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Selection of camera equipment and books inc Ensign midget camera model '22', Olympus mju 140 zoom camera, Minox B sub-miniature, Staeble lens, Meritar lens, Polaroid pathfinder land camera, Kodak Retina Cameras, Techniques of Photography by Available Light, The Retina Way, Rollei Manual 4th edition, Mortensen on the Negative etc
* Sanderson Regular Hand and Stand Camera. Sanderson Regular Hand and Stand folding bed field camera, late 1920s, marked Sanderson Patents 4437 on front standard, Kodak Anastigmat 170mm f/7.7 lens and Kodak Ball Bearing Shutter, together with a selection of vintage cameras, lenses and accessories, including a J.H. Dallmeyer (London) ADON telephoto lens, circa 1905, Serial Number 68048, aluminium mount with rack and pinion adjustment, optics in good condition, 1950s Ensign Selfix 820 roll film camera (6x6 and 6x9) with Ross (London) 105mm Xpress f/3.8 lens and 8-speed Epsilon shutter with leather case, 1930s Ibsor D.R.P. (Deutsches Reichspatent) folding bed bellows camera, Serial Number 74208, with Steinheil (Munchen) Anastigmat Actinar 135mm f/4.5 lens, Serial Number 175144, 1930's Kodak Recomar 33 folding bed bellows 3 ¼ x 4 ¼ inch (9x12cm) plate camera with 4 plate holders and leather case, sports finder frame missing, Beck 6" f/7.7 Convertible Double Aplanat lens with pneumatic shutter, lens from Lukos III camera, Eastman Kodak lens marked "Patented Jan 6, 1897", Kodak Six 20 Brownie Junior camera with canvas case, Polaroid Swinger II instand land camera, late 1960s, Ilford Sprite Rapid camera, Weston Master II exposure meter, plus a selection of vintage Kodak and Ilford plates and holders, all untested and sold as seen. (Qty: a carton)
Harry Tasker's (Arnold Schwarzenegger) scuba gear from James Cameron's action comedy True Lies. Superspy Tasker used scuba gear to infiltrate the home of a suspected international criminal during a formal party. This costume includes a black metal-and-rubber diver's mask; a pair of rubber scuba fins; a black diver's vest with a pair of air canisters, a whistle and air-flow tubes; a black weight belt with seven weights; and a rubber €ËÅ“dry bag' with an air port. Also included are three Polaroid photographs from the film's production depicting the Harrier jet takeoff in the Florida Keys. This gear exhibits minor wear throughout, including a tear on the vest and some scuffing on the fins.£3000-5000 Ω *Contains electronics; see electronics notice in the Buyer's Guide
Continuity polaroids featuring Robin Williams from the production of Chris Columbus' family comedy Mrs. Doubtfire. A divorced actor (Robin Williams) used special-effects makeup to disguise himself as an elderly female nanny in order to spend more time with his children. These 27 Polaroid photographs were taken to keep track of continuity during the film's production. They feature several members of the cast and crew on the sets, and many photographs show Robin Williams both in and out of makeup. Each photo has a hole punched in one of its corners, causing some minor damage. Dimensions: 11 cm x 11 cm x 3 cm (4 1/4" x 4 1/4" x 1 1/4")£500-700 Ω Δ*Sold without copyright; see copyright notice in the Buyer's Guide
A set of hand-drawn Ron Cobb Dark Star concept sketches with a photograph from the production of John Carpenter's sci-fi comedy Dark Star. Four astronauts faced disaster on their starship 20 years into their mission to destroy unstable planets. These ship illustrations were rendered by special effects artist Cobb in graphite and ink on paper labelled "223 Ft.". They are presented with a 11.5 cm x 9 cm (4 1/2" x 3 1/2") colour Polaroid of a Dark Star model in an envelope marked "Polaroid Ship Design" and "Dark Star". The model was devised by Cobb and the film's special effects supervisor, co-writer, co-star, co-editor, and production designer, Dan O'Bannon. O'Bannon later incorporated visual and story concepts from Dark Star into his script for Ridley Scott's Alien. The photograph has a pinhole, and both pieces exhibit staining from age. Dimensions (in envelope): 45.75 cm x 30.5 cm (18" x 12")£1000-1500 Ω *Sold without copyright; see copyright notice in the Buyer's Guide
Walker Evans (American, 1903 - 1975). "Composition". Original vintage photogravure. 1974. Printed 1974. Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as issued. Fine, quality impression. Fine condition. Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 10 1/4 x 10 1/8 in. (260 x 257 mm). Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Walker Evans Archive, The Metropolitan Museum of Art. [24696-3-150]
Andy Warhol (American, 1928 - 1987). "Man Ray #8". Color offset lithograph. 1974. Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Overall size: 7 3/8 x 7 5/16 in. (187 x 186 mm). Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28811-1-500]
Sam Haskins (South African, 1926-2009). "Nude In-Camera Montage". Vintage color photometalgraph. 1975. Printed 1975. Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm). Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Estate of Sam Haskins. [24684-3-100]
Kishin Shinoyama (Japanese, b.1940). "House of Tattoo, Yokohama, Japan". Vintage photogravure. 1974. Printed 1974. Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as ssued. Fine, quality printing. Fine condition. Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/2 x 10 3/16 in. (190 x 259 mm). Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Kishin Shinoyama. [24701-3-225]
Jeanloup Sieff (French, 1933-2000). "Femme nue dans un endroit sombre". Vintage photogravure. 1974. Printed 1974. Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper High-grade white Bristol archival paper High-grade white Bristol archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 10 3/16 x 10 3/16 in. (259 x 259 mm). Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Estate of Jeanloup Sieff. [24702-3-600]
CHARLES BRONSON ARTWORK/PHOTOS/CASSETTE. Six items to include a 'No1. Wife In Britain' award drawn on A4 paper by Charles Bronson for his then wife Saira Rehman, to read '2002: No1. Wife In Britain 'Saira Ahmed, I am pleased to notify you that you have won the Wife Of The Year award. Your loyalty to your husband is 2nd to none. Also your beauty and intelligence is beyond belief. Congratulations. Salam, Charles Bronson' signed to bottom in black ink. Also to include a cassette tape 'For Saira' on which Bronson discusses a book on Gandhi, polaroid of Charles Bronson holding the book (writing to verso reads: Saira, Sami Bronson Copyright 2003), a 6x4" photograph of Saira Rehman with Bronson's mother (writing to verso reads: 'Don't you just love this one, she hugged me tight' in blue ink and 'Lovely x 'Best' in black ink), a black and white photograph of Bronson (to measure 8x10.5") and a coloured photograph of Bronson to measure 5.5x6.5".
A Hellenistic dolphin head vessel circa 3rd century BC terracotta, naturalistically modelled with a pierced strainer to the top, with a rim and two pierced lugs, the flat back with a short spout, 8.5cm high, 12.4cm long. Provenance Ingrid McAlpine, 1939 - 2018, London and Epsom. With an inventory card dated 16.6.93 and accompanying polaroid photo dated 15.06.93.
A lot of various camera and recording equipment to include Canon video camcorder, JVC camcorder in protective case, Canon camera with lenses, camera case and outer case, Polaroid 600 Land Camera complete with tripod and carry case. Together with Nikon digital camera and Canon IXUS500 digital camera
A Good Selection of Various Film, including Kodak Kodacolor VR200 (20), Ilford Mark V Motion Picture Safety Film (4), Polaroid 4x5 51, Polaroid 4x5 64T, Fujifilm Fujichrome Duplicating Film CDU Type II, Kodachrome 25 and more; NOTE: All out of date, however stored in freezer since purchase up until 19th August 2019

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5826 item(s)/page