gerbrand van den Eekhout and an oval portrait of a boy, oil on copper within and ornate carved walnut frame (3) 20cm wide, 33cm high (including frame)

French school, 19th century, probably after Raphael Study of the head of a young man, thought be a figure in the Disputa black chalk heightened with white chalk on coloured paper, feintly inscribed in pencil, the old backing inscribed `Ecole Lombarde` and `Tete du jeune homme regardant en bas` and numbered 890 20 x 17 cm (8 x 6 1/2 in)

ARTISTS: A good selection of signed postcards, being reproductions of paintings and other pieces of artwork, signed First Day Covers (2), by various artists and photographers of the 20th century, including Robert Indiana, Raphael Soyer, Isamu Noguchi, Bill Brandt, James Rosenquist, Ellsworth Kelly, Ansel Adams (2), Roy Lichtenstein etc. Some signed to the verso and a few images colour. VG, 11

"ALICE IN WONDERLAND" by Lewis Carroll, illustrated by Mabel Lucie Attwell, published by Raphael Tuck & Sons, London with blue cloth binding

after Raphael/Madonna and Child/print, 46cm x 31cm (18" x 12")

Scarce Vanity Fair cricket series postcard Hon F.S. Jackson: published by Raphael Tuck postcard – ex album.

Scarce Vanity Fair cricket series postcard Gilbert Jessop: published by Raphael Tuck.

Scarce Vanity Fair cricket series postcard C H Palairet: published by Raphael Tuck.

A Valentine and Sons lucky black Cat, a Raphael Tuck Family Cares oval card and sundry postcards of views and groups

An 18/19th Century Oil on Canvas, shoulder length portrait of a lady, unframed, labelled to reverse "School of Raphael", 33cm x 26cm

British Authors, Tauchnits edition, Leipzig 1897-1914 calf, (10) Sabatini, Raphael, novels of London 1926-28 calf, (16) and other works, various "

THREE VICTORIAN SCRAP ALBUMS filled with a collection of chromolithograph greetings cards and scraps, the designs by or attributed to Kate Greenaway, Myles Birket Foster, Harry Payne and many others, the publishers including S Hildescheimer & Co, Raphael Tuck & Sons and Marcus Ward & Co, the subjects including children, cats and other animals, birds and flowers

AN ALBUM OF PRINCIPALLY EDWARDIAN POSTCARDS mainly British and Continental topography including Cheltenham, Cornwall, Raphael Tuck & Sons Aquarettes and Oilettes, six views of Constantinople (undivided back), the Oxfordshire village of Cornwell (Church, Manor and Rectory), Leicestershire villages, some real photographic, some postally used, approximately 200 in contemporary album, c1910

A COLLECTION OF VICTORIAN AND EDWARDIAN VALENTINE and other cards, including embossed paper lace and silk examples and a Raphael Tuck cut-out card of dogs in an open top car, circa 1908, approximately 25 cards. See illustration

A miniature "Children`s Pictorial". Three coloured unused children`s party invitations. C1890."Muddled Maxims" pub. by Delgardo London with "Troublesome Imps" same publisher. A Raphael Tuck walking lamb c 1905. A cut out card song thrush advertisement for Vim. Lyons Coffee advert and a 1918 silk embroidered card sent by a soldier.

After Raphael Madonna and child Enamel in a brass tabernacle frame 53 x 43mm ++Good condition

Circle of Christian Reder - Battle Scene with Soldiers and Cavalry fighting on a Bridge before a City, late 17th/early 18th Century oil on canvas, bears inscription `Raphael Santi 1670`, approx 120cm x 160cm, within a carved gilt and composition frame.

John Raphael Smith (1752-1812) Portrait of a gentleman pastel in verre eglomise frame, 24 x 19cm

After Raphael, possibly by G D Tiepolo (1727-1804) A highly detailed watercolour with gold hi-lights "The Entombment," indistinctly signed lower right, 20" x 19.5", framed.

Ephemera – a 19th c art collector a group of 90 plus ms letters written to or from John Carr of Skipton concerning his art collection. The letters date from the mid 19thc and provide a fascinating insight into the mind of an art connoisseur of the period – at a time when it was considered one of the gentlemanly virtues of the newly enriched industrialists to add culture to their riches by acquiring art of every description. In the main the letters are from dealers or intermediaries offering paintings to Carr or following his instructions to acquire paintings from either private sources or from auction. Carr’s art collection appears to be of considerable value – there is talk in the letters of paintings by Leonardo da Vinci Van Dyke Raphael and Holbein : ‘...I have just obtained two good class oil paintings one the portrait of Lord Dover by Vandyke is very fine indeed 18 inches by 15 without a frame price £8-8-0 ...’ ‘...the pictures arrived perfectly safe four days ago and I am greatly delighted with the Da Vinci. It is a splendid production; the restorer has done it justice. When you meet with another picture of that quality inform me...’ ‘...you will see by the papers Christie & Manson have many sales in progress amongst them Mr Mawson the dealer who buys for the Marquis of Hereford & who sold the remaining stock of the late Mr Emmerson the dealer...if all the old pictures brought before the public are genuine the ancient masters must have been very industrious !’

Raphael `The familiar astrologer`, published by John Bennet, London 1837, rebound with marble boards, 4to, also `Plutarch`s Lives` 1711, and various other leather bound antiquarian books (21)

Copy oil painting after Raphael `Madonna with the infant Christ and St John` contained in a Florentine carved frame

A gilt wood and gesso "Tabernacle" picture frame containing a colour print of Madonna and child after Raphael and an oleograph of roses in a gilt frame (2)

Raphael An Analysis...of the Transfiguration 19 engraved plates and a later grey wash over pencil portrait tissue guards occasional spotting or small areas of soiling later boards folio 1817.

Scrap Albums prints photographs drawings and watercolours greetings cards and ephmera including: pen and ink drawing of a pig driving a horse and cart with another pig as passenger drawing of Brougham Castle engravings chromolithographs (Christmas and New Years greeting cards) manuscript verses some with an Irish slant some printed by Raphael Tuck/Marcus Ward together 9 albums numerous pp. various bindings v.s. v.d. [nineteenth century].

After Raphael - Tondo Details of Cupids, a pair of late 19th/early 20th Century chromolithographs, both within verre églomisé mounts, together with another print after Reynolds.

Football postcard: Tottenham Hotspur FC, a scarce card by Raphael Tuck from the Famous Footballers Series showing G. Clawley of Spurs. Clawley, a goalkeeper, played for Spurs between 1899-1903 making a total of 187 appearances. He kept goal for Tottenham in the 1901 Cup Final replay win v Sheffield Utd. (postally used, 16 May 1904, sl marks to face) (1)

Ephemera: Raphael Tuck & Sons, a bound volume of 46 Chromo-Relief portraits, Royalty, Politicians, Military & Celebrities, inc. Queen Victoria & Prince Albert, Beethoven, Tennyson, Gladstone, Lord Chelmsford etc (cover slightly worn, contents good)

Postcards: The Queen`s Dolls House, Series 1-V1, published by Raphael Tuck, six full set of 48 cards in original board folder (gd)

Circle of Francesco Bartollozzi RA 1725-1815- Grotesque Heads; after Leonardo Da Vinci, stipple-engravings in sepia, a pair, after the original drawings held at Windsor Royal Library, in matching frames, 10x8cm, Note: In 1791, John Chamberlaine 1745 - 1812 was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty`s Collection, his greatest achievement was to publish engravings and etchings based upon these famous old master drawings. Between March, 1792 and February, 1800, he published eighty-four stipple engravings based upon Holbein`s portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, `Historical Engraver to his Majesty`. In 1796, he initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, he began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty`s Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael, Michelangelo, Claude Lorrain, Poussin, Canaletto and others. Such leading engravers as Francesco Bartolozzi, Luigi Schiavonetti, Frederick Christian Lewis, Peltro William Tomkins and others worked upon this project. The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty`s Collection", were both completed in 1812. At this point, John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools".

A 19th century miniature painting on ivory, Raphael`s Tondo `Madonna della Sedia`, 10 cm diameter

Four volumes of Medical Books Raphael`s Almanac, Get back to Nature & Live, The Home Medical Book and St Bartholemews Hospital

A collection of seven 19th Century plaster relief panels after Raphael by John Henning (1771-1851) (four broken), 7” x 10 ¼”.

Wain (Louis). Pussies at Work, Father Tuck’s “Little Pets’” Series [cover-title], c.1900, ‘untearable’ card pages, four full-page chromos. representing trades (sailor, artist, carpenter and kitchen maid), duotone illusts. to text, contents lightly toned, first page with contemp. pencilled inscription at head, orig. pictorial card covers, sl. dusty, extrems. rubbed, slim 4to, together with Mother Goose in Catland, Raphael Tuck, c.1920, col. frontis. (creased and re-hinged, and with contemp. ms. inscription on reverse), duotone illusts. throughout, some soiling, one or two neatly repaired edge-tears, orig. printed wrappers, with col. illust. mounted on upper cover, lightly soiled and edge-frayed, slim 4to, plus one other by Louis Wain (Jolly Cats Painting Book), and two others, both editions of Puss in Boots, one illustrated by R. André (5)

RAPHAEL T ROUSSEL (Exh. 1908-1929) - `Sudanese Pilgrims No. 35`, rough sketch, signed, watercolour, 6 1/4" x 13" (see illustration).

A POSTCARD ALBUM, comprising British/European views, Raphael Tuck Cats etc. Tog.with a small sketch book. 2

A mixed group of Old Master prints. By or after Raphael, Raimondi, Titian, Veronese, and others. v.s., largest 72 x 46cm (28 1/2 x 18 in). (c.170) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%