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Click here to subscribeA pair of octagonal porcelain plates, likely 18th century Qianlong period, the centre painted with crane and peonies, the border with geese and quail, 23cm diameter (2) One has hairline crack approx 2cm on rim other has firing crack or anomaly around the rim both have numerous niggles and chips to rims ssee further images for condition
An Chinese 18th century square bowl with turquoise interior, the outer body decorated with polychrome interior scenes of advisors with emperor and exterior scene of two banner holders, on square base, with turquoise glazed underside with iron red Qianlong seal (1736-1795), height 6cm, top 13 x 13cm.Condition Report: Where the two banner holders you can see a very old vertical hairline crack, there are some nibbles to the edging but otherwise nothing major.
A collection of Chinese porcelain, to include a blue and white export plate, Qianlong period (1736-1795), three various export coffee cans, a set of four rice spoons and a ginger jar (9)Plate has a chip to the edge on the back, fitted on the rim too. Gilt blue and white cup has large hairlines. Enamel cup chipped with a hairline. Blue and white cup has a chip to the footrim.
A 19thC Chinese porcelain Plate, finely decorated with cobalt blue border, decorated to the well with figures, D 15.5cm, together with a finely decorated Chinese porcelain Cup, decorated with script and vases, apocryphal Qianlong seal mark to base, D 8cm x H 7cm, another finely decorated Cup with script, cracked, D 8.5cm x H 7cm and a Chinese porcelain Bowl, hairline to rim, D 11cm x H 6cm (4) CONDITION:Plate - Spider crack to base and hairline emanating from rim with splays out both sides. (151 g)Cup with blue Seal mark - hairline crack emanating from rim otherwise minor fritting to the rim. (124g)The other Cup with script - one large crack with part of cup missing. Three further hairlines, emanating from rim. (136g)Bowl - three hairlines emanating from rim. Some small chips to rim. (134g)
A Chinese rouge-de-fer porcelain vase, mark of Qianlong but Republic period, the swollen cylindrical body painted and gilt with a seated sage beside black text and iron red seals, red enamelled seal mark to base, height 10.7cm, together with two larger famille rose vases, 20th century, each painted with figural scenes opposing lines of black text and red seals, height 26.2cm and 33.5cm.
A Sino-Tibetan gilt bronze figure of the third Changkya Hutuktu, Rolpai Dorje, Qianlong period, the Gelug Lama finely modelled seated in dhyanasana with hands held in abhaya mudra, wearing a distinctive hat and finely incised long robe, raised on a rug-covered two-tier dais, height 16.4cm. Provenance: the Alain Presencer Collection, Ernest Ohly Gallery, London, 1972, and Bonhams Hong Kong, 2nd October 2018, Lot 147. Note: for a similarly depicted figure, see Bonhams New York, 14th March 2017, Lot 3300. Rolpai Dorje (1717-1786) was the most important Tibetan Lama at the 18th century Qing Court. The Changkya Hutuktu is a Gelug incarnate lineage with its seat at Changkya in Kham, Eastern Tibet. 'Hutuktu' is a Mongolian word meaning 'Spiritual Master'. At a young age, Rolpei Dorje was recognised as the reincarnation of Ngawang Losang Choden (1642-1714), the previous Changkya Hutuktu and spiritual advisor to the Kangxi Emperor (1662-1722). Rolpei Dorje was raised and educated in the Imperial Court of the Yongzheng Emperor (1723-1735), growing up with Prince Hongli, who later became the Qianlong Emperor. He became a trusted advisor of the Emperor and fluent in Tibetan, Manchu, Chinese and Mongolian, playing a crucial role in the relations between China, Tibet and Mongolia.
A Chinese famille rose export porcelain vase and cover, late Qianlong period, the lobed baluster body painted with opposing figural panels flanked by panels of birds and branches, all within underglaze blue framing, between gilt dragon handles, the cover with blue glazed Buddhistic lion finial, total height 34.5cm (minor chips).
A Chinese blue and white export porcelain tureen and cover, Qianlong period, the cover painted with a border of butterflies, flowers and foliate scroll-filled ruyi-head corner panels, beneath a pomegranate finial, the sides with bird, peony, pine and fence, between a pair of moulded rabbit-head handles, height 17cm, length 35.5cm (rabbit ears chipped).
A Chinese famille rose export porcelain vase, Qianlong period, of baluster form, painted with opposing figural scenes, height 24cm, together with three Chinese blue and white porcelain vases, late 19th century, each baluster body painted with figures, heights 22cm, 19cm and 18.5cm (faults and restoration).
A Chinese export porcelain soup plate, late Qianlong period style but later, painted with a half-length portrait of a standing maiden grooming the beard of a seated gentleman, within a trellis rim divided by four bird and grass vignettes, diameter 22.2cm, together with a Chinese blue and white octagonal plate, painted with a maiden in a fenced garden, width 22.2cm (rim chips).
A Chinese famille rose ’Eight Immortals’ snuff bottle, QING DYNASTY late 19th century, moulded throughout the body with Eight Daoist Immortals holding their attributes, each on their animal vehicle and wearing various coloured robes, the base inscribed in iron-red with a four-character Qianlong mark, surrounded by colorful clouds, height 9cm with stopper清19世紀晚期 粉彩八仙堆塑瓷鼻煙壺Provenance: an East Anglian based collectorNote: this lot is part of the collection "Smiling Gods of Ancient China". Renowned Chinese art Expert Rose Kerr has contributed an article explaining who the Eight Immortals were and why depictions of them remain so popular, with reference to some specific examples within this collection. Click here for more information. Overall in good condition, no spoon with the stoper品相完好，蓋子無勺
A set of Chinese Eight Daoist Immortals porcelain statuettes, 18th Century, Qianlong Period (1736-1795), each standing atop a turquoise enameled base, wearing various colourful robes and holding his or her attribute, together with two old documents from the previous owner, height 22 to 24cm清18世紀乾隆年代 粉彩八仙人物瓷塑一組（共8件）Provenance: an East Anglian based collectorNotes: this lot is part of the collection "Smiling Gods of Ancient China". Renowned Chinese art Expert Rose Kerr has contributed an article explaining who the Eight Immortals were and why depictions of them remain so popular, with reference to some specific examples within this collection. Click here for more information.See similar figures in the Victoria and Albert Museum collection (FE.27(A to G)-1978) and Christie's (1 July 2009, Lot 417). Overall in desirable condition, with kiln baking lines and glaze imperfections throughout. The Lu Dongbin figure is missing a hand and the attribute he is holding, the Han Xiangzi figure is missing the top part of his flute, and Lan Caihe’s flower basket is missing the handle.整體品相良好，部分塑像帶窯燒線及釉面瑕疵。呂洞賓缺一手及所持法器，韓湘子笛子頂端缺失，藍采和花籃缺提梁
A Chinese painted enamel ‘ladies’ snuff bottle, Qianlong mark. Finely decorated in Western oil painting technique with European ladies amidst richly ornamented flowers and foliage, the base bearing a four-character Qianlong mark. Height: 6.4cm.乾隆款 畫琺瑯西洋仕女鼻煙壺Provenance: from a private English collection來源：英國私人收藏 In good overall condition, with a small patch on the foot rim in a different colour, possibly refilled, and lacking the spoon.底足一處呈異色可能小補，無勺。
A pair of Chinese Canton yellow-ground enamel bottle vases, 20th century. Of pear-shaped form, each vase is richly decorated with two birds amidst peony and prunus flowering trees growing from rocks. The base bears an apocryphal four-character Qianlong mark. Height 23cm 20世紀 銅胎畫琺瑯黃地花鳥紋瓶一對In excellent condition. 整體品相良好。
Two Chinese famille rose ‘floral’ dishes, early 20th century. One brightly decorated with scrolling blooms over a yellow ground, with further flower sprays and a six-character Qianlong mark on the reverse. The other finely painted with blooming peonies growing from rockwork, adorned with birds and insects, surrounded by a geometric band and further decorations on the cavetto. Diameter: 23.3cm and 26cm. 20世紀早期 粉彩花卉圖盤兩只Provenance: from a private UK collection The yellow-ground dish has a 4cm hairline and some wear to the enamel. The larger peony dish has a faint 3cm hairline and two tiny flakes on the rim. 黃地盤有一條4cm沖線及部分琺瑯磨損；粉彩牡丹盤有一條3cm輕微沖線及兩處口沿小磕
A Chinese black ground moulded ‘Eight Immortals’ vase, Qing Dynasty, 19th century. The vase of slightly tapered form standing on a short foot with a flared mouth rim, decorated in moulded relief with Eight Immortal figures on swirling clouds holding their attributes, set against a black ground. The base and mouth rim are covered with a turquoise glaze, and a six-character Qianlong mark is inscribed in the centre of the base. Height: 20.5cm (without stand)清19世纪 八仙黑地粉彩堆塑瓶Provenance: an East Anglian based collectorNote: this lot is part of the collection "Smiling Gods of Ancient China". Renowned Chinese art Expert Rose Kerr has contributed an article explaining who the Eight Immortals were and why depictions of them remain so popular, with reference to some specific examples within this collection. Click here for more information. Good overall condition except for some light wear to the enamel. 除少量釉面磨損之外，整體品相良好。
A pair of Chinese faux-bois ‘flowers and poems’ square vases, 20th century Each vase is finely painted with Flowers of the Four Seasons—winter jasmine, peony, chrysanthemum, and prunus—on the four main panels, accompanied by a corresponding poem inscribed on the neck. The decoration is reserved against a simulated wood grain (faux-bois) ground. The interior and base are covered in turquoise glaze, with an iron-red six-character Qianlong mark inscribed at the centre of the base. Height: 25cm.20世紀 木紋底四季花卉題詩文四方瓶（一對）Provenance: from a private UK collectionNotes: The elegant verses on the vase celebrate the beauty and resilience of seasonal flowers, which translates as following:1. 玉露含初開，花香綠芳枝Jade-like dew nourishes the first blossoms, The fragrance of flowers lingers on lush green branches.2. 牡丹今有名，風雨含春芳The peony is famed today, Even through wind and rain, it retains its spring fragrance.3. 芳氣入秋好，清香一室聞The sweet scent deepens with autumn's arrival, Its pure fragrance fills the entire room.4. 一花天下春，萬里江南雪A single blossom heralds spring across the land, Snow blankets Jiangnan for thousands of miles.For a smilar example see Rob Michiels 2020-05-26 Lot 2 In excellent condition.整體品相極佳。
A large Chinese ge type bottle vase with blue and white decorations, Qing Dynasty, Qianlong mark, 18th to 19th century. The bulbous body sits on a short foot and rises to a tapering neck, covered overall with a web of black and fine russet crackles. The body is brightly decorated with a traditional landscape scene dotted with human figures. Height 36cm 清乾隆款 18或19 世紀 哥釉青花山水通景大瓶The neck has been truncated with noticeable wear around the mouth rim, otherwise in good condition. 口沿截口並有磨損痕跡，除此之外良好
A Chinese gilt-ground famille rose millefleurs deer-head handled Hu vase, 20th century, decorated with two deer head handles to the shoulders, the globular body is decorated with a multitude of large blooms reserved on a gilt ground. The interior and base are covered in turquoise glaze, with an apocryphal six-character Qianlong mark. Height 35cm.20世紀 粉彩百花鹿頭尊 Good overall condition品相完好
A Chinese underglaze blue and iron-red decorated ‘figural’ dish, Qing Dynasty, Qianlong mark and probably of the period (1736-1795). On the front finely painted with “Three Stars” deities in the central roundel encircled by a band of square scrolls, and further decorated with five boys and five bats on the cavetto. The reverse decorated with flower branches on the border and inscribed in underglaze blue with a six-character Qianlong mark in the centre. Diameter 25.7cm. 清乾隆款及年代（可能） 青花矾红彩人物大盘Provenance: from a private UK collection In very good condition except for some expected wear on the surface, no chips, cracks or restorations. 整體品相良好，僅表面有正常使用磨損，無磕傷、裂紋或修復
A Chinese blue and white serving dish, Qing Dynasty, Qianlong period (1736-1795), of octagonal form, finely painted with a riverscape scene of pavilions, trees, bridges, and boats, framed by a floral border. Dimensions: 42cm × 32cm清乾隆 青花開光山水圖八方盤，寬42厘米，高32厘米。 Good overall condition, with letters E.P. chiseled in the glaze整體狀況良好，背面刻有E. P.英文字母
A 20thC Chinese porcelain charger, with butterfly and blossom central reserve enclosed by floral cartouches and precious objects, on a red diaper ground with yellow border, the rim having a red enamel ground with repeated floral decoration, the base with a six character Qianlong mark in underglaze blue, 46cm diameter.
A 20thC Chinese porcelain famille rose vase, of ovoid form, decorated in an all over pattern of flowers on a gilt ground, red six character Qianlong seal mark, 20.5cm high, together with a porcelain saucer decorated with pak choi and peaches, 14cm wide, and a barrel and cover, decorated with reserves of flowers and insects, within a pink ground, 10cm high. (3)
A Chinese export blue and white octagonal dish and plate, Qianlong, one painted with a central floral bouquet, in diaper borders and the other with an estuary landscape, 26.5cm diam and smaller Dish with minor wear to glaze around rim Plate with chips to glaze around rim and small chip to underside of rim
A finely decorated vintage Chinese porcelain jar with lid. This large jar features an intricate crackle glaze background with vibrant hand-painted scenes of vases, flowers, and auspicious symbols, showcasing a lively and colorful design. The lid is adorned with a matching pattern and topped with a wooden finial. A beautiful representation of Chinese artistry and craftsmanship. Marked with a Great Qing Qianlong Period Make seal on the base.Issued: Mid to Late 20th centuryDimensions: 13.75"HCountry of Origin: ChinaCondition: Age related wear.
Millefleurs-Vase - China, Republikzeit, Porzellan, glasiert, Typus „Tian Qiu Ping“, polychrome Aufglasurmalerei im Millefleurs-Dekor, auf der Laibung drei ovale Reserven mit Landschaftsdarstellungen, der türkisblaue Boden mit apokrypher roter Sechszeichen-Qianlong-Marke auf weißem Grund, Goldrand teils berieben, H. ca. 40 cm
A Chinese Bronze Gu Shaped Vase, in archaistic style, 25.5cm high, together with a similar tripod ewer with mythical beast handle, 13cm high and a tripod censer, Qianlong reign mark but not of the period, 14.5cm wide (3)Pitting, the flaired rim bent slightly with dents and srcatches throughout possible solder repair to the baseJug, with scarcthes dents and a solder repair to the inside a hole appearing at the base of the spoutCenser, has been aged generally good order
A collection of twelve 18th and 19th century Chinese and Japanese porcelain, to include: 18th century Chinese imari dish; satsuma ware dish with figurative design; Armorial design dish; pottery tea bowl with spotted design and moulded applications; green ground prunus dish with Qianlong mark; kutaniware and others, largest diameter:19.6 (12)
Two large Chinese blue and white chargers, largest 62cm diameter. Condition - fair/good Smaller dragon dish 47cm diameter; structurally good despite minor glaze-blisters showing as small white spots; Qianlong seal mark but later - see images 6, 7 and 8.Larger dish with two Buddistic lions 62cm diameter; structurally good- see images 9 and 10.
Schale China, Qing-Dynastie, Qianlong-Periode - um 1750 Halbkugelige Form über rundem Standring; Innenseite mit Blauweiß-Dekor einer Landschaft mit Felsen, Bäumen und Boot, unter dem Rand Ornamentbordüre, außen Café-au-lait-Glasur; H. 7 cm, Ø 14,8 cm. - Etikett Christie's The Nanking Cargo und Bernheimer München.Chinesisches Porzellan, Kumme, Schiffswrack
A set of six Chinese famille rose, armorial dishes, said to be made for James Laroche and Elizabeth Rachel Anne Yeomans, each one of octagonal form with the central arms of Laroche and Yeomans above the motto 'Otium in Negotio'.Qianlong. All about 23.5cm wide [6]See David Sanctuary Howard, Volume 1/page 587 for these arms. This service, thought to be circa 1765. A similar dish was sold at Bonham's in Edinburgh on 18-11-2015/Lot 310.There is also an underglaze blue decorated, service that has the Laroche Coat-of-Arms with Yeomans in pretence, and there is both a cup and a plate from it which is held by the British Museum [See the Sir Augustus Wollaston Franks Index Cards under 'Franks.757.+']. This second service offers some variation in design to the famille rose dishes here. An example from it was offered in Christie's [Asian Art Live Auction 2786/Lot 197].Condition Report: Please note that there is damage to this lot. This includes: Areas of worn or degraded enamel, and areas of repair/re-gluing, cracking and/or deterioration.Two plates have long hairline cracks.Four have small chips to rim, one has 3mm chip to middle edge, wear to enamel, especially the birds. in the crests.
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