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Andrew Millar Reflecting The Stars, 2020 Gilded polaroid with spraypaint Signed verso 15 x 10cm (5¾ x 3¾ in.) Andrew Millar is a British artist who uses gold and silver leaf, polaroid and paint to create moody, surreal collages. His pieces are delicate and detailed, capturing a haunting mixture of reality and fantasy. Also, Andrew applies 24k gold leaf to his polaroid collages by hand - which means no two are the same. We love the dreamy, Old Hollywood look that the artist achieves with his materials.
A Comprehensive Sinar 30 Limited Edition Carl Koch 233/300 4x5 & 8x10 Outfit, both 4x5" and 8x10" adapters included, together with Sinaron S f/5.6 210mm, Schneider Super-Angulon f/8 90mm, Schneider Symmar-S f/5.6 150mm and Rodenstock Sironar-N f/6.8 360mm lenses, complete with four 8x10 DDS, ten 4x5 DDS, extension rail, polaroid backs, bag bellows, adapters and more, all in maker's case
Artist: Josef Sudek (Czech, 1896-1976). Title: "Composition". Medium: Vintage photogravure. Date: Composed 1974. Printed 1974. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 12 3/8 x 9 13/16 in. (314 x 249 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Estate of Josef Sudek. [24703-3-100]
Artist: Horst Munzig (German, 20th Century). Title: "In Auvergne, France". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Horst Munzig. [24690-3-100]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Man Ray #8". Medium: Color offset lithograph. Date: Composed 1974. Dimensions: Overall size: 7 3/8 x 7 5/16 in. (187 x 186 mm).Lot Note(s): Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Comment(s): Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28811-1-500]
Artist: Sam Haskins (South African, 1926-2009). Title: "Nude In-Camera Montage". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Estate of Sam Haskins. [24684-3-100]
Artist: Francois Lamy (French, 20th Century). Title: "Rooftops". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Francois Lamy. [24689-3-100]
Artist: Sarah Moon (French, b.1941). Title: "Topless Ballet Dancer (Linoa Dagenais)". Medium: Vintage photogravure. Date: Composed 1974. Printed 1974. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 13/16 x 10 3/16 in. (198 x 259 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper High-grade white Bristol archival paper. Full margins, as issued. Fine, quality impression. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Sarah Moon. [24699-3-300]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Man Ray #2". Medium: Color offset lithograph. Date: Composed 1974. Dimensions: Overall size: 8 1/2 x 8 5/8 in. (216 x 219 mm).Lot Note(s): Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Comment(s): Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28805-2-600]
Artist: Minor White (American, 1908-1976). Title: "Tow Area". Medium: Vintage photogravure. Date: Composed 1974. Printed 1974. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 12 15/16 x 8 1/2 in. (329 x 216 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Trustees of Princeton University. [24705-3-600]
Artist: Oliviero Toscani (Italian, b.1942). Title: "Andy Warhol, Carnegie Hall Studio, New York City". Medium: Vintage photogravure. Date: Composed 1973. Printed 1974. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 10 13/16 x 9 1/8 in. (275 x 232 mm).Lot Note(s): Signed by the sitter [Andy Warhol] with an autograph signature in black marker; signed in the plate by the photographer. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Oliviero Toscani. [24704-3-800]
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Canape #2, Villa d'Este, Lake Como, Italy". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in black marker, lower left; signed and dated in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): A close-up of this image, one of Newton’s most popular, is the dust jacket photo for Newton’s legendary first book “White Women.” The print is very scarce and quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © Helmut Newton Foundation. [24691-3-1200]
Artist: Charles Eames (American, 1907–1978). Title: "Composition". Medium: Vintage color photometalgraph. Date: Composed 1975. Printed 1975. Dimensions: Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Chromecoat coated archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Comment(s): Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced from the SX-70 camera. In an effort to show that the SX-70 could successfully compete with traditional analogue cameras and film as a fine art medium, the company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Eames Office. [24682-3-400]
Hasselblad Accessories, including a 40185 Linear Mirror Unit, the unit enables a degree of parallel plane alignment better than two minutes of arc (2/60°) to be obtained between the camera and subject plane, 10, 21 55 (2) extension tubes, A16 fim back, Komura KMC Telemore 95, Arca Swiss 500C Polaroid back, 41092 film cutter, lens shade and two cable releases
A Cambo SC Monorail Camera, serial no 55927, body G, blob of resin on front of lens board, scratches to rail, edges, bellows G-VG, with Rodenstock 150mm f/5.6 Sironar lens, serial no 676469, barrel F-G, wear to shutter, aperture, shutter speed levers, light scratches to hood, shutter working, elements F-G, fungus to rear element, with Polaroid 545 Land film holder, three Fidelity Deluxe film holders, in aluminium case
A MPP Mk VI Micro Technical Camera, serial no 6167, with 5 x 4 rotating back for horizontal and vertical formats, body G, some wear to tripod mount, paint chips to back sight, clip missing from back viewing hood, hood adrift, bellows VG, with MC Rodenstock 180mm f/5.6 Sironar-N lens, serial no 9515054, in Compur 1 shutter, shutter working, barrel VG, elements G-VG, some internal dust, with Polaroid film slide, in leather case

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5826 item(s)/page