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Lot 1064
Qianlong (1711-1799), a pair of of famille rose chargers, approx 32cm diam; together with a similar punch bowl, approx 29cm diam; a Kangxi ginger jar approx 19.5cm high (4)Provenance: The late vendor, Helen Park-Rivière, was daughter to Philip Lyle Rivière, and the granddaughter of Briton Rivière R.ACondition report: both chargers heavily cracked and repaired with staples; the bowl with three hairlines; the ginger jar heavily restored
Lot 283
A 19TH / 20TH CENTURY CHINESE BLUE & WHITE PORCELAIN LOTUS ZUN VASE, the body of the vase finely painted depicting sprays of formal scrolling lotus, with a band of decorated waves through twin cylindrical hollow handles, with a higher border of Greek key above formal lotus motifs, the base bearing a six character Qianlong mark, 45.5cm high x 30cm wide.
Lot 101
Chinese Qianlong porcelain plate, the centre of the plate painted with a vase of chrysanthemum enclosed within a double circle, the plate rim painted with four cartouche of peony within a diapered border, approx 23 cms d, the verso of the plate painted with floral spray.Condition report: firing marks evident to the bowl of the plate.
Lot 335
A Chinese famille rose dish, QianlongOf canted rectangular form and painted in colours with village and trees beside a river, four iron red and gilt flower sprays to the rim, 33cm across (hairlines to rim), together with a famille rose teabowl decorated with mixed flower sprays, 3.5cm high. (2)
Lot 163
A PAIR OF SPINACH-GREEN JADE CUPS, QING DYNASTYChina, 18th century. Each with deep sides rising from a thick ring foot. The translucent stone of an attractive and intense green tone with scattered black speckles. Fine manual surface polish with an unctuous, silky matt finish. (2)Provenance: Ex-collection of Bao Dai, last emperor of the Nguyen dynasty (a letter of provenance, signed by Dr. Istvan Zelnik, will be handed to the winning bidder). The Istvan Zelnik Southeast Asian Gold Museum, acquired from the above. An institutional art collection in Belgium, acquired from the above. Bao Dai was the 13th and final Emperor of the Nguyen dynasty, the last Imperial dynasty of Vietnam. From 1926 to 1945, he was Emperor of Annam. After his abdication in 1945, he remained an important advisor to the new government under Ho Chi Minh but left for France in 1946, until he was persuaded by the French to return as head of state in 1949. He moved back to France in 1954 after the peace deal between the French and the Viet Minh, appointing Ngo Dinh Diem as his prime minister. After being removed from power by Diem in a referendum in 1955, he spent the remainder of his life in exile in France.Condition: Excellent condition with minor wear, the stone with natural flaws and microscopic fissures, some of which may have developed into small hairline cracks over time.Weight: 262.1 g (total)Dimensions: Height 7 cm (each), Diameter 8.2 cm (each)Auction result comparison: Compare with a related pair of wine cups, with incised four-character Qianlong marks and of the period, at Christie's London in Fine Chinese Ceramics and Works of Art on 8 November 2011, lot 78, sold for GBP 15,000.清代一對碧玉杯中國，十八世紀。玉杯圈足，半透明，碧色濃鬱，散佈著黑色斑點。 表面光滑溫潤。來源：原越南阮朝最後一位皇帝阮福永瑞收藏 (根據來源信件，由 Dr. Istvan Zelnik簽名，將會交給獲得此藏品的藏家) 。The Istvan Zelnik Southeast Asian Gold Museum, 購於上述收藏。一個比利時藝術收藏機構購於上述美術館。阮福永瑞，即保大帝，是越南最後的皇朝阮朝第十三位也是最後一位皇帝。從1926年到1945年，他是安南皇帝。 自1945年退位後，他一直是胡志明領導下的新政府的重要顧問，但於1946年前往法國，直到法國說服他在1949年返回越南成爲臨時國家元首。1954年，他移居法國。1955年，在首相吳廷琰私下操縱的公民投票中，越南的君主制被廢除，保大帝隨後流亡法國直至逝世。圖片：保大帝 (1913-1997) 品相：狀況極佳，磨損很小，石頭具有自然缺陷和微觀裂縫，隨著時間的流逝，其中一些可能會發展成細小的裂縫。 重量：縂262.1 克 尺寸：各高7 厘米, 直徑分別8.2 厘米 拍賣結果比較：一對相近的酒杯，乾隆四字款見倫敦佳士得Fine Chinese Ceramics and Works of Art 拍場2011年11月8日lot 78, 售價GBP 15,000。
Lot 347
A 'SPRING' BOWL, QIANLONG MARK AND PERIODChina, 1735-1796. The underglaze-blue decoration was possibly intended for doucai enamels, but in this case left unenameled. The bowl with shallow rounded sides raised on a circular foot with a recessed base showing a Qianlong mark. The central medallion with a craggy rock, springing lingzhi, peaches on leafy branches, and a stylized character chun (for "spring") in the center. The exterior with a band containing the same elements. Double circles around the medallion, above the foot, and below the rim on the interior and exterior.Condition: One chip around the mouth exterior, some crackling, minor wear and firing irregularities. Provenance: From a Slovakian private collection. Weight: 159.2 g Dimensions: Diameter 14.5 cm Literature comparison: Compare with a similarly 'unfinished' moonflask, Qianlong mark and period, illustrated in Ethereal Elegance. Porcelain Vases of the Imperial Qing The Huaihaitung Collection, Hong Kong, 2008, no.96. 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 348
A FAMILLE ROSE ENAMELED PORCELAIN BALUSTER VASE AND COVER, QIANLONGChina, Qianlong period (1735-1796). The baluster body rising from the spreading foot to a rounded shoulder with a broad cylindrical neck, the domed cover with a broad rim and lotus finial, the vase richly enameled with colorful landscape panels between vases of flowers and elaborate borders.Condition: The cover in good condition with a chip to the knob, the vase was broken into several pieces which have been reattached with hairlines, touchups, and material fillings visible, minor wear and firing flaws.Provenance: From an old family collection in Pressburg, Austrian Empire, Slovakia, and thence by descent to the present owner.Weight: 3,565 gDimensions: Height 50.5 cmAuction comparison: Compare three closely related baluster vases and covers, also from the Qianlong period, at Christie's New York in Mandarin & Menagerie: The Sowell Collection and Chinese Export Art From Various Owners on 26 January 2015, lot 126, sold for USD 60,000 (together with two beaker vases from the same period).
Lot 374
A SACRIFICAL BLUE GLAZED PORCELAIN TIANQIUPING VASE, LATE QINGChina, late Qing dynasty (1644-1912). Thickly potted with a tall cylindrical neck rising from a globular body, the exterior walls covered with a lustrous layer of sacrificial blue stopping in a neat line along the rim where the colorless glaze continues into the interior, the recessed base with an apocryphal six-character seal script Qianlong mark.Condition: Very good condition with minor wear and firing irregularities.Provenance: Private collection, USAWeight: 2,518 gDimensions: Height 33.1 cm
Lot 402
A PAIR OF DOCAI PORCELAIN DISHESChina, late Qing Dynasty (1644-1912). Painted in deep blue under the glaze to the central roundel, rim and exterior with flower and foliate scroll. The central medallion encircled by figural scenery hand painted in polychrome enamels over the glaze showing courtiers with servants on a terrace. Apocryphal six-character Qianlong mark in underglaze blue to base.Condition: Good condition with minor manufacturing flaws and wear to enamels, one dish with a chip to rim. Provenance: German private collection.Weight: 564 g in total Dimensions: Diameter 18 cm each
Lot 403
A PAIR OF YELLOW GLAZED BRUSHPOTS WITH APPLIED DECORATIONS, LATE QINGChina, late Qing dynasty (1644-1912). Each of cylindrical form, covered overall in a lemon-yellow glaze, and applied in relief with a blossoming plum tree with buds and flowers to one side and a lone butterfly to the other, the recessed base with an apocryphal six-character seal script Qianlong mark.Condition: Very good condition with minor wear and firing irregularities.Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1970 and has remained in the family ever since.Weight: 433 g and 395 gDimensions: Height 11.7 cm (each)13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 404
A 'CAFE AU LAIT' GLAZED PORCELAIN BRUSHPOT WITH FINE SHAN-SHUI PAINTINGChina, Qing dynasty. The cylindrical brushpot covered in a light cafe au lait glaze, with serene painting of shan-shui, with a stream, pavilions, mountains and trees. With an apocryphal four-character Qianlong reign mark.Condition: Excellent condition.Provenance: French private collection.Dimensions: Height 10.9 cm
Lot 411
A GUAN-TYPE GLAZED WATERPOT, TAIBAI ZUN, LATER QING TO REPUBLICChina, c. 1850-1949. Of classic form with rounded sides rising to a short and slightly flaring neck, covered overall in a pale gray 'orange skin' glaze with delicate crackles, the foot rim unglazed revealing the dark body. The recessed base with an apocryphal blue enameled six-character seal mark da Qing Qianlong nianzhi.Provenance: French private collection.Condition: Excellent condition with minor wear and firing irregularities, the color of the russet crackles faded in some areas.Weight: 429.3 gDimensions: Height 9 cm, Base diameter 11.6 cmWaterpots of this form are known as Taibai zun, after the Tang dynasty poet Li Bai (also named Li Taibai, 701-762) who is often depicted leaning against a large wine vat of this shape. They are also known as jichao zun because their shape resembles that of a basketwork chicken coop that is woven with a small opening at the top through which the chicks are fed. Beehive waterpots of this shape are well-known with peachbloom glazes, but those covered in other monochrome glazes were produced in smaller numbers.清末民初仿官窯太白尊中國, 約1850-1949年。太白尊小口微撇，圓唇，短頸，半球狀腹。灰白色橘皮釉開片，圈足未上釉露出深色胎。底足青花六字"大清乾隆年制"款。來源：巴黎Millon, Drouot, 2007年3月 23日。法國私人收藏，購於上述拍賣行，隨附原始發票副本。 品相：狀況極佳，有輕微磨損和燒製不規則現象，赤褐色裂紋在某些區域褪色。 重量： 429.3 克 尺寸：高 9 厘米, 底足 直徑11.6 厘米
Lot 420
A PAIR OF ROBIN'S-EGG GLAZED VASESChina, 20th century. Consisting of a hexagonal vase in Hu shape with a pair of tubular handles and apocryphal Yongzheng mark to base, and an unusual lingzhi-shaped vase overgrown by further lingzhi with an apocryphal Qianlong mark to base. Both covered by a mottled blue, reddish and turquoise glaze, more commonly referred to as 'robin's egg' glaze. Condition: Excellent condition. Provenance: German private collection. Acquired at Doyle Auctions by repute (no invoice available).Weight: 864 and 1697 g Dimensions: Height 17.5 and 27 cm
Lot 71
A CLOISONNE ENAMEL 'LOTUS' TRIPOD CENSER, LATE QINGChina, late Qing dynasty (1644-1912). The globular body supported on three straight cylindrical feet and rising to a short neck with gilt everted rim and upright loop handles, brightly enameled with scrolling lotus and vines on a Jingtai blue ground, the base cast with a square four-character Qianlong reign mark.Condition: Very good condition with minor wear, little verdigris here and there.Provenance: European private collectionWeight: 397 gDimensions: Height 12.5 cm
Lot 78
CANTON ENAMEL TEA CADDYChina, Qing Dynasty. Canton enamel. With figural depictions of court ladies and boys amongst scrolling foliage with lotus blossoms and chrysanthemum. Qianlong mark on the bottom.Condition: Cover with some damage, box in overall good condition.Provenance: From an old Austrian private collection acquired before 1930.Dimensions: 7 x 17.5 x 10 cm (H x L x W)
Lot 83
A FIVE-COLOR OVERLAY GLASS 'CHILONG' BOTTLE VASE, QIANLONG MARK AND PERIODChina, 1736-1795. Finely carved through a single translucent layer of ruby red, dusky pink, emerald green, lemon yellow, and sapphire blue with a continuous scene of ten chilong, seven sinuously coiling on the body and three clambering around the neck chasing their own long multi-furcated tails, all against an opaque white ground. Four-character Qianlong nianzhi mark wheel-cut to the base and of the period.Provenance: French private collection, by repute acquired prior to the year 2000 in Paris.Condition: Good condition with minor wear and expected manufacturing flaws, such as pitting and open swirls, mostly to the interior of the neck, as well as minuscule nicks and losses, one old fill to the foot rim (ca. 3 cm long).Weight: 423.0 gDimensions: Height 19.4 cmThis superb glass vase, so finely decorated with a multi-color overlaid design of chilong and inscribed with a Qianlong four-character mark, is extremely rare. A small number of Qianlong reign-marked overlaid glass vases is recorded in museum collections, but none of the exact same style.Literature comparison: A ruby-red ground glass vase decorated in turquoise blue overlays with flowers and butterflies in the Palace Museum, Beijing is illustrated by Zhang Rong, Lustre of Autumn Water. Glass of the Qing Imperial Workshop, Beijing, 2005, pl. 81, bearing a similar wheel-cut Qianlong nianzhi four-character mark, but within a double square. The same mark is also found on a small glass jar in the Palace Museum, Beijing, illustrated ibid, pl. 79 overlaid with a pair of chilong in emerald green against a rich cobalt-blue ground. For examples of unmarked Qianlong period white-ground multi-color overlaid glass vases of similar decoration style, see a vase decorated with chilong in the Suntory Museum of Art, cataloged as Qianlong/Jiaqing, illustrated in The Glass that Galle Adored, Glass from the Qing Imperial Collection, Suntory Museum of Art, Tokyo, 2018, p. 104, cat. no. 78, and a vase carved with flowers from the Shorenstein collection, illustrated in C.F. Shangraw and C. Brown, A Chorus of Colors: Chinese Glass from Three American Collections, Asian Art Museum of San Francisco, 1995, cat. no. 78, and on the front cover, and sold at Christie's Hong Kong, 1st December 2010, lot 2940.Auction result comparison: Compare with a closely related vase at Sotheby's Hong Kong in Gems of Chinese Art - The Speelman Collection II on 3 October 2018, lot 3428, bought-in at an estimate of HKD 800,000-1,000,000, and a related but slightly smaller vase at Christie's London in Fine Chinese Ceramics and Works of Art on 6 November 2018, lot 131, sold for GBP 25,000.乾隆款及年代五色套料螭龍紋長頸瓶中國，1736-1795年。涅白地上使用寶石紅、粉紅、翡翠綠、檸檬黃和藍寶石藍等五色套料表現螭龍紋，蜿蜒曲折。底足"乾隆年制"四字款。來源：法國私人收藏，購於2000年巴黎。品相：狀況良好，有輕微磨損，並且可見製做缺陷，例如凹痕和明顯的旋流，主要出現在頸部內部，並且細微的划痕和缺損，圈足上有小補（約3厘米長）。重量：423.0 克尺寸：高19.4 厘米 拍賣結果比較：一件非常相似的長頸瓶見香港蘇富比Gems of Chinese Art - The Speelman Collection II 拍場2018年10月 3日lot 3428, 估價HKD 800,000-1,000,000； 另一件稍小的瓶子見倫敦佳士得Fine Chinese Ceramics and Works of Art 拍場2018年11月6 日lot 131, 售價GBP 25,000.
Lot 84
A PINK PEKING GLASS DISHChina, Qing Dynasty (1644-1912). Shaped with a flared rim and raising from a ring foot. The opaque glass of an even pink color. The base incised with a probably apocryphal Qianlong reign mark.Condition: Excellent condition with very few microscopic nibbles. Provenance: French private collection.Weight: 153 g Dimensions: Diameter 13 cm
Lot 86
A CARVED HEXAGONAL BLUE OVERLAY GLASS BRUSH POT, QING DYNASTYChina, 1820-1880. Translucent sapphire-blue overlay carved and incised in high relief above a bluish-transparent body with melded gold flakes.The six vertical panels decorated in neatly carved overlay with different subjects such as flowers, bamboo, birds, clouds, butterflies, daihu rocks, lingzhi, each separated from one another by a bamboo cane, the rim and foot each with an incised key fret border. Raised foot rim with recessed, hexagonal base, a four-character Qianlong seal mark in the center.Condition: Excellent, wear consistent with age, a few microscopic nibbles.Provenance: Hungarian private collection.Weight: 382.3 gDimensions: Height 11.5 cm
Lot 578
Blau-weiße Vase - China, Balusterform mit leicht ausgestellter Mündung, dekoriert in Unterglasurblau mit mäandrierenden Ranken sowie großen Chrysanthemenblüten mit „shou“-Zeichen im Zentrum und dichten Blütenblättern, Ranken-, Blüten und Lanzettblatt-Bordüren, seitlich zwei große angesetzte Handhaben mit eingehängten vollplastischen Zierringen, Boden mit Sechszeichen Qianlong-Marke in Siegelschrift, H. ca.46 cm
Lot 270
Two Chinese blue and white porcelain bowls, of matching design, decorated in underglaze blue with the Eight Immortals, double ring marks to internal and external rim, Buddhistic precious objects (table with peaches for longevity) within further double ring to interior, on double ring foot with seal mark of Qianlong (1736-1795) beneath, 20cm diameter x 8.5cm high and 18.5cm x 8cm, (2) Condition report: Larger bowl has a number of small rim chip splus a faint hairline.Smaller bowl has more significant rim fritting and losses.Ceramics & Glass/OrientalWe endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms
Lot 313
A Chinese 18th century Qianlong period porcelain baluster vase with lid, the body decorated with polychrome famille rose enamels of blossoming branches, chrysanthemums and an exotic bird, 37 cm high x 21 cm diameterCondition report: extensive damage and repair (re-glued parts) to the vase and lid, please see photos
Lot 250
A pair of 18th century Chinese export famille rose plates, Yongzheng/Qianlong period, Qing dynasty, each plate is finely painted in gilt highlighted polychrome enamels depicting two ducks swimming on a lotus pond with a pink diaper band interspersed with auspicious symbols, framed by the border of eight immortals and mythical beasts amongst breaking waves, the reverse with three iron red sprays, 22.5 cm diameter Both plates with small chips to the brown dressed rims, two on one plate, and one on t he other, some areas of light wear to gilding and enamels
Lot 261
An 18th century Chinese blue and white teapot and cover with moulded pomegranate finial and foliate mounted double strap handle, the fluted body painted with the same design on each side with two figures rowing a boat through an idyllic river landscape with pagodas, Qianlong period (1736-1795) Qing dynasty, 12.5 cm high Very small chip to the interior rim of the teapot and inner lip of the cover, some minor firing splits around the foliate mouldings around the handle, but generally good condition
Lot 296
A small late 19th or early 20th century Chinese cinnabar lacquer box with hinged cover decorated in high relief with an immortal standing on stylised clouds with green enameled interior and base, standing on four brass bracket feet, 10 cm w x 8 cm d x 5 cm high, late Qing period, to/w an early 20th century famille verte baluster vase painted with a battle scene in polychrome enamels on crackled ground, the base with brown four character Chenghua mark, 21.5 cm high, a millefleur polychrome ginger jar and cover with iron red six-character Qianlong mark, 13 cm, a 20th century famille rose ruby ground ginger jar and cover, 11 cm, a carved soapstone figure of a Buddhistic guardian lion, 18 cm, blue and white snuff bottle etc (box) Millefleur cover has broken into two pieces and been re-glued
Lot 429
Two Chinese export famille rose mugs, late Qianlong; each of barrel form, inscribed in iron-red and gilding with the initials LEJ, within floral wreath border, double entwined celery handles, 12cms and 13cms high; together with a rare Chinese export punchbowl from the same service, painted with a British sailing ship and inscribed with the same initials, 26cms diameter (badly damaged and glued). (3)
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