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Abuja pottery, Nigeria pouring vessel with celadon glaze mottled incised decoration to the shoulders. Unmarked. Height approx 11cm. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.
† SID TUSTIN (1914-2005) for Winchcombe Pottery; a slipware oil and vinegar set, height 14.5cm, a small bowl, diameter 13.5cm, a soup by Charles Tustin, and an early Winchcombe dish probably by Elijah Comfort or Michael Cardew, circa 1930, diameter 13cm (5).Provenance: Nancy and Andrew Ramage collection.Condition Report: Early dish had chip to rim and hairlines, otherwise appears good with no further signs of faults, damage or restorations.
† Attributed to MICHAEL CARDEW (1901-1983) for Wenford Bridge Pottery; a large stoneware open bowl covered in pale green/grey glaze with iron decoration, impressed marks (completely glaze filled), diameter 31.5cm.Provenance: Nancy and Andrew Ramage collection.Condition Report: Glaze has bubbled and burst in numerous places, otherwise appears good with no further signs of faults, damage or restorations.
† MICHAEL CARDEW (1901-1983) for Wenford Bridge Pottery; a small stoneware casserole covered in iron glaze, impressed MC and pottery marks (glazed filled), diameter 20cm (including side handles), with original receipt.Provenance: Purchased from Ruskin Antiques, Cheltenham, 1997.Condition Report: Some crazing and crawling of glaze to interior, otherwise appears good with no further signs of faults, damage or restorations.
Φ Michael Cardew CBE (1901-1983)a Winchcombe Pottery slip-decorated earthenware cider jar, slip decorated with a stylised bird between leaf motif, in sand-yellow on an umber ground,impressed seal marks, paper collection label39cm. high Provenancefrom an English private collection, Sussex. LiteratureMuriel Rose Artist Potters in England, Faber and Faber, plate 44 for a comparable example dated to 1936.
ARR Michael Cardew (1901-1983), a bowl in a light brown glaze with darker brown linear decoration, 27cm diameter and Sid Tustin (1913-2005) a jug in a green slip glaze with decorative lines, 12cm high and a Wenford Bridge Pottery lustre glazed jug with banded decoration, 13cm highChipping around the outer and inner rim and with an associated short hairline crack. Crazing to thick glaze in centre
AR * Cardew (Seth, 1934-2016) at Wenford Bridge. A stoneware plate, brushwork decoration to the rim with a bird and foliage to the well, over an off-white ground, impressed 'SC' and pottery seal to base, 27 cm diameterQTY: (1)NOTE:Seth Cardew was the eldest son of the famous potter Michael Cardew (who set up Wenford Bridge pottery in 1949) and brother of the composer Cornelius Cardew. He studied at Chelsea School of Art and at Camberwell School of Art. He took over Wenford Bridge Pottery following his father’s death in 1983.
Abuja pottery, Nigeria 2 small bowls with pale blue glaze. Diameters approx 14cm & 11cm. Both unmarked. No signs of damage to either piece. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.
Abuja pottery, Nigeria 2 small brown glaze bowls. One marked Echeta to base, impressed mark to base of smaller item. Diameters approx 15cm & 10cm. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.
Abuja pottery, Nigeria small plate with blue fish design on a green ground. Diameter approx 16.7cm. Impressed marks to the underside partially obscured by glaze. No signs of damage. In 1950 the Nigerian authorities asked Michael Cardew to become 'Pottery Officer' with the aim of improving the quality of the local work. He spent most of the next fifteen years there, having set up the Pottery Training Centre at Abuja.There were exhibitions of Abuja pottery in London in 1958, 1959 and 1962, and another in Lagos in 1960. Cardew and some of the African potters, notably Ladi Kwali, gave lectures and demonstrations in various parts of the world and Philip Rosenthal sponsored a European tour for them in the mid-1960s.
Michael CARDEW (1901-1983) Fruit bowl, grey glaze with brown decoration, a crane and vegetation on the interior and two cranes and vegetation in the top band of the sidesDiameter 24 cm, height 11 cmImpressed MC and Wenford Bridge Pottery seals Viewed under UV, there are no signs of any restoration. there are various lumps and firing flaws from when it was created, but in excellent condition overall.
Michael CARDEW (1901-1983) A lidded flour jar, brown and cream glaze with sgraffito band in black with the word FLOURCirca 1930Height 17cm including lidImpressed MC and Winchcombe Pottery seals Nibbles to the interior and exterior of the lip, as well as the handle to the lid. Glaze discolouration from firing.
A dark brown decorative teapot molded to imitate a cabinet hutch with mini tea set in Old Country Roses pattern with gilt trims. The lid is shaped as a newspaper with a green book on top. Michael Doulton signed. Royal Albert backstamp. Artist: Paul CardewIssued: 1996Dimensions: 6.25"L x 2.5"W x 4.5"HManufacturer: Royal AlbertCountry of Origin: EnglandCondition: Age related wear.
A whimsical decorative white teapot molded as cloth covered table, with a lid decorated with a mini teapot, teacup with saucer, and sandwiches. Adorned with the rose pattern decor and gilt accents. Michael Doulton signed. Royal Albert backstamp. Artist: Paul CardewIssued: 1996Dimensions: 6.25"L x 3.75"W x 45"HManufacturer: Royal AlbertCountry of Origin: EnglandCondition: Age related wear.
Autographs. An album of signed photographic publicity cards, c. 1950s, to include Laurel & Hardy; Morecambe & Wise; Peter Cushing; George Formby; Sooty & Harry Corbett; Frankie Vaughan; Spike Milligan; Peter Sellers; Frankie Howerd; Arthur Askey; David Nixon; Norman Evans; Donald Peers; Joyce Grenfell; Jack Buchanan; Dave Morris; Charlie Chester; Eve Boswell; Brian Reece; Eamonn Andrews; Avril Angers; Ethel Revnell; Michael Denison; Peter West; Arthur English; Pearl Carr; Cyril Stapleton; Douglas Cardew Robinson; Max Robertson; Peter Martyn; Harry Secombe; Wilfred Pickles; Benny Hill; Patrick Barr; Jimmy Edwards; Ruby Murray; Ronnie Hilton; The Four Aces; Beryl Reid; George Cole; Leslie Welch; Jimmy Wheeler; Robb Wilton; The Five Smith Bros.; Terry Thomas; Sam Costa; Billy Cotton, and others, some with a personal dedication to the album's owner. The album also includes a number of publicity cards bearing printed/stamped signatures, including Fred Astaire; Richard Attenborough; Laurence Olivier; Petula Clark; Donald Sinden; Jack Warner; Anthony Steel; Tony Curtis; Janet Leigh; Max Bygraves, and others, as well as many unsigned cards, including Marilyn Monroe; Marlon Brando; Humphrey Bogart; Alec Guinness; Burt Lancaster; Frank Sinatra; Elizabeth Taylor; Victor Mature; Grace Kelly; Rita Hayworth; Ava Gardner; Judy Garland; John Wayne; Audrey Hepburn, and others. Most of the publicity cards are postcard-sized (approx. 14 x 9cm), but around 30 are in a smaller format (approx. 9 x 6.5cm). The cards are corner-mounted and appear to be pasted centrally. Most of the cards are very good & bright, only a few have surface wear, and there is slight cockling to the pages from mounting. Quarto, green cloth album lettered in gilt, 'My Film Favourites', housing a total of 210 cards
† MICHAEL CARDEW (1901-1983) for Winchcombe Pottery; a slipware jar and cover partially covered in galena glaze with simple meander decoration, impressed MC and pottery marks, height 18cm, and an early Winchcombe Pottery dish probably by Elijah Comfort, circa 1930, diameter 19cm (2).Condition Report: Restoration to jar cover and shallow glaze chips and nibbles to jar rim, rubbing to dish rim and shallow chip to unglazed base, otherwise appears good with no further signs of faults, damage or restorations.
Michael Cardew (1901-1983) for Abuja Pottery - a studio stoneware footed table bowl, having a slightly rounded rim, ribbed body with stylised combed Tenmoku glaze, artist monogram and Abuja seal mark to outer edge of foot rim, dia.27.5cmApprox. 12x4mm surface chip to top edge of top rim.Small areas of roughness to interior surface due to glaze imperfections.Fine hairline to body of bowl, also running through footrim.Some light scuffs/scratches to glaze surface.
Michael Cardew (1901-83) for Abuja Pottery - Stoneware cup and cover, grey-green glaze with bands of striated decoration, impressed ‘M C’ and Abuja seals, 11cm high overallThe pottery in Abuja Nigeria was founded in 1951 by Michael Cardew in his capacity as Pottery Officer to the Nigerian colonial authorities. Cardew's established reputation ensured that the pottery quickly attracted international interest leading to acclaimed exhibitions in London 1958 and 1959
Gugong Bong, an Abuja studio pottery mug, circa 1967-71, tankard form, tenmoku glazed with spiral design to the body, conical based cylinder form with pronounced thumbpiece, impressed seal mark GB, 15.5cm high Note: an almost identical example of the same form with the same spiral motif is in the British Museum, formerly belonging to Sir David Attenborough; Gugong Bong trained under Michael Cardew, and his work is also in the Victoria and Albert Museum, London.
Michael O'Brien (b.1930) at Wenford BridgeJugslip glazeimpressed potter's and pottery marks16cm high; together with a Wenford Bridge plate, indistinct marks for Michael Cardew, and a preserve pot and cover (3). Overall condition is good. The small pot and cover has a minor chip to the rim underneath the lid. Some firing imperfections throughout.
MICHAEL CARDEW (BRITISH, 1901-1983)Vase, circa 1932Earthenware, white slip beneath an amber glaze with iron brushed and incised patterns.13.2 cm high, 16 cm diameter Impressed with artist's and Winchcombe Pottery seals.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Michael Cardew (1901-1983) for Wenford Bridge, a studio pottery plate with line decoration on a grey ground, a Ray Finch (1914-2012), Winchcombe Pottery, small bowl with brown banded decoration set four shields with mottled base, 10cm diameter and a Leach Pottery, St Ives cream ground plate with brown and blue ground decoration, 27cm diameter with impressed seal and England mark The smaller plate with some rim fritting. The larger plate and bowl in good condition
A collection of studio pottery. To include; Two Kolonyama pottery vases, one cylindrical, height 24cm, another rectangular, height 25cm, another cylindrical vase signed to base, a small brown speckled vase, possibly Michael Cardew, a small Jersey pottery vase, a jug, and a money box in the shape of a fish. (7)

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1094 item(s)/page