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A CHINESE EXPORT `CHRYSANTHEMUM' MOULDED TEAPOT AND COVER (2)Late Yongzheng/early Qianlong The compressed globular body painted with iron-red carp swimming beneath a blue enamel and gilt floral border, the handle extending to form leafy branch supports, the moulded cover painted with two further carp, 12.5cm high Some flaking to the blue enamel on the leaves around the base.Minor wear to enamels and gilding elsewhere 

SEVEN CHINESE EXPORT BLUE AND WHITE ARMORIAL OCTAGONAL PLATES MADE FOR THE DUTCH MARKET (7)Qianlong Each painted in the centre with the arms of Elias de Haze (1689-1752), inside eight lotus petals enclosing a single lotus flower against a whorl pattern ground, 22cm diameter. Provenance: Property of a deceased collector and thence by descentOne plate is in overall good conditionOne plate has extensive restoration.Five plates have small rim chips and minor fritting to the glaze

A LARGE CHINESE FAMILLE-ROSE YELLOW-GROUND HU VASEIron-red Qianlong seal mark but probably Republic period Each side painted with a circular landscape panel against a yellow ground filled with foliate scrolls and bats, beneath ruyi head and blue key pattern borders, set with ruyi handles suspending bats, shou medallions and tassels, 34cm highSome typical wear to the gilding, but overall in good condition

A CHINESE FAMILLE-ROSE COMPOSITE PART DINNER SERVICE (51)Qianlong Each piece painted with a figure in a boat being observed by a woman standing on a riverbank, comprising; a circular tureen and cover with hare's head handles; a small oval tureen and cover; sauceboat and a stand; three octagonal dishes; pair of circular dishes; five oval serving dishes in sizes; oval shallow bowl; three circular plates; fourteen soup plates; six dessert plates; pair of salts; two side plates; two octagonal side plates; three small circular bowls, two small octagonal bowlsCircular tureen and cover, 29cm across handles- tureen with extensive cracks across the base and up the sides. The cover with some losses to the knopSmall oval tureen and cover, 16cm across handles- cover with losses to the knop.Minor wearSauceboat, 22cm length- crack around lower part of the handle. Very minor wearStand, 19cm wide- Some restoration and a haircrack to the rim3 octagonal dishes, 26cm wide- one with two haircracks to the rim, the longest approx. 6cm. Some minor nicks to the rims.Minor wear2 circular dishes, 26cm diameter- one with restoration, haircracks and a section broken from the rim. The other with three haircracks to the rim.Pair of oval serving dishes, 39cm wide- one with some wear to the enamels and gildingOval serving dish 34.5cm wide- minor wear2 oval serving dishes, 29.5cm wide- minor wearOval shallow bowl, 25.5cm wide- some restoration to rim. Minor wear2 large circular plates, 31.5cm diameter- one with shallow rim chip.Minor wearCircular plate, 28.5cm diameter- some wear14 soup plates, 23cm diameter- four with restoration. Three with haircracks. Another with a small rim chip. Six in overall good condition6 dessert plates, 23cm diameter- one in good condition with minor wear. Five  have been restoredPair of circular salts, 8cm diameter- minor wear2 side plates, 16.5cm diameter- minor wear2 octagonal side plates, 15.5cm diameter- minor wear3 small bowls, 16.5cm diameter- one with repair to the rim. Another with a haircrack to the rim, approx. 4cm length2 small octagonal bowls, 16cm wide- one with restoration and haircracks

A LARGE CHINESE FAMILLE- ROSE PUNCH BOWL20th century, probably Republic period The exterior painted with figures seated around tables and a group inspecting a scroll, the interior with a group seated around a table with two attendants, apochryphal iron-red Qianlong mark, 40.5cm diameterMinor wear to the enamels

An 18thC. Qianlong Chinese famile rose polychrome bowl depicting various figures & floral decor, 316mm diameter x 95mm deep

A Chinese enamelled small snuff bottle, with removable metal cover revealing attached spoon, body profusely decorated with brown ground, foliage, birds and flowers, with Qianlong mark to base, approx. 6cm high.  Further details: scratched areas with very minor loss to enamel, wear and minor marks.

A Chinese Famille Rose porcelain dessert plate painted with gourds and butterflies, 19th-century, but bearing an iron red four-character mark for Qianlong, 20 cm diameter, together with a Canton, Famille Rose porcelain pint porter mug, 19th-century, painted with colourful figures, applied with a double ribbon handle 20 cm overall heightA faint hairline/glaze crack to the rim, Some glaze slipping to the edge of the plate, as shown. Some enamel and gilt loss in places to both, with surface pitting also evident.The mug has a crack to the handle.

A small collection of Chinese blue and white porcelain including four Nanking Cargo circular dessert plates two tea bowls and saucers and an early Qianlong porcelain plate decorated with antiques en grisaille.Chip to the underside rim of one Nanking plate and a hairline to the reverse of another. All items with surface pitting.

A 20th century Chinese famille rose ceramic lidded trinket box. The lobed circular shaped trinket box decorated with roses trellis with gilding. Qianlong mark to the base.Measures approx. 6.5cm tall x 11..5cm long.

A collection of four 20th century Chinese blue and white graduating bowls. Each bowl is decorated with geometric patterns and flowers in the centre and nearly matched design to the exterior. Two with Qianlong mark and two with 'Made in China' to the base.Largest measures approx. 14cm tall x 26cm diameter.

Elegant spinach-green jade, with subtle greyish veins. It has a square-shaped foot, with a stepped profile that is widest at the base. The faceted body has a curved profile, which widens at the shoulders, above which is a stylised hourglass-shaped neck, flanked by four handles in relief in the shape of beasts (two elephants and two tigers), carved in great detail and from which hang rings, only two of which are movable. Covering the mouth is a pyramid-shaped lid with a handle at the top for easier handling. At the level of the belly there are multiple reliefs that form traditional Taotie masks, with fierce expressions, whose cheekbones are shaped by the bodies of elongated dragons, a beast that is again represented on the lid by a fine decorative border. It shows age patina and slight damage. Qing Dynasty, Qianlong period (1736-1795) or later. Size: 25.3 x 11 x 11 cmWeight: 2182 g

Hetian carved white jade archer's ring (??). The shape is smooth, without decoration. It is in very good condition, with wear.This type of ring is placed on the pulling finger which is the thumb of the right hand to hook the string when practicing archery. Over time they have become more decorative than functional. During the Qing dynasty they became very popular, especially during the Qianlong reign, because the emperors enjoyed making the fingers ring. Following their wishes, princes, ministers and even local officials donated rings to the court. Other jade jewellery for men included pendants and belts. Qing Dynasty (1644-1912) or later.Height: 3 cm; Outer diameter: 3.4 cmWeight: 46 g

A Chinese porcelain charger Qianlong period, decorated with flowers and prunus, 38cm diameter

An 18th Century Chinese porcelain charger Qianlong period, painted in blue with flowers and bamboo, 36cm diameter

A mid 18th Century Chinese porcelain charger Qianlong period decorated in underglaze blue and iron red with fence and bamboo within intricate gilt and blue borders, 34cm diametergood condition no damage/repairs

An 18th Century Chinese porcelain charger Qianlong period, decorated in famille rose style, 35cm diametergood condition no damage/repairs

A pair of Chinese export blue and white octagonal bowls, Qianlong, 22cm wide, a matching plate, 22.5cm wide and another blue and white bowl, 23cm wide (4)

A Chinese export blue and white dish, Qianlong period, decorated with a figure standing beneath a pine tree in a river landscape, 28cm diameterVery small chip to the underside of the rim. Otherwise overall good condition.

A set of twelve Chinese blue and white octagonal plates, Qianlong, each painted with two deer on the banks of a river, a buffalo to the far side and a crane perched above, 27cm diameterBonhams, The Contents of Great Brampton House, 1st October 2008, Lot 133Each plate with some restoration to the rim. This is to cover even tiny chips or imperfections. There are a few small rim chips which have occurred since the restoration. Overall a good appearance, as was the intention.

A Chinese export dish, Qianlong period, decorated with peony and chrysanthemum within a fenced garden, 23.5cm diameterApproximately 11 small rim chips around the upper part of the dish. There is a hairline crack at 8 o'clock and another very faint one at 4 o'clock.

A group of Chinese export famille rose ware, Qianlong and later, comprising a small pear-shaped vase painted with a praying mantis and peony, 13cm high, a rosewater sprinkler painted with peony, 18.5cm high, a pair of peony dishes, 22.5cm diameter and two small saucersHexagonal saucer has professional restoration to section of rim. One plate has tiny fritting to the brown-line rim and the other with a small rim chip to underside. Circular saucer with two small restored areas to rim. Otherwise condition overall good.

A selection of Chinese works of art, comprising; a Qianlong porcelain sleeve vase, 14cm high, a root wood carving of a sage, 22cm high, a banded agate snuff bottle and stopper, 7cm high, a brass model of a seated buddha, 6cm high, and a lacquered resin page marker, 14.5cm long (5) CONDITION REPORT:The sleeve vase shows extensive rubbing to the gilt around the rim and surface wear throughout.  The root carving shows age-related wear and minor splits.  The snuff bottle shows minor surface wear.  The brass buddha shows an impact-related crack to the back.  The page marker shows a split 2cm long, and another 8mm long.

A Chinese porcelain fish vase, Republic period, of squat baluster form with slender neck, painted with various carp, small fish and crustaceans, seal mark of Qianlong but later32cm highhorizontal surface firing crack to neck 3cm approxsurface crazing or crack to lower section (horizontal) now discoloured

A Chinese blue and white porcelain ginger jar, Qing Dynasty, late Qianlong, painted with a continuous lakeland landscape with figures and buildings on the shore21cm highno coverpitting to the body in placesslight rubbing to the blue line

A Chinese robin's egg glazed porcelain archaic Hu vase, circa 1900 or slightly later, with relief and intaglio motifs in gilt, bearing impressed seal mark of Qianlong19cm highsmall areas of grazing to the glaze

A Chinese Kakiemon porcelain plate, Qianlong, decorated with a rooster in a garden with birds, within a blue ground border with floral cartouche panels and gilded highlights 22cm diameter

A Chinese blue and white teapot, Qianlong Emperor, circa 1770, painted with a maiden and child beneath a willow tree 16cm highPlease see further imagesAreas of pitting to the body.

A Chinese famille rose enamelled punch bowl, In the Qianlong manner, decorated with flowering chrysanthemums, 11cm x 25.5cm

A FINE GEORGE III GILT BRASS MOUNTED JAPANNED MUSICAL TABLE CLOCK MADE FOR THE 'OTTOMAN' MARKETJ. AND M. BROCKBANK, LONDON, CIRCA 1780The six pillar triple chain fusee bell-striking movement with plates measuring 7.5 by 5.25 inches and verge escapement regulated by short bob pendulum, the musical train playing a choice of six tunes on eight bells with twelve hammers, via a 3 inch long 1.75 inch diameter pinned cylinder transversely positioned to the upper left of the backplate, every three hours after the sounding of the hour bell, the backplate engraved with an arrangement of symmetrical rococo scrollwork around a central signature Brockbank, London beneath a small basket of flowers within a scribed-line outer border, the 6 inch arched dial with circular fired white enamel 'Turkish' numeral chapter disc signed J. & M., BROCKBANK, LONDON to centre and with conforming five minutes beyond the outer minute track, with fine scroll pierced and engraved gilt brass hands, set beneath twin fired enamel subsidiary dials for CHIME/NOT CHIME selection and BENI SAIKIT/USCHAE DEUR/SABAC HAFIF/SAMAHE tune selection dials with fine engraved brass arrow-shaped pointers, set into a mid-blue painted background polychrome decorated with musical trophy and floral spray infill to spandrel areas and between the subsidiaries, the arched case brown japanned to resemble tortoiseshell and extensively applied with fine chased gilt brass mounts, with flambeau-urn finial to the domed superstructure applied with rosette decorated diamond lattice segment frets between floral scrolls over brass a fillet edged shaped skirt, set on a platform with gilt cavetto moulding and scroll-cast fret infill flanked by further flambeau urn finials set on projecting acanthus cast scrolls, the front with scallop shell-centred scroll crest and conforming shoulder mounts over hinged repeating lappet leaf cast gilt brass glazed door flanked by husk edged front angles, the sides applied with ribbon-tied swags to shoulders over fine scroll-cast break-arch sound frets set within half-round moulded frames and projecting outwards at the base to follow the profile of the swollen lower margins fronted by foliate cast mounts, the rear matching to the front except for having an arched wooded door inset with brass fillet moulding to the glazed aperture, on generous scroll cast bracket feet with leaf cast apron mount between.52cm (20.5ins) high, 29cm (11.5ins) wide, 18cm (7ins) deep. John Brockbank gained his freedom of the Clockmakers' Company in 1769 and immediately took his brother, Myles, in as an apprentice who subsequently gained his freedom in 1776. The brothers entered into partnership in around 1780, working from an address at Cowper's Court, London, which continued until the death of John Brockbank in 1806. The Brockbank brothers employed Thomas Earnshaw who, by 1780, had produced two watches with 'detached escapements...' as well as developing his famous bimetallic compensation balance. Indeed, through the employment of the likes of Thomas Earnshaw, Robert Best and James Petto, the firm of Brockbanks became one of the most important makers of marine chronometers during the early post-Harrison era. In addition to marine chronometers Brockbanks also specialised in the making of clocks and watches for the Chinese and other export markets with several noted in Pagani, Catherine Eastern Magnificence and European Ingenuity: Clocks of the Late Imperial China. Amongst these was a 'magnificent Imperial gilt-bronze musical clock, signed by John Brockbanks and numbered No. 19 which formed part of a group ordered by a Guangdong official as a tribute to Emperor Qianlong; and a 'large gilt bronze vase of jewelled flowers set atop large rectangular base containing the clockface and having painted moving scenes, ca. 1770' by Brockbanks which is noted as being listed in Lu Zanzhen's Qinggong zhongbiao zhencang or Precious Collection of Qing Dynasty Palace Clocks on page 121.After the death of John, Myles Brockbank took brothers Samuel and Elliott Atkins into partnership consequently the firm became known as Brockbanks and Atkins from circa 1815. The present clock is unusual in that it plays tunes of Ottoman/Turkish origins rather than British compositions; and that the case has a japanned finish coloured to resemble red/brown tortoiseshell. The 'vine engraved' decoration to the backplate can be closely compared (except for the lack of a signature) to that of a clock by John Scott, London illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass 1660-1800 on page 361 (Figure 20.5). Condition Report: CONDITION REPORT AVAILABLE FROM THE DEPARTMENT ON REQUEST.Condition Report Disclaimer

An 18th century Chinese Imari teapot and cover, painted with a mountainous landscape in underglaze blue with clouds and flowers in gilt highlighted red enamels, with lotus shaped foot and red flower mark to center of the base, Qing dynasty, 12.5 cm high to/w an 18th century Chinese famille rose bowl, painted in polychrome enamels with shaped panels depicting figures at leisure on garden terraces alternating with smaller panels with birds on red diaper ground, 13.5 cm diameter, Qianlong period (1736-95) (2) The flower finial of the cover is chipped, tiny hairline to bottom of handle, small chip to spout, some areas of wear to gilding and enamels  The bowl with two hairline cracks from the rim and some wear to enamels

A pair of 18th century Chinese famille rose plates painted with figures on palatial terraces and puce diaper borders, Qianlong period, 23 cm diameter; another 18th century Chinese Imari floral painted plate, 22 cm diameter; an 18th century famille rose or wucai punch bowl painted in bright polychrome enamels with fruit bowls and composite scrolling floral designs, a conforming design to the centre of the interior with en grissaille and iron red cloud and flower pattern inside the rim, 26 cm diameter, a 19th century Chinese Canton famille rose vase mounted as a lamp and a 19th century Nanking blue and white jardiniere with crackled glaze, all Qing dynasty, lot also includes a Japanese Imari Meiji period plate  (7)  The punch bowl with two rim chips issuing vertical hairlines, wear in places to enamels Pair of plates both with stapled repairs, Imari plate with hairline through the base, the lamp with badly repaired lion on the neck and other repairs, jardiniere showing cracks repairs etc.

Three antique Chinese plates; two 18th century blue and white examples, one gilded and en-grisaille enamelled with a mountainous landscape and eight geese with floral borders, 23 cm diameter (restored) the other with a floral design in underglaze blue, 22 cm diameter, both Qianlong period (1736-95) and a 19th century Canton famille rose celadon ground plate painted with a pheasant and butterflies amongst scattered floral sprays in polychrome enamels, gilt rim and underglaze blue shop mark to base, 21 cm diameter, late Qing (3) The first plate has large area or restoration and hairline crack, the second with small rim chips and the celadon plate with wear to gilded rim and some wear to enamels

An 18th century Chinese famille rose and cafe au lait ground tea bowl (8 cm diameter) and saucer (13.5 cm diameter) peony and pomegranate pattern painted in polychrome enamels and underglaze blue painted rim, Qianlong period (1736-95) Qing dynasty; another 18th century famille rose tea bowl (70 cm diameter) and saucer (10.5 cm diameter) painted with figures in a garden landscape setting to/w an early 20th century Chinese bronze Qilin scroll weight, 9.5 cm high (5) Smaller tea bowl with hairline and saucer also with hairline and small rim chip, some wear to the enamels on all four items

A scalloped platter, Chinese export porcelain, polychrome and gilt decoration "Flowers", Qianlong period (1736-1795), Dim. - 39,5 x 32 cm

A plate, Chinese export porcelain, rouge-de-fer and gilt decoration "Feathers", centre with polychrome coat of arms of D. Bernardo José Maria da Silveira e Lorena (1756-1818), 5th count of Sarzedas - 3rd service, Qianlong period (1736-1795), wear to the gilt. Notes: vd. CASTRO, Nuno - "A Porcelana Chinesa ao Tempo do Império - Portugal / Brasil", ACD Editores, Lisbon, 2007, p. 214; DIAS, Pedro – “Heráldica Portuguesa na Porcelana da China Qing”. Lisbon: Macau Foundation, 2014, pp. 272-279.; and VEIGA, Jorge Getúlio - "Chinese Export Porcelain in Private Brasilian Collections". London: Han-Shan Tang, 1989, p. 233, print 204., Dim. - 24,6 cm

An octagonal platter, Chinese export porcelain, polychrome and gilt decoration with coat of arms of Sebastião Xavier da Gama Lobo (17??-1786), Qianlong period (1736-1795), small chips, wear on decoration. Notes: vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 158; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio" - vol. III. Lisbon: Artemágica, 2009, pp. 905-911; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 144-145., Dim. - 33 x 25,5 cm

A pair of plates, Chinese export porcelain, polychrome and gilt decoration "Judgement of Paris", rim with gilt decoration "Flowers and plant scrolls", Qianlong period (1736-1795), one with a small chip, wear on decoration. Notes: vd. HERVOUET, François et Nicole; BRUNEAU, Yves - "La Porcelaine des Compagnies des Indes à Décor Occidental". Paris: Flammarion, 1986, p. 310, No. 13.74; VEIGA, Jorge Getúlio - "Chinese Export Porcelain in Private Brasilian Collections". London: Han-Shan Tang, 1989, p. 112, No. 81; BEURDELEY, Michel - Porcelaine de la Compagnie des Indes. Fribourg: Office du Livre, 1962, p. 183, No. 130., Dim. - 22,8 cm

A cup and saucer with wavy edges, Chinese export porcelain, polychrome and gilt decoration with coat of arms of Joaquim Inácio da Cruz Sobral (1725-1781) - 2nd service (imbricated), Qianlong period (1736-1795), cup with two hairs and small chip on the base, wear to the gilt. Notes: backs with trade labels JORGE WELSH - ORIENTAL PORCELAIN - WORKS OS ART. Vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 169; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio" - vol. IV. Lisbon: Artemágica, 2010, p. 1097; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 192-205., Dim. - (chávena) 5,5 x 7 cm; (pires) 12 cm

A scalloped plate, Chinese export porcelain, polychrome and gilt decoration «Tobacco Leaf» "Pheasants, squirrels, flowers and leaves", decorated back of the flap, Qianlong period (1736-1795), chips, faults on the edge glaze, wear on polychrome. Notes: similar copies vd. VARGAS, Jorge Getulio - "Chinese Export Porcelain in Private Brazilian Collections", London, 1989, pp. 260-261., Dim. - 23,6 cm

A covered mustard pot with wavy rim, Chinese export porcelain, polychrome and gilt decoration with unidentified ecclesiastical coat of arms, Qianlong period (1736-1795), wear to the gilt. Notes: vd. SANTOS, A. Varela - "Portugal na Porcelana da China: 500 Anos de Comércio", volume II, Artemágica, 2008, pp. 678-679., Dim. - 10 cm

A pair of hanging planters, Chinese export porcelain, blue, rouge-de-fer and gilt «Imari» decoration "Flowers", Qianlong period (1736-1795), one with hairlines on the grille, small chips, fault on the base, wear to the gilt, Dim. - 9,5 x 17,5 x 12 cm

An octagonal platter, Chinese export porcelain, polychrome and gilt decoration «Tea Leaf», Qianlong period (1736-1795), small chips. Notes: similar copies vd. VEIGA, Jorge Getúlio - "Chinese Export Porcelain in Private Brasilian Collections". London: Han-Shan Tang, 1989, p. 326, nº 308; and DEBOMY, Pierre L. - "Tobacco Leaf and Pseudo/Feuille de Tabac et Pseudo - A Tentative Inventory/Tentative d'Inventaire". Sèvres: Société des Amis du Musée National de Céramique, 2013, pp. 220-221., Dim. - 32, 2 x 24,5 cm

A pair of small tureens with platters, Chinese export porcelain, polychrome and gilt decoration "Flowers", handles en relief "Boar's heads", Qianlong period (1736-1795), one of the handles with small restoration, wear on the gilding and decoration, Dim. - (terrina) 10 x 18 x 11,4 cm; (travessa) 3 x 19,3 x 13,7 cm

A covered mustard pot with wavy rim, Chinese export porcelain, polychrome and gilt decoration with the coat of arms of D. Diogo José Vito de Menezes de Noronha Coutinho (1739-1803), 5th marquis of Marialva, Qianlong period (1736-1795), body with consolidated hairline, chip on the edge of the cover, wear to the gilt. Notes: vd. CASTRO, Nuno - "A Porcelana Chinesa ao Tempo do Império - Portugal / Brasil". Lisbon: ACD Editores, 2007, p. 135; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio". Lisbon: Artemágica, volume II, 2009, pp. 608-615; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 106-107., Dim. - 10 cm

A polylobed box with two handles and three feet, Chinese export porcelain, polychrome and gilt decoration "Flowers", pierced cover finial en relief "Sphere", Qianlong period (1736-1795), restored cover, wear on decoration, Dim. - 14 x 21 x 17,5 cm

A pair of baskets, Chinese export porcelain, pierced, polychrome and gilt decoration "Garden and flowers", Qianlong period (1736-1795), hairlines, faults on the edge glaze, small chips. Notes: vd. similar copy in "Porcelanas Orientais do Palácio Nacional da Pena". Lisbon: Portuguese Cultural Heritage Institute, 1989, pp. 87-88., Dim. - 5,5 x 25 x 17 cm

A pair of octagonal platters, Chinese export porcelain, polychrome and gilt decoration "Roosters", Qianlong period (1736-1795), wear to the glaze, Dim. - 23,5 x 16,5 cm

A small octagonal platter, Chinese export porcelain, polychrome and gilt decoration "Peacocks", Qianlong period (1736-1795), small chip, minor faults on the rim glaze. Notes: decoration identical to one of the tableware that belonged to King D. José I and that King D. João VI took to Brazil, which was at the Royal Estate of Santa Cruz, Rio de Janeiro, Brazil - vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 274; VEIGA, Jorge Getúlio - "Chinese Export Porcelain in Private Brasilian Collections". London: Han-Shan Tang, 1989, p. 199, nº 171; and RIGO, André Luíz - "A mesa do rei - a porcelana de Dom João VI, Rei de Portugal, Brasil e Algarves". Videira (SC): Êxito - Editora e Comunicação, 2022, pp. 38-47., Dim. - 26 x 17 cm

A pair of boxes "baskets", Chinese export porcelain, blue decoration "Flowers", Qianlong period (1736-1795), small chips, minor faults on the glaze, Dim. - 6,8 x 12 x 9 cm

A scalloped platter, Chinese export porcelain, polychrome and gilt decoration with coat of arms of Manuel Bernardo de Melo e Castro (1716-1792), 1st Viscount of Lourinhã, Qianlong period (1736-1795), chips, wear to the gilt. Notes: vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império - Portugal/Brasil". Lisbon: ACD Editores, 2007, p. 155; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio" - vol. III. Lisbon: Artemágica, 2009, pp. 1189-1191; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisboa: Macau Foundation, 2014, pp. 182-183., Dim. - 29,5 x 23,2 cm

A blue and white Ming style shallow bowl, Qianlong mark but later, 18cm in diameter. Condition - good No damage seen.

"Chine - Vase en porcelaine polychrome emaillee famille rose a decor de dames, epoque Republique. - Chine - Vase en porcelaine polychrome emaillee famille rose a decor de dames, epoque Republique. Vase en porcelaine de forme lanterne, de famille rose, avec des emaux polychromes fins. Le vase est decore de deux grands panneaux rectangulaires encadrant des scenes de cour avec des dames et des erudits, ainsi que de deux petits medaillons ronds et des surfaces en forme de eventail avec des fleurs et des insectes, le tout reserve sur un fond emaille rose avec des arabesques florales, des fleurs de lotus et des chrysanthemes. Le col du vase est decore de fonds turquoise et jaune. Le dessous porte une marque apocryphe a quatre caracteres de Qianlong. Ref Goldfield: GFAD1296 - Poids: 1680gr - Mesures: H 295MM X L 200MM - Condition : Usure normale - Weight: 1.68 kg - Region: Chine - Sizes: H 295MM X L 200MM"

"Chine - Ensemble de cachets en jade sculpte a decor de Chilong, marque Qianlong a quatre caracteres formant la base des cachets. - Chine - Ensemble de cachets en jade sculpte a decor de Chilong, marque Qianlong a quatre caracteres formant la base des cachets. - Ref Goldfield: GFAD1509 - Poids: 330GR - Mesures: H 35MM X L 55MM // H 25MM X D 55MM - Condition : Usure normale - Weight: 330 g - Region: Chine - Sizes: H 35MM X L 55MM // H 25MM X D 55MM"

"Chine - Coupe a vin pour ceremonies rituelles en bronze et email cloisonne (Jue), Qianlong, XVIIIeme. - Chine - Coupe a vin pour ceremonies rituelles en bronze et email cloisonne a decor archaique Jue, corps decore d'une tete de Chilong, Qianlong, XVIIIeme. - Ref Goldfield: GFAD1335 Poids: 280GR - Mesures: H 155MM X L 140MM - Condition : Usure normale - Weight: 280 g - Region: Chine - Sizes: H 155MM X L 140MM"

A collection of Chinese porcelain, to include a blue and white export plate, Qianlong period (1736-1795), three various export coffee cans, Qianlong period (1736-1795), a set of four rice spoons and a ginger jarPlate has a chip to the edge on the back, fitted on the rim too. Gilt blue and white cup has large hairlines. Enamel cup chipped with a hairline. Blue and white cup has a chip to the footrim.

A Chinese porcelain scent bottle decorated with Chinese figures with Qianlong mark to base

A Small Chinese Porcelain Dish, Kangxi style, painted in famille verte enamels with a group of boys playing in a garden landscape under a diaper border, artemesia leaf mark, 20.5cm diamater on wood stand, together with A Wucai Saucer Dish, painted with figures, Jiajing reign but modern, 21.5cm, A Saucer Dish, Qianlong but later, in famille rose enamels with a pheasant perched on a rockwork base with large peony blooms either side, 23cm diameter and A "Lotus" Dish, 19th century, painted in underglaze blue, 29cm diameter (4)Famille verte - in good conditionWucai - in good conditionFamille rose - two large pieces restuck to rim, two rim cracksBlue and white - short firing crack to rim, otherwise  good.

A Chinese Biscuit Porcelain Double-Gourd Vase, Qianlong mark but later, with applied work depicting dragons chasing a flaming pearl on a ground of cloud scrolls, impressed six character seal mark, 33cm high on wood standFive dragons with moveable eyes, one pair restored and a further single eye restored, the pearl restored and some minor losses to the applied work.

A Collection of 18th and 19th Century Ceramics and Glass, including a Qianlong saucer painted in coloured enamels with figures, a Derby neoclassical twin handled urn, a Derby Imari deskstand and a bough pot, painted in the manner of Thomas Steele etc. (one tray)