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Lot 13

AN ARCHAISTIC PALE CELADON JADE VASE, HUMing DynastyOf pear-shaped form, the exterior decorated with three principal registers of taotie masks, below shou characters and lappets, each section divided by vertical flanges, the shoulders set with lion head handles above kui dragon handles on the body.17.5cm (7 7/8in) highFootnotes:Provenance: a London private collection amassed between the 1970s and 1990s and thence by descent.A similar vase is illustrated by Rawson, Chinese Jades from the Neolithic to the Qing, London, 1995, p. 388, fig 6.For further information on this lot please visit Bonhams.com

Lot 15

AN ARCHAISTIC JADE TABLET, GUIBIMing Dynasty or laterCarved with an archaistic bi on one side incised with four taotie masks, flanked by a blade incised with curling waves over the base of the shaft, and a sprawling chi dragon turning to look down towards the bi, the reverse incised with a star constellation.14.5cm (5 3/4in) longFootnotes:Provenance: P.H. Plesch Collection [label]Mrs. Christian R. Holmes Collection [label]A London private collection amassed between the 1970s and 1990s and thence by descent.The combination of the gui and bi into a single object was part of the interest in archaism which arose from the Song Dynasty onwards. In the words of Jessica Rawson, who illustrates a Ming example Chinese Jade from the Neolithic to the Qing, London, 1995, p.92, fig.88, 'although no such combination of disc and pointed blade had existed, the attempt at the combination and careful rendering of the surface ornament indicate concern, if displaced, for historical accuracy' (p. 91). The Guyu tupu, compiled in 1176 by imperial commission, is the among the first such books on ancient jades to illustrate a guibi.This jade was collected by two important 20th Century collectors. Mrs. Christian R. Holmes (1871 – 1941) collected widely and lent pieces for major exhibitions of Chinese art held at the Royal Academy in London in 1935 and 1936. Professor Peter Hariolf Plesch (1918 - 2013), doctor to Albert Einstein, was a member of the Oriental Ceramic Society and known for his fascination with Chinese glass.For further information on this lot please visit Bonhams.com

Lot 608

A LARGE NEOLITHIC POTTERY OVOID JARProbably Majiayao Yangshao Culture Gansu 2300 - 2000 B.C.The brown and tan earthenware jar painted to the upper section in black with a series of curved swags above a wavy line, the shoulders with dot motifs in square painted panels with traces of red painting. 42.5cm (16 3/4in) highFootnotes:Property From a Distinguished Private Collection.Provenance: Purchased from Pao & Moltke in Toronto, March 2002, by repute.For further information on this lot please visit Bonhams.com

Lot 609

A LARGE NEOLITHIC OVOID JARProbably Majiayao Yangshao Culture Gansu 2300 - 2000 B.C.The brown and tan earthenware jar painted to the upper section painted in black with a series of curved swags above a wavy line, the shoulders with hatched painting in circles with traces of red painting. 42cm (16 1/2in) highFootnotes:Property From a Distinguished Private Collection.Provenance: Purchased from Pao & Moltke in Toronto, March 2002, by repute.For further information on this lot please visit Bonhams.com

Lot 272

Collection of metal detector finds, to include Neolithic, Roman, medieval specimens, musket balls, book bindings, tokens, shrapnel etc,

Lot 426

Three antique pottery vessels comprising possibly Roman, Neolithic and Chinese, tallest 28cm

Lot 878

Siamese Ban Chiang urn in earthenware with red sludge to be dated in the Neolithic period till Iron Age||THAILAND - BAN CHIANG - NEOLITHICUM tot IJZERTIJDPERK vaas/voorraadpot in aardewerk met typische beschildering in rood slib - hoogte : 26 cm De site van Ban Chiang werd in 1966 ontdekt en werd een "Unesco Heritage Site" in 1992

Lot 879

Siamese Ban Chiang urn in earthenware with red sludge to be dated in the Neolithic period till Iron Age||THAILAND - BAN CHIANG - NEOLITHICUM tot IJZERTIJDPERK vaas/voorraadpot in aardewerk met typische beschildering in rood slib - hoogte : 24 cm De site van Ban Chiang werd in 1966 ontdekt en werd een "Unesco Heritage Site" in 1992

Lot 880

Siamese Ban Chiang urn in earthenware with red sludge to be dated in the Neolithic period till Iron Age||THAILAND - BAN CHIANG - NEOLITHICUM tot IJZERTIJDPERK vaas/voorraadpot in aardewerk met typische beschildering in rood slib - hoogte : 20 cm De site van Ban Chiang werd in 1966 ontdekt en werd een "Unesco Heritage Site" in 1992

Lot 898

European neolithic Donau Culture maternity symbol in stone||EUROPA - DONAU-CUTUUR (5000 - 3500 BC) neolitisch vruchtbaarheidssymbool in een wit gesteente met de typische voorstelling van een vrouw - hoogte : 8 cm

Lot 899

European neolithic Donau Culture maternity symbol in stone with two holes, presumably to be worn as a pendant||EUROPA - DONAU-CUTUUR (5000 - 3500 BC) neolitisch vruchtbaarheidssymbool in een zwart gesteente met de typische voorstelling van een vrouw - hoogte : 11 cm met twee gaatjes, allicht om het als pendatief te dragen

Lot 899b

European neolithic Donau Culture maternity symbol in stone||EUROPA - DONAU-CUTUUR (5000 - 3500 BC) neolitisch vruchtbaarheidssymbool in een wit/rood gemarmerd gesteente met de typische voorstelling van een vrouw - hoogte : 11,5 cm

Lot 900

European neolithic Donau Culture maternity symbol in stone||EUROPA - DONAU-CUTUUR (5000 - 3500 BC) neolitisch vruchtbaarheidssymbool in een zwart gesteente (met bruinachtig residu) met de typische voorstelling van een vrouw - hoogte : 10,5 cm

Lot 181

A MIXED GROUP OF CHINESE ITEMS. To include a Scholar's rock of reddish porous rock on a carved wood stand; Two red and white Neolithic style glass figurine; A carved stone figure of Guanyin seated on lotus stand holding a ruyi sceptre; Together with a hollow cast bronze / brass seated figure of Buddha on a lotus base. 17 - 28cm tall. (5)Wooden stand to scholar rock with possible repaired sections. The other items in good general condition with surface wear only.

Lot 22

Collection of Neolithic hand tools found near to Stonehenge

Lot 27

A polished mottled dark green jade axe from the Neolithic period, 12cm. longProvenance: Private Collection Oliver Hoare (1945-2018)

Lot 362

Four Neolithic polished flint and stone axe heads, (4)Largest 25cm.Condition:Smallest is broken and missing a section

Lot 768

A necklace of beads, Neolithic, North Africa, length 70 cm. Hereby another necklace black / white and yellow beads, tot. 2x.

Lot 399

A lovely collection of hardstone bi discs (2) and zoomorphic beast carvings (3). Bi disc are some of the most fascinating decorative objects in Chinese art. These flat, circular disks were commonly used during the Neolithic period and the Shang and Zhou dynasties. The bi disc was usually made of jade, but also of other hardstones such as agate and jasper. The bi disc symbolizes a heavenly connection and was often used as a ritual object in ancient China. The bi disc usually has a circular hole in the center and is decorated with intricate designs and patterns.Size: L:40-135mm / W:85-110mm ; 625gProvenance: From United Kingdom / European estate collections and antique fairs; acquired between 1970 and 2010.

Lot 1

A collection of Neolithic tools, comprising a polished trapezoid axe head, probably Danish, 8.5cm, another axe head in basalt, 13.8cm, a Mesolithic axe head, 10.5cm, a flat blade or scraper, 11cm, and a large Neolithic flint core, 5000-2500 BC, probably from Le Grand-Pressigny, worked all over with the removal of numerous flakes, 22.5cm long, together with a Bronze Age style pottery beaker, 10.5cm, origin unknown although said to be from Shropshire (6)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 3034

3000BC-1800BC flint Neolithic scraper, L: 55 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

Lot 329

A Chinese terracotta funeral jar possiby neolithic period

Lot 801

Framed collection of 21 leaf shaped Neolithic period flint arrowheads

Lot 182

Maxwell Jones (20thC British School). Study of Neolithic standing stones, oil on canvas, signed and dated 1990, 50cm x 74.5cm.

Lot 279

Collection of Neolithic Hand Tools

Lot 4

Neolithic Pottery African Terracotta Bowl 17cm in Diameter

Lot 722

Flint Mines in Neolithic Britain by Miles Russell published by Tempus, hardback approx 18cm x 25. 5cm with dust wrapper. The dust wrapper shows just very slight signs of age, wear otherwise this book is in very good condition (see photographs). Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 25

A NEOLITHIC SCRAPING TOOL IN DESERT GLASS TEKTITE, From the Tenerean Culture, tool was worked circa 5,000 years ago. Fashioned out of ancient glass formed when a meteorite struck in the Sahara Desert.

Lot 23

A COLLECTION OF METAL DETECTING ANTIQUITY FINDS, to include Saxon animal broach, neolithic flint, medieval mounts, crotal bell etc. Two listed with portable antiquities scheme numbers: LIN-2D9OE6LIN-2F27B7

Lot 369A

Ten Neolithic Flint Arrow heads. Discovered in Algeria.Ten Neolithic Flint Arrow heads. Discovered in Algeria.

Lot 318

A Chinese stone axe, possibly Neolithic, 12.5cm l

Lot 386

Chinese pigment painted pottery two handled jar, possibly Neolithic, 23cms high (various surface marks, rim chips and touching in)

Lot 141

A Neolithic period stone carved axe head aprox 10cm long. Unsure of provenance or where this item was found.

Lot 344

A PAINTED POTTERY TWO-HANDLED JAR, NEOLITHIC PERIODChina, Majiayao culture, 3rd-2nd millennium BC. The compressed globular jar tapering towards the foot, surmounted by a cylindrical neck with everted rim, flanked by two loop handles, the shoulders and neck painted in black and red with medallions filled with a hatched design above a wave border.Provenance: From a private collection in Sussex, United Kingdom, assembled during the 1990s. Condition: Good condition, commensurate with age. Some old wear, traces of weathering and aging, firing flaws, encrustations, minor nicks, surface scratches, minuscule losses, one small hole and small chips to the mouth.Weight: 2,398 g Dimensions: Height 30.3 cmThe Majiayao culture was a group of smaller neolithic communities who lived primarily in the upper Yellow River region of eastern Gansu, Qinghai and northern Sichuan, China. The culture existed from c. 3300 to 2000 BC and marks the first time in history that the upper Yellow River region was widely occupied by agricultural settlements. It is famous for its painted pottery, which is regarded as a peak of pottery manufacturing at that time.Literature comparison:Compare a closely related pottery jar, dated to the Neolithic period, Majiayao culture, Machang phase, 2nd millennium BC, in the collection of the Metropolitan Museum of Art, accession number 1992.165.12.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 21 March 2019, lot 1218Price: USD 27,500 or approx. EUR 29,000 converted and adjusted for inflation at the time of writingDescription: A painted pottery two-handled jar, China, Neolithic period, Majiayao culture, Banshan type, 3rd millennium BCExpert remark: Compare the closely related form and decoration. Note the related size (39.4 cm).新石器時代彩繪雙係罐中國,馬家窯文化,西元前三至兩千年。罐泥質紅陶,口外侈,薄唇,球形腹,小平底,腹部兩側有豎耳。於橙紅色陶衣上繪黑彩漩渦紋。彩繪線條流暢。 來源:英國蘇塞克斯私人收藏,建立於上世紀九十年代。 品相:品相良好,一些磨損、風化和老化的痕跡、燒製缺陷、結殼、小劃痕、微小的缺損、一個小孔和口部的小碎片。 重量:2,398 克 尺寸:高30.3 釐米 馬家窯文化是一群較小的新石器時代民族,主要生活在中國甘肅東部、青海和四川北部的黃河上游地區。文化存在於西元前 3300 年至西元前 2000 年,這標誌著歷史上黃河上游地區首次被農業聚落廣泛佔據,以彩繪陶器聞名,堪稱當時製陶業的高峰。文獻比較: 比較一件 非常相近的馬家窯文化西元前二世紀新石器時代雙係陶罐,收藏於大都會藝術博物館,館藏編號1992.165.12。 拍賣結果比較: 形制:非常相近 拍賣:紐約佳士得,2019年3月21日,lot 1218 價格:USD 27,500(相當於今日EUR 29,000) 描述:新石器時代馬家窯文化公元前三千年半山系彩繪陶雙耳罐 專家評論:比較非常相近的外形和裝飾。請注意相近 尺寸(39.4 厘米)。

Lot 309

A GREEN JADE CEREMONIAL BLADE, NEOLITHIC PERIODChina, 3rd millennium BC. Of trapezoidal form with a straight upper edge and beveled lower edge, drilled with three apertures along the upper edge. The translucent stone of a pale green tone with grayish-white and brown shadings and cloudy inclusions.Provenance: From the estate of Ivar Bjoernberg. One side with an old label, '10'. Ivar Bjoernberg (1934-2021) was a noted art director from Stockholm, Sweden. He was friends with Victoria Lindstroem, a reputed dealer and collector of Chinese art, also based in Stockholm at the time. Bjoernberg worked at her gallery at a young age and when he eventually started his own collection, she mentored him. His collection was an academic one and it showed his keen eye, discerning taste and great passion for the aesthetics of Chinese art. Condition: Very good condition with ancient wear as well as tiny chips and nibbles which have smoothened over the centuries. Natural inclusions.Weight: 164.2 g Dimensions: Length 17.2 cmExpert's note: Jessica Rawson in Chinese Jade from the Neolithic to the Qing, British Museum, 1995, p. 184, discusses jade ceremonial blades and how they evolved from stone reaping implements.新石器時代青玉匕中國,西元前三千年。呈梯形,上緣直,下緣斜,沿上緣鑽三個孔。 淺青綠色調的半透明玉料,帶有灰白色和棕色陰影和絮狀物。 來源:知名瑞典斯德哥爾摩藝術經銷商Ivar Bjoernberg (1934-2021)舊藏,一面有舊標籤“10”。他與著名的中國藝術品經銷商和收藏家Victoria Lindstroem是好友,後者當時也居住在斯德哥爾摩。Bjoernberg 年輕時在她的畫廊工作,當他最終開始自己的收藏時,她給了他很多建議。他的收藏是學術性的,顯示了他敏銳的眼光、挑剔的品味和對中國藝術美學的極大熱情。 品相:狀況極好,有磨損以及經過幾個世紀磨平的細小磕損。 天然內沁。 重量:164.2 克 尺寸:長17.2 厘米

Lot 62

A VERY LARGE AND RARE BLACK POTTERY AMPHORA WITH APPLIED GILT-BRONZE BOSSES, LIFAN, HAN DYNASTYScientific Analysis Report: A thermoluminescence analysis report issued by Oxford Authentication on 4 May 2022, based on sample number C122d90, sets the firing date of two samples taken at between 1500 and 2400 years ago. A copy of the report, issued by Oxford Authentication, accompanies this lot. A copy of an associated report from Antiques Analytics, Institute for Scientific Authenticity Testing, dated 4 May 2022, written and signed by Dr. Robert Neunteufel, accompanies this lot.China, 202 BC to 220 AD. Heavily potted, the lozenge-form mouth rim tapering to form two wide strap handles above the neck with a finely incised and red-painted striated band to either side, the interior mouth with red paint as well. The ovoid body centered by spiral designs. Applied overall with conical metal bosses with beaded decoration.Provenance: From the private collection of Dr. Rudolf Leopold, and thence by descent. Dr. Rudolf Leopold (1925-2010) was an Austrian physician and important collector of art. He was born in Vienna and started actively collecting in the mid-1950s, with an early and major focus being works by Egon Schiele, whose paintings were available inexpensively at the time. Leopold acquired a catalog of Schiele's work in 1950 and became enamored with the artist's work, despite the fact that he was distinctly out of fashion. Pieces that he bought for little money would later be worth millions. Other Austrian artists he collected included Gustav Klimt and Oskar Kokoschka. A substantial part of his collection, numbering around 5,000 works of art, was purchased by the Republic of Austria and used as the foundation to create the Leopold Museum, of which the collector was made a director for life. Dr. Rudolf Leopold was also a passionate collector of Chinese works of art. Condition: Very good condition, commensurate with age. Old wear, minor firing cracks and other irregularities, small nicks here and there, the bosses with malachite and cuprite encrustations, drilled holes from sample-taking, some old repairs and minor touchups, all exactly as expected from an authentic piece with this age.Weight: 15.8 kg Dimensions: Height 58.5 cm The surface of the vessel has been shaped with tools and then burnished. This process of manufacture gives the jar its attractively rugged, yet carefully detailed and distinctive characteristics. The surface of the body is an amalgamation of complex curves with various convex and concave shapes.This type of black earthenware amphora was produced from the Warring States period and throughout the Han dynasty. It is assumed that the largest versions of these vessels, sumptuously embellished with gilt bronze bosses, were made during the pinnacle of this era, e.g. during the first half of the Han dynasty. As noted by Regina Krahl in Yuegutang, A Collection of Chinese Ceramics in Berlin, 2000, page 55, amphorae of this distinct type are characteristic products of the Western Sichuan province where they were made by non-Chinese peoples. Hence, this type of vessel is known as Lifan, named after the area of Sichuan province in the far west of China, in which such jars have been found.There are obvious stylistic similarities between these Lifan vessels and objects from much earlier periods such as the Neolithic cultures of Machang (c. 3000-2000 BC) and Xindian (c. 1500-1000 BC). Similar black ware food containers with two handles have also been unearthed in Dena County, Yunan, an area that was the home of the southwestern Yi tribe during the Spring and Autumn period.Expert's note: The present lot is an extremely rare example of an enigmatic type of ware. The most striking features of this amphora are its massive size and applied gilt-bronze bosses; the examples recorded in public and private collections are significantly smaller and most lack the bosses. It therefore seems very likely that only very few Lifan amphoras of this size were ever made, and even fewer have survived. In any case, this amphora is the first of its kind to appear on the market in a very long time.Literature comparison: Compare a related Lifan amphora with applied gilt-bronze bosses, dated to the Western Han dynasty, previously exhibited in the Portland Art Museum. Compare a related Lifan amphora, lacking the bronze bosses, 34.3 cm high, dated Warring States period to Han dynasty, in the Nelson-Atkins Museum of Art, object number F98-9.Auction result comparison: Type: Closely related Auction: Galerie Zacke, Vienna, 5 March 2021, lot 138 Price: EUR 56,880 or approx. EUR 64,500 adjusted for inflation at the time of writing Description: A black pottery amphora with applied bronze bosses, Han dynasty Expert remark: Compare the closely related form and decoration. Note that the applied bronze bosses are not gilt, as opposed to those on the present lot, and that the amphora is of significantly smaller size (33 cm).漢代黑陶嵌銅泡釘雙耳壺中國,公元前202年至公元220年。縮頸,壺口外撇,鼓腹,寬大的雙耳從壺口延伸到腹部。壺上鑲嵌泡釘。兩側各有一條紅色條紋,壺内也塗有紅色。 科學檢測報告:隨附牛津熱釋光檢測報告複印本,根據樣本C122d90,2022年5月4日測試結果,該拍品應爲1500-2400年前所製。隨附一份2022年5月4日由科學檢測研究所Dr. Robert Neunteufel出具的檢測報告複印本。 來源:Rudolf Leopold醫生私人收藏,保存至今。 品相:狀況良好,有磨損和鑄造缺陷,到處都有小缺口,銅綠包漿與結殼。因爲檢測進行樣品採集而鑽孔,一些缺損和小修,與其年代相符。 重量:15.8 公斤 尺寸:高58.5 厘米

Lot 308

A CELADON JADE DOUBLE RING PENDANT, HONGSHAN CULTUREChina, Neolithic period, 3500-2500 BC. Of double she (thumb ring) form, flanked by beak-shaped flanges, and pierced above the two circular apertures with two suspension holes. The smoothly polished, translucent stone of a celadon tone with areas of opaque creamy-white calcifications interspersed with gray speckles.Provenance: La Balaustra Antichita, Bologna, Italy. Paolo Bertuzzi, acquired from the above in 1997. A copy of the original certificate from La Balaustra Antichita, dated 2 July 1997, written and signed by Giuliana Zanetti, describing the piece as a jade pendant and dating it to the Warring States period, accompanies this lot. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Very good condition with minor old wear and minuscule nibbling overall. The stone with natural inclusions and fissures.Weight: 81.3 g Dimensions: Length 10.8 cmLiterature comparison:Compare a closely related jade pendant, dated to the late Neolithic period, see the Complete Collection of Jade Unearthed in China, Volume 2, page 210.Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 9 October 2020, lot 35Price: HKD 226,800 or approx. EUR 29,000 converted and adjusted for inflation at the time of writingDescription: A celadon jade three-hole plaque, Neolithic period, Hongshan cultureExpert remark: Compare the related form and color of the jade. Note the size (8.8 cm).紅山文化青玉雙環佩中國,新石器時代,公元前3500-2500 年。雙環形式,兩側有鳥嘴形凸緣,並在兩個圓形孔的上方穿有兩個懸掛孔。光滑拋光的半透明青玉,不透明的乳白色鈣化區域有灰色斑點。 來源:義大利博洛尼亞La Balaustra Antichita;Paolo Bertuzzi 1997年購於上述藝廊。隨附一份1997年7月2日 La Balaustra Antichita 出具的原始發票複印本一份,Giuliana Zanetti書寫並簽名,描述此拍品為玉佩飾,來自戰國時期。Paolo Bertuzzi是來自義大利博洛尼亞的時尚造型師。他是 Hettabretz 的創始人 Enrichetta Bertuzzi 的兒子,Hettabretz 是一家著名的義大利時裝公司,客戶包括羅斯柴爾德家族、奧黛麗赫本和伊麗莎白泰勒。 Paolo Bertuzzi 後來接手了他母親的生意並設計了獨家作品,其中一些作品在美國紐約大都會博物館服裝學院展出。六十多年來,他還是一位狂熱的古董收藏家。他的收藏包括古代和當代藝術,他編輯了兩本關於亞洲藝術的重要書籍,《Goa Made - An Archaeological Discovery》-關於義大利和印度尼西亞政府合作的大規模考古項目,以及《滿者伯夷-來自被遺忘王國的傑作》。 品相:狀況極好,整體有輕微的磨損、小刻痕,具有天然絮狀物和裂隙。 重量:81.3 克 尺寸:長10.8 厘米 文獻比較: 比較一件非常相近的新時代晚期玉珮件,見《中國出土玉器全集》,卷二,頁210。 拍賣結果比較: 形制:相近 拍賣:香港蘇富比,2020年10月9日,lot 35 價格:HKD 226,800(相當於今日EUR 29,000) 描述:新石器時代紅山文化青白玉三聯璧 專家評論:比較相近的外形和玉石顏色。請注意尺寸 (8.8 厘米)。

Lot 312

A DARK SPINACH-GREEN JADE CONG, LATE SHANG DYNASTYChina, c. 1200-1100 BC. The slightly convex thick-sided square-section facetted exterior is left undecorated, terminating in a short circular foot and mouth, the interior aperture of characteristic circular section. The highly polished, mostly opaque stone of gray and bluish-white color with areas of translucent dark green interspersed with black specks and white veins.Provenance: Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Very good condition with old wear, natural fissures, minuscule nicks, and minor chips, some of which have smoothened over time.Weight: 513.1 g Dimensions: Height 14.9 cmThe shape of the present cong is common in jade production dating from the Neolithic period to the Shang dynasty, which was characterized by a square outer section around a circular inner part. The tapered triangular segments at the corners below the mouth and foot are quite rare and a characteristic of later Shang congs. Heaven is symbolized as a circle and earth is a square. Although the precise meaning and function of the cong are, to this day, unknown, one interpretation is that it protected the body against evil spirits and malign influences.Literature comparison: Compare a related undecorated spinach-green jade cong included in the exhibition, Chinese Jade, An Important Private Collection, Spink and Sons, November 1991, in the catalog, no. 23. Compare a related cong of similar form in the British Museum illustrated by Jessica Rawson, Chinese Jade, London, 1995, p. 151, fig. 2. Auction result comparison:Type: Closely related Auction: Christie's Hong Kong, 4 April 2017, lot 167 Price: HKD 187,500 or approx. EUR 25,000 converted and adjusted for inflation at the time of writing Description: A dark spinach-green jade cong, Shang dynasty Expert remark: Compare the closely related form and especially the tapered triangular segments at the corners below the mouth and foot, as well as the smooth sides, fine polish, and dark spinach-green color. Note the smaller size (8.9 cm).Auction result comparison: Type: Related Auction: Sotheby's New York, 14 September 2019, lot 1325 Price: USD 21,250 or approx. EUR 24,000 converted and adjusted for inflation at the time of writing Description: A mottled beige and gray jade cong, Shang dynasty or later Expert remark: Compare the closely related form, with similar tapered triangular segments at the corners below the mouth and foot, and undecorated sides. Note the mottled beige and gray color as well as the smaller size (9.5 cm).商末深綠玉琮中國,公元前1200-1100 年。略微凸起的厚邊四方形,素面未加修飾,器兩端呈圓口形。高度拋光,不透明的灰色和藍白色玉料,半透明的深綠色區域點綴著黑色斑點和白色紋理。 來源:Paolo Bertuzzi (1943-2022年) 收藏。Paolo Bertuzzi是來自義大利博洛尼亞的時尚造型師。他是 Hettabretz 的創始人 Enrichetta Bertuzzi 的兒子,Hettabretz 是一家著名的義大利時裝公司,客戶包括羅斯柴爾德家族、奧黛麗赫本和伊麗莎白泰勒。Paolo Bertuzzi 後來接手了他母親的生意並設計了獨家作品,其中一些作品在美國紐約大都會博物館服裝學院展出。六十多年來,他還是一位狂熱的古董收藏家。 他的收藏包括古代和當代藝術,他編輯了兩本關於亞洲藝術的重要書籍,《Goa Made - An Archaeological Discovery》-關於義大利和印度尼西亞政府合作的大規模考古項目,以及《滿者伯夷-來自被遺忘王國的傑作》。 品相:狀況極好,有磨損、自然裂縫、微小的刻痕和小缺口,其中一些已經隨著時間的推移變得平滑。 重量:513.1 克 尺寸:高14.9 厘米

Lot 24

A GREEN JADE 'HORSE-HOOF' ORNAMENT, HONGSHAN CULTUREChina, c. 3500-2500 BC. The tubular form flaring towards the sloping top in the form of a horse hoof (mati), cut across at an oblique angle forming an arched profile to the rim, the narrower end pierced with two holes. The translucent stone of a variegated green and light brown color with darker speckles and russet veining.Provenance: From the collection of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Excellent condition with minor wear, few minuscule nibbles to the edges, the upper and lower rim uneven, the stone with few natural fissures, some of which may have developed into small hairline cracks over time.Weight: 264.6 g Dimensions: Height 12.9 cmLarge jade ornaments of this specific form were a product of the Hongshan culture, and examples have been recovered at the Niuheliang burial site in Liaoning province. While generally referred to as headpieces, Jenny F. So has recently suggested that they may have been worn on the forearm to protect the arm and wrist (Jenny F. So, Early Chinese Jades in the Harvard Art Museums, Cambridge, 2019, page 74). She cites an example worn on the forearm of the occupant of Site III at Niuheliang, and another recovered from the Bronze Age burial site at Dadianzi, in present-day inner Mongolia. Auction result comparison:Type: RelatedAuction: Bonhams Los Angeles, 21 June 2022, lot 30Price: USD 7,650 or approx. EUR 7,400 converted at the time of writingDescription: A yellowish-celadon jade hoof-shaped ornament, Neolithic period, Hongshan cultureExpert remark: Compare the related plain form. Note the smaller size (8.6 cm) and yellowish-celadon color.紅山文化青玉馬蹄形配飾中國,公元前約 3500-2500 年。管狀物件向上傾斜,頂部張開,如馬蹄狀,斜角切割,邊緣的拱形,較窄的一端穿有兩個孔。半透明石料,綠色和淺棕色紋理,帶有較深的斑點和黃褐色斑。 來源:Paolo Bertuzzi (1943-2022年) 收藏。Paolo Bertuzzi是來自義大利博洛尼亞的時尚造型師。他是 Hettabretz 的創始人 Enrichetta Bertuzzi 的兒子,Hettabretz 是一家著名的義大利時裝公司,客戶包括羅斯柴爾德家族、奧黛麗赫本和伊麗莎白泰勒。Paolo Bertuzzi 後來接手了他母親的生意並設計了獨家作品,其中一些作品在美國紐約大都會博物館服裝學院展出。六十多年來,他還是一位狂熱的古董收藏家。他的收藏包括古代和當代藝術,他編輯了兩本關於亞洲藝術的重要書籍,《Goa Made - An Archaeological Discovery》-關於義大利和印度尼西亞政府合作的大規模考古項目,以及《滿者伯夷-來自被遺忘王國的傑作》。 品相:品相極佳,輕微磨損,邊緣細微磕損,上下邊緣凹凸不平,輕微天然裂隙,部分裂隙隨著時間的推移可能發展成細小的裂紋。 重量:264.6 克 尺寸:高 12.9 厘米 這種特殊形式的大型玉器是紅山文化的產物,在遼寧省牛河梁墓葬遺址曾發現過一些相似物件。 雖然通常被認爲是頭飾,但 Jenny F. So 最近表認爲們可能曾被佩戴在前臂上以保護手臂和手腕(Jenny F. So,Early Chinese Jades in the Harvard Art Museums,Cambridge,2019年,74頁 )。她舉了一個牛河梁遺址 III 的前臂佩飾例子,以及另一個在今內蒙古大甸子青銅時代墓葬遺址中發現的例子。 拍賣結果比較: 形制:相近 拍賣:洛杉磯邦瀚斯,2022年6月21日,lot 30 價格:USD 7,650(相當於今日EUR 7,400) 描述:紅山文化新石器時代青黃玉馬蹄形配飾 專家評論:比較相近的形式。請注意尺寸較小 (8.6厘米),以及青黃色的玉石顏色。

Lot 306

A GREEN JADE 'CLOUD-SCROLL' PENDANT, GOUYUN, HONGSHAN CULTUREChina, c. 4000-3000 BC. Carved in openwork in the form of a stylized scrolling cloud subtly detailed with raised ridges and grooves on each side, pierced on top for suspension. The stone of a pale sage-green color with dense dark speckles and opaque white inclusions.Provenance: From the collection of Paolo Bertuzzi. According to collector's notes acquired in the European trade, ca. 1990. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out together with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Very good condition with minor old wear and minuscule nibbling here and there. Some encrustations and minuscule surface alterations.Weight: 71.3 g Dimensions: Length 12.4 cm Auction result comparison:Type: Closely relatedAuction: Sotheby's Paris, 10 June 2021, lot 82Price: EUR 17,640 or approx. EUR 19,500 adjusted for inflation at the time of writingDescription: A pale green jade 'cloud-shaped' pendant, Neolithic period, Hongshan cultureExpert remark: Compare the closely related form and color of the jade. Note the related size (11.3 cm).Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 27 November 2019, lot 2711Price: HKD 175,000 or approx. EUR 22,500 converted and adjusted for inflation at the time of writingDescription: A green jade 'cloud-scroll' ornament, Hongshan culture, circa 4000-3000 BCExpert remark: Compare the related form and color. Note the closely related size (12.3 cm).紅山文化勾雲紋青玉佩中國,公元前約 4000-3000 年。鏤空雕刻青玉佩,勾雲紋飾,每側均帶有凸起的脊和凹槽,頂部有孔用以懸掛。 淺灰青色石料,帶有濃密的深色斑點和不透明的白色班。 來源:Paolo Bertuzzi (1943-2022年) 收藏。Paolo Bertuzzi是來自義大利博洛尼亞的時尚造型師。他是 Hettabretz 的創始人 Enrichetta Bertuzzi 的兒子,Hettabretz 是一家著名的義大利時裝公司,客戶包括羅斯柴爾德家族、奧黛麗赫本和伊麗莎白泰勒。 Paolo Bertuzzi 後來接手了他母親的生意並設計了獨家作品,其中一些作品在美國紐約大都會博物館服裝學院展出。六十多年來,他還是一位狂熱的古董收藏家。 他的收藏包括古代和當代藝術,他編輯了兩本關於亞洲藝術的重要書籍,《Goa Made - An Archaeological Discovery》-關於義大利和印度尼西亞政府合作的大規模考古項目,以及《滿者伯夷-來自被遺忘王國的傑作》。 品相:狀況極好,有輕微磨損。 一些結殼和微小的表面變化。 重量:71.3 克 尺寸:長12.4 厘米 拍賣結果比較: 形制:非常相近 拍賣:巴黎蘇富比,2021年6月10,lot 82 價格:EUR 17,640(相當於今日EUR 19,500) 描述:新石器時代紅山文化青玉勾雲形珮 專家評論:比較非常相近的外型和玉石顏色。請注意相近尺寸 (11.3厘米)。 拍賣結果比較: 形制:相近 拍賣:香港佳士得,2019年11月27日,lot 2711 價格:HKD 175,000(相當於今日EUR 22,500) 描述:紅山文化青玉勾雲形珮 專家評論:比較相近的外型和玉石顏色。請注意非常相近尺寸 (12.3厘米)。

Lot 25

A CELADON AND RUSSET YELLOW JADE 'BIRD' AMULET, HONGSHAN CULTUREChina, c. 3500-3000 BC. Of flattened form, carved with protruding round eyes and proud chest, the outstretched wings subtly detailed with grooves and ridges simulating feathers. The reverse pierced with an aperture for suspension. The translucent stone of a striking yellow and pale celadon color with icy white inclusions and russet patches and veins.Provenance: From the collection of Paolo Bertuzzi, by repute acquired in the European trade ca. 1990. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Very good condition with expected old wear, few small nicks, some chips and obvious losses which have smoothened over time. The stone with natural fissures which may have developed into hairlines over time. Fine, unctuous patina.Weight: 36.1 g Dimensions: Height 4.6 cm Auction result comparison:Type: Closely relatedAuction: Sotheby's New York, 19 May 2019, lot 144Price: USD 32,500 or approx. EUR 37,000 converted and adjusted for inflation at the time of writingDescription: A green jade bird-form amulet, Neolithic period, Hongshan cultureExpert remark: Compare the closely related form. Note the size (3 cm).Auction result comparison:Type: Closely related Auction: Sotheby's Hong Kong, 22 May 2020, lot 5123Price: HKD 50,000 or approx. EUR 6,400 converted and adjusted for inflation at the time of writingDescription: A celadon jade 'bird' amulet, Neolithic period, Hongshan cultureExpert remark: Compare the closely related form and size (4.3 cm)紅山文化青玉鳥中國,公元前約 3500-3000 年。青黃色玉質,內部含有赤褐色紋理和冰白色内沁。玉鳥作正面展翅狀,頭部浮雕圓眼和尖喙,身軀朝上隆起,鳥尾末端平直,左右兩翼橫向開展,背部穿孔。 來源:Paolo Bertuzzi (1943-2022年) 收藏。Paolo Bertuzzi是來自義大利博洛尼亞的時尚造型師。他是 Hettabretz 的創始人 Enrichetta Bertuzzi 的兒子,Hettabretz 是一家著名的義大利時裝公司,客戶包括羅斯柴爾德家族、奧黛麗赫本和伊麗莎白泰勒。Paolo Bertuzzi 後來接手了他母親的生意並設計了獨家作品,其中一些作品在美國紐約大都會博物館服裝學院展出。六十多年來,他還是一位狂熱的古董收藏家。他的收藏包括古代和當代藝術,他編輯了兩本關於亞洲藝術的重要書籍,《Goa Made - An Archaeological Discovery》-關於義大利和印度尼西亞政府合作的大規模考古項目,以及《滿者伯夷-來自被遺忘王國的傑作》。 品相:狀況極好,有磨損,少量小劃痕,有一些缺損隨著時間的推移已經平滑。帶有天然裂縫的石料,隨著時間的推移可能會發展成細紋。包漿細膩。 重量:36.1 克 尺寸:高 4.6 厘米 拍賣結果比較: 形制:非常相近 拍賣:紐約蘇富比,2019年5月19日,lot 144 價格:USD 32,500(相當於今日EUR 37,000 ) 描述:新石器時代紅山文化玉鴞形珮 專家評論:比較非常相近的外型。請注意尺寸 (3厘米)。 拍賣結果比較: 形制:非常相近 拍賣:香港蘇富比,2020年5月22日,lot 5123 價格:HKD 50,000(相當於今日EUR 6,400 ) 描述:新石器時代紅山文化青玉鳥 專家評論:比較非常相近的外型和尺寸 (4.3厘米)。

Lot 322

A CELADON JADE 'CRANE AND LOTUS' PLAQUE, YUAN TO MING DYNASTYChina, 1279-1644. Well carved and finely reticulated to depict two cranes amid dense clusters of furled leaves and curved stems issuing lotus blossoms above neatly incised waves. The translucent stone of a good celadon tone with icy inclusions.Provenance: From an old private collection in Berlin, Germany, assembled before 1950. Condition: Good condition with minor wear, small nicks, tiny nibbles, and a minor chip along the edges, most of which have smoothened significantly over time. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks over time.Weight: 43.1 g Dimensions: Length 8.5 cmLiterature comparison: Compare two related plaques dated to the Yuan dynasty, one illustrated by James C. Y. Watt, Chinese Jades from the Collection of the Seattle Art Museum, Seattle, 1989, no. 40, and another in the British Museum, illustrated by Jessica Rawson, Chinese Jade from the Neolithic to the Qing, London, 1995, p. 335, fig. 1.Auction result comparison: Type: Closely related Auction: Christie's London, 12 November 2010, lot 1093 Price: GBP 3,750 or approx. EUR 5,900 converted and adjusted for inflation at the time of writing Description: A celadon jade oval plaque, Ming dynasty Expert remark: Note the smaller size (6.8 cm)元至明代青玉透雕蘆雁穿蓮紋佩中國,1279-1644年。透雕河塘莲花,一芦雁急飞入荷花丛中,气氛紧张,雕刻精细,磨工精湛,具有良好青色調半透明玉料,帶有白色絮狀物。 來源:柏林私人舊藏,建立於1950年前。 品相:狀況良好,有輕微磨損、小刻痕,沿邊緣有小磕損,隨著時間的推移,其中大部分已明顯平滑。帶有天然紋理和裂隙的玉料,隨著時間的推移,其中一些已經發展成細小的裂紋。 重量:43.1 克 尺寸:長 8.5 厘米 文獻比較: 比較兩件相近元代的鏤空雕玉佩,一件見James C. Y. Watt,《Chinese Jades from the Collection of the Seattle Art Museum》,西雅圖,1989年,編號40;另一件則收藏於大英博物館,見 Jessica Rawson,《Chinese Jade from the Neolithic to the Qing》,倫敦,1995年,頁 335,圖1。 拍賣結果比較: 形制:非常相近 拍賣:倫敦佳士得,2010年11月12日,lot 1093 價格:GBP 3,750(相當於今日EUR 5,900) 描述:明代青白玉佩 專家評論:請注意尺寸較小(6.8釐米)。

Lot 31

A RUSSET AND BROWN JADE NOTCHED DISC, XUANJI, LATE NEOLITHIC TO SHANG DYNASTYPublished: Friedrich Georg Zeileis, Ausgewaehlte Chinesische Jade aus Sieben Jahrtausenden (selected Chinese jades from seven millennia), 1994, pages 80-81, no. 64.China, c. 3000-1000 BC. The exterior rim carved as three arcs, each rising to a point and carved with raised teeth, the interior with a plain circle. The stone of a beautiful russet and honey-brown tone with dark veins.Provenance: A private collection in San Francisco, USA, 1980s. Friedrich Georg Zeileis, acquired from the above. Dr. Friedrich Georg Zeileis (b. 1939) is a retired physician who built an important collection of ancient Chinese jades and bronzes. He was also a pianist and composer, and published several books, as well as catalogs of his substantial art collections, including fine Chinese jades and bronzes. Condition: Condition commensurate with age. Old wear and tiny nibbles. The stone with natural fissures, some of which have developed into small cracks over time, with associated old fills.Weight: 58.8 g Dimensions: Diameter 9.7 cm (at the widest points)Literature comparison: Compare a related jade xuanji, 11.3 cm wide, dated Neolithic or Shang, 15th-10th century BC, in the British Museum, registration number 2022,3034.82, illustrated by Jessica Rawson, Chinese Jade from the Neolithic to the Qing, 1995, cat. no. 8.1. Compare a related jade xuanji, 13.9 cm diameter, dated to the Shandong or Henan Longshan culture, c. 2300-1700 BC, in the Museum of East Asian Art, Bath, record number 589. Compare a related jade notched disc, 15.6 cm diameter, in the Metropolitan Museum of Art, accession number 27.15.Auction result comparison: Type: Closely related Auction: Sotheby's New York, 18 March 2014, lot 123 Price: USD 75,000 or approx. EUR 85,500 converted and adjusted for inflation at the time of writing Description: A jade ritual notched disc (xuanji), Neolithic periodExpert remark: Note the significantly larger size (18.5 cm) Auction result comparison: Type: Closely related Auction: Christie's New York, 23 September 2022, lot 822 Price: USD 18,900 or approx. EUR 17,500 converted and adjusted for inflation at the time of writing Description: A rare pale green and beigish-brown jade notched disc, Northwest China, late Neolithic period-early Bronze Age, 3rd-2nd millennium BCExpert remark: Note the similar size (11.5 cm) Auction result comparison: Type: Closely related Auction: Christie's Hong Kong, 28 November 2018, lot 2709 Price: HKD 1,000.000 or approx. EUR 137,500 converted and adjusted for inflation at the time of writing Description: A Celadon Jade Notched Disc, YabiExpert remark: Note the slightly larger size (13 cm)新石器時代末至商代玉璇璣中國,公元前約3000-1000年。璇璣為扁薄體,近似圓形,光素無紋。中部一大圓孔,內緣規整,外緣為三個同方向旋轉的凸脊,間距相等,每脊間各有兩組分別三個齒狀鉏牙,鉏牙皆排列規整,保存完好。美麗的赤褐色和蜜棕色調玉石,帶有深色紋理。 出版:Friedrich Georg Zeileis,《Ausgewaehlte Chinesische Jade aus Sieben Jahrtausenden (selected Chinese jades from seven millennia)》,1994年,第80-81頁,圖 64。 來源:美國舊金山私人收藏,1980年代;Friedrich Georg Zeileis,購於上述收藏。Friedrich Georg Zeileis 博士(生於 1939 年)是一位退休醫生,收藏了一批重要的中國古代玉器和青銅器。他還是一位鋼琴家和作曲家,出版了數本書籍,並出版了大量藝術收藏品的目錄,其中包括精美的中國玉器和青銅器。品相:品相良好,有磨損和小刻痕,帶有天然裂縫的玉料,隨著時間的推移,其中一些已經發展成小裂縫,並有填充物。 重量:58.8 克 尺寸:直徑 9.7 厘米 (最寬處)

Lot 620

A PAINTED TERRACOTTA FIGURE OF A ZEBU, MATURE HARAPPAN PERIODIndus Valley Civilization, ca. 2600-1900 BC. The humped bull standing foursquare, its head with large eyes, a short muzzle, and long curved horns, the animal further modeled with a tail. The eyes, horns, neck, and back encircled by brown-painted stripes.Provenance: From the collection of Paolo Bertuzzi (1943-2022), who was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Condition: Good condition, commensurate with age. Extensive wear, minuscule nicks, minor smoothened losses, expected old fills and repairs, signs of weathering and erosion, and encrustations.Weight: 651.4 gDimensions: Length 16 cmThe Indus Valley Civilization was a Bronze Age culture in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilizations of the Near East and South Asia, and of the three, the most widespread. Its sites spanned an area from northeast Afghanistan and much of Pakistan to western and northwestern India. The civilization flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan. The cities of the ancient Indus were noted for their urban planning, baked brick houses, elaborate drainage systems, water supply systems, clusters of large non-residential buildings, and techniques of handicraft and metallurgy. Both Mohenjo-Daro and Harappa likely grew to a size of 30,000 and 60,000 individuals, and the civilization may have contained between one and five million total population during its florescence. It is also known as the Harappan civilization, after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province of British India and is now Punjab, Pakistan. The discovery of Harappa and soon afterwards Mohenjo-Daro was the culmination of work that had begun after the founding of the Archaeological Survey of India in the British Raj in 1861. There were earlier and later cultures called Early Harappan and Late Harappan in the same area. The early Harappan cultures were populated by Neolithic civilizations, the earliest and best-known of which is Mehrgarh in Balochistan, Pakistan. Harappan civilization is sometimes called Mature Harappan to distinguish it from the earlier cultures.Terracotta figures such as the present lot have been unearthed at Mohenjo-daro and Harappa, suggesting a commonality of style and purpose throughout the Indus Valley during the mature Harappan period (ca. 2600-1900 BC). In one excavated example from Chanu-daro a hole was poked in the belly, indicating that it would have been attached to a stick for use as a puppet or a small standard of the kind carried in the processions depicted on some seals. In others, the hole was indeed placed on the back of the animal, thus suggesting an alternative function, perhaps as part of a larger ensemble.Zebu cattle are thought to be derived from the Indian bos primigenius namadicus, a subspecies of the aurochs. Wild Asian aurochs disappeared during the time of the Indus Valley Civilization from their range in the Indus River basin and other parts of the South Asian region possibly due to interbreeding with domestic zebu and the resultant fragmentation of wild populations due to loss of habitat. Believed to have first been bred in northwestern South Asia, between 7000 and 6000 BC, they are understood to have been dispersed by 4000 BC and spread across much of South Asia by 2000 BC.Literature comparison: Compare a related painted terracotta figure of a unicorn, also dated ca. 2600-1900 BC, illustrated by Jonathan Mark Kenoyer, Cities of the Indus Valley, in Joan Aruz (ed.), Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus, 2003, no. 276, p. 390. Compare a related serpentine figure of a bull, 14.7 cm long, also dated ca. 2600-1900 BC, in the Metropolitan Museum of Art, accession number 1986.280. Compare two related terracotta models of a humped ox, 9 cm long, dated ca. 2500 BC, used to draw a toy chariot, in the Brooklyn Museum, accession numbers 37.96 and 37.97.

Lot 874

Stone Age, Neolithic polished hand axe, c. 2000 BC, trapezoid in outline with a rounded butt and curved cutting edge, 10.5cm x 5.7cm x 1.5cm. Light brown and green colour, good very fine £80-£100 --- Provenance: From a UK collection [bt 1980], but probably of Danish origin

Lot 51

A Map of Neolithic Wessex published by The Ordnance Survey Office Southampton 1932, shows some light signs of age / wear otherwise it is in a very good condition (see photographs) ,. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 3082

TWO CHINESE NEOLITHIC BRONZE GARMENT DECORATIONS (2) Tallest 4cm

Lot 475

European Donau Culture neolithic "Venus" (maternity) stone sculpture || EUROPA - DONAU CULTUUR (circa 5000 tot 3500 BC) neolithische sculptuur in steen : "Venus" (materniteitsfetisje) - hoogte : 8,5 cm uit een particuliere collectie van Brasschaat

Lot 474

European Donau Culture neolithic "Venus" (maternity) stone sculpture || EUROPA - DONAU CULTUUR (circa 5000 tot 3500 BC) neolithische sculptuur in steen : "Venus" (materniteitsfetisje) - hoogte : 11 cm uit een particuliere collectie van Brasschaat

Lot 484

European Donau Culture neolithic "Venus" (maternity) stone sculpture || EUROPA - DONAU CULTUUR (circa 5000 tot 3500 BC) neolithische sculptuur in steen : "Venus" (materniteitsfetisje) - hoogte : 10 cm uit een particuliere collectie van Brasschaat

Lot 483

European Donau Culture neolithic "Venus" (maternity) stone sculpture || EUROPA - DONAU CULTUUR (circa 5000 tot 3500 BC) neolithische sculptuur in steen : "Venus" (materniteitsfetisje) - hoogte : 11,5 cm uit een particuliere collectie van Brasschaat

Lot 118

Circa 1st century B.C. A carved marble herm boundary marker carved in the round as the bust of an adult male wearing a conical cap and with a full beard; dorsal pillar terminating behind the head. 7.3 kg, 31.5 cm high (12 3/8 in.). French collection, 1960s-early 2000s.From an important Paris gallery, France. Possibly an architectural element or herm: herma (Ancient Greek: ?????, usually called a 'herm' in English), is a sculptured stone block with a head and often a chest above an undecorated lower section on which male genitals may additionally be carved. From the Neolithic period onwards, in parts of Europe, divinities were worshipped in the form of either a heap of stones (cairn) or a wooden column. Piles of stones were created beside roads and at the borders of fields as they were cleared of pebbles, and religious respect was shown through the custom of each passer-by throwing a stone on the heap or offering a libation. In due course, the addition of a carved head (and phallus) to the column encouraged the belief that these monuments were especially favoured by divinities. A video of this lot is available to view on Timeline Auctions Website.]

Lot 248

Circa 10th-4th millennium B.C. A very finely polished axe with rounded sides tapering to a pointed butt with convex cutting edge in a mottled grey-green stone with white inclusions; with a custom-made wood stand bearing a label reading 'Neolithic Polished axehead 10,000-3,500 BC. / Originally from Musee Servaire. / Condat, France. Found in Brittany, Ploemel 1970s.' in three lines. 560 grams total, 20.3 cm high including stand (8 in.). Found Brittany, 1970s.Acquired 2019 from Musee Servaire (Museum), Condat, France.Property of a Sussex, UK, teacher. The workmanship and quality in the polishing on this axe is beautifully achieved; such axes, especially when in exotic materials such as seen here, were most probably intended for presentation or ceremonial use and were widely traded.

Lot 1190

A stone tool/Axe head, probably stone age or Neolithic, 5" long approx.

Lot 176

A CHINESE NEOLITHIC PAINTED POTTERY EWER, MACHANG CULTURE (2500-2000 BC). Rounded body leading into a tall cylindrical neck with gently everted rim and small strap handle. Decorated with geometric bands and roundels of crosshatching and swastika-like symbols. 20cm tall. Provenance: Property of a Lancashire family.No obvious signs of repair in good visual condition. Only one fine 4cm hairline to note on shoulder.

Lot 177

A RARE CHINESE NEOLITHIC PAINTED POTTERY 'DOUBLE CUP', MACHANG CULTURE (2500–2000 BC). The two cups are conjoined by a hollow tube section allowing liquid to pass from one cup to the other, with conjoined strap handles with pierced holes surrounding the both rims of the cups. 20.5cm length. Reference: For a very similar example see Bath East Asian Art Museum Vol.I of Inaugural Exhibition of Chinese Ceramics. Provenance: Property of a Lancashire family.No obvious signs of repairs in good visible condition for age.

Lot 184

A CHINESE NEOLITHIC PAINTED POTTERY JAR, MACHANG CULTURE (2500 - 2000BC). Rounded body with a widened midsection with tapered neck with two strap handles, decorated in black and red pigment with triangular lines. With Mary & Peter White Collection sticker to base, 3272. 13cm tall.Two opposing repaired sections to rim. No other signs of damage or repair.

Lot 186

A LARGE CHINESE NEOLITHIC PAINTED POTTERY JAR, MACHANG (C. 2300 - 2000 BC). Fairly heavily potted in a yellowish-brown pottery darkening in patches around the upper section with two sturdy looped handles at the waist and short neck and slightly everted rim. Decorated to the upper section with black and red pigment leaving two bands of squares in lines above zig zag with splashes to each section. 35cm tall.Good overall condition as expected with no obvious signs of repair. Checked under UV light.

Lot 187

A LARGE CHINESE NEOLITHIC PAINTED POTTERY JAR, MACHANG (C. 2300 - 2000 BC). Fairly heavily potted in a yellowish-brown pottery darkening in patches with two sturdy looped handles at the waist and short neck and flared rim. Decorated to the upper section with black and red pigment leaving a single band of squares in a line above zig zag line with spots to each section. 36.5cm tall.Repair to flared rim section with no other signs of damage or repair.

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