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Longstaffe (W. Hylton Dyer). The History and Antiquities of the Parish of Darlington, in the Bishoprick, Darlington & London, 1854, eng. frontis., eng. & litho plts., b & w illusts., contemp. calf, rebacked, 8vo, together with Brandon (Raphael & J. Arthur), The Open Timber Roofs of the Middle Ages..., 1849, forty-three litho plts., (of 44), few plts. repaired, occ. scattered spotting, orig. cloth, repaired at head & foot of spine, 4to, with, Braithwaite (P.R.P.), The Church Plate of Hampshire, 1909, numerous plts. from photos, orig. cloth, extrems. rubbed & frayed, 4to, with Oman (Charles), English Church Plate 597-1830, pub. OUP, 1957, b & w plts., orig. cloth 8vo, and with, James (Montague Rhodes), The Sculptured Bosses in the Roof of the Bauchun Chapel of... Norwich Cathedral, pub. Norwich, 1908, five plts., orig. boards, cloth spine strip, slim folio, and The Sculptured Bosses in the Cloisters of Norwich Cathedral, pub. Norwich, 1911, b & w plts., orig. boards, cloth spine, slim folio, and Parker (John Henry), A Glossary of Terms Used in Grecian, Roman, Italian, and Gothic Architecture, 3 vols., Oxford, 1850, numerous eng. plts., orig. cloth, rebacked, 8vo, plus sixty-eight other topography, mainly relating to cathedrals & churches (77)

A large circular English earthenware dish circa 1850 painted by George Eyre signed with 'The Worship of the Golden Calf' after Raphael mounted within a circular wooden frame red-painted French and Italian script to reverse applied paper labels diameter of plaque 47cm. 18.5in. George Eyre (1816-1887) worked for many Staffordshire companies including Wedgwood Copeland S.Alcock and Minton. He was very important in the development of the encaustic tile process and helped design many public buildings.

AFTER RAPHAEL, ENGRAVED BY T HOLLOWAY, ANTIQUE BLACK AND WHITE ENGRAVING, Published 1810, ‘To the king’, (in burr wood frame), 18” x 29”

Turnbull (George) A Treatise on Ancient Painting, containing Observations on the Rise, Progress, and Decline of that Art amongst the Greeks and Romans ... to which are added some remarks on the peculier genius, character, and talents of Raphael, Michael Angelo, Nicholas Poussin, and other celebrated modern Masters, printed for the author, 1740, title printed in red and black (with horizontal tear towards lower margin, without loss), fifty b&w eng. plts. by J. Mynde, after Camillo Paderni, four b&w outline engravings, some minor soiling to title, untrimmed, contemp. marbled boards, somewhat worn, large folio (1)

Gargiulo (Raphael) Recueil Des Monumens les Plus Interessans du Musee National et de Plusieurs Autres Collections Particulieres..., 4 vols. in two, 3rd ed., Naples, 1863, eng. titles, 240 eng. plts., some slight damp staining to few plts., a.e.g., contemp. gilt dec. green morocco, 4to Bookplate of William Court Gully, Speaker of the House of Commons. (2)

OLD MASTERS A folio, to comprise subjects by Gazalis after Magnasco, Collaert after Stradanus, Bonenfant after Titian, Quilley after De Vlieger, subjects after Pinelli, Reni, Raphael, Fra Angelico, Callot, Mortimer, Kauffmannn, Del Sarto etc; and fifteen wood engravings by the Dalziel brothers after Giotto (Arundel Society, 1853) ++ Many in good condition; some prints with wear/damage

A Wedgwood 'Raphael' pattern blue printed part dinner service, comprising six side plates, six dessert plates, six dinner plates, a sauce tureen, cover and stand and a pair of vegetable dishes and covers.

A collection of 19 Raphael Tuck & Sons chromolithographed postcards, ‘Kings and Queens of England series [614-617]’.

Chatterbox 1917 Girls Own Annual circa 1920, Raphael Tucks's Alice in Wonderland Illustrator Mabel Lucie Attwell circa 1915 Mrs Strang's Annual for Girls, Bedford & Lucas's 'Four and Twenty Toilers' publisher Dalton and one other.

A Florentine circular porcelain plaque, 19th century, after Raphael - Madonna della Seggiola, black ink stamp 'Firenze' to verso, in original Florentine rectangular frame, Plaque Dia. 15.3cm, Frame 38cm x 31cm

ATTWELL (M.L.) illus GRIMM'S FAIRY STORIES Raphael Tuck & Sons; POGANY (W) illus RUBAIYAT OF OMAR KHAYYAM tipped in plates Harrap 1909; CROMBIE (C) illus THE GOBLIN GOBBLERS Frederick Warre; THOMPSON (H) illus CRANFORD 1891. and twenty one other illustrated books

18th Century oil on canvas - After Raphael - Madonna and child, verso with paper label, 29cm x 23cm

*Philip (Duke of Edinburgh). A large format half-length portrait of Philip in naval uniform, [1953], a b & w photographic reprint by Raphael Tuck & Sons from an original photo. by Baron, image size approx. 52 x 41 cm., signed Philip and dated in his hand 1953 to lower mount, mounted on white card (1)

Holinshed (Raphael). The Firste volume of the Chronicles of England, Scotlande, and Irelande, imprinted for John Harrison, London, 1577, three parts in one, general title within woodcut border (somewhat soiled), two divisional titles, num. wood engs. to text, E6-8 & F7 exised (as often), final leaf of index imperfect, some general browning and minor marginal defects, contemp. calf, covers det., thick folio STC 13568. (1)

R.W. Raphael - 'Glen Sannox, Isle of Arran', oil on canvas, signed and dated 1930 recto, titled verso, approx 24cm x 34cm.

[I. Shaw]. Travelling on the Liverpool and Manchester Railway. A pair of chromolithographs. Each 10.5in. (26.5cm.) x 26.5in. (67.5cm.). Published in 1894 by Raphael Tuck & Sons. Some foxing. Both framed and glazed. (2).

[JEWISH INTEREST]. RAPHAEL (C.), Road from Babylon. Story of Sephardi and Oriental Jews, 8vo, illus., clo., SIGNED, L., 1985; PARFITT (T.), The Thirteenth Gate, 8vo, cloth, signed, L., 1987; GINZBERG (Eli), Agenda for American Jews, 8vo, 1st edn., N.Y., 1950 & others similar (1 box)

AFTER RAPHAEL The Virgin Mary and Christ child, tondo, on ivory, in an Italianate gilt plaster frame, with gilt figureheads , 13" x 11", picture 4 3/4" diameter

A collection of jigsaw puzzles,Raphael Tuck & Sons Ltd. "Le Quai Vert", 650 pieces, boxed, Victory Puzzle,series P10 "The Conference" 800 pieces, boxed, Victory Puzzle "Spanish Dancer" 800 pieces, boxed, Golden Series Wood Jigsaw by Bes-Time Products BS51,"HappyVillage",500 pieces, boxed but without original picture plus two others,all uncounted or completed.

A late 19th century Florentine framed porcelain plaque painted with the Madonna Alla Sedia after Raphael the gilt metal and ebonised octagonal frame inset with lapis and jasper roundels 27cm wide overall

After Raphael, The Madonna, Oil on board, oval, unframed, 21.5cm x 17.5cm.

A group of assorted prints, Including a colour mezzotint by H J Greenhurst, a reproduction portrait of Marie Antoinette, an engraving after Raphael, prints after Vermeer and Turner and a pair of bird prints. (qty)

After Raphael - 'Ora Quarta di Notte', 'Ora Ferza di Notte', 'Ora Sesta di Notte', 'Ora Quinta di Giorno', 'Ora Sesta di Giorno' and 'Ora Seconda di Giorno', a set of six monochrome engravings by Hubert, each approx 47.5cm x 34cm, all within pitch pine and ebonized frames. (image 1 of 6)

Miscellaneous literature and fiction, children's annuals and illustrated books etc., incl. The Water-Babies by Charles Kingsley, illusts. Mabel Lucie Attwell, pub. Raphael Tuck, n.d., c. 1925, six col. plts., b & w illusts., orig. cloth in frayed d.j., 8vo, The Old Nursery Rhymes, illust. Lawson Wood, n.d., c. 1920s, col. plts., b & w illusts., one or two leaves at front and rear a little frayed, occ. marks throughout, orig. cloth, rubbed and soiled, 4to, The Girl's Own Annual, vol. 50, n.d., c. 1920s, Flashman and the Dragon, by George MacDonald Fraser, 1st ed., 1985, The Strand Magazine, vols. 1-6, January 1891-December 1893 (binding somewhat worn), etc. (2 cartons)

After Raphael, a small circular print in a gilt frame of the Virgin Mary, Christ and St. John The Baptist, 2 1/2" diameter.

Two tooled leather postcard albums by Raphael Tuck, Vol I containing continental and British views, armorial cards, etc, Vol II containing dogs, topography and others, mostly 1901-1903

After Raphael - 'The Deposition, 1507', late 18th/early 19th Century monochrome engraving, printed by Tofanelli, together with a collection of 18th and 19th Century engravings and etchings.

Follower of John Raphael Smith - Oval Half Length Portrait of a Gentleman, seated in Profile, wearing a Powdered White Wig, White Stock and Blue Jacket, a Landscape beyond, together with a Portrait of a Gentleman wearing a White Wig, White Stock and Dark Jacket, a near pair of 19th Century pastels.

*Old Master prints & engravings. Dunkarton (Robert, 1744-1811?). Mary, Queen of Scots and Henry Stuart, Lord Darnley, pub. Samuel Woodburn, 1816, fine uncol. mezzotint by Dunkarton after Elstracke (1570-c.1625), trimmed to margins, approx. 300 x 235 mm, together with other 18th and early 19th c. engravings and mezzotints, including Raphael's Mistress, by Thomas Chambars, after Earlom, after Raphael, pub. Boydell, November 2nd 1765, Noli Me Tangere, by Nicolas Tardieu after Titian, Children Spouting Comedy, mezzotint by C. H. Hodges after R. M. Paye, pub. J. R. Smith, August 29th 1786, The Storm, by W. Ward after G. Morland, pub. J. R. Smith, August 30 1796, Love in Bondage, mezzotint by Earlom after Reni, pub. Boydell, 1767, plus two hand-col. engs. after Pietro Cortona by Gerardin & Bloemart, pub. Giacomo Giovanni de Rossi entitled Eodem Poculo Masinissa fidei in Romanos, libertati Sophonisba litavit, & Hostium corpora Scipio Ferro vincere voluit, Animos continenta vincere maluit, probably late 18th or early 19th c. reprints, image size approx. 220 x 310 mm, wide margins to each, Hogarth-style frames, glazed (14)

*Rubens (Peter Paul, 1577-1640). The Crucifixion, 18th century engraving by Michiel Bunel, contemp. ink writing to lower margin, approx. 450 x 325 mm, together with 'Christi Funus', 18th century engraving after Rubens, approx. 490 x 380 mm, and other old master engravings after Durer, Visscher, Raphael, Van Dyck, etc., various sizes (12)

*Christmas cards. A collection of approx. eighty late Victorian Christmas cards, mostly c. 1880s, incl. William Stephen Coleman De La Rue Series, c. 1878, W. Tasker Nugent 'Christmas Advances', pub. Marcus Ward & Co., early 1880s, J. Sant 'Angel Heads', pub. Raphael Tuck & Sons, 1881, Alfred Bouchette 'Home for the Holidays' set of four cards, pub. Raphael Tuck & Sons, 1881, Rebecca Coleman 'Angel Heads', 'Wild Flowers', and others, c. 1881-82, etc., mounted on six black display boards (6)

Aldin (Cecil, illust.). The Dog who wasn't what he Thought he was by Waltar Emanuel, pub. Raphael Tuck, [1914], colour plts., orig. pictorial cloth, sl. rubbed to head and foot of spine, 4to (1)

Nister & Dutton (publishers). Home Sweet Home, printed at Nuremberg, c.1890, full-page chromo. illusts., sepia decs., contemp. ms. inscription to front free endpaper verso, orig. cloth-backed glazed pictorial boards, sl. dusty, 8vo, together with More Precious than Rubies, by Cecilia Havergal etc., illustrated by F. Corbyn Price etc., pub. Raphael Tuck, c.1890, full-page chromo. iullsts., lightly foxed, orig. embossed shaped wrappers, with cut-out blossom dec. to upper cover, 8vo, plus Book of Common Prayer, pub. Oxford University Press, c.1879, a few leaves loose, a.e.g., contemp. morocco-backed ivory, with brass furniture, approx. 95 x 60 mm, plus a quantity of similar small format juvenilia, late 19th/early 20th c. (approx. 130)

Payne (Harry, illust.). For Queen and Country, Battles of Her Majesty's Reign 1837-1897, Described by Colonel W.W. Knollys, pub. Raphael Tuck & Sons, c.1897, chromolithograph illusts. (some full-page), some pages slightly browned, orig. chromo illustrated boards, slim oblong folio (1)

Wain (Louis). With Louis Wain to Fairyland, Described by Nora Chesson, pub. Raphael Tuck & Sons, [1904], illustrated title, twelve full-page chromolitho illusts., numerous illusts. to text, pages detached, browned and some frayed to edges, orig. chromo illustrated boards with cloth spine strip, board edges rubbed, slim folio (1)

Attributed to Jacques Raphael, 1849-1914 - Portrait of an artist at work, standing full-length at an easel; oil on canvas, signed with monogram, 81 x 45.2cm., (unframed)

AFTER RAPHAEL, ENGRAVED BY T HOLLOWAY, ANTIQUE BLACK AND WHITE ENGRAVING, ‘The Death of Ananias’, 18” x 29”, unframed, (A/F)

AFTER RAPHAEL, WATERCOLOUR MINIATURE, The Three Graces, 2 ½” x 2 ½”

A set of six Edwardian silver buttons, embossed with putti after Raphael, Birmingham 1904, maker’s mark R&W, cased (7)

A pair of painted spelter figures of opposing gentlemen fencers, after L Raphael, one with rapier, the other pulling on a glove, on square bases and ebonised wooden plinths 46cm high (each)

19th Century Italian School after Raphael (1483-1520) - “Madonna della Sedia” - The Madonna and Child with the Infant St. John looking on, canvas 29ins square (with old repair to side of Madonna’s head), contained in Florentine carved giltwood frame with bold leaf scroll borders and with circular aperture

19th Century English School 5in. x 3 1/2in. (12.5 x 9cm) A papier-mache folder containing two miniature bust portraits of gentlemen with engraved silver surrounds against a green silk interior, the front cover inlaid with foliate and floral pattern silver and central miniature coloured-enamel panel depicting the Madonna Della Sedia after Raphael.

Italian School (19th Century) after Raphael The Madonna del Granduca oil on canvas 74 x 56cm The present painting is after Raphael’s Madonna del Granduca in the Pitti Palace Provenance From a private collection Hertfordshire

After Raphael porcelain Plaque, Madonna and Child mounted in a black frame

Davies, Randall. Chelsea Old Church, limited edition 249/320, London 1904. Cloth, 4to plus Brandon, Raphael & J. Arthur. Parish Churches, London 1848. Half calf, 8vo plus others London and topographical. (shelf)

Illustration: Mabel Lucie Attwell, Anderson, fairy tales, pub Raphael Tuck and Sons Ltd, n.d.

Munz (Ludwig), Breugel The Drawings Complete Edition 1961; Gerszi (Terez), Netherlandish Drawings in the Budapest Museum, Plate vol, Amsterdam, 1971, original publishers cloth; Brauer (Heinrich) and Rudolf (Wilttkower), Diezeichnungen Desgianlorenzo Bernini, 2 vol, modern rexine-backed cloth; Dussler (Luitbold), Raphael, dust jacket, 1971, original cloth, ex-library copies; and a large quantity of others, Renaissance art reference, v.s. (qty)

A DRESDEN OVAL PORCELAIN PLAQUE Late 19th Century painted with Cupid holding an arrow, the reverse with blue Dresden script marks and titles 'Amor - Raphael Menys', 8.5cm high in a gilt metal easel frame.

After Raphael - oil on canvas, The Madonna della Seggiola; and After Da Vinci - a coloured print, The Mona Lisa, 66.5cm x 52cm (oil)

A postcard by Raphael Kirchner "La Glaneuse" c.1914-1918, written on the reverse but not posted (grubby but undamaged); another of a young woman on the telephone (corner creased) and three other glamour cards (5)

A set of eight Raphael Tuck ‘Louis Wain Mascots’ Oilette PPC Series, 3 with original packet

Raphael Tuck & Sons colour print, Travelling on the Liverpool & Manchester Railway, 1831, 1894, 10.5 x 26.5 ins.

R BOLLIAND, SIGNED OIL, ‘Port de St Raphael’, 10" x 9" and 19TH CENTURY ENGLISH SCHOOL, OIL ON PANEL, Head and shoulders portrait of a lady, 13" x 11", (A/F), (2)

ANTOINE SALLAERT AFTER RAPHAEL "David beheading Goliath", engraving, 10 1/2" x 15 1/4" (creased and cut at margin); together with other miscellaneous unframed engravings, mainly portraits

*Writers and Artists. A group of autograph letters signed and similar, mostly 1950s and later, including autograph letters signed from Richmal Crompton, H. E. Bates, Cecil Beaton (2), C. P. Snow, Ralph H. Mottram, Christopher Fry, Max O'Rell and Breton Riviere (1882), plus typed letter signed from John Creasey (2), Jack Higgins, Arthur Koestler, Kingsley Amis, Osbert Lancaster, F. Van Wyckmason, Terry C. Johnston, and Philip Guedella, a signed photo. postcard of Guy Huigens and autograph specimens of Max Pemberton, Frederick Raphael, Daniel Huntington, and Walter Lippmann, most letters one or two pages, 8vo/4to, together with a group of twenty signed b&w photographs of writers, c. 1970s and later, the four largest of Keith Waterhouse, Christina Foyle, Alan Ayckbourn, and John Mortimer, plus smaller images of Brian Aldiss (2), James Herbert, Martin Amis, P. D. James, Ruth Rendell, etc. (44)

Raphael Sanzio (da Urbino). Raphael's Lodges [so-titled on spine], [Paris, 1825], fifty-two single-page lithos. by Gottfried Engelmann after Raphael's Vatican frescos, tissue guards, wide margins, occn. foxing, contemp. roan-backed cloth, spine worn with loss at head, covers faded and damp-mottled, folio Unusual English issue published by W.A. Read in conjunction with H.C. de Courval, with oval embossed stamp to lower margin of each plate. Engelmann (1788-1839) introduced lithography to France in 1814, having learned the technique in Munich from its inventor Senefelder. Englemann, in collaboration with his son, invented chromolithography in 1837. The engravings that comprise this important work are amongst the first lithographies of the history of art and are the first French lithographies to illustrate the Bible. (1)

AFTER RAPHAEL The Madonna del sedia Coloured print 29 x 22 inches and two other religious prints (3)

After Raphael The Death of Ananias; Christ's Charge to Peter Each engraving Each in burr oak frames and other pictures

A Berlin style porcelain Plaque after Raphael - Madonna della Sedia - Signed and dated - Baltz 1826, set in a square gilt frame. 6.75in. 17cms diameter

After Raphael oil on canvas, Madonna del Grandura, oval, 8.5 x 7 ins. Florentine frame.